These cotton reels were owned and used by Helena Warren of Newmerella. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).Helena Warren was a popular Orbost identity who was well known as an accomplished photographer and needleworker,Four wooden cotton reels. 2495.1 is an empty reel with paper labels at both ends. " Best Linen lace thread Barbours No 50 200 yards Wm Barbour & Sons Ltd Lisburn Ireland" 2495.2 is a wooden reel with thick linen thread. On one end " H11 underlined" 2495.3 is a narrow wooden reel with white thread and grey wound over it. It has paper labels at both ends. " J. & P. Coats 500 yards No 50 457 metres - Chain Brand Mercerised Cotton MR WHITE" 2495.4 is a wooden reel with synthetic thread - one paper label. "J. & P. Coats 6 Cord 200 yards 40 183 metres"needlework cotton-reels warren-helena

The certificate relates to William John Turner Bendigo RSL Sub Branch. On the day the award was given Sir George Lansell acted on behalf of the President of the Benevolent Home Jtn Smalley. Another Life Govenorship was also give to Mr D.T. Langlands at the same time for the same work with the RSL. Refer Cat No 8029 for details re this award and other RSL work and fund raising. Refer Cat No 8030 for details re his RSL Committee details and WW1 service history.Framed certificate, frame is timber gold colour, certificate backing is maroon, certificate is light fawn colour with ornate edging, at the top “Bendigo Benevolent Home - Life Govenor” followed by details of the award, all print in blue & black, signed and dated, a red seal is in the bottom RH corner.Main points: “We certify that Mr W.J. Turner was duly appointed Life Govenor of this Institution on 14th October 1953” “J. Smalley President” “H. Truscott Vice President” “ ................... Hon Treasurer” “ J.H. Perryman Secretary”brsl, smirsl, life govenor, certificate

These three flour bags belonged to Helena Warren (nee McKeown) who was a self-taught photographer who became the local press correspondent and producer of postcard images. She was married to William John warren and lived in Newmerella. Flour bags were used for bulk purchases of flour in early to mid 20th century. They would have been laundered and re-used for storage. In earlier times empty flour bags were washed and boiled and then made into tea towels or children’s bloomers, or underwear. The flour bags are good examples of packaging and design for Australian produce which sold across Australia and overseas in the mid 20th century. Three rectangular, open calico flour bags. 2491.1 is faded and has red and green print sketch of a fir tree with mountains in the background- "McAlpin's, Containing "Aerophos", Self-Raising Flour; "There's No Other". 2491.2 has similar print with a red stalk of wheat and "7lbs Net" and a C inside a triangle. 2491.3 has yellow background inside a rectangular frame with black print - "Tested ; Self-Raising Flour"; a drawing of a wheat field; "Medallion Brand ; Groves McVitty & Co Pty Ltd' 8 Market Street Melbourne.flour-bags warren-helena mcalpin mcvitty food-storage

This felt deer was made by Helena warren of Newmerella. The deer was exhibited in the Royal Melbourne Show in the 1950's. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).This object reflects the needlework skills of women in the early to mid 20th century. This item also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A handmade felt toy fallow deer which is light brown with darker brown spots. It has dark brown antlers, dark brown feet and plastic eyes.handcrafts needlework warren-helena

The Life Membership relates to William John Turner Bendigo RSL Sub Branch. Refer Cat No 8029 for details of his work and fund raising for the Sub Branch. Refer Cat No 8030 for details re his Committee involvement with Bendigo Sub Branch and his WW1 service history. The Unit Social Clubs listed in an RSL Bendigo Annual report 1946 appear to be 6th, 38th, 57th Bn Associations, Railways Sub Section, Catholic War Veterans Association, POW Association (new member 1947).Framed certificate, frame is timber gold colour, backing for the certificate is maroon colour, certificate has ornate blue edging, RSL logo at the top followed by the details of the certificate, all print in black, signed and dated.Main points; “Inter Units Social Club - Life Members Certificate - Presented to Mr W.J. Turner for services rendered to the above club” “R C. Kuryke President” “H Skinner Secretary” Dated 28.3.1960”brsl, smirsl, certificate.

