Black and white photograph. Group of twenty nine men outside stone building. Men dressed in three piece suits with white stiff shirt fronts and all but one wearing bow-ties. The men all have moustaches and goatee beards, and most are smiling. There are three signs reading 'ze French tea'. Foundation stone partly visible reads 'was laid, Clarke'. Inscriptions: Name and initials indecipherable (on front). In image 'ze French tea'.person, group, males

The granite coach house and kitchen are part of the Glen Loeman complex which is situated on Loemans Road in Bulla. Most of the buildings on the estate were constructed in the 1850's. The first owner of the property was Michail Loeman and his wife Isobella.A coloured photograph of outbuildings. The pitched roof is slate clad and is partly moss covered. The grey stone chimney stack at the end of the building is finished with a simple cornice. The stone walls are constructed in a random rubble pattern. There are two doorways. The wider doorway has black timber doors and is finished with an arched stone lintel and the smaller doorway has a straight stone lintel. The twelve paned sash window has a white painted frame and stone lintel and sill.granite, coach house, burns, joseph, loeman, michael, glen loeman, george evans collection

The Redex Reliability Trial 1953 -The first Redex round-Australia reliability trial covered of 6,500 miles (10,500 km), and had a first prize of £1,000. It attracted both amateur and professional drivers in a variety of cars. The route passed through Brisbane, Rockhampton, Townsville, Darwin, Alice Springs, Adelaide and Melbourne before returning to Sydney and attracted much public interest. At the time the idea of driving huge distances around the country in ordinary cars was novel and the logistics were challenging. In many parts of the country there simply wasn’t adequate accommodation or suitably located refuelling stops. The Shell Company facilitated the race by placing petrol dumps along the 5000 km route between Townsville and Adelaide. The race began at the Sydney Showground on 30 August when 192 cars left at three-minute intervals. Of the twenty top finalists, two thirds were sponsored. Ken Tubman and John Marshall won the trial in a Peugeot 203. However the Peugeot in this photo does not appear to be their car, judging by official photos of them with their vehicle, taken at the end of the trial. The Peugeot 203 was a popular car at the time and its reputation was enhanced after winning the trial. A black & white photo taken in Whitehorse Road, Mont Albert during the 1953 Redex Trial as a Peugeot 203 is passing 688 Whitehorse Road on the extreme left. The Peugeot 203 appears to have advertising on its panels indicating it was a competitor in the trial. On the far side of the road is a Morris Minor with a hatted man sitting on the bonnet, a woman standing close by and another man taking a photo of the passing cars. The houses in the background are partly obcsured by large hedges.george coop, mont albert, morris minor, redex trail, whitehorse road, peugeot 203

Black & white photo (mounted on light brown heavy paper)of the Agnew Hustlers. Written beside the photo: Agnew Hustlers, later North Hustlers. Kneebone St. Depth 402'. (feet). No gold (water). Probable depth of Reef 560'. Photo is a small black & white one of the wooden poppet legs with a shed behind it and some trees. On the bottom left edge, there is a man standing (partly obscured) with his hand on his hip. Albert Richardson Collection.photo, agnew hustlers, north hustlers

Soldiers’ Memorial World War 1 with wreaths at base. The "Girl's Remembrance League" worked to raise money for the memorial to be built. Cost was 643.0.0 pounds. The memorial was unveiled on Saturday 10th Nov. 1923, by Archdeacon T.P. Bennett, (a respected pardre and old Stawell boy). Photo was copied from original donated by Mrs. L Matthew's whose mother Mrs. A. V. Cornish was a member of the Girls Remembrance League. Memorial was partly built by Robson & Grey, when partnership dissolved Mr. G.M. Robson completed the work. The Borough Council donated the land for the memorial.Black & white photograph of a World War 1. memorial. The fallen soldier statue is on a tiered granite base with flowers and wreaths around the base and steps of the memorial. There are two black & white photos one an enlargement. stawell ww1

The Beech Forest railway carried very heavy loading, mostly consisting of timber, but also potatoes, lime, gravel, chaff and dairy produce. Livestock was carried and, while no dedicated passenger service operated "car-goods" ran on Monday, Wednesday and Saturday plus occasional passenger specials. However, despite the high tonnage heavy financial losses were experienced, due partly to the small amount of inbound goods and the high empty wagon mileage. Annual losses by 1915 were up to L8,000, and these were only exacerbated by increased traffic.B/W. Beech Forest Railway Station, guard's van, carriages and wagons on the right, and wagons loading with timber on the left. c.1915.beech forest; railways; station;

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Only 10% of plate has survived. Three of five makers marks are all or partly recognisable: (1) Trade Mark (2) Resurrection Cross (3) Maltese Crossflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks

This book was awarded in 1884 to Bessie McMahon from the Warrnambool State School. The teacher was Bella Davidson. Warrnambool State School No. 1743 in Jamieson Street, Warrnambool, was opened in 1876 and is still open today. Elizabeth Mary (Bessie) McMahon was the daughter of William and Mary McMahon of Glenrye, Warrnambool. Her father was a Warrnambool lawyer. Bessie McMahon married John Clarke of Garvoc. Isabella (Bella) Davidson was the daughter of John and Isabella Davidson of Rosebank near Woodford. She became a well-known teacher in Warrnambool, commencing as a pupil teacher in the Warrnambool National School (later Common School 646) and moving to the Warrnambool State School in Jamieson Street when it opened. She resigned in 1886 to open a private school in Koroit Street (known as Ellerslie College) and continued as the proprietor and Head Teacher until 1891. This book is of considerable importance because of its association with the Warrnambool State School early in its existence, with Bella Davidson, a noted Warrnambool educationalist of the 19th century and with Bessie McMahon, a member of a prominent family in 19th century Warrnambool.This is a hard cover book of 310 pages. The cover has a blue background with gold and black ornamentation and a gold shield. The shield contains an illustration of a girl lowering a bundle down from a window to a boy below. The lettering on the cover and spine is gold and the pages are gilt-edged. The cover is slightly stained. There are several full-page black and white illustrations scattered throughout the pages. The illustration at the front of the book is loose and the binding is partly detached from the spine. The inscription is handwritten in black ink. ‘Warrnambool State School 1743 Decem 1884 Prize Awarded to Bessie McMahon for highest marks in French Div 111 B. Davidson’ warrnambool state school, bella davidson, bessie mcmahon, history of warrnambool

This book belonged to a Marian Adams from Limerick but, unfortunately no information has been found on this person or the connection to Warrnambool. There were several families in the Warrnambool area with the name ‘Adams’ in the 19th century. This book is kept as an interesting 19th century book but it will be of greater interest if information is found on Marian Adams. This is a hard cover book of 516 pages. The cover is brown leather with gold embossed ornamentation and gold lettering on the spine. The pages are gilt-edged and the cover has become partly detached from the binding. The pages are much stained and the cover is very rubbed. The inscription is handwritten in black ink. There are eight engravings on steel in black and white and all are protected with white tissue. There has been a book plate pasted onto the inside of the front cover but it has been torn away. ‘Marian Adams Limerick, October 19th 1870’ marian adams, history of warrnambool, william cowper poet

This book was a prize given to Arthur Rogers in 1928. Arthur George (Bill) Rogers was the grandson of Joseph Rogers, a Warrnambool plumber and the son of Arthur and Agnes Rogers of Warrnambool. He worked in the advertising department of the Warrnambool Standard newspaper for nearly 50 years and died in 1995. It is presumed that the school that awarded the prize was South Warrnambool State School No. 1902. This school was established in 1877 with the first Head Teacher, Mrs Eliza Clarke. It was closed in 1994. The donor of the prize was South Warrnambool Football Club. This club was established in 1902 and has competed in the Hampden Football League since 1933. It is a successful club with many of its players going on to play in A.F.L./V.F.L teams. This book is of interest because of its 1920s connection to the South Warrnambool State School, the South Warrnambool Football Club and a local South Warrnambool resident, Bill RogersThis is a hard cover book of 196 pages. The cover is multi-coloured with an image of scouts on top of a hill with their encampment beneath. The lettering is white. The dust cover has the same illustration and is rubbed at the edges and partly torn away at the top left edge. It also shows some silverfish damage. It has a protective plastic cover. The book has one full page colour illustrations and many black and white illustrations and sketches. The book has 20 stories or articles. The inscription is handwritten in black ink.‘Grade IV First Prize Awarded to Arthur Rogers by the South Warrnambool Football Club December 1928 A.S.James Head Teacher’ south warrnambool state school, south warrnambool football club, bill rogers, south warrnambool

This booklet was given to subscribers of the Warrnambool Standard as an almanac for the year 1875. It was the first of these Standard Almanacs and replaced the yearly diary which was previously printed in the newspaper. These Standard Almanacs were published yearly from 1875 to 1930 and contained information for the residents of Warrnambool and district on the year ahead – the names of local public officials, businesses, hotel keepers, school personnel, local organizations representatives etc. The Warrnambool Standard newspaper was established in 1872 and continues to this day. This booklet is of high significance as it is the first of the yearly Warrnambool Standard Almanacs and contains much valuable information on Warrnambool and district for the year 1875. It is a very valuable research tool for those studying and writing Warrnambool’s history and is a rare copy. This copy appears to have belonged to George Barber, the son of George Barber, a well-known solicitor who opened a legal practice in Warrnambool in 1855. He died in 1879 and it appears that one or more members of his family went to live in the Maryborough area as this copy came into the collection of the Warrnambool and District Historical Society via the Midlands Historical Society. This is a soft cover booklet of 80 pages plus many advertisements at the front and back. It has a buff-coloured cover with an ornamental border on the front cover and black lettering. The booklet contains a calendar and information on the people, organizations and businesses of Warrnambool and district in 1875. Some of the pages have been burnt at the bottom edges and there are several pages partly or wholly torn away. The pages have been annotated in many places, mostly in pencil but occasionally in ink. There are many names of the Barber family in the booklet. ‘Geo. Barber Esq. Warrnambool’(repeated many times) warrnambool standard newspaper, fairfax and laurie, history of warrnambool, standard almanac 1875

This booklet was given to subscribers to the Warrambool Standard newspaper as an almanac for the year 1883. These Standard almanacs were produced from 1875 to 1930. They contain much local information on Warrnambool and district about the businesses, government officials, schools, societies and organizations, harbour management, churches, banks etc. The Warrnambool Standard newspaper was established in 1872 and continues to this day. This booklet is of high significance as it contains much valuable information on Warrnambool and district for the year 1883. It is a very valuable research tool for those studying and writing the history of Warrnambool and district. The copy is signed ‘G. Barber’ and probably this refers to the son of George Barber, a well-known solicitor who opened a legal practice in Warrnambool in 1855. He died in 1879 and it appears that a member or members of his family went to live in the Maryborough area as this copy came into the collection of the Warrnambool and District Historical Society via the Midlands Historical Society. This is a soft cover booklet of 72 pages plus several pages of a gardener’s calendar and 20 pages of advertisements. The cover is yellow with black lettering and the spine is partly torn away. There is a fold-out page of the Western District’s railway and coach routes and the pages on the tourist’s guide to Warrnambool are printed in green. The booklet contains several black and white illustrations. There are several pages that are torn with parts of the pages missing. The front cover has the name of ‘G. Barber’ handwritten in black ink. ‘G. Barber’ warrnambool standard newspaper, history of warrnambool, standard almanac 1883, g barber solicitor

This letter book was used by George Barber to produce letters to send to clients and to retain a copy of this correspondence. Barber was a prominent Warrnambool lawyer in the 19th century. English-born George Barber (1814-1897) came to Warrnambool from Port Fairy in 1853, making him one of the earliest lawyers in the town. In 1867 he formed a partnership with William Ardlie, and this partnership continued until Barber retired in1879. Barber was active in community affairs, being involved with such institutions as the Warrnambool Cricket Club, the Warrnambool Hospital, the Warrnambool Gas Company and the local Horticultural Society. This letter has a connection to one of Warrnambool's important early lawyers and will be useful to researchers if the handwriting can be read.This is a letter book of 750 pages with a hard grey-coloured cover and black taping on the spine. The front cover has a paper label with a handwritten title on the outside and a signature on the inside cover The cover is partly detached from the spine. The pages contain an alphabetical index at the front and copies of handwritten letters. There are many pages unused and there are three loose paper items seemingly not connected to the contents of the letter book. The cover and some of the pages are stained and tattered and the contents are very difficult to read.George Barber Warrnamboolgeorge barber warrnambool lawyer, early copying devices

This box contains a label from the Warrnambool business of W. Swinton & Sons and this tells us that the box dates from the early 20th century (pre 1912). The documents in the box are Swinton financial balance sheets from 1928 to 1970 (W. Swinton & Sons/Swintons Pty Ltd). William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool area, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street Warrnambool, selling groceries, glassware, china and hardware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, West Warrnambool and South Warrnambool. After William Swinton died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling clothing, furnishings and glassware and Swintons Pty Ltd selling seeds, produce and hardware. Today the Swinton family still operates a furniture and bedding store in Timor Street. Both these items come from the Warrnambool business of W. Swinton & Son/Swintons Pty Ltd and both the box with its early 20th century label and the financial statements are of importance. The balance sheets will be useful to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the name Swinton associated with Timor Street businesses for 152 years, it is amongst the oldest family businesses in Australia. .1 This is a black cardboard box with a lid, with one side of the lid party detached. Some parts of the box are torn, especially the corners of the lid. The inside of the box is somewhat stained. The inside of the lid has a label pasted on and the top of the lid has a W. Swinton & Sons label pasted on. The Swintons label is partly torn away. .2 The paper material inside the box is mostly foolscap-size and consists of business financial balance statements. Some of these have coloured paper covers. ‘W Swinton & Sons Universal Produce Buyers and Exporters Timor Street Warrnambool’ swinton family, warrnambool, history of warrnambool

This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal, partly removed, with content remnants inside. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle

Document. Malone Collection. Small white card with a beige border. Has a small black & white picture of the moon partly hidden by cloud. The waves are breaking over the rocks and seagulls are flying around. The edges of the picture have a slightly raised white border. Below the picture in the bottom left corner is a coloured sketch of seagulls flying over the sea. On the right is printed: What are the wild waves saying? (printed in gold) and All Good betide you (printed in blue.)Raphael Tuck & Sons Ltd.person, greeting cards, malone collection, malone collection, greeting cards

Demonstrates how tram tickets could be punched and the manufacture of ticket punches.Brass cast, chrome plated, machined, device or ticket punch, used to cancel or punch paper tickets when purchased. Placed a round hole in the ticket. Spring loaded, consists of two main parts with a pin & spring in addition. . Chrome plate has been partly worn off. Secured by three screws. For another example see Reg Item 7468 with large screws. There are no manufacturer markings or numbers on the punch. Punch is very heavy in construction compared to other punches in the collection.trams, tramways, ticket punch, tickets, fares

Demonstrates how tram tickets could be punched and the manufacture of ticket punches.Brass cast, chrome plated, machined, device or ticket punch, used to cancel or punch paper tickets when purchased. Placed a round hole in the ticket. Spring loaded, consists of two main parts with a pin & spring in addition. . Chrome plate has been partly worn off. Secured by three screws, which are unusual. There are no manufacturer markings or numbers on the punch. Punch is very heavy in construction compared to other punches in the collection. Has been repaired by welding.trams, tramways, ticket punch, tickets, fares

Colour print of a Ballarat single trucker en route for the Gardens, just past St Aidans Drive during Winter 1971. Photo taken from partly within Lake Wendouree, looking at the tramcar through the trees, which has passed the photographer. See also Reg Nos. 1279 and 1280 for related images. On Kodak paper. Not the same tram as on 1279 or 1280 as it has a SEC and Eureka Tiles roof ad. Original film image scanned at 3200dpi 12/5/2020.On rear in blue ink "Lake Wendouree" and in top left hand corner "1971".ballarat, lake wendouree, st aidans drive

Colour print of a Ballarat No. 13 en route for the Gardens, just past St Aidans Drive during Winter 1971. Photo taken from partly within Lake Wendouree, looking at the tramcar through the trees, which has passed the photographer. See also Reg Nos. 1278 and 1280 for related images. On Kodak paper. Would appear to be the same trams as in 1280 as it does not have a roof advertisement. Original film image scanned at 3200dpi 12/5/2020.On rear in blue ink "Lake Wendouree" and in top left hand corner "1971".ballarat, lake wendouree, st aidans drive, tram 13

Black and white photograph of three SEC single truckers on No. 1 road at the SEC Wendouree Parade depot during 1971. Second tram is 26, third (partly in depot) - 14. Trams have drop end blinds down. Tram 14 has a Cinzano spirits advertisement on the roof and a Twin Lakes ad on the front of the tram. Photo by Dave Macartney. Photocopy made 4/1999 for display purposes. Small copy added 10/10/2019. Image updated.On rear in pencil "DJM"trams, tramways, sec depot, ballarat, tram 26, tram 14

Agfa plastic mount (blue base, white cover) with a photo of four trams standing at the front of Bendigo tram depot. Trams 12, 5, 7 and 30 are featured. Possibly taken on the same day as Reg. item 2611 to 2614, ground in front of depot partly wet and No. 30 showing depot, possibly having run into the depot. Advertisements on the trams feature SEC Briquettes, Whitehorse Whiskey, Cohns Soft Drinks and The Age newspaper. No. 12 has a "Jefferies" road advertisement."BES 5" in penciltramways, trams, bendigo, depot, tram 30, tram 7, tram 5, tram 12

A Slazenger P.M.instructional racquet, with red and white decoration. Decal on throat on obverse: PM. Instructions feature on base of racquet head, on both sides, and along right side of handle. Inscription along left side: SPECIALLY MADE BY SLAZENGERS IN CONSULTATION WITH FRED PERRY/WORLD CHAMPION, AND DAN MASKELL COACH, ALL ENGLAND CLUB WIMBLEDON. Partly legible decal of retailer features on throat on reverse. Materials: Wood, Nylon, Paint, Ribbon, Leather, Adhesive tape, Ink, Guttennis

Sign, painted onto a MMTB auxiliary destination board of the type that could hang on the front of a Melbourne tram car with the words "Direct to Velodrome", black letters on yellow painted background. The reverse side has had a number of paper signs glue to it, only partly readable. The Velodrome is now part of the Olympic Park in Swan St. Metal sign, fitted with metal hanging brackets, riveted to sign on both sides. Manufactured by rolling the outer edges over a 4mm diameter steel rod.trams, tramways, signs, auxiliary board, swan st, olympics

Glass chimney from a Melbourne Cable tram oil headlamp - base partly broken and top broken off and damaged - four fragments from original. Has a note that the lamp was restored by Alf Twentyman, later take by Norm Maddock for the Stanhope St Museum. Written by Robert Green Feb. 2015. The chimney has dirt marks on the inside. Item contained within a small box with packing and then a larger Torino Comfort shoe box with further packing and a note about the object.trams, tramways, cable trams, lights, headlights

.1 - Run Number pressed metal plate with corners trimmed and rounded, top section partly folded with two slotted holes, painted with a yellow background and the letter "A" and number "28" painted in black, to give a Run Number Plate for South Melbourne Depot. Painted with the same detail on either side of the plate. .2 - Sheet of Masonite, with two holes on the top edge, and the letter A and numeral 5 from paper glued and taped onto the sheet of Masonite. Shows a temporary version.trams, tramways, mmtb, south melbourne depot, timetables

This is a bridge across the Snowy River at Orbost. This bridge was built in the 1920s as a road and rail bridge, and was partly washed away by flood waters in 1934. After the end of the first World War the Victorian Railways considered an extension of the railhead across the river at Orbost, and in 1922 a new timber and steel girder structure, a joint Country Roads Board — Victorian Railways venture, was built and completed at a cost of £41,000 (the steel girders came from the Flinders Street viaduct reconstruction). Subsequently it was decided not to take the railway across the river, and the bridge has only been used by road traffic.This is a pictorial record of an early bridge across the Snowy River at Orbost.A very large black / white photograph under glass in a timber frame. It is of a bridge across a river and is framed by trees.bridge snowy-river-bridge road-transport-orbost

This book is a 1988 reprint of an 1897 novel by Mary Gaunt (1861-1942). She was an Australian writer of more than 20 novels and many travel books, short stories and magazine articles and achieved international recognition. The wife of Dr H.L. Miller, she lived in Warrnambool from 1894 to 1900. ‘Kirkham’s Find’ was written while she was in Warrnambool and is of particular local interest as it is partly set in an area that can be identified as Allansford. The novel outlines the difficulties faced by a woman in the 19th century if she wished to pursue a career and gives us a good description of 19th century rural Australia. Although it is only a reprint this novel is of some interest as it was written by Mary Gaunt, an Australian writer of considerable importance. As a one-time resident of Warrnambool and a writer using local places and situations in her stories, she has a place in Warrnambool’s history. This is a soft cover book of 340 pages. It has a purple cover with a reproduction of a 19th century painting on the front cover and material about the contents of the book on the back cover. The spine is an orange colour with black and white printing. The book has an introduction by Kylie Tennant, an afterword by Dale Spender and 29 chapters of a novel. mary gaunt, history of warrnambool, women in literature

This book is a social history collected orally and from the private records of residents of the Wairewa Valley, Victoria, Australia. It includes a brief history of the old primary school. Appended is a performance piece 'Waltz for Wairewa", a dialogue with poems and songs. It was sponsored by the Hospital Creek Bush Band and Dance Group. The book was partly the result of two song writing courses, one run on-line for six weeksby Sheffield University, U.K., and another year-long course at U3A in Lakes Entrance, East Gippsland. The bridge pictured on the front cover is O'Grady's railway bridge which was severely damaged in the bushfires of January 2020.This item is a useful reference on the history of the Wairewa Valley, East Gippsland.A soft covered book, titled "Stories From Wairewa". On the front cover is a tall wooden rail bridge. the book contains stories, photographs, scanned documents, shet music, drawings and poetry. book-wairewa blakeman-elizabeth school-wairewa

Roslin Castle, the seat of the St Clair Family, was founded in 1304. It is partly in ruins. According to legend some millions of pounds worth of treasure being hidden in the vaults. it is said to be under the charge of a lady of the ancient St Clair family. She is to wake from her slumber and point out the spot where the treasure lies. It is located near the village of Roslin in Midlothian, Scotland. It is located around 9 miles south of Edinburgh, on the north bank of the North Esk, only a few hundred metres from the famous Rosslyn Chapel. (See http://en.wikipedia.org/wiki/Roslin_Castle)Three postcards showing different views of Roslin Castle. .1) A stone building on a hill side, with flying flag, .2) The Courtyard, Roslin Castle .3) The Bakehouse, Roslin Castle.1) This a fine view taken from the Glen. Formerly the castle was eight storeys high, five above and three underground. .2) While at Edinburgh I went out to Roslin saw there the Castle and Church. They are both very old dating back 500 hundred years. .3) The hole in the wall is the oven, is an immense thing. A fire was lit in the oven then pulled out and the heat in the stone did the baking.roslin, rosslyn, roslin castle, st clair, spirit, ghost, baking, oven, bread