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Ballarat Tramway Museum
Document - Report, City of Ballaarat, "Submission to Enquiry into Public Transport Facilities in the Ballarat Urban District by A. W. Nicholson, Mayor of Ballaarat Council", Apr. 1968
... the Ballarat Urban District by A. W. Nicholson, Mayor of ...Yields information about the view of the City of Ballaarat in 1968 about the possible replacement of tram service.Report or Submission - 6 Gestener printed foolscap sheets, stapled on left hand side and bound with a blue edging tape titled "Submission to Enquiry into Public Transport Facilities in the Ballarat Urban District by A. W. Nicholson, Mayor of Ballaarat Council". Dated 2 April 1968. Submission looks at the possible closure or the future of the tramway system, the SEC involvement, employment, road surface repairs, financial loss to the SEC, reduction in passengers due to car ownership. Council submitted that the tramway system should be retained and extended and that pensioner concessions should be continued. Notes that at the time 69 men on the trams, 18 at the depot and 8 on the track. If replaced by buses, supported a government owned bus provider rather than private. Document scanned - word searchable. pdftrams, tramways, closure, city of ballaarat, bus replacement, public transport, sec, finances -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: CORRESPONDENCE AND DOCUMENTATION RE SITE FOR PERFORMING ARTS CENTRE 1975/76
a. Extensive and detailed correspondence and documentation re site for Performing Arts Centre 1975/76; Letters from City Engineers; Town Clerk; Dr Westbrook (Ministry for the Arts); Drama officer (Ministry for the Arts); includes list in of Arts Council sponsored performances over the period 1971-1975; questionnaire relating to a Cultural & Arts Centre; list of Potential Users of an Art Centre Complex; minutes/correspondence re The Bendigo Urban Renewal Liaison Committee; plans for sites. Would need to be read and examined in its entirety due to complexity of the issue; b. Correspondence between City of Bendigo and Bendigo Arts Council (April 1976); Correspondence between City of Bendigo and Arts Council of Australia (Feb/Mar 1974) with Valuer's Letter and handwritten notes of sub-committee meeting. -
Bendigo Historical Society Inc.
Document - ALBERT RICHARDSON COLLECTION: VICTORIA HILL MINES
Two page handwritten document titled 'Victoria Hill Mines, Dickers M.R. 23.11.1861. Wittschiebe and Co. Claim. Next north to No. 2, Midway Company' Transcribed by Albert Richardson. Extract from text: 'There are reefs passing through this ground at small intervals in every part of this claim, they all dip north. The mass of leaders struck in No. 4 (shaft) yielded, on an average about 1 1/2 ounces to the ton to the amount, in all, of about 12,000 pounds. From the eastern Victoria, the present proprietors extracted in nine months 55,000 pounds worth of gold.' Owners of mine. Messrs A. Witrtschiebe, A. Sagasser, F. Meison, A. Urban, H. Koch, C. Killian and A. Rudolf. Document details the claim, the shafts sunk, their depth, issues re workings and gold found.Albert Richardsonbendigo, mining, wittschiebe & co. claim -
Kew Historical Society Inc
Archive (series) - Subject File, Victoria Park : Concept Management Plan, Research Papers, 2004
Graeme Butler & AssociatesProject FilesProvenance OrderRed cardboard wallet containing historical research by Graeme Butler, heritage architect, into the history of Victoria Park, Kew. The file also includes a draft Victoria Park Concept Master Plan, 2004. The research includes memoranda, maps, photocopies of plans, forms, notes, aerial photos, and sundry references.graeme butler - heritage architect, victoria park - kew (vic), heritage studies - kew (vic.)graeme butler - heritage architect, victoria park - kew (vic), heritage studies - kew (vic.) -
Nillumbik Shire Council
Print (etching): Dean BOWEN, The Offering, 1997
Dean Bowen is renowned for his charming, child-like aesthetic and unique thematic interplay between the urban and rural as well as humans and animals. Bowen has developed a distinctive and humorous symbolic language that filters through each work. His highly charismatic and whimsical renderings of animals, human characters and Australian environments celebrate the vicissitudes of life, evincing the simple pleasures of human habitation within the artificial and the natural world. The work and thoughts of Jean Dubuffet, particularly those which focus on the philosophy of 'Art Brut', give support to Dean's belief that untrained artists are more honest, that artists interested in emulating the art of children are trying to regain the pure expression they lost with childhood. 'The Offering' was a finalist in the Nillumbik Art Awards in 1997. The work refers to the act of giving back, rather than taking which Bowen sees as more prevalent in our Western society. While the image is childlike, the expression of the boy is a mixture of sadness and happiness, knowing and naivety, youth and age. The smile has a Mona Lisa quality and the earthy and sensuous colours suggest landscape. When realising the images he relies on memory rather than observation so that the struggle with drawing and representation sometimes doesn't work. The style of the drawing and the flat space relates to the graphic style of cartoons and caricature. The intuitive and the imaginative are essential elements in his work. lower right 'Dean Bowen '97' -
Kew Historical Society Inc
Photograph - Studley Park, 1937
Those sections of Studley Park closest to the River Yarra were set aside as parkland in the 1850s. After initial discussions about whether it was a suitable site for a Government House, much of the land was instead gazetted in the 1860s as the location for a new lunatic asylum, to expand overcrowded mental health facilities at the Yarra Bend Asylum on the other side of the river at Fairfield. Those sections of Studley Park bounded by the Yarra River, Studley Park Road, Princess Street and Fellows Street were subdivided and sold at the Crown Land Sales in 1851. Much of this urban area remained open farmland until the twentieth century, apart from mansions, largely located along the main roads.Original, black and white positive print of what is said to represent Studley Park in 1937. If the attribution and date is literally to be understood, then it would appear that the photograph may have been taken from the Kew side of the river looking across to open farmland in the Yarra Bend Park. If the designation of Studley Park is to be understood more loosely, then it might be a view of what is now East Kew, taken from a section of Kilby Road. Inscribed verso: "Studley Park 1937" studley park -- kew (vic.) -
Melbourne Water
Melbourne Water Watch, 1996
As the Yarra became unsuitable as a source of water, several attempts were made to find alternative sources for the growing population of Melbourne. It was not until 1891 that the efforts to sewer Melbourne came to fruition with the setting up of the Melbourne Metropolitan Board of Works (MMBW), now known as Melbourne Water. From 1891 until 1992, it was the responsibility of the MMBW to safeguard public health by providing a sewerage system and a safe water supply system. In 1992, The MMBW merged with a number of smaller urban water authorities to form Melbourne Water. This Melbourne Water watch was gifted to a Melbourne Water staff member by her manager when she left the organisation in 1996. The watch was part of a branding campaign as the water industry became segregated in 1994.This item is of historical significance for its association with Melbourne Water at the time when the water industry became segregated in 1994. This watch is a perfectly intact object and is significant for its representativeness of the theme of Women in the Workforce within the MMBW and Melbourne Water as it was gifted to a female employee. The watch is also aesthetically pleasing in style and represents the trends of the 1990s. Gold plated, black leather band watch with the Melbourne Water logo on the face with accompanying black suede case with gold corners. The watch also comes with a warranty inside.melbourne metropolitan board of works, mmbw, melbourne water, watch, accessory, gift -
Stawell Historical Society Inc
Photograph, Stawell Urban Fire Brigade Discipline Team in Uniform in Bendigo 1938
Group Portrait of Stawell Urban Fire Brigade Discipline Team Bendigo 1938 in uniform BACK ROW: E. Welsh (Ted), Ern Dickens, Albert Smith, Jack Hall, Jack Miatke, Henry Dunn, Charlie Prosser, Arthur Parsons SECOND ROW L-R: Chas Richardson. Fred Crouch, I. O'Neil (Bunny), Harry Chapman, Reg Chapman, Roy Ledger, Bill Mitchell, A. Dunn (Bert) THIRD ROW L-R: Bob Phillips, Sid Whelan, Fred Court, George Huse (Gundy), Ray Maddocks, Frank Floyd, Peter Fenwick, Ray Rickard, Reg Nicholls SEATED FRONT ROW L-R: ?, Ridgewell, S. McInnes, B. Aston, ? , Len Egginton Black & white photograph of a group of men in uniform. Most men are wearing uniform hates, front row have no hats. Taken indoors, window behind the group.nonestawell -
Surrey Hills Historical Society Collection
Book, A history of Surrey Hills' sporting clubs and cultural groups, 2018
Surrey Hills is a suburb shared by the modern day cities of Boroondara and Whitehorse. The first land purchase was in 1841 when Henry Elgar, an East Indian merchant took up 5,120 acres bounded by the present Elgar, Canterbury and Burke Roads and Koonung Creek. The urban development of Surrey Hills saw the establishment of sporting clubs many being associated with the local churches. The Surrey Hills Dramatic Society and Surrey Hills Amateur Dramatic Club were both formed in 1889 as well as other social and cultural groups. Ken James researched this book for the Surrey Hills Historical Society, of which he is a member, using material and photos from the Surrey Hills Historical Society collection, material from TROVE and other sources.music, clubs - victoria - surrey hills, basketball, bowls, cricket, cycling, football, golf, gymnastics, hurling, netball, rifle shooting, swimming, table tennis, tennis, squash, walking, filed naturalists, brass bands, choral groups, debating, dramatic clubs, musical club, operatic society, surrey hills orchestra, quadrille, rose club, our holy redeemer church, holy trinity chutch of england, surrey hills church of christ, surrey hills methodist church, st stephens presbyterian church, australian natives association, balwyn combined, catholic young men's society, surrey hills baptist church, surrey hills independent order of rechabites, wyclif congregational church, surrey hills college, hockey, chatham netball club, blue bell tennis club, benson street methodist church, our ladies wattle park, surrey hills state school old scholars tennis club, surrey squash centre, surrey hills neighbourhood centre, cantrices ladies choir, surrey hills choristers, surrey hills everleigh private amateur dramatic club -
Kiewa Valley Historical Society
Fire Hose Reel, c1950s
The fire hose reel was purchased by the Fire Ladies' Auxiliary for the Mt Beauty S.E.C. Fire Brigade in the late 1950's for over 1000 pounds. Initially they competed with Bogong fire brigade as both were 'Industry' Fire brigades - both owned by the State Electricity Commission. Competition was at 2 levels - north east Victoria and state competitions involving rural and urban brigades with a difference in the equipment. Mt Beauty was/is an urban brigade whereas Tawonga is a rural brigade. Competition involved members to improve their skill, keep fit and was a very social occasion. After the Shire took over Mt Beauty township in 1961, the Fire Brigade ran by itself but soon became affiliated with the C.F.A. because of insurance and legal liability e.g.. enabling them to stop traffic or wreck buildings if required. The CFA were not happy with the Mt Beauty truck so a new one was obtained while the old one went to Bogong. Competitions gradually ceased as it was a young man's sport and young members had prior commitments. The reel was donated to the KVHS in the mid 1980's as it failed to be sold as it competed with new, cheaper, aluminium reels. The practice strip was located beside the fire station in Lakeside Avenue. This fire hose reel was used by the Mt Beauty Fire Brigade for demonstrations at competitions during the 1950's and 1960's. The Mt Beauty Fire Brigade Team won the competition in 1966 at Wangaratta. The score was close against the home team and was decided on a play off. The team benefitted by the man who wound the hose on allowing it to end up at the easiest height to handle when full of water and very heavy.The Mt Beauty Fire Brigade was an 'industry' fire brigade belonging to the State Electricity Commission of Victoria from the 1940's. It became a member of the Country Fire Authority in the early 1960's. During the 1950's and early 1960's members would compete with other local fire brigades in competitions against other brigades in the north east of Victoria using skills such as unwinding the hose off the reel and turning on the water in record time. The Mt Beauty Fire Brigade continues today as an urban fire brigade affiliated with the CFA.Varnished wooden cart reinforced by painted red steel frame. The wheels have 14 wooden spokes and steel around the outside of the wooden wheel. A long canvas hose is wound around a central winding cylinder. The cart has a wooden handle with a rubber jockey wheel at its end. There is a brass hose nozzle attached by a stainless steel frame on the outer side near one of the wheels.Each Reel: "Mt Beauty F.B." yellow print outlined in black with red background.fire hose. mt beauty fire brigade. country fire authority. fire reel. -
Kew Historical Society Inc
Photograph - Lalla Rookh : 41 Fellows Street, Progress Press, 1978
The National Trust (Victoria) citation on the Heritage Victoria Database describes Lalla Rookh as charming and rare example of a substantial domestic building from the depths of the depression of the 1890s. It was Classified by the Trust on 22/04/1971. The first Kew Urban Conservation Study established that the house was built in 1897 for John Duncan, civil servant. By 1910 William Robert Frayne, chemist, had purchased the property. When the building was listed by the National Estate the building was described as: '... Single-storied, the symmetrical, stuccoed house features a central porch with an arched opening and pedimented consoles and a bull-nose verandah which returns down both sides and is constructed with cast iron columns and friezes. A balustraded parapet crowns the main walls of the house. The encaustic tiled verandah is distinctive.'"Lalla Rookh", 41 Fellows Street, Kew, is of architectural interest as a representative example of a villa house of the period and also forms pan of the townscape of Kew. In a late version of Boom Style Classicism, the basically modest and conventionally planned house is proportioned to emphasise the porch and heavy balustrade, contrasting with the verandah and plain wall surfaces. The parapet may have had urns originally. The encaustic tiled verandah is of note. ... Of local significance.'Photographic print positive of the facade of Lalla Rookh at 41 Fellows Street, Kew.lalla rookh, houses -- fellows street -- kew (vic.), boom style architecture, architecture -- melbourne -- 1890s -
Kew Historical Society Inc
Plan - Subdivision Plan, Camberwell Mountain View Estate, 1923
The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The so-called Camberwell Mountain View Estate was a subdivision on ‘the corner [of] Burke Road, Eyre and Wills Streets, Deepdene’. The Estate was not the first attempt to subdivide this land holding. In 1884, 1888 and 1894 the Belmore Park subdivision proposed 18 allotments for this parcel of land. The final stages of the Belmore Park subdivision occurred during the Depression of the 1890s. Apart from perhaps one block facing Burke Road, which is unnumbered in the Mountain View Estate subdivision, the rest must have remained unsold. The later subdivision would redraw the original 18 allotments, creating 22 new lots. In the Locality Plan on the left side of the subdivision plan, Deepdene Station, which formed part of the Outer Circle Railway is represented, as is the location of Deepdene Primary School. A selling point was the proposed extension of the Burke Road tram beyond its terminus at Cotham Road. The extension did not eventuate.subdivision plans - camberwell, mountain view estate -
City of Ballarat
Artwork, other - Public Artwork, Bridget Hellier, Outrospective by Bridget Hellier, 2012
This whimsical sculpture high on the wall in a narrow lane uses woven wire patterns to lift the view beyond and to the sky. The artwork is of aesthetic significance to the people of BallaratWire sculpture attached to wallOUTROSPECTIVE/ Artist: Bridget Hellier/ This work is inspired by it's setting. Walking through a shopping mall it is easy to become immersed in consumerism and material things. I have tried to create a link between the urban and the natural world. Walking through the area I couldn't find many references to nature. The organic shapes that "grow" out of the wall to attempt to serve as a reference - reminding us of what once was./ Officially opened by Cr Des Hudson 7 December 2011./ Commissioned by the Public Art Advisory Committee on behalf of the City of Ballarat./ City of Ballarat logooutrospective, bridget hellier -
Federation University Historical Collection
Book, Ballarat College of Advanced Education Annual Report, 1987
Ian Gordon was the Ballarat College of Advanced Education President in 1988. Orange soft covered annual report. Contents include: Financial Statement, Retirement of Lindsay Hillman, E.J. Barker, Adrian Thomas, Henry Moritz, Brian Lees, Isobel Dowling, Marney Poole, Keith Davison; Staff appointments, Allan Mann, Adrian Mauriks, John Crowe, Max Brooke, Gayle Richards, Kaye Arnel, Ron Keno, George Fong, Berverley Taylor, Alan Donelly, Krystina Antosiewicz, Donna Tiller, Dorothy Lea, Barbara Trudinger, Duc Thac, Susan Parks, Janice Newton, Angus McLachlan, Peter Kirkpatrick, Digma Magsino-Tjoe, Julie King, Mary Walker, Gerry Bushnell, Malcolm Dorricott; Staff obituary, Ron Shaw; Urban Koala Project (Pat Prevett). The Human Studies Building was opened (Architect: Ewan Jones & Associates ), PABX installed, plans were developed for a Creche on campusballarat college of advanced education, bcae, mt helen, mount helen, hillman, barker, prevatt, koalas, barry jones, -
Kew Historical Society Inc
Photograph - 'Otira', 73 Walpole Street, 1978
Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view in the photograph is of the front of the house, minus the first floor verandah that had been removed some decades before and preceding the reinstatement of the verandah sometime after 1988. Prue Sanderson, in the City of Kew Urban Conservation Study, Vol.2 (1988) stated that: 'The house originally had a fine cast iron verandah to two facades, however despite its removal, it remains as a most preposessing structure, The small cast iron perch is not original. Overall the design is in Italianate styling and the walls are clad in render, with extremely fine incised medallions in the render at both levels. The treatment of the tripartite windows with rounded upper corners is also atypical and is repeated in the joinery of the front entrance.'"Photo one / Trinity Grammar Project 1978 / Form 3R / "Otira" Walpole St"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch -
Melbourne Tram Museum
Pamphlet, Urban Land, Minster for Transport, Shirley Ramsay, "Hawthorn Tram Depot", Aug. 1998
Set of three documents concerning the redevelopment of the Hawthorn Tram Depot. .1 - Pamphlet - 3 fold DL, printed on fawn colour recycled paper, titled "Hawthorn Tram Depot" giving an outline of the project, a map and details of a public meeting. Has the City of Boroondara and Urban Land logos on it. Two copies held. .2 - Press Release - 5 A4 pages, stapled in top left hand corner titled "Heritage Future for Hawthorn Tram Depot", advising an announcement by the Minister for Transport Robin Cooper become a heritage tram depot. Gives information about the proposal. Has a historical background document attached. Dated 12/8/1998. .3 - Handwritten notes of the meeting by the donor, 3 ruled pages, stapled in the top left hand corner, dated 26/8/1998. Gives details of the project and discussions.trams, tramways, hawthorn tram depot, htt, tenders, heritage buildings -
Melton City Libraries
Archive, Fire Brigade invitations, 1972, 1973, 1975, 1979, 1981
Gratitude for contribution letters Dear Bon and Edna, The members of the Mount Cottrell Group wish to extend to you both their sincere gratitude for the dedicated service you have both provided to the Group Brigades whilst you operated the radio and phone from your home. It is thanks to people such as yourselves who, with foresight, pioneered the Group system and the communications that went with it, that has made the Country Fire Authority what it is today. Words can never express the sacrifices we know you have both made over the years to keep the radio and phone manned. We did try to leave your remote but the Authority would only allow one to Wayne’s residence. Once again many, many thanks to you Bon and Edna for your contribution to the Group, but know we can still look forward to your support in the future, Bon is still a deputy communications officer. Incidently our next meeting is on Wednesday 17th December at the Melton Fire Station, you are both most welcome to attend, our guest that evening will be Ken Coghill M. L. A. Yours Sincerely Darryl Wells Typed letter dated 17th September 1976, Group Secretary Melton South Dear Mrs. Barrie, The members of the Group wish to extend to you their sincere appreciation for the magnificent job carried out by you in the diligent task of radio operations. It gives confidence and morale to all firemen to know that an any time the pressure’s on, and effective back-up force is readily available via Group Base, and your role in this respect is acknowledged with the highest the highest esteem. Yours sincerely A.J.Morris Group Secretary Copied June 2013 Note MOUNT COTTRELL FIRE BRIDAGES’ GROUP Incorporating the Brigades of Diggers Rest, Melton Rural, Melton Urban Rockbank, Sydenham, Toolern Vale, Truganina, Werribee Rural, Werribee Urban.Edna and Bon Barrie's collection of invitations to fire brigade's eventsemergency services, local identities -
National Wool Museum
Trap, Rabbit, Henry Lane (Australia) Ltd
Steel-jawed rabbit traps were widely used in urban and rural Australia from 1880 to 1980. This trap is symbolic of the battle that Australians have waged against burgeoning rabbit populations for over a century. Despite the fact that most children first learn about rabbits as cute and cuddly animals, rabbits cause enormous damage to Australian soils and biodiversity. The introduction of rabbits to this country was an environmental disaster. Lane's Ace rabbit trap was the most commonly used trap in Australia. Hundreds of thousands of the traps were made and used in this country. As such, this item is representative of every day life in Australia during the period from 1880 to 1980. During the Great Depression from 1929 to 1932, rabbit trapping was a means of survival for many people. Rabbits provided meat and pelts which were sold for making felt hats such as the Akubra.On base of trap - "LANE'S" ACErabbit -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Arts & Culture in Banyule, Darebin, Manningham, Nillumbik & Whittlesea; Vol. 4, No. 5, Sep-Oct 1999, 1999
Vol. 4, No. 5, Sep-Oct 1999 CONTENTS SINGING IN THE MILLENIUM Celebrating the end of an era 3 SAVAGE BEAUTY The art of Bruce Armstrong 5 POETRY by Lachlan Rosse 7 ART IN PUBLIC PLACES A bus tour of the sites 8 REPRESENTING THE DECADE A look at the Nillumbik Collection 11 THEATRE REVIEW Victoria Edgar 14 NEL TEN WOLDE Her travels, her art 16 OBITUARY: LESLEY SINCLAIR Sigmund Jorgensen 18 BANYULE YOUTH ART AWARDS 20 DAREBIN/LA TROBE ART PRIZE 22 WISH YOU WERE HERE New Arts Foundation 24 CD REVIEWS 25 JEWELS IN YOUR BACKYARD Exploring the urban bushland 27 ARTIN' ABOUT 29 WINING & DINING 30 THE COMING OF SAVOY Light Opera in Darebin 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, singing, melanie shanahan, jean-paul wabotai, jospeh giodana, gorani, bruce armstrong, museum of modern art at heide, lachlan rose, st andrews hotel, public art, montsalvat, carlucci's, dymocks booksellers, chris marks, nillumbik art award, dynamic vegies, plenty views golf park, alice's bookshop, alan marshall short story award, victoria edgar, bulleen art & garden centre, michael johnson, nel ten wolde, lovegroves of cottles bridge, sigmund jorgensen, lesley sinclair, artspeak studio gallery, banyule youth art awards, darebin la trobe art prize, artists 2000 foundation, adams of north riding, skeeter camera, daniel chabel, willy wonka's ice cream gourmet food, old bakery cottage bookshop, amberley, bruce hughes, jonathan brooke-densem, kelly auty, brett wood, jonathan flack, savoy opera company, maranoa gardens & beckett park spring festival, volumes -
Wooragee Landcare Group
Photograph, 20th June 2004
Photo of streamside planting and rehabilitation at Bev DeJong and Bob Dunnett's place during a paddock demonstration and tree planting field day, called 'Really Successful Tree Planting!' run by Wooragee Landcare on Sunday 20th June 2004. Maintaining and reforesting native trees, shrubs and grasses are really important for a variety of reasons, including creating native habitat and food for birds and other animals, shade, biodiversity, visual appeal, cooling, shade for urban areas, sequestering carbon and conservation among other considerations. The planting must be consistent with the particular needs of the environment, such as trees or shrubs which would naturally occur and are native to the area. Tree planting demonstrations such as this one run by the Landcare Group ensures that the projects are being managed consistently with an overarching commitment to land protection and management and the best methods for best outcomes are employed.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group to educate themselves and members of the public on successful techniques needed to plant and maintain trees for replanting in the Wooragee area. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paperReverse: WAN NA 0ANA2N0 AN1 0 1636 / [PRINTED] (No.25) / 938wooragee landcare, wooragee landcare group, beechworth, landcare group, wooragee, tree planting, successful tree planting, demonstration, paddock demonstration, tree planting field day, really successful tree planting, land protection and management, land management, native trees, conservation, streamside, streamside planting -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Mary Jane Norris, Endangered languages beyond boundaries : community connections, collaborative approaches and cross-disciplinary research =? Langues en pe?ril au-dela? des frontie?res : connexions communautaires, approches collaboratives, et rechecrche interdisciplinaire : proceedings of the 17th FEL Conference Carleton University, Ottawa, Ontario Canada 1-4 October 2013, 2013
Session 1: Collaborations with language and cultural organizations, and governments Session 2: Collaborations with universities, researchers, institutes and schools Session 3: Strategies/issues across language, culture, geography, place and generations I: standardization and dialects Session 4: Strategies issues across language, culture, geography, place and generations II: Minority languages, regions and rural/urban areas Session 6: Language and culture connections: Health, well-being, and educational outcomes Session 7: Strategies/issues across language, culture, geography, place and generations III: Generations and families Session 8: Language assessment, documentation and diversity: Indicators of vitality, endangerment and the implications of data collection Session 5: Poster sessions I: Hard copy: Community connections, collaborative approaches, cross-disciplinary research Session 5: Poster session II: Electronic: Collaborative approaches with information and computer technologiesmaps, b&w photographs, colour photographs, illustrations, graphscollaboration, community involvement, cross disciplinary research -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Koroit Post Office, 2015, 21/12/2015
The town borrows its name from the Koroitch Gundidj people who occupied the area prior to European settlement. (https://en.wikipedia.org/wiki/Koroit, accessed 21 December 2016) Koroit was first surveyed as a township in 1847. Around the 1850 the district had the highest population of Irish immigrants in rural Australia. The Koroit Post Office was designed by architect and engineer John Mason of Port Fairy. (Moyne Shire