The Springthorpe Memorial is the most important monument in the Boroondara General cemetery. It commemorates Annie Constance Springthorpe (nee Inglis), the wife of Dr. John Springthorpe (1867-1897). Following his wife’s death, Dr john Springthorpe worked with John Longstaff to produce a book, entitled ‘In Memoriam’ for his personal collection, for his children and for immediate family members. Designed by Longstaff, it contained poems, photographs, drawings and idealised memories of Annie and their life together. This is one of two copies of In Memoriam in the collection of the Kew Historical Society. It is believed to be one of eight copies held in public collections. Copies catalogued on Trove include one at the State Library of Victoria and another at the University of Melbourne. As such these two copies are historically, aesthetically, and spiritually significant with the added factor of their rarity. ‘In Memoriam: Annie Constance Springthorpe’ (Verses in memory of Annie Constance Springthorpe), compiled by John William Springthorpe and illustrated by J. Longstaff : 28 p. : ill., ports. ; 26 x 32 cm. non-fictionInscribed on frontispiece to the Misses Moore.john longstaff, annie springthorpe, springthorpe memorial, boriondara general cemetery, john springthorpe

The Springthorpe Memorial is the most important monument in the Boroondara General cemetery. It commemorates Annie Constance Springthorpe (nee Inglis), the wife of Dr. John Springthorpe (1867-1897). Following his wife’s death, Dr john Springthorpe worked with John Longstaff to produce a book, entitled ‘In Memoriam’ for his personal collection, for his children and for immediate family members. Designed by Longstaff, it contained poems, photographs, drawings and idealised memories of Annie and their life together.This is one of two copies of In Memoriam in the collection of the Kew Historical Society. It is believed to be one of eight copies held in public collections.‘In Memoriam: Annie Constance Springthorpe’ (Verses in memory of Annie Constance Springthorpe), compiled by John William Springthorpe and illustrated by J. Longstaff : 14 p. : ill., ports. ; 26 x 32 cm.Presentation copy: Name scratched outdr. john springthorpe, springthorpe memorial, john longstaff, annie springthorpe, boroondara cemetery, kew cemetary, crypt

Various documents located within the 'J Evans Collection' (Original Box 6). . A. Shire of Marong - Valuation Notice to Mr John Evans, Sydney Flat August 1913; b Examination questions for Subject X - Inorganic Chemistry May 1888 (Examinaers names and Professor's names given - where??; c. Letter from Office and Lands and Survey to Mr John Dolman Junior, Kamarooka re failure of application for a lease in the area; d. Letter to Mr Evans from Annie Murray, Chum Street re request for meeting re house and meeting with bank manager (on bereavment card?!!); e. part of page (handwritten) re Crown Grant in the name of Isabel Evans (title details).; f. Certificate of Marriage between William Johns and Charlotte Stewart , 6th March 1893, Eaglehawk.ephemera, mementoes, general interest

Three Polling Lists with names of shareholders, dated 22/4/29, 10/9/1930 and 3/11/1932. Harry Francis Longstaff, William Hall Russell, Charles Handschin, Consortium Hanro, Catherine Hunter, Favaloro Bros, George Victor Lansell, Edith Lansell, William Wright, William John Stephens, Audrey Edith Lansell, Marie Gwendoline Lansell, Patricia Hope Lansell, Alexander Lewis Goldie, Lillie Goudie McGregor, Herbert Keck, Smalley Balmer and Cook, William Bowman Neill, Ronald Alexander Rankin, John Jepson Stanistreet, Eugene Bloch, William Crowley, Mabel Gittins, Mary Anderson, Kenneth Smalley, John Raeburn Balmer, William Reddish Cook, Domeric Favaloro, Katie Blochhanro, clothing, share register

Summary of share capital and shares of the Hanro (Aust.) Bendigo Knitting Mills made up to the tenth day of September 1930. The list contain the names, addresses and occupations. Names: Harry Francis Longstaff, William Hall Russell, Charles Handschin, Consortium Hanro, Catherine Hunter, Favasloro Bros, George Victor Lansell, Edith Lansell, William Wright, William John Stephens, Audrey Edith Lansell, Marie Gwendoline Lansell, Patricia Hope Lansell, Alexander Lewis Goldie, Lillie Goudie McGregor, Herbert Keck, Smalley Balmer and Cook, William Bowman Neill, Ronald Alexander Rankin, John Jepson Stanistreet, Eugene Bloch, William Crowley, Mabel Gittins, Mary Anderson, Kenneth Smalley, John Raeburn Balmer, William Reddish Cook, Domeric Favaloro, Katie Blochhanro, clothing, share register

