Showing 5519 items
matching writing-poetry
-
Warrnambool RSL Sub Branch
Poem, Framed, Avis Quarrell, Night at Mersa Matruh, C 2016
This poem references Mersa Matruh, a port town on the Mediterranean coast of Egypt where Tom Meagher of the 14th Battalion may have served. Mersa Matruh was the backdrop for a series of battles between the German and British forces from mid- to late-1942.This poem was written by Avis Quarrell, an active community member of the Warrnambool RSL. Avis Quarrell was a former driver during the Second World War and is well known as a photographer and author in the Warrnambool area. The poem is well provenanced, bearing a dedication from the author herself and has significant interpretive capacity to discuss the North African campaigns, experiences of war and the history of the 14th Battalion when paired with the sketch.Poem printed in black ink on marled biege coloured paper in serif font, centred on page and signed by hand. Frame comprises of black plastic and is suspended by a wire on the reverse, which is screwed in on both the left and right hand sides. Poem is sealed in frame by framing tape, brown in colour. A gold adhesive label in the lower left hand corner indicates the framer and an inscription printed on paper is adhered onto the back of the frame.Underneath poem on front: “Avis Quarrell. C 2016.” On reverse, gold adhesive label reads: “Henna Street Picture Framers/74 Henna Street, Warrnambool/Ph/Fax (03) 5561 4795/ABN 88160473014” Printed inscription on reverse reads: “Warrnambool R.S.L./Please accept this Mersa Matruh sketch and poem/from Avis Quarrell and family (Anne and Murray/ Coverdale, Stephan and Jenny Quarrell, David/ and Janet Quarrell.)/Tom Meagher was a member of the 14th Battalion/in World War 2 and gave this to my husband while/ they were in North Africa./I wrote the poem because of the poignancy it/ created in my heart./We give this on the 100 Anniversary of the/ Warrnambool Sub-Branch, 26th of April, 2016 (16 crossed out and replaced with a 17).”north africa, mersa matruh, 14th battalion, poetry, quarrell, world war two, second world war, tom meagher -
Warrnambool and District Historical Society Inc.
Archive - Scrapbook, Wartime Letters a compilation of newspapers, notices and letters, 1914-1930's
These letters etc were initially printed in the Warrnambool Standard and other newspapers during the First World War. They were collected by the Bonnett family and pasted into the exercise book, possibly by Jessie Bonnett. The book has been transcribed and republished by the Warrnambool and District Historical Society under the title Fields Of War. It contains the names of over six hundred soldiers from the Warrnambool District.This represents a valuable insight into the lives, experiences and feelings of WWI soldiers and nurses and their families. It has value in the individual letters collected with many of the originals no longer surviving but also as a collection. It has strong social and historical significance.Black cloth covered, rectangular, thick exercise book with lined page with glue and string binding. A recycled book with original mathematics notation overlaid by newspaper clippings pasted in three columns per page. Includes photographs, letters, poems, related cuttings and notices. WARTIME LETTERS a compilation of newspapers/notices/and/letterswartime letters, newspapers, jessie bonnett, letters, photographs, poetry, first world war, warrnambool standard -
Warrnambool and District Historical Society Inc.
Booklet - Lettering Book, Halstead Press Pty Ltd, The Australian Lettering Book, 1945
Author Herbert Newell. Alphabets of varied fonts, headings, flourishes, plans, numerals, sketch maps, scrolls, shading, common errors, compass points. Especially designed for use in Australian Schools, offices of Lawyers, Architects, Surveyors, Engineers, Engravers, and Draughtsmen. Table of contentsThe author is a teacher of show card and ticket writing at Sydney Technical College. Book used by many students and offices. Note by the publishers provides standards for the correct form of the characters. Light brown light card cover with black ink font and border patterns. 32 Cream pages with black ink. Two staples. Hand written name on top of outline black border S. R Coleston. Price 3/9warrnambool, lettering book, angus & robertson limited, s.r. coleston, herbert newell -
Warrnambool and District Historical Society Inc.
Book, John Andrew La Nauze, Alfred Deakin, 2009
Biography of Alfred Deakin.Hardcover in sleeve. Fawn coloured dust cover with Black and white photograph. Title in gold lettering . Author’s name in black text. Hard cover is navy blue. Inside front and back covers are printed with black and white and some sepia photographs. Text of the book is 660 pages followed with appendixes and index. 732 pages in total. non-fictionBiography of Alfred Deakin.warrnambool, alfred deakin, deakin university, j a la nauze 1974, prime minister deakin -
Emerald Museum & Nobelius Heritage Park
Book, Nettie Palmer, The Dandenongs by Nettie Palmer, Melbourne : National Press, [1952]
Well known writer of Australian history and early setttlement of the Dandenongs.This item is significant of an example of the authors writing.Hard cover book of an account of the gradual settlement of the Dandenongs since the first white settler penetrated the wooded ranges more than a century ago. Author: Palmer, Nettie, 1885-1964. Illustrations: Edwards, Ron, 1930-2008.pioneers, settlers, dandenong ranges, raspberry growers, emerald, monbulk, nobelius -
Orbost & District Historical Society
poem, We Come, early 20th century
Daughter of George Temple and Mary McAuslane of Castlemaine, Hilda married James Kerr in 1893 and lived at Lincluden, Raymond Street, Orbost. Her husband, Dr James Kerr, was a Scot who had come to Australia as a ship's doctor and practised in NSW before visiting Orbost on a government vaccination programme. He liked Orbost and returned there, its first doctor, until his death in 1928. Hilda was sometimes referred to as 'Mrs Dr Kerr.' She and her sisters Mabel Stewart Temple and Margaret Ferrie Temple were all talented writers and musicians. This poem is an example of the talent of Hilda Temple Kerr. Hilda Temple Kerr (1874-1956) grew up in Orbost. She was very talented and published several books. It is reflective of the style of poetry in the early 19th century.A rectangular piece of paper with a typed poem titled, "We Come" by Hilda C. Temple-Kerr.poetry literature kerr-hilda-temple -
Orbost & District Historical Society
bottle
An ink bottle was made of glass or ceramic and typically sat on a desk. The writer would dip the pen (or quill) into the bottle to put more ink on the pen. Because they sat on a desk, ink bottles were often decorative. We have mostly dispensed with ink bottles and quills. This item is an example of early stationery equipment commonly used.A cylindrical brown glazed ceramic ink bottle with a neck narrowing to a pouring lip and cork. Label is blue.Front bottom - Commercial.bottle ink-bottle ceramic domestic writing-equipment stoneware -
Cheese World Museum
Writing Desk and Bookcase
Wooden bookcase mounted on top of a desk. The bookcase has two glass panelled doors and three shelves. the right side door has a keyhole. Pediment overhang of 7 cm. the desk has a locking drawer and two cupboards underneath. The drawer has two recessed brass handles.furniture, uebergang, allansford, bookcase, desk -
Flagstaff Hill Maritime Museum and Village
Ink pot
Traveler's Ink pot, glass cylindrical, small, inside metal container with spring in lid to stop movement when travelling.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, traveler's ink pot, ink, nib pen, writing, ink well, writing accessory -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle, Royal Doulton, Late 19th to early-20th century
The Royal Doulton company began as a partnership between John Doulton, Martha Jones, and John Watt was an English ceramic and home accessories manufacturer founded in 1815. Operating originally in Vauxhall, London, later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. The business was specialised in making salt-glazed stoneware articles, including utilitarian or decorative bottles, jugs and jars, much of it intended for inns and pubs. The backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1902 its wares were marked Doulton & Co., then from 1902, when a royal warrant was given, Royal Doulton. The company always made some more decorative items, initially still mostly stoneware, and from the 1860s the firm made considerable efforts to get a reputation for design, in which it was largely successful, as one of the first British makers of art pottery. Initially, this was done through artistic stoneware's made in Lambeth, but in 1882 the firm bought a Burslem factory, which was mainly intended for making bone China table wares and decorative items. An early utilitarian stoneware item made by a well-known company that specialised in making salt-glazed items that later earned a reputation for making stoneware art objects. This ink well is historically significant as it represents the method of hand written communication that was still common up until the mid-20th century, before fountain pens and ballpoint pens took over in popularity and convenience.Ceramic, salt-glazed, mid-brown ink bottle. It has a small round mouth, rounded lip that extends past neck, wide shoulders, straight sides, flat base. Handmade. The surface is matt. there are flecks of dark brown in the clay. The bottle has marks on the side.Noneflagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, shipwreck artefact, writing equipment, writing accessory, office equipment, stationery, domestic, stoneware, clay, ceramic, pottery, inkwell, penny ink well, nib pen, dip pen, ink, hand writing, record keeping, household, business, vintage, blotting paper, ink bottle, dwarf ink, salt glazed -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle, Royal Doulton, 1853-1878
The ink bottle was made by the Royal Doulton company which began as a partnership between John Doulton, Martha Jones, and John Wattis an English ceramic and home accessories manufacturer founded in 1815. Operating initially in Vauxhall, London, it later moved to Lambeth, In1882 it opened a factory in Burslem, Stoke on Trent, in the centre of English pottery. The business specialised in making salt-glazed stoneware articles, including utilitarian or decorative bottles, jugs and jars, much of it intended for inns and pubs. The backbone of the business was a wide range of utilitarian wares, mostly stoneware's, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1902 its wares were marked Doulton & Co., then from 1902, when a royal warrant was given, wares were marked Royal Doulton. The company always made some more decorative items, initially still mostly stoneware, and from the 1860s the firm made considerable efforts to get a reputation for design, in which it was largely successful, as one of the first British makers of art pottery. Initially, this was done through artistic stoneware made in Lambeth, but in 1882 the firm bought a Burslem factory, which was mainly intended for making bone china table wares and decorative items. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Lochard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Lochard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Lochard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Lochard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.An early utilitarian stoneware item made by a well-known company that specialised in making salt-glazed items that later earned a reputation for making stoneware art objects. Of additional significance is that it was recovered from the wreck of the Loch Ard. A shipwreck that is of additional significance as it is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulations of artefacts from this notable Victorian shipwreck of which the subject items are a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history. Salt glazed stoneware ink bottle, large capacity, tapered lip and body, two-tone brown with some encrustation on surface, still sealed with cork. Inscription in clay. Recovered from the wreck of the LOCH ARD.Stamped into clay "DOULTON LAMBETH"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, ink bottle, bulk ink bottle, writing accessory, stationery, stoneware, doulton lambeth, royal doulton, writing equipment -
Marysville & District Historical Society
Book, Colin Roderick, The Children's Lawson, 1949
A book of stories and poems by Henry Lawson collected and published in 1949 especially for children.No dust cover. Front cover has an illustration of some men sitting around a camp fire. The name of the author and the series is on the spine. On the back cover is a list of books published in the same series.fictionA book of stories and poems by Henry Lawson collected and published in 1949 especially for children.henry lawson, poetry, fiction, junior library of australian books -
Blacksmith's Cottage and Forge
Bottle, Pottery
The bottle was proably used to store ink.Straight sided, small light brown pottery bottle with a pouring lip. No cork.Lovatt. Lovatt. Ltd.domestic, pottery, brown, bottle, ink, container, ceramic, stoneware, writing equipment -
Flagstaff Hill Maritime Museum and Village
Book - Reference Book, H Rider Haggard, author, Regeneration, 1910
H. Rider Haggard (1856-1925), a British author, wrote fiction and non-fiction works and had letters and articles published in newspapers and journals. in 1895 he served on a government commission to examine Salvation Army labour colonies, which possibly influenced this book titled 'Regeneration'. The publisher firm, Longmans, Green & Co, was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC.The book is also significant for its connection to the publisher Longmans, Green and Co., of London, a firm that has been established for over two centuries, renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.Regeneration: Being an Account of the Social Work of The Salvation Army in Great Britain Author: H Rider Haggard Publisher: Longmans, Green and Co Date: 1910 Red hardcover book with a gold embossed spine, an inscription on a sticker on the spine, and a pressed title on the cover. The book is part of the Pattison Collection.Sticker, typed text "PAT 267.15 HAG" The Pastedown end page has a sticker from "Warrnambool Mechanics Institute" covered by a sticker from "Corangamite Regional Library Service" "1115" and "2223"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, longmans green and co., thomas longman, paternoster row london, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, regeneration, salvation army, britain, social work, 1910, h rider haggard -
Glen Eira Historical Society
Document - Memorials in Glen Eira
This file contains one item: 1/A printout from the Victorian Memorials Database, undated and researcher unknown, containing records of 9 memorials in the Caulfield City municipality. These memorials are: - Caulfield Grammar School Site Pavement Marker, Elsternwick - Monument to racehorse ‘Jackstaff’ in Caulfield Racing Museum. - Rosstown Railway Marker, Bambra Road, Caulfield. - Thomas Alexander Browne Grave, Brighton Cemetery. - Grave of Sir John and Lady Monash, Brighton Cemetery. - Frederick Jowett Memorial Drinking Fountain, Caulfield Town Hall - Adam Lindsay Gordon Grave, Brighton Cemetery. - Jewish victims of World War 2 Memorial, Kadimah Centre, Elsternwick. - Hopetown Gardens Cannon, Elsternwick.historical markers, caulfield city, caulfield grammar school, elsternwick, regent street, caulfield racing museum, rosstown railway marker, caulfield, bambra road, curraweena road, marara road, city of caulfield, mayors, councillors, caulfield historical society, rosstown railway, caulfield grammar school pavement marker, monument to racehorse ‘jackstaff’, ross murray, browne thomas alexander, thomas alexander browne grave, brighton cemetery, rolf boldrewood, north road, caulfield south, browne margaret maria, grave of sir john and lady monash, monash john sir, monash hannah victoria lady, frederick jowett memorial drinking fountain, caulfield town hall, hawthorn road, glen eira road, jowett frederick, borough of caulfield, adam lindsay gordon grave, gordon adam lindsay, gordon annie lindsay, jewish victims of world war 2 memorial, kadimah jewish cultural centre and library, selwyn street, burston seddon, hopetoun gardens cannon, glenhuntly road, glen huntly road, schools, historic sites, plaques, footpaths, horseracing, horses, jackstaff, monuments and memorials, railways, authors, cemeteries, graves, gravestones, jewish community, town clerks, shire secretaries, town hall, drinking taps, poetry, children, libraries, world war 1939 – 1945, hopetoun, cannons, festivals and celebrations -
Glen Eira Historical Society
Ephemera - CAULFIELD YOUTH COUNCIL
This file contains two items: 1/A poster for the Caulfield Youth Council’s Caulfield Youth Cabaret at the Caulfield Town Hall 2/A program for Caulfield Youth Council’s presentation of the Caulfield Youth Cabaret on 27/11/1988 at the Caulfield Council Auditorium. It lists the acts for the evening.caulfield youth cabaret, caulfield council auditorium, caulfield secondary college, sefra bursten school of dance, hosking david, teenagers, elitzer, youth, fusion, caulfield festival, caulfield arts centre, caulfield town hall, hawthorn road, glen eira road, gelberg vicki, caulfield, caulfield youth council, theatre restaurants, young adults, cultural structures and establishments, festivals and celebrations, dance studios, schools, entertainers, theatrical productions, drama, colleges, singers, secondary schools, poetry -
Glen Eira Historical Society
Document - MORRIS FAMILY
This file has two items about the Morris Family: 1/Nine typed pages taken from Trove – includes social history on John Morris and his family from 1890 to 1937. Subjects range from the letting of ‘Maysbury’ family weddings, his will and resulting auction of ‘Maysbury’ after his wife died. Source documents are from newspapers, reports and magazines. 2/Eleven pages of typed and photocopied photographs sourced from Trove regarding the divorce of son, Maesmore Morries and wife Gertrude, her subsequent marriage and the grandchildren’s weddings and social achievements.‘maysbury’, orrong road, elsternwick, house names, mansions, morris john, iron merchants, ‘glenmayne’, murray william, eddington george, morris constance, eddington constance, willmot gertrude, morris gertrude maesmore, billiard rooms, coach houses, eddington leonore authors, stables, morris maesmore, maesmore actors, wilmott dr. julius, divorce, morris ethel, morris kate, stuckey kate soames, stockey mortimer, morries james jackson, sutor mcdonald robert, sutor gertrude mrs, auctions, mcdonald sutor betty, mcdonald suttor john allan, morris jackson mrs, smith jessie murray, smith alexander, poetry, morris ethel jackon, artists, authors, ‘the white butterfly’, morries colin maesmore captain, doyle miss maesmore, morris mrs, tea and coffee merchants, elliott madge, overton john captain, morris elizabeth alice margaret mrs, morris gertrude, actresses, maesmore morris mr, miners, accountants, morries thomas wiltshire, morris eliza k, st mary’s caulfield, greenaway kate, wedding dresses, weddings, wills, eddington leonora, ‘maysbury mansions’, flats, springfield avenue, morris jackson, morris steve -
Federation University Historical Collection
Object, Simplex Stencil Co, Signwriting Equipment
The box of stencils was used by Ballarat signwriter Keith Rash, who studied signwriting at the Ballarat School of Mines. Hinged box of stencils.ballarat school of mines, stencils, signwriting, keith rash, simplex stencil co., simplex tucket writing outfit, ticket writing -
Federation University Historical Collection
Book - Book -Scrap Book, Ballarat School of Mines: Scrap Book of newspaper cuttings, Book 29, November 1986 to February 1987, 1986-1987
Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 20 November 1986 to 14 February 1987.Book with blue cover, front, spiral bound.courses available, tertiary orientation program, t o p, teaching positions advertised, smb programs, fashion of the future, clare schreenan, lisa willison, mary anne rowe, smb staff join protest, wool classing exams, smb secretarial program, women graduate with trades skills, linda bland, julie baulch, tracey coleman student, royal horticultural society of victoria, garden tools for field officers, helen mclennan course teacher, writing for pleasure, book launch "wednesday's words"june griffiths, nan gale, averil macklin, smb applied science grant, atomic absorption spectrophotometer, julie baulch encourages women to break with tradition, family centre space in tippett building, mellissa bone win photographic award, smb computer world's best, sue dennis, school's in for adults, smb vocational programs, university of the third age, ken flecknoe managing director courier retires -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle with pens, Early 20th century
This handmade, aqua glass ink bottle's design is sometimes called a ‘boat’ shape. The base was mouth-blown into a rectangular mould, evidenced by the lack of seams, the pontil, crease lies and the uneven thickness of the glass. The shoulder section was mouth-blown into a two-piece mould and then cut off from the blowpipe. The lip is sometimes referred to as a 'burst-lip, which was often filed to be smooth. This method of making bottles was often used in the mid-to-late 19th century. The bottle would then be filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pens are a common item for that period. Pen and ink have been used for handwriting since about the seventh century. A quill pen made from a bird’s feather was used until the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy.The ink bottle is of interest, being made of aqua glass rather than the more common clear glass. This set of ink bottles and pens is significant because of the bottle's method of manufacture, which is representative of a 19th-century handcraft industry that has now been largely replaced by mass production. The bottle and pens are historically significant as tools used for handwritten communication until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and mechanical typewriters became part of standard office equipment.Victorian 'Boat' ink bottle, small rectangular, aqua glass ink bottle with grooves along the long sides for pen rests. The base has a pontil, no seams, and the glass is uneven in thickness. The shoulder has two side seams and there is a ridge where it is joined onto the base; there are round indents on each of the shoulder, on the short sides, four in all. The mouth has rough edges. The neck leans to one side. The glass has impurities, crease lines and bubbles. There is dried ink in the bottle. Two pens with metal nibs are included with the ink bottle. flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, copy ink, aqua glass -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle, Late-19th to early-20th century
The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. This handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy.This ink bottle still retains its original cork. The method of manufacture is representative of a 19th-century, handcraft industry that is now largely replaced by mass production. The ink bottle is historically significant as it represents methods of handwritten personal and business communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian 'boat' shaped ink bottle; small rectangular clear glass ink bottle with grooves in shoulders for holding pen. Bottle has side seams and a 'burst-lip'. The bottle retains its cork.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, stencil ink, copy ink -
Federation University Historical Collection
Booklet, Pencillings on the Wallaby and Other Verses, 1906
Red soft covered book of versesDedicated to Frank Craig, Esqpoetry, james barbour, frank craig -
Federation University Historical Collection
Booklet, James R. Pound, Our Earth Is Fair and Other Verses, 1931
Blue soft covered booklet of verses.non-fictionjames pound, verses, poetry -
Federation University Historical Collection
Book, J.A. Moran, Aids to French Prose, c1916
red hard covered book with green tape spine/ 146 pages with multiple annotations. french prose, poetry, french language -
Federation University Historical Collection
Document, Ballarat Technical Art School Staff Timetable and Salaries, c1906
Ballarat East Technical and Art School is an early division of the School of Mines Ballarat Handwritten sheet showing teachers' names, subjects, days, hours etc.Ballarat East Technical and Art School stamp at the bottom of the page.ballarat east technical and art school, f. foster, g. wightman, j.c. barber, a.w. steane, a. hughes, jno l. eddy, freehand, geometry, brush drawing, engineering drawing, sign writing, model drawing, wood carving and repousse, dress cutting, ballarat east art school, albert w. steane -
Federation University Historical Collection
Book, A Handbook for the Elementary School Teacher, 1959, 1959 (reprint)
Brown hard covered book by W.H. Ellwood, former Principal of the Ballarat Teachers' College, and Chief Inspector of Schools for the Victorian Education Department. The articles had previously been published in the Victorian Education Gazette.w.h. ellwood, ballarat teachers' college, pre-service teachers, elementary school teacher, education gazette, j.a. seitz, speech arts, oral expression, reading, poetry, handwriting, spelling, grammar, written expression, rural school teacher, grounds, buildings and furnishings, equipment and aids, discipline, infant department -
Australian Commando Association - Victoria
Book, Paul Cleary, The Men Who Came Out of the Gground. Gripping account of Australia's first commando campaign: Timor 1942
The gripping story of a small force of Australian Special Forces commandos that launched relentless hit and run raids on far superior Japanese forces in East Timor for most of 1942. These Australians were the men of the 2/2nd Australian Independent Company – a special commando unit. Initially stranded without radio contact to Australia, the Japanese declared these beared warriors ‘outlaws’ and warned they would be executed immediately if captured. The Australians drawn mainly from the bush, were chosen for their ability to operate independently and survive in hostile territory. As film-maker Damien Parer said after visiting in Timor in late 1942, ‘these men are writing an epic of guerrilla warfare’. Expertly researched by Paul Cleary, who is fluent in Tetum, the main language of the indigenous group of East Timor, it contains black and white photos.non-fictionThe gripping story of a small force of Australian Special Forces commandos that launched relentless hit and run raids on far superior Japanese forces in East Timor for most of 1942. These Australians were the men of the 2/2nd Australian Independent Company – a special commando unit. Initially stranded without radio contact to Australia, the Japanese declared these beared warriors ‘outlaws’ and warned they would be executed immediately if captured. The Australians drawn mainly from the bush, were chosen for their ability to operate independently and survive in hostile territory. As film-maker Damien Parer said after visiting in Timor in late 1942, ‘these men are writing an epic of guerrilla warfare’. Expertly researched by Paul Cleary, who is fluent in Tetum, the main language of the indigenous group of East Timor, it contains black and white photos.ww2, independent company, timor, world war ii, australian commando -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Office Equipment, rubber stamps, c1950
These stamps were used by George Reed who was a draftsman who lived in Bentleigh , City of Moorabbin in mid 20th CThroughout the 20thC most offices used this type of rubber stamp , usually made by a printer, to save writing the name, company, address, phone number, etc on invoices, receipts, letters, quotes etc 2x stamps with wooden and plastic handles and rubber impression platesG. Reed Bentleighoffice equipment, stamps, ink pads, early settlers, moorabbin shire, mechanics institute cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, clark judy, reed gladys, reed george -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Documents, condolence letter 1903, 1903
A Letter of condolence sent to Lily (Elizabeth Ann Jones) for the death of her Mother, Mary Ann Jones, who died on 18 January 1903, from her school friend Jane Clark. Following Queen Victoria’s example, it became customary for families to go through elaborate rituals to commemorate their dead. This included wearing mourning clothes, having a lavish (and expensive) funeral, curtailing social behaviour for a set period of time, and erecting an ornate monument on the grave. . Relatives and friends were expected to give handwritten Condolence Cards and Letters, preferably by hand when visiting the bereaved. The different periods of mourning dictated by society were expected to reflect the natural period of grief. In recent years some traditions have given way to less strict practices, though many customs and traditions continue to be followed. Condolence Cards and Letters are still expected for relatives and close friends. These can be individually composed and handwritten or purchased from a Greeting Card Manufacturer. The letter shows Tucker Road as being in East Brighton. Due to the confusion caused by so many 'Brightons' in the area of Henry Dendy's Special Survey of 1841 this area was renamed Bentleigh after Sir Thomas Bent. The Clark family and the Jones family were early settlers in Moorabbin ShireWhite paper with a black border used for a hand written condolence letter sent by Mrs Jane Clark in 1903 during the mourning period for the mother of her school-friend Lily, (Elizabeth Ann Jones).market gardners, pioneers, early settlers, mooorabbin, brighton, east brighton, bentleigh, correspondence, writing equipment, pen and ink, clarke jane, clarke janet, mourning customs, bereavement, condolence letters, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book - Aboriginal stories, Sun Books Melbourne Pty Ltd, aboriginal myths and legends, 1967
A collection of stories of Aboriginal mythsxvi, 218 p. illus. : non-fictionA collection of stories of Aboriginal mythsaboriginal, human rights, myths, legends, robinson roland edward, australian indigenous tribes, storytellers, poetry, roper river, northern territory, sydney morning herald, the age, folk-lore, dreamtime legends, sacred songs, vesper alexander, worrell eric, naturalist, zoology, legend and dreaming