White cotton half petticoat with blue ribbon threaded through eyelets. Three layers of crochet lace on overlap at hem edging. Tape ties at waistcostume, female underwear

White cotton bust bodice with deep edging of crochet lace at neck and on short sleeves. Blue ribbon threaded through eyelets at neck. Buttoned at waist.costume, female underwear

White cotton tea cover with pulled thread embroidered surrounded by button hole embroidery. Two semi-circle pieces joined together with blue ribbon.handcrafts, needlework, manchester, table linen

Long white cotton nightdress with cotton mesh lace forming neck and shoulder. Pin-tucking at edge of lace. Diamond shaped pin-tucking at waist. costume female nightware

Bendigo Easter Fair souvenir flag, white cotton fabric with blue borders, wording Bendigo Easter Fair Souvenir and a depiction of a Dragon, on a wooden handle.flags, events, easter fair

White cotton octagonal lace edged supper cloth, hand embroidered with white flannel flowers and green leaves. Crotched lace edging into punctured holes. supper cloths, household textiles, table linen

This dress belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with with Darren, Jenny and their three children.White cotton high-waisted maxi dress printed with black spots and trimmed with red rickrack. Elbow length sleeves. Fastens with centre back zip.Label, printed black on white acetate, centre back: JILLIAN / OF / MELBOURNE1970s fashion, maxi dress, bernice overend, overend family, chevy chase, brighton, melbourne designers, jillian of melbourne

This nightgown was made by Vasiliki Raftopoulos around 1900 for her daughter Toula's trousseau. Born in Ithaca, Toula's family migrated to Romania when she was only a baby. In 1914, Toula emigrated to Australia with her husband Constantine Mavrokefalos, where their daughter Olga Black was born in 1930. Olga is a longtime Brighton resident. BHS holds a collection of garments and textiles made by the women of Olga's family, spanning four generations. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Women's white cotton nightgown, long with three quarter sleeves. Cotton lace on front and sleeves. Front fastening buttons. Pintucked with eyelets around neck.nightgown, toula black, toula mavrokefalos, vasiliki raftopoulos, olga black, 1900s, trousseau

Two white baby bibs: one is silk crocheted and the other is made of white cotton with two embroidered outlines of ladies wearing purple bonnets - c1920.baby clothing, baby bibs

'N. Batten' name tag on the inside of the back opening.A long white cotton and lace child's nightgown with lace trimmed sleeves. It has long cotton ties at the waist, an open placket at the back with a cotton tie.'N. Batten' name tag on the inside of the back opening.nightdresses, nightwear

A long white cotton and lace child's nightgown with sleeves with lace trim. It has long cotton ties at the waist and an open placket at the back with cotton ties.nightdresses, nightwear

White cotton rectangular embroidered tray cloth. Has two blue embroidered bluebirds in floral circles. Finished with a scalloped crocheted edge in white and blue.table linen, tray cloths

White short sleeved dress, with pink velvet ribbon around the waist. Has pink/white embroidered flowers. Chiffon overlay with white cotton lining.dresses, girls clothing

Christening dress donated by Kilmore familyWhite cotton, short sleeves with drawstrings, gathered waist, broderie anglaise triangular shaped bodice detail, broderie anglaise trim to skirt. Excellent conditition.child, christening

White cotton camisole with short sleeves. Has pin tucking on front peplum, with royal blue ribbon threaded through eyelet lace drawstring at neck. camisoles, underwear

This hooped petticoat or underskirt was worn in the 1950's under full skirted evening wear. Mt Beauty had a vibrant social life during this period with many balls and dances throughout the year.This garment was worn by Margaret McKendrick (nee Vyner) who was born and lived in Tawonga, then Mt Beauty.White cotton tiered under skirt with double hoops at the bottom. The skirt is gathered at the waist and falls to the floor. The waist has a drawstring (ribbon) which is tied at the back.The name "M.McKendrick Mt Beauty" is written in blue ink or texta around the inside of the waistband.petticoat. underskirt. hoop. evening dress. ball gown. mt beauty. entertainment.

This lady’s cotton full length nightdress is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the dressmaking and lacework skill of the women of these families Lady's white cotton, Full Length , V neck, sleeveless nightdress with lace shoulder straps and bodice. The bodice has pintucks and front bone buttons at opening.clothing, needlework, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, milne meryl, dairy farms, fruit orchards

The full costume used traditionally by ladies in the 16th to 19th century AD. Now used in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Girl's white cotton dancing costume dress, with embroidery along neck, sleeves and bottom of dress. Part "A" of a four piece costume. Four in Thessaloniki Association's possession.girl, dancing, costume, dress, βλαχοπούλα, φόρεμα, greek

This quilt was produced by Wooltara (Australia) Pty Ltd for the Sydney Olympic and Paralympic Games in 2000. Over 24,000 similar quilts were distributed throughout the athletes village and given away to athletes, international media and officials.Quilt, wool, single bed size. Quilted cotton cover in various shades of blue, filled with wool. Housed in a white cotton drawstring satchel printed with logos.Wording: SYDNEY 2000 / WOOLMARK; Method: Printed; Location: Frontwoolmark company wooltara (australia) pty ltd, sport, sydney 2000 olympic games, quilt, wooltara, athletes

Used by Mrs Christiana Cock, mother of Lesley Ricketson.White cotton oblong cover, crochet around white floral embroidery on one side and sauce embroidered on other side. Two slits, probably tied with a ribbon.manchester, table linen, domestic items, food & drink consumption, sewing, table setting

Victorian 1850-1880 machine knitted stockingsMachine knitted stockings made of white cotton. The heels, toes and the top of the stockings are a plain knitted rib. The rest of the foot, ankle and calf feature a lace pattern. no markingsclothing accessory, knitting machine

White cotton Nightdress with short sleeves. Blue embroidered edging on neck and sleeves. Blue cutout embroidery on bodice and sleeves. Blue ribbon threaded through eyelets.costume, female nightwear

White cotton infant's nightdress with long sleeves. Lace around neckline and sleeves. 3 rows of small embroidery in front and long ties. Tape ties at neck.'NH' embroidered inside hemcostume, female nightwear

Laundered 30/10/1999White cotton christening gown with short cap sleeves. Intricate embroidery down front of gown starting from small point and widening down to hem line'HN'costume, infants'

White cotton rectangular embroidered tray cloth. Blue embroidered "Teas here". Blue teacup and saucer embroidered in opposite corner. Blue crocheted scalloped border.table linen, tray cloths

Mass produced.Two white cotton towels: 937 has a floral pattern woven into it, 938 is made from terry towelling with blue and red bands at each end with tassels938 has laundering mark 'EGS'towels

'Souvenirs in relation to the Chalet and Mount Buffalo were first mentioned in December 1912... A large range of souvenirs has since been associated with the Chalet and Mount Buffalo from crafted wooden items, silver spoons, cups etc... The collection includes a broad selection of products that have been sold throughout much of the Chalet's history, each representative of the transient fashions of their period.' (Pg 114. Historica) Manufactured as a souviner of MtBuffalo. Intended to be used, sewn onto a jacket sleeve. Purchased from an opportunity shop and donated.Listed in Draft Inventory of Significant Collection Items . Appendix A.3. Souvenirs. (Pg 168. Historica).White cotton badge in a shield shape. Has blue machine embriodery around edge and sewn in the centre to represent a snowflake. "MT.BUFFALO" is embriodered in red across the top."MT.BUFFALO"