Summary of share capital and shares of the Hanro (Aust.) Bendigo Knitting Mills made up to the Twenty Second day of October 1931. The list contain the names, addresses and occupations. Names: Harry Francis Longstaff, William Hall Russell, Charles Handschin, Consortium Hanro, Catherine Hunter, Favasloro Bros, George Victor Lansell, Edith Lansell, William Wright, William John Stephens, Audrey Edith Lansell, Marie Gwendoline Lansell, Patricia Hope Lansell, Alexander Lewis Goldie, Lillie Goudie McGregor, Herbert Keck, Smalley Balmer and Cook, William Bowman Neill, Ronald Alexander Rankin, John Jepson Stanistreet, Eugene Bloch, William Crowley, Mabel Gittins, Mary Anderson, Kenneth Smalley, John Raeburn Balmer, William Reddish Cook, Domeric Favaloro, Katie Blochhanro, clothing, share register

Brown and blue soft covered book featuring three faces. Contents include: David Caro, David James, Kerry Cox, Camp Street Arts Precinct, Canadian Wetlands, John Keller, Naming of the W.J. Gribble, establishment of University Brewery, Aboriginal Education Centre, Ray Over, William Pryor, John Brumby, IBM Global Servicesuniversity of ballarat, brewing, brewery

John William HARKIN. No. 170317, Enlisted 27.06.44, Age 18. Discharged 6.12.48. Rank of LAC in 381 (B)SQD.1. Dress coat - navy blue colour wool fabric, black colour, cotton lining with beige colour cotton lining to sleeves. Buttons - black colour bakelite with metal shank, emblazoned with the King's Crown and a Wedgetailed eagle in flight WW2. On sleeves - Australia shoulder patch with wings and a propeller patch. Right sleeve - gold, blue and red colour "British Commonwealth Forces" patch. Makers label back below collar. 2, Trousers - navy blue colour wool fabric, owners label inside back, 5 button fly. 3. Trousers - navy blue colour wool fabric, makers size label inside back, 4 button fly.1. Maker's label - red embroidery on cotton fabric "M TX/ Size 18". Handwritten black ink "HARKIN'. 2. Owner's label - black ink on cotton "HARKIN/JW/ R.A.A.F." 3. Maker's label - blue ink print on cotton "N384/1942/ SIZE 24". Maker's label on back of trousers - dark blue print on paper - "AIRMEN'S/ TROUSERS'/ 18oz/ Size 24/ Waist 37../ Height 5'9"to 5'10". Black ink stamp "I/ E.C."uniforms, raaf, ww2

Photograph of studio portrait taken of Jeanie Richardson, wife of John William (Willie) Richardson, who was the son of Jabez Richardson an early pioneer of the area. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Jeanie Richardson nee Green. Born 1871. Died 1916. Mother of Reuben, William, Jean. Copy of photo held by Reuben Richardson of Roma. richardson, jeanie richardson, reuben richardson, jabez richardson

B&W photo of the Johns family of Selby. Photo appears to date from c. 1930s. They are outside, with a hedge directly behind them. L-r, Martha Johns, a young woman sitting in a wooden chair. She is wearing a floral summer dress with a dark bow at the neckline. Martha was born in 1916. A young man, William David (Dave) Johns, stands, wearing a three-piece suit and tie. His left hand rests on the back of the chair of the next woman. This older woman, Alice, sits at a small table and has her left hand resting on an open book. She wears a dark skirt, light patterned blouse, and dark cardigan flecked with a lighter colour. She is wearing a necklace and she has round-framed glasses. Another young man, Ernest Johns, stands to her right. He is also dressed in three-piece suit and tie. He has his right hand placed on his right hip. A young woman, Florence Johns, sits in a wicker chair. She is wearing a dark outfit with a pale collar. Her hair is parted on the side and braided into two plaits. An older man, William John Johns, sits in a wooden chair. He is wearing a three-piece suit and tie. His waistcoat buttons up high on his chest, more of an old style suit than the two young men. He has grey hair and a moustache. All members of the group are smiling slightly. The photo was taken at the family farm, Hillandale, in Selby. Information provided by Lyn Kershaw, daughter of Dave Johns.

Group Portrait of “Citizens of Reefs” 1864. Listed William Tasker. George Bury. John Gutierrez. William Scallan. Martin Doyle. William Layzell. James Byrne. James Gordon. George Blackburn. Patrick Scallan. David Scallan. Henry Kieley. Joseph Broughton.stawell

Ten pages booklet. Bendigo Artists' Exhibition, sponsored by Bendigo Special School. On the cover a drawing of the Central Deborah Mine. Artists exhibiting: John Bourke, James Bowman, Neil Bruce, Jenny Carrington, Peter Cheyne, William Delecca, John Foster, Jan Neil, Peter Oliver, Norman Penrose, Paul Shapcott, Wesley Shapcott, Stan Thomas, Don Watson, Peter Webster.event, exhibition, bendigo artists

Private SILVEY, John Robert William VX 41717 DOB 28.4.12hand written notes recalling Private Jack Silvey's experience as a POW in Changi from 1942-19453 copied pages of hand written notes written 20.5.1945 in Japan Record of PW movement

Belonged to John William Grinton No 1043 C Coy 38th Batt AIF. Refer 1280 for service details also 1317P, 1319.3. Booklet of 20 Postcards of the battle of the SommeBataille Dela somme La Grande Glitrree Serie 18books- albums, photography - photographs, military history - army

Lyn COOKE An artist specialising in wildlife, Lyn Cooke draws from the rich heritage of wildlife art in Australia beginning with the natural history illustrations of John William Lewin and John and Elizabeth Gould. Her aim is to accurately depict the natural environment and this is reflected in her highly detailed paintings. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a frog in landscape.Signed lrs 'L. Cooke'art, artwork, lyn cooke, frog, available, rainforest

Diggers & Mining. The gold licence. The Government Camp. Shows a copy of the 1 pound Miner's Right, issued in Sandhurst on 26 March 1856, issued to William Lunn, John Williamson and signed 26 March 1857. No attempt was made to police the diggings in order to apprehend diggers working without a current miner's right. (Note the discrepancy in the years) Markings: 42 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Copies made from original register held by Eltham Primary School as part of the school's sesquicentennial recognition 1856-2006. Lists students by registration number commencing with William John Taylor (No. 1) in 1864. Initially recorded as the Register of the Common School at Eltham No. 209, it lists child's name, years of attendance and classes attended, age when first admitted, date of admsission, date of leaving and occupation of parents. The register was revised to the Register of the State School at Eltham No. 209 capturing students from 1873. Some overlap between the two variants exists. The latter register includes additional information of date of passing the Standard of Education, names of parent or guardian and residence of parent or guardian. The register was discontinued in 1917. Later pages of the original register are very damaged with large sections illegible.eltham state school no. 209, register of students, dalton street, eltham primary school

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and William John (Jack) Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars.This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in mid-twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A brown and tan highway map with red road markings showing the south east of Australia from Melbourne to Sydney map, highway, wodonga, melbourne, sydney, travel, hamilton-smith, hamilton-smith collection, driving, drive, car, road

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade lamp base, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade lamp base, irregularly ridged with applied green and yellow glazes. The lamp base has a hole for a cord above the foot.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), lamp bases, viola annie ayling, viola annie mcvicars

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by the Australian art potter, Klytie Pate.Small, green glazed dish, highlighted with splashes of purple. Five ballerinas in the cavetto surround an undecorated well. The reverse is glazed a lighter green. Spur marks in the foot rim reveal that the dish was supported on stilts in the kilnSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.Parent file of the items in the Viola Annie Ayling collection of 1940s, 1950s, 1960s and 1970s ceramics. This parent file includes digital copies of a photograph of the ceramicist and also of her home at 128 Pakington Street, Kew, in 1951 where she practiced her art.128 pakington street -- kew (vic.), ceramics -- victoria (australia), viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Handmade, earthenware, footed oval dish, covered with a turquoise glaze. The feet, two of which has been repaired, were created from coils that were then luted to the base.The base bears the signature of the artist.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling