paper programmourning becomes electra: part two, athenaeum theatre, melbourne theatre company, eugene o'neill

Details regarding Christian Brothers schools in the 1950s supplied by Edmund Campion.Short play 70 minutes about the struggle for Catholics to educate the children in their new country. Photo copy of theatre programthe christian brothers, athenaeum theatre two, program, programme, melbourne theatre company, ron blair

Article states show may be last by Melbourne Theatre Company at Athenaeum Theatre. Play began as Melbourne Theatre Company Sunday Reading Cast included Beverley Dunn Marie Redshaw directed by Monica MaughamPhotocopied A4 sheets giving details of play athenaeum theatre, program, programme, the celebrated, athenaeum theatre two, melbourne theatre company, stephen gard

Flyer and Newspaper articlechoice of enemies, athenaeum theatre two, program, programme, mary dagmar davies

directed by Daniel Keene starring Linzee Smith Rhonda Wilson and John Butler. Staged with the assistance of the Australia Council St Martin's Theatre Company The Fitzroy Stars Gym and MavisFlyer & Newspaper cuttingthe fighter, daniel keene, the tide, melbourne athenaeum two, program, programme, australia council, fitzroy stars gym, st martin's theatre company

Australian premierStars Evelyn Krape as Sarah Bernhardt. After injuring her knee Bernhardt finally had part of the leg amputated but continued to perform. She was offered a circus tour in America in 1914-15 this play is based on those eventsafter the lions, athenaeum theatre two, program, programme, ronald harwood, sarah bernhardt, circus tour, america

The Mill Theatre CompanyProgram and Flyermedea, athenaeum theatre two, mill theatre company, jenny kemp, euripides

Assisted by the Australia Council, the Federal Government's Arts funding & Advisory Group Black and white theatre programcontains author autobiographymonsters, program, proogramme, athenaeum theatre two, kevin nemeth, slegehammer presents, australia arts council

contains an ethical quizcoloured programwogs out of work, athenaeum theatre two

Drawing by Ron Francis part Spollete Fringe festival presented by Theatre 33black and whiteaction, athenaeum theatre two, program, programme, sam shepard, theatre 33

coloured flyermistero buffo, program, programme, athenaeum theatre two, lenny kovner, dario fo

This project is assisted by the Australian Council ,the Federal government's Arts Funding advisory body and has been generously supported by the playbox theatre company Black and white pamphletwoman thy name is, athenaeum theatre two, program, programme, maggie millar, maud clark, june jago, kerry o'reilly

The one-man show was presented by Glenn Elston, Greg Hocking and Tim Woods starring Tom Barlow's one-man show.The performance was part of the Melbourne Fringe Festival for 1990.black ,pink and white coloured program in good conditionmy army, program, theatre de complicite, melbourne fringe festival, tim barlow, athenaeum theatre two

Coloured double-sided poster in blue yellow and white; good conditionthe front lawn, athenaeum theatre two, the age comedy festival

Vitalstatistix Theatre Company and Ford O' Connell Presents. Writer and performer Magaret Fischer Director Rose Clemente Designer Cath Cantalon LX design Maxine Le Guier Music Marianne Permezel & Justin PosaColoured Flyerathenaeum theatre, the gay divorcee

Newspaper review was sourced from The Melbourne Times Wednesday 6/7/94newspaper review and flyerchat-musical, melbourne times, soup kitchen theatre

Double-sided A4 page printer in colour all of me, permorming lines, legs on a wall

The Dates we sourced on the flyer were November 15 - 25 with night and matinee shows avaible. This Performnce was in association with AAustralian Drug Foundation, BE YOUR bEST. ,VICHEALTH, Playing Australia ,Arts Victoria ,Australiian Council of the Arts and Punt Hill Spirital Apartments .colored yellow and black flyer in the profile of someone wearing a paper bag on his/her head.back to back theatre, circus oz, freak show, athenaeum theatre two

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back

Brian was born in Melbourne in 1949. Early life was spent in the stimulating bush environment in Montrose. Ramon Horsefield saw a spark and Brian began to paint in oils at the age of thirteen. He contunued tuition with Graham Moore, in class and at night classes. An Art Diploma at Swinburne was not completed. This did not crush his creative spirit and he resumed tuition with Graham Moore. Within a few years he was winning prizes. Many and varied jobs allowed him to survive whilst aspiring to become a full time painter and bring up his growing family. In 1977 Brian resigned from his last employment as a picture framer. He leased a shop in Main St, Mornington and set up classes. Brian taught painting and had his own studio behind the school. Later he was to move and build his "bushland gothic" home in North Warrandyte. Here he developed his reputation as a painter. Brian had his first solo exhibition in 1979. Many more were to follow. He has won many prizes, was a finalist in the 1992 Moran Portrait prize. The Alice Bale Scholarship which he won, entailed a year traveling and studying in Europe. Brian returned home in 1996. Sharing his skills with many students over the years, he taught privately and at various art societies. His oils, pastels and charcoals capture the light of landscape, portrails and nudes. In 2012 it will be thirty-five years since Brian has had a "real job". At times this has been really difficult. He is now semi retired after suffering from Rheumatoid Arthritis for a decade. Now he paints what he loves to. His portraits capture the very essence of the sitter. In 2009 he remarried and moved back into the bushland of North Warrandyte. 'Duet' by Brian E. Armstrong was donated by the Artist to the Eltham Copper Butterfly Appeal Auction.Oil on canvas painting depicting a 'Duet' scene with two children. One is shown playing the flute whilst the other is playing the piano. The painting is fashioned in sombre colours and muted tones, with alternating tones of violet prominent.Signed- Brian E. Armstrong '87 On label - artist's name: Brian E. Armstrong Address: 844.2925 Title of Painting: Duet Medium: Oil on canvas On Frame: 82 enclosed in circle. 31 1/2. C Enclosed in circlebrian e. armstrong

Fred Moore was a long time holiday maker with a house in Robertson St, whose children continue to visit. This event is played on the long weekend in January and is very popular as non handicapped players can play. Draw for partners, no handicaps required, and it is a 12 hole event. It is the only time the practice tee is used in an official event, it is used as the first tee and the first becomes the 10th. Winners: 1961 F Calvert T Austin 1962 H McCulloch M Howard 1963 F Calvert T Austin, 1964 J Moore J Irvine, 1965 O Horn W Sinclair, 1966 B Nash H Lucas, 1967 P Nash T Austin, 1968 M Moore J Wilson, 1969 J Chirnside J Wilson, 1970 J Gray P Clark, 1971 D Irvine L Hobson, 1972 K Morrison B cook, 1973 G. Paton T Austin, 1974 K Harris DW Rogers, 1975 J Neville DW Rogers, 1976 F Calvert JS Irvine, 1977 S Clark TL Austin, 1978 J McNabb JS Irvine, 1979 S Cole DW Rogers 1890 J. Dowse, M Howard, 1981 N Kirby A Calvert, 1982 D Irvine J Swinnerton, 1983 N Wallace G Smith, 1984 J Armstrong J Mckenzie, 1985 J Howard L King, 1986 J Howard L king, 1987 H McCulloch P Sloan, 1988 W Mactier JS Irvine, 1989 D Irvine J McNab, 1990 D Smith D Whitehead, 1991 V Ryan F Carlin, 1992 V Hocking K Carroll, 1993 L Bourke C Campbell, 1994 M Scouller DH Bradshaw, 1995 R Whitehead M R Beer, 1996 Deb Calvert B Dumesny, 1997 F Beggs MR Beer, 1998 K Derham- Moore J McNab, 1999 A Deppeler G Smith 2000 V Beer T Pekin, 2001 J Hansson DH Bradshaw, 2002 SABeer CW Richmond, 2003 A Christian M Fisher, 2004 M Hesketh M Fisher, 2005 C Bell G Smith, 2006 T Smith P Watson, 2007 K Burl MBeer, 2008 J Manderson M Beer, 2009 A Gilson L Beer, 2010 L Hills B Dumesny, 2011 M Campbell D Dumesny, 2012 V Beer Dumesny, 2013 J Barrett M Bowden, 2014 C Cass G McGorlick, 2015 M McGorlick W Couch, 2016 C Leishman M Fisher 2017 C Bell D Laherty, 2018 J Barrett W Couch, 2019 J Muhor B Dumesny, 2020 M Hammond T Irvine, 2021 K Matheson H PetersSignificant because Fred Moore was a member and great supporter of the Golf Club. That weekend, the Australia Day long weekend, ia always a family weekend - the sandcastle competition is held, the tennis tournament is held, the cricket match against Timboon (played at Port Campbell) is played. This Canadian foursomes golf event is also held on this sporting weekend and is a very popular and social event. Two rectangular wooden honour boards, situated adjacent to each other, wih goldleaf namesList of winners of the Fred Moore Trophypeterborough, peterborough golf club, fred moore trophy, sporting honour boards, golf tournament

Stawell Football Club Team Premiers Wimmera League 1909. Photograph taken when a match played at Dunolly - between Dunolly and Stawell Premiers of Wimmera League, and Dunolly Premiers of Maryborough District League. Stawell winning by 5 points in 1909.Black and white photograph of a group of sports people. Three rows of people in sporting uniforms others in civilian dress with bowler hats. Taken against a background of a wooden building which has two large pennants hanging on it.BACK ROW (L to R) Alf Clearson, Bill Wilson, (Secretary S.F. C.), Fritz Thomson, Tom Mullins, Geo. Oliver (President 1910), Mat. Newton, Harry Peck, Ned. Walton, Tom Hunter, Gus. Mahnke, Bill McCullough, Bob Claringbold (President S.F.C. 1909), Frank Derry, Jim Wyatt, Roy Nettle, Jack Allison, Eddy Thomas, Hughie Dalziel, Dr. Fox, Archie Gilchrist, C. Murrells, Bill Tiddy. SECOND ROW, George (Piggy) Arnott, Herb Chester, Hughie Sparks, Paddy Doyle, Arthur Parsons (Captain) Bill Earle, Gordon Scriviner, Bert Crouch, Edgar Heal, Bert Errington, Fred Crouch, jack Thompson. FRONT ROW Ark Williams, Jackie Jackson or George Baylie. Match played at Dunolly between Dunolly and Stawell. Stawell Premiers of Wimmera League and Dunolly Premiers of Maryborough District League. Stawell winning by 5 points 1909.stawell sport

Used by children in the 1950’s and 60’s. could accommodate three children Not so common being double seated but much used by children for play Hand painted(red, white, blue) child’s tricycle with two hard metal seats, spoked wheels have perished rubber rims, chrome handle bars, rubber pedals. Has standing bar under the back seat

Square tin with wavy edge and blue lid and picture of children playing cricket on two sides and ladies sitting drinking tea on the other two.Bushells Limited Edition 2005 Collectors Series. "Australian Communities"