2 photographs. (1 black and white, 1 sepia original).copies of Black and white photograph showing houses and post office. 836-2 appears to be original photograph. It is mounted on thick cardboard that has become foxed. Pencil mark reads "Post Office 1924". 836-1 appears to be a Reprint and is labelled on reverse "Site now occupied by Hannams Store, House on left T.Grants, coffee palace built in front". Stamped Brian Pump, 36 Knaith Rd, Ringwood East 3135 Phone 870 7001.Written on back of copy: "Site now occupied by Hannams Store. House on left T. Grants. Coffee Palace built in front." Image shows houses and Post Office No 2- 1924.

Copy of family tree 'Four Generations of the House of Harrington' Christmas 1894. (Photograph of copy of original). Twenty-seven oval portraits of differing sizes of members of the Harrington family arranged with floral/botanical decoration. Original size of the piece (framed?)) is unknown. Produced by Alan Spicer, Bendigo.. Accompanying printed page details the text with the photographs and there is some appended more recent family history information from the donor (Jack Lilley). Donor details Ref 275/15 Acquisition 3/2/2015.harrington, driscoll, lilley

A Rifle Association was formed in Bacchus Marsh in April 1868. In 1882 this Association was reformed as the Bacchus Marsh Rifle Club and given the number 4. This photograph was taken at the first range used by the club which was near the old Woolpack Inn on the Melbourne to Ballarat Road. Rifle Club members in this image are known to include, W. H. McFarlane, F. Lewin, W. Marshall, T. Heath, E. A. Jones, W. Meikle, J. Dodemaide, D. Murray, W. H. McFarlane Jnr., J. Young, W. Mahoney, W, Rae. The Bacchus Marsh Express newspaper of 6 October 1883 reported that this image was taken during a married versus single match on the 3rd October, 1883. The match was interrupted to allow the photograph to be taken. This resulted in the match finishing in the dusk with the win going to the married team. This image is one of a series of photographs taken by Melbourne based photographers Stevenson and McNicoll who visited Bacchus Marsh and its nearby districts between September and November 1883. Black and white photographic print copy of original sepia 'carte de visite' style unframed photograph on card with gold border framing photograph. Part of the original inscription can be seen on the front left side of the photograph, which is one of a set of images taken in and around Bacchus Marsh in 1883 by the photographers Stevenson and McNicoll. The image shows a group of nineteen men holding rifles standing on either side of a white target board, the central bullseye showing a number of hits. All are posed against a backdrop of hills.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, bacchus marsh rifle club, rifle clubs

Archir Harker was married to Ruby Wilson and mentioned in the "Wielands of Heathmont "book. From Greg Coker: In August 2023, RDHS asked Greg Coker to scan a set of negatives. He was able to work out, through various notes, that the pictures were taken by J A Harker of 9 Grange St, Mont Albert in the mid 50s to the mid 60s. Most of the film was 9cm X 6cm B&W negatives. All pictures have been cropped and where appropriate, put through a light filter. They have been scanned at 1600ppi resulting in ~3meg B&W shots (~5meg for the half dozen colour shots). The Harkers certainly liked their hiking – they were ahead of their time. Images scanned from Kodak Print packet of negatives, undated. After scanning in 2023 by Greg Coker, the negatives were disposed and just the packet retained. Some photos may be duplicated in other VC Harker/Weiland family records if the original prints were donated. Greg's comments: Early 60s – Original Negatives. Best guess in terms of the date – Mrs Harker looks a touch older. Pictures of Mrs Harker at home with their cat and some mountain ranges, perhaps the other side of the Dandenong’s. Your Kodak Prints

This print of Christ is slightly smaller than the original 1927 oil painting by Herbert Beecroft, which is titled “Christ” and measures, in centimetres, 60 high by 50 wide. The original is displayed at John Wesley’s House & The Museum of Methodism in Islington, England. The title of the print is taken from the Holy Bible, from the New Testament book of Luke, chapter 22 verse 61, which is a famous Christian account of Jesus being betrayed by Peter, which leads to Jesus’ crucifixion; “And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice.”. The print was published in 1942 by the National Sunday School Union in England, now known as the National Christian Education Council. The NSSU was established in Britain in 1803 to promote Sunday Schools in Britain and overseas. The organisation produced many publications including training manuals and materials for Sunday School teachers. Herbert Beecroft 1864-1951, also known as Lawrence Herbert Beecroft, was an early 20th-century artist. He and his wife emigrated from England to Sydney, Australia, in 1905. He worked as a painter, illustrator, miniaturist ‘lightning cartoonist’, and lecturer. From 1927 Beecroft painted a series of portraits of Jesus Christ, prints of which made many worldwide sales. He entered a miniature portrait in the 1921 inaugural Archibald Prize competition. It was one of forty-one entries but the title was unknown. It is highly probable that it was JF Archibald, the person who endowed the prize, first awarded in 1921. This print of Christ, originally painted by Herbert Beecroft, represents the social movement in the early 20th century to educate all children in good morals and Christianity.A religious portrait of the artist’s impression of Jesus. The print is in a gilt timber frame behind glass. The frame has eyelets and wire for hanging. The backing paper lifts to reveal a handwritten pencil inscription. The portrait shows a male figure from the waist up facing the viewer but turned slightly to his right. He has long wavy blond hair, a moustache and a beard. He wears a blue-grey robe over a collarless white shirt. The background is red-brown. It is the artist’s impression of Jesus. The whole frame-mat has script text above and below the print, giving its title, and details of the publisher and producer. This print was produced from an original 1927 oil painting by Herbert Beecroft. It was published in 1942 by The National Sunday School Union in London and produced by Frost & Reed Ltd. England. Handwritten script on the mat; “Published in 1942 by the National Sunday School Union, 4 Black Friars Lane, London, EC4. Produced by Frost & Reed Ltd., Bristol & London. Printed in England. Copyright.” and, “The Lord turned and looked upon Peter … and Peter remembered” Signature on bottom left “Herbert Beecroft” In pencil on backboard under back paper “H 89 / 12”. Pen on white tape “155”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, print, religious, vintage, 1942, herbert beecroft, lawrence herbert beecroft, archibald prize winner, early 20th-century, artist, oil painting, luke 22:61

Colour positive photograph taken c. Oct. 1974 of an original black and white print35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1974bus services, hurstbridge, kinglake, motor vehicles, omnibus

Colour positive photograph taken c. Oct. 1974 of an original black and white print35 mm colour positive transparency Mount - Kodak Kodachrome CardProcessed Oct 1974class photo, kangaroo ground school

Original owner was Malcolm FAWDRY, served in the Navy in Korea & Malaya. See 3397.6 for Newsletters.Set of journals. Paper cover with black print & coloured photos front & back. 48 plain, white pages. Illustrated black / white / coloured photos, medals & maps. Stapled. .1) Vol 2, No 13 June / July 1999 .2) Vol 3, No 3 November / December 2000 .3) Vol 3, No 4 June / July 2001 .4) Vol 3, No 5 November / December 2001 .5) Vol 3, No 6 June / July 2002 .6) Vol 3, No 7 November / December 2002 .7) Vol 3, No 8 June / July 2003 .8) Vol 3, No 9 November / December 2003 .9) Vol 3 No 10 June / July 2004 .10) Vol 3, No 11 November / December 2004 .11) Vol 3, No 12 June / July 2005 .12) Vol 3, No 13 November / December 2005 .13) Vol 4, No 2 November / December 2006 .14) March / April 2007 .15) Vol 4, No 5 June / July 2008 .16) Vol 4, No 12 November / December 2011 journals, atomic fallout

Six photographs in all of the West family and their Bakers Van. All photographs are copies of originals.Three photographs of Ken, Mary & Russell & Bert West in the family bakers van. 254-01 Shows Ken West in the family bakers van. Ken is Bert West's brother. 254-02 Shows Mary West (Bert's wife) in front of the family bakers van. 254-03 Shows Russell West standing and Bert West in the family bakers van. Photographs 254-04 to 06 are enlarged photos of the above and not shown as they are identical.west family, h e west & sons bakers cowes, bakers cowes phillip island, betty bradley

Part of a collection from Mrs Jessie Smith showing original Isle of Wight Hotel.Isle of Wight Hotel showing white column gate posts. Five people standing with one holding a child, two sitting on the grass and little dog all near a Cypress tree.Isle of Wight Hotellocal history, photographs, isle of wight hotel - cowes phillip island, black & white photograph, esplanade cowes, phillip island, jessie smith collection, stan mcfee

Original copy of The Heidelberg News and Greensborough & Diamond Creek Chronicle from December 1905.Contains local news and many advertisementsBroadsheet, 4 p., folded twiceheidelberg, greensborough, diamond creek

Displayed at History House. Original presented by Edward Henty Smallpage to Stokesley in around 1934Black and white photograph of a standing woman in 19th century dress. Her dress is a dark colour and she is wearing a white cap with trailing lace/fabric back. She is posed in a room with floral wallpaper, standing behind a chair with her hands clasped in front of her. At bottom of frame are the details of the donation of this item. Framed under glass in wooden frame.Front: PRESENTED TO THE TOWN OF PORTLAND BY THE PARISH COUNCIL OF STOKESLEY, ENGLAND 1984 (typed, upper case). Mrs. Jane Henty, wife of the Hon. Stephen George henty, M.L.C. The first white woman in Portland, the earliest permanent settlement in the State of Cictoria, Australia. Born at Stokesley, 8th February 1817, daughter of Captain Walter Pace. Landed at Portland, June 1836. Died at Hamilton, Victoria, 3rd February 1906. This portrait is presented on the Centenary Anniversary of the foundation of Victoria, 19th November 1934, by her Great Grandson, EDWARD HENTY SMALLPAGE, M.B., Ch.M. (Syd), F.R.C.S. (Eng).henty, jane henty, portrait photography

This photo is of the original Halls Gap Public Hall. For a history of the hall see record 389.The photo shows a large weatherboard building. The right hand side has a pitched roof and a small entrance area, also with a pitched roof. The left hand side is square and has a flat roof. There is a sign on the left hand side which reads "Halls Gap Public Hall". There are two cars parked near the hall and the framework of another structure, and a gum tree, can be seen to the far left. There is a range visible in the background, and a muddy road/track in the foreground.buildings, halls

Kangaroo Ground's geology, original people, European settlers, plants used by Wurundjeri people26 leaves : ill., maps ; 30 cm.wurundjeri (australian people)

Shows the carpark adjacent to the original Safeway store which was dug up July 2000.The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Colour photographic print eltham, houses, streets, pryor street, margaret ball (pre 1960s houses) collection

school report for Gertrud Hermann an internee in Camp 3. (original held in document folder)Black writing on a white back ground. Photocopy of school reports. Lists subjects and numbers for report together with explanation of value of numbers.gertrud hermann, camp 3 internees, camp school reports

Original plan held at Tatura Office og Murray Goulburn Water, electronically copied.waranga basin, irrigation, agriculture, rural, industry

Private Elmer Glew was an original ANZAC who was blinded at Gallipoli in World War 1Item belonged to an original ANZAC from the districtA wooden base with brass implementsPresented to Private E Glew by the Victorian Association of Braille Writers 17th November 1917anzac, gallipoli, braille, grew, dingley village

JANE GLADSTONE WAS THE MOTHER OF ALEX GLADSTONE.DAVIDSON. ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOX.SEPIA COPY OF PHOTOGRAPH OF JANE GLADSTONE NEE THOMSONlocal history, photography, photographs, costumes - female

ORIGINAL WATER SUPPLY FOR CLUNES VIA BIRCH'S CREEK, BEFORE PIPES WERE LAID.SEPIA PHOTOGRAPH OF WEIR ON BIRCH CREEK - CLUNES WATER SUPPLY. PICKET FENCES SURROUNDING AREA. ONE MAN STANDING BY POND. TUSSOCKS BESIDE WATER. A HOUSE IN RIGHT HAND UPPER CORNER.local history, photographs, water supply

Given to Pat Richardson by her mother, Vera McDowell in the 1980s. Original source unknown.Widely used in Australian homes to protect furniture surfaces and as decorative items until circa 1960s, although still used with traditional/antique furnitureWhite cotton bobbin lace round doyley with concentric separate patterns, including a butterfly motif, with undulating edging completed with the same bobbin lace edging.handcrafts, lacemaking, domestic items, ornaments / decorative

This flag was used at the original club rooms at Livingston St Highett when they opened in 1947.