This believed to be a WW1 era Field Medical Box, on the front Red Cross there is very faint writing left that should read “Field Medical”, on each end there is also very faint lettering which should read ,”F.M.P.”Field Medical Box rectangular shape, blue green canvas lining on outer with leather corners & edges, rope handles each end, lid fold down has steel hinges that fold over a plate/latch/ring design and can be locked, on front side is a large white square with a Red Cross centre, there a Red Cross on the lid right hand side, inside is a cane basket in, the lid has been written on by hand.On lid in blue hand written, “62298/12/17”, “6545 - 66 - 019 - 9838”, “Surg Instr & Supply set Combat Medical Officers E - 27”medical, containers, field medical

Uniform jacket, Black Pipe Band Doublet with gold braid trim and 6 silver buttons closure - Scottish thistle design on buttons. One button on each Epaulette. Black nylon / silk blend full lining, Padded shoulders, Pocket under left side front skirts, 2 inch standup collar. Buttons missing from Cuffs and Skirting Flaps. Made by David Lack Pty Ltd, uniform specialist Melbourne. Label "David Lack Pty Ltd, uniform specialist Melbourne."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, uniform, pipe band doublet, scottish thistle, david lack pty ltd

Black silk lined with black polished cotton- seven gored skirt. A woven floral design through the fabric. Hemline is finished with a two cm braid hand stitched on the inside of the skirt, and finished with a one cm fringe edging the hemline. Plackett at centre back waistline fastens with seven metal hooks, and hand stitched loops. Cotton tape two cm wide waistband. Small soft gathers at centre front waistline.costume, female, black jaquard skirt

A soft covered booklet titled ' Sculpture for places Places for Sculpture.' Reg Parker. Bendigo Art Gallery October 4 - November 4, 1984.' The Diploma 1 Graphic Design students at the Bendigo College of Advanced Education have incorporated Reg Parker's work in public places in Bendigo using the process of photo montage. This work will also be on exhibition.' Bottom left corner of front cover has a number sticker, 0134 HAL.bendigo, education, bendigo art gallery, sculpture, art, art work, bendigo, bendigo art gallery, artists, exhibition, bendigo college of advanced education. bottom left front cover has a number sticker, 0134 hal.

Typewritten loose-leaf Paper re: history of St. Liborius, Eaglehawk (no title page, no author, incidental ref to date on page 8 ie 1982). Detailed history incl ref to: Design and erection; Sisters of Mercy; Franciscan Order of Friars Minor; chalice; weddings, baptism and font; school; convent; the ''relic of St Liborius''; current personnel and church population. Footnotes (36) and possibly a separate non-stapled.''Select Bibliography?church, history, st liborius church eaglehawk, sisters of mercy, franciscan order of friars minor, history and relic of st liborius. dr backhaus. st kilian's.bishop reville. w. e. brown. eaglehawk. bishop cane. st. marys college. sistewrs of st. joseph.

Artwork. A square of silk fabric, finished on the four sides with a .8 cm fringe of the fabric. A border of blue stitchery 2 cm from inside the fringe surrounds a floral design of three variegated pink flowers, one variegated blue flower, and soft green leaves. In one corner is a butterfly with soft pink wings, dark body, and long antennae. Burgandy satin stitch buds, and centres in two of the flowers add depth.artwork, doyley

Clothing. Guipure lace and spotted tulle bolero with sleeves. The 8cm cuffs of the sleeves are also guipure lace. The lace is of a floral design with tiny looped picots separating the floral motifs. Sleeves are of spotted tulle (.7 cm spots). The back of the bolero is shallow - just 26 cm deep, while the front dips to two peaks in the centre front.From shoulder to lower edge is 44 cms. No fasteners are evident. Armhole seam is bound with tulle.costume, female, cream tucked net collar and jabot

Clothing. Lapel pin with three metal bars in a brass-like finish, across a 4.5 cm long ribbon. The ribbon has a burgandy coloured stripe, 7.5 cm wide at either side with a 1.75 cm light blue stripe in the centre. A floral design on each of the clasps. A 2.25 cm long x 2.cm wide at the top, plastic/perspex shape, with black Lodge Symbols hang from the suspender at the base of the ribbon.costume, male, lodge regalia sash pin

Object. Circular in shape and 22 cms in diameter. The fan has a bamboo handle 26.5 cms long. Long strands of woven cane have been machine stitched into a circular shape, with the outside round in green dyed cane. (twenty rows of woven can make up the fan). A Floral design, 15 cm long is painted on one side of the fan-leaves, petals and centre of flower in green, red, yellow. Markings as above.costume accessories, female, circular cane fan

Textiles, black velvet tea cosy.Embroidered in velour thread. Floral design. One side has three stems of pink dahlia like flowers and leaves. The other side has three stems of yellow flowers with leaves. The tea cosy is edged with 7 cm red and yellow striped cord. The tea cosy is lined with red cotton fabric with a pink and green floral printed pattern. Both sides are padded. Hand made.textiles, domestic, velvet tea cosy

Jetter and Scheerer were a surgical instrument maker founded in Germany in 1867. Their company symbol is that of a serpent curled around a rod, surmounted by a coronet/crown. This instrument was part of a collection of instruments used by Dr Michael Kloss in his medical practice. Dr Kloss subsequently donated this collection to the College.Metal forceps, consisting of two blades which lock together with a pin fitting. The handle of one of the forceps blades is engraved with the word 'Kloss', both on the outside and on the inner aspect. The number '26' is engraved on the inner aspect of both blades near the pin joint. The upper shaft of one blade is engraved with the word 'HOSON'. The blade is also engraved with a derivation of the Rod of Asclepius, featuring a serpent wrapped around a rod, with the entire design topped by a crown.'Kloss' '26' 'HOSON'obstetrics

Tin box in brown and gold square design '170016'. Gold painted outside with red stripe housing brown lines with solid brown area where brass handles attached. Lockable. Black interior paint. 3 money sections, detachable as a whole. Each section has a lid with a small handle. storage room underneath. Hinged lid (patent 4489?0 and 'note' storage below. Exterior handles both sides. Patent 4489?

Please refer to The Wood Library for further information about this piece. URL: https://www.woodlibrarymuseum.org/museum/item/664/jackson-laryngoscope Chevalier Jackson direct laryngoscope, with attached small light bulb inside the internal blade. Brass coated piece with a large size. This piece has a discoloured and beaten surface with visible hit marks, deformation at the back of the blade and green spots in handle area. The hand anatomic handle is faceted and designed with a thumb rest section at the angle. Welding sections are visible along the blade base external canal and handle attachment area. No inscriptions.Anychevalier jackson, laryngoscope, light bulb, brass

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the pattern of the square hearth tiles in the third bedroom of Villa Alba. The glazed decorative tiles are painted in a pattern of climbing green ivy on a black base. The tiles have borders on two sides using a repeated black and white pattern. The tiles are laid so that the pattern of the ivy extends to the rear of the hearth. An oriental element with the design is the use of bamboo on which the ivy climbs. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- third bedroom

Two illustrations and a letter.prepared by the Australian Decal Manufacturing Co. Pty Ltd . Includes designs for a decal/logo for the Korumburra Shire Council in 1980. The first illustration features a B & W print of the logo/decal on glossy paper. The second features a coloured version showing a segment of the same decal/logo. The accompanying letter is printed on yellow paper dated 10 September 1980 is written by the designers seeking approval of the design from the shire.

Photocopied Report - 105 pages, titled "Final Report - New Directions for Melbourne's Tramway Heritage", dated Jan. 2001, prepared for the Department of Infrastructure by Booz Allen & Hamilton, Convergence Design Pty Ltd and Boyce Pizzey Strategic. Chapters are Introduction, Tramcar Collections, Other Tramway Heritage, Heritage Significance, Opportunities and Management Plan. Held by a large spring back binder. See Reg item 4264 and 4266 for associated papers. trams, tramways, melbourne, heritage, trams, museum, conservation

Set of two small pamphlets celebrating 100 years for Ballarat trams 18 and 40. Provides details of the trams, owners of the trams, their history and some photos of each tram. .1 - "Tram No. 40 is 100 years old this year" .2 - "Tram No. 18 is 100 years old this year" Written by Richard Gilbert, designed by Reece Carter. Produced for the 100th anniversary of 18 - 2 November 2013. Two copies of each held.trams, tramways, btm, handouts, passengers, pamphlets, 100 years of electric trams

A wooden racquet with yellow and blue whipping around shoulders. Decal image of Ellsworth Vines on stem on obverse. Inscription, from head to stem, on obverse: WILSON/ELLSWORTH VINES/PERSONAL/MODEL. Inscription on stem on reverse: WILSON/WEIGHT/BY/BALANCE. A red and blue chevron design features at the base of the stem on both sides. Butt cover features Wilson 'W' trademark. Materials: Wood, Gut, String, Ink, Leather, Metal, Glue, Lacquertennis

A Wilson Le Sabre racquet, with brown painted throat and shaft, perforated brown leather grip, and white cloth butt cover with red-stitched 'W' trademark. Inscription: WILSON/LE SABRE/SUPER FLEX SHAFT. Decal design of a white chess rook and gold fleur-de-lis features on the throat. Materials: Wood, Nylon, Glue, Lacquer, Metal, Leather, Adhesive tape, Paint, Ink, String, Cloth, Plastictennis

A Wilson, Jack Kramer Flight tennis racquet. Base of head features Wilson logo. Throat features decal design of a gold crown above a black iron cross. Shaft features black 'W' trademark. Leather handle grip features multiple perforations. Name scratched into right side of throat: JIM BARNHARD. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Plastic, Paint, Plastictennis

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Thelma Hiscock in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 24 or 27 June when Hiscock was performing the role of Lazarillo.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Thelma Hiscock."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.10-page souvenir programme for the Kew Canoe Carnival to be held at Yarra Bend National Park on Saturday February 18th, 1939. Proceeds were designed to assist the Victorian Society for Crippled Children. Front cover shows photograph taken at the previous year's carnival. The site of the carnival shown on an internal map was upriver from Macauley's boat house. Photograph on back cover shows canoeists at Kew Boat Sheds, 45 Molesworth Street.kew canoe carnivals, recreation -- river yarra, christian-washfold collection

Illustration - colour engraving printed onto white card, titled "Princes Bridge" showing the planned St Paul's Cathedral, Flinders St Station, Princes bridge with cable trams and the Yarra River with steam powered boats. On rear - "Engraving of Prince's Bridge and St Paul's Cathedral, Melbourne 1889" with a note that it was drawn before the completion of the cathedral the design shows in that intended by the Architect, William Butterfield and that it was from the collection of St Paul's Cathedral.trams, tramways, yarra river, st pauls cathedral, melbourne, greetings cards