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Carlton Football Club
Scrap Book, Dedicated to Carlton Player John Goold
John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book -
Carlton Football Club
Framed Colour Team Photo, CARLTON FOOTBALL CLUB Phillip U15 Team May Schoolboys Carnival 1986, 1986
Carlton FCs U15 Schoolboys Squad 1986Photo of players & officials that represented Carlton in 1986 U15 Carnival. Notable individuals; Andrew Cavedon played senior football for Carlton FC, Brett Ratten Career : 1990 - 2003 Debut : Round 22, 1990 vs Fitzroy, aged 19 years, 52 days Carlton Player No. 969 Games : 255 Goals : 117 Last Game : Round 10, 2003 vs Fremantle, aged 31 years, 324 days Guernsey Nos. 40 (1990) and 7 (1991-2003) Height : 184 cm (6 ft. 1 in.) Weight : 88 kg (13 stone, 12 lbs.) DOB : 11 July, 1971 Premiership Player 1995 Captain: 2002 - 2003 Best and Fairest: 1995, 1997, 2000 (tied) Carlton Hall of Fame (1999) All Australian: 2000, 2001 Coach: Round 17, 2007 - Round 23, 2012 Location of photo possibly Princes Park Gardens adjacent to Carlton GroundTimber Framed Colour Photo -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Writing Compendium, ca. 1940's
Compendium used for correspondence during WW2This may have belonged to noted war correspondent and journalist Denis Ashton Warner 1917-2012. See notes section.Brown leather writing compendium containing two Japanese occupation $100 notes, three postcards, one newspaper clipping and 34 photographs of various subjects.Six of the photographs have writing on the back in two different hands. The postcard of a young woman is also inscriped.world war 2, ww2, second world war, postcards, photographs, military, japanese currency -
Wodonga & District Historical Society Inc
Book - Sharing the Water 100 Years of River Murray Politics, Chris Guest, 2016
Conflict over the control and sharing of the waters of the River Murray was one of the most contentious issues at the time of Federation. After four failed attempts, the River Murray Waters Agreement was signed in 1914 resolving the conflict. Fifteen iterations later, it is now the Murray-Darling Basin Agreement, and possibly Australia's longest standing inter-governmental compact. This book covers the making of the first River Murray Waters Agreement, in the early 1900s, the formation of the River Murray Commission in 1917, through to Queensland and the Australian Capital Territory joining the Agreement in the 1990s, the Water Act in 2007 and the Basin Plan becoming law in 2012. The book has been written by Chris Guest who, as a career public servant and economist, has had a long interest in water policy and politics, an interest that grew as governments sought to tackle the problems of over-allocation of water. The book was launched on 14 February 2017, one hundred years to the day that the commissioners of the newly formed River Murray Commission met for the first time.non-fictionConflict over the control and sharing of the waters of the River Murray was one of the most contentious issues at the time of Federation. After four failed attempts, the River Murray Waters Agreement was signed in 1914 resolving the conflict. Fifteen iterations later, it is now the Murray-Darling Basin Agreement, and possibly Australia's longest standing inter-governmental compact. This book covers the making of the first River Murray Waters Agreement, in the early 1900s, the formation of the River Murray Commission in 1917, through to Queensland and the Australian Capital Territory joining the Agreement in the 1990s, the Water Act in 2007 and the Basin Plan becoming law in 2012. The book has been written by Chris Guest who, as a career public servant and economist, has had a long interest in water policy and politics, an interest that grew as governments sought to tackle the problems of over-allocation of water. The book was launched on 14 February 2017, one hundred years to the day that the commissioners of the newly formed River Murray Commission met for the first time.river murray commission, river murray waters agreement, murray-darling basin agreement -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Research by Jennifer Burrell, 2/2011. Documents and Pictures Relating to Matilda L. Thompson, Mrs Matilda Thompson MBE, 1870-1959
john garner collection, ballarat botanical gardens, gardens, ballarat, tilly thompson, tilly, toop, jennifer burrell -
St Patrick's Old Collegians Association (SPOCA)
Photograph - Alumni, General, 2012 Group
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Federation University Historical Collection
Work on paper - Artwork - Poster, Past and Present Ballarat of Forty Years of Progress from an Uninhabited Wilderness, 22/10/1892 - 17/03/1898
James McKain MEEK (1815-1899) Born England Arrived Australia 1838 James Meek was an artist who built the first house at Ballarat. He wrote 'designed, composed and written with pen and ink by James Meek (founder of the City). When this work was completed the in 1893 the Ballarat Star described the work: - "An Industrial Inmate. At the conclusion of Monday's meeting of the Ballarat Benevolent Asylum Committee one of the inmates, named James McBain Meek, having been introduced, laid upon the table a magnificently executed work of art, bearing the following inscription: - The past and present of Ballarat, or 40 years' progress from an uninhabited wilderness, 1852 to 1892, during which time it has become the grandest inland city of the Southern World. It stands unrivaled by that of any city in her Britannic Majesty's extensive domain over which the sun never sets, and o'er which Albion's beloved sovereign sways her benign sceptre." The work conveys by words and pictorial representations a complete history of Ballarat from its inception up to the 17th March inst. The various pillars and scrolls by which the many incidents that are related are surrounded are marvelously executed, the plain and ornamental lettering is exquisite; while the language used in the narrative is of the most eloquent and refined description. Sketches of the Ballarat Hospital and Benevolent Asylum, equal to any photographic picture, are shown at either end of the word " Ballarat," which occupies the most central position of the chart. The work, which is worthy of a position in any public library or private residence, has been designed and composed by Mr. Meek, who is 78 years of age, at the Asylum. It is done entirely with pen and ink, and was commenced on the 22nd October, 1892, and completed on 17th March, 1893. (Ballarat Star, 27 March 1893)Although 'Past and Present Ballarat of Forty Years of Progress from an Uninhabited Wilderness' was printed it appears that few have survived the ravages of time. Another copy of this works survives in the collection of the Australiana Room at the Central Highlands Regional Library Corp. No others have been located to date. (2012)Large black and white poster (now brown with age) with the hand drawn work of James Meek reproduced by the Ballarat printers Rider & Mercer. Many, but one includes 'Most respectfully dedicated to the native born children of European parents in the Ballarat Mining District by the author.'ballarat, james meek, meek, ballarat benevolent asylum, nazareth house, ballarat mayors, james bury, james oddie, la poer trench, welfare -
Canterbury History Group
Book, Feehan, Anne, 100 Years of Vibrant Faith and Generous Hospitality
The story and memories of the Highfield Road Uniting Church 1912-2012Includes many sepia and coloured photographs.non-fictionThe story and memories of the Highfield Road Uniting Church 1912-2012canterbury, highfield road, shops, churches, highfield road uniting church, mapperson> norm (rev), malseed> clive, whyte> peter gador (rev), floyd> a. e. (dr), concerts, mont calm, organs, cricket, football -
Nillumbik Shire Council
Sculpture (textile): Susan WIRTH (b.1967 Syd AUS), I want to love this country (Murnong), 2017
Nillumbik Prize finalist (2018, 2016, 2015, 2014). The artist lives and works in Nillumbik. Abstract sculpture inspired by the artist attending a local ceremony in Nillumbik to harvest tubers of the Murnong (yam daisy), a traditional staple of the Wurundjeri people. Wirth was also inspired by the writing of Bruce Pascoe. Wirth works intuitively with awareness that meaning may be deciphered through the combination of material/mediums/techniques that she uses randomly. Through the process of experimentation and automatism Wirth allows her work to evolve organically. Wirth is represented in public art collections including: Victorian College of the Arts, Victorian Performing Arts Centre and Ararat Regional Gallery. She also completed a residency at Laughing Waters in 2012. Yellow abstract sculpture woven into a vessel with long tentacles using cotton yarn. N/Afinalist, nillumbik prize, abstract, textile, yellow, vessel, yam -
Ballarat Tramway Museum
Album - Photo Album, Wal Jack, NSWT Sydney System, 1950's
These notes are based on a report prepared for the Board re the donation of materials collected by Wal Jack and donated to the BTM in 2011. The following notes are general across the collection unless written for a specific Ballarat item. Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features NSW Sydney and Newcastle System tramcars.Black loose folders holding some 49 black coloured sheets of light card on which photos have been mounted using photo corners of various types, captions in white ink. Some 241 black and white photographs of trams in Sydney and Newcastle. Includes works cars, horse trams, some depots and location and coloured postcards. Contains a newspaper clipping titled "Tram Dive in Harbor: Four hurt", from the Sydney Sun newspaper dated 21/7/1952. trams, tramways, sydney, newcastle, tramcars, wal jack -
Ballarat Tramway Museum
Album - Photo Album, Wal Jack, 1950's
These notes are based on a report prepared for the Board re the donation of materials collected by Wal Jack and donated to the BTM in 2011. The following notes are general across the collection unless written for a specific Ballarat item. Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features Sydney TramsDark brown binder cloth covered folder, 3 brass screw binders brown paper inside covers holding some 50 manila cover foolscap size sheets of card on which photos have been mounted using photo corners so various types, captions in black ink. Folder supplied Norman Bros Melbourne. Has photos of various locations and lines within Sydney including some works trams. trams, tramways, sydney, tramcars, wal jack -
Ballarat Tramway Museum
Album - Photo Album, Wal Jack, Adelaide, 1950's
These notes are based on a report prepared for the Board re the donation of materials collected by Wal Jack and donated to the BTM in 2011. The following notes are general across the collection unless written for a specific Ballarat item. Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features South Australian trams. Brown leather covers, over heavy board, tied together with a black shoe lace, light grey paper inside covers holding some 63 sheets of card on which photos have been mounted using photo corners of various types, captions in blue or black ink. Has some 392 black and white photographs including some postcards. Has photos of various locations and lines within Adelaide, includes works trams, buses, trolley buses, arranged by tramcar class in some places. Includes horse trams at Goolwa and Victor Harbor, Port Adelaide steam tram. Album Scanned Dec. 2019 prior to forward 7 packets of negatives to the collection of the AETM via John Radcliffe. Refer to dbtext\Archive Document files\Reg Item 5009. Each page scanned as a hi res (1200 dpi) jpg file using the Fujitsu Scan Snap Scanner SV600. Advised 3/4/2020, that the negs will be held by the National Railway Museum. All photos scanned 12/2022. See Related documents regarding the negatives -trams, tramways, adelaide, victor harbor, tramcars, wal jack -
Ballarat Tramway Museum
Album - Photo Album, Wal Jack, West Australia, 1950's
These notes are based on a report prepared for the Board re the donation of materials collected by Wal Jack and donated to the BTM in 2011. The following notes are general across the collection unless written for a specific Ballarat item. Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features West Australian trams.Grey covered photograph album with word "Snapshots" on front cover, tied together with a grey cord, light brown paper inside covers holding some 19 sheets of card on which photos have been mounted using photo corners of various types, captions in blue or black ink. Has some 126 black and white photographs including some postcards. Has photos of various locations and lines within Perth, includes works trams, trolley buses, arranged by tramcar class in some places. Also has some Kalgoorlie and Leonora electric trams and Derby horse tram. Includes some tickets and one newspaper clipping re the closure of the Perth system. For details of each photograph and layouts see - /dbtext/Archive Document Files/Reg Item 5010 including a full scan of each page and associated documentation. The Negatives transferred to PETS 9/2021 along with a copy of the files.trams, tramways, perth, kalgoorlie, leonora, tramcars, wal jack -
Ballarat Tramway Museum
Album - Photo Album, Wal Jack, Germany and Europe, 1950's
These notes are based on a report prepared for the Board re the donation of materials collected by Wal Jack and donated to the BTM in 2011. The following notes are general across the collection unless written for a specific Ballarat item. Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features Continental Europe trams.Brown covered bound album with word "Scrap Album on front cover, with dark brown paper inside covers holding some 15 sheets of card on which photos have been mounted using photo corners of various types, captions in black ink with some labels pasted under the photos in black ink. The album originally started as a the Geelong album and remnants of photos hinges and notes left on the sheets. Has some 101 black and white photographs. Included a last day of tram cover of Sydney trams posted 19 Feb. 1961 - to Reg item 5016. Has photos of various locations and lines within Europe, mainly Germany, Switzerland, Holland, Austria, Belgium, France, Italy, and Spain. For details of each photograph and layouts see -trams, tramways, europe -
Ballarat Tramway Museum
Album - Photo Album, Wal Jack, USA and Canada, 1950's
These notes are based on a report prepared for the Board re the donation of materials collected by Wal Jack and donated to the BTM in 2011. The following notes are general across the collection unless written for a specific Ballarat item. Has proven association with Wal Jack and tramway developments within Australasia until 1964 and given their extent particular significance. Features US and Canadian tramcars.Floor pattern covered album with black paper inside covers holding some 21 sheets of card on which photos have been mounted using photo corners of various types, captions in white ink. Has punched holes on the left hand side but was not bound with cord at the time of acquisition. Parts of the album originally started as a the Melbourne album and remnants of photos hinges and notes left on the sheets. Has some 142 black and white photographs. Has some loose photographs. Has photos of various locations and lines within USA and Canada, Chicago, Vancouver, Le High Valley, Montreal, Los Angeles, Cincinnati, San Francisco, Connecticut, Lake Shore, New York, Brooklyn, San Diego, Pittsburgh, South Bend, Sacramento & Northern, Little Rock, Buffalo, Philadelphia, Jamestown, Monongahela, Atlantic City, Boston, Cleveland, Detroit, Milwaukee, Gary and North Shore. For details of each photograph and layouts see -trams, tramways, usa -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of Country Touch in Marysville in Victoria.A colour photograph of Country Touch in Marysville in Victoria. Country Touch was established in 1995 in a mud brick building designed for a pottery studio and gallery on the main street of Marysville in Victoria. By 2003 the pottery kilns were removed and the retail space expanded, however, this was destroyed in the Black Saturday bushfires. In July 2011 the new shop was officially opened and is still trading to this day. marysville, victoria, country touch, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of Country Touch in Marysville in Victoria.A colour photograph of Country Touch in Marysville in Victoria. Country Touch was established in 1995 in a mud brick building designed for a pottery studio and gallery on the main street of Marysville in Victoria. By 2003 the pottery kilns were removed and the retail space expanded, however, this was destroyed in the Black Saturday bushfires. In July 2011 the new shop was officially opened and is still trading to this day. marysville, victoria, country touch, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A digital copy of a colour photograph of Country Touch in Marysville in Victoria.A digital copy of a colour photograph of Country Touch in Marysville in Victoria. Country Touch was established in 1995 in a mud brick building designed for a pottery studio and gallery on the main street of Marysville in Victoria. By 2003 the pottery kilns were removed and the retail space expanded, however, this was destroyed in the Black Saturday bushfires. In July 2011 the new shop was officially opened and is still trading to this day. marysville, victoria, country touch, 2009 black saturday bushfires -
Moorabbin Air Museum
Document (Item) - 2010 and 2011 RAAF Museum Point Cook Calendars
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Marysville & District Historical Society
Ephemera (Item) - Advertising brochure, Country Touch, Unknown
An advertising brochure for Country Touch in Marysville in Victoria.An advertising brochure for Country Touch in Marysville in Victoria. Country Touch was established in 1995 in a mud brick building designed for a pottery studio and gallery on the main street of Marysville in Victoria. By 2003 the pottery kilns were removed and the retail space expanded, however, this was destroyed in the Black Saturday bushfires. In July 2011 the new shop was officially opened and is still trading to this day. marysville, victoria, country touch, 2009 black saturday bushfires -
Marysville & District Historical Society
Ephemera (Item) - Advertising brochure, Country Touch, Unknown
An advertising brochure for Country Touch in Marysville in Victoria.An advertising brochure for Country Touch in Marysville in Victoria. Country Touch was established in 1995 in a mud brick building designed for a pottery studio and gallery on the main street of Marysville in Victoria. By 2003 the pottery kilns were removed and the retail space expanded, however, this was destroyed in the Black Saturday bushfires. In July 2011 the new shop was officially opened and is still trading to this day. marysville, victoria, country touch, 2009 black saturday bushfires -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Sunil Gupta, The New Pre-Raphaelites #7, 2008
Sunil Gupta is a British/Canadian citizen, (b. New Delhi 1953) MA (RCA) PhD (Westminster) who lives in London and has been involved with independent photography as a critical practice for many years focusing on race, migration and queer issues. A retrospective was shown at The Photographers’ Gallery, London (2020/21) and The Image Center, Toronto. He is a Professorial Fellow at UCA, Farnham. His latest book is “We Were Here: Sexuality, Photography, and Cultural Difference, Selected Writings by Sunil Gupta”, Aperture New York 2022. His work is in many private and public collections including; the Tokyo Museum of Photography, Philadelphia Museum of Art, Royal Ontario Museum, Tate, Metropolitan Museum of Art and the Museum of Modern Art. His work is represented by Hales Gallery (New York, London), Materià Gallery (Rome), Stephen Bulger Gallery (Toronto) and Vadehra Art Gallery (New Delhi).Part of Queer PHOTO (Midsumm x PHOTO 2024) -
Greensborough Historical Society
Video Recording, Watsonia High School - Portable Classroom Relocation March 9th 1972, 1972_
Actual footage of a most memorable event for all students and staff who attended WHS in the 1970's. The 8mm film records an event that had (up until Nov 2011 when the film was viewed for the first time in nearly 40 years) only been in the memories of previous students and staff. It is supported by The Herald newspaper of that day where the event made it's front page.8mm roll of film in 7.5cm yellow cover PLUS a DVD reproduction of the film in a plastic DVD case with title "WHS - Theft by Stealth" Film also loaded to YouTube at : http://www.youtube.com/watch?v=C1ZYi69XaHk watsonia high school, portable classroom, march 9th 1972 -
National Vietnam Veterans Museum (NVVM)
Book, Stretton, Alan, Soldier In A Storm: An Autobiography
Few Australian professional soldiers have become so well known in recent years as Major-General Alan Stretton.Few Australian professional soldiers have become so well known in recent years as Major-General Alan Stretton. stretton, alan, 1922-2012, australia - armed forces - biography -
Bendigo Historical Society Inc.
Photograph - BENDIGO NORTH P.S. COLLECTION: CLASS PHOTO 2012
education, primary, lightning reef primary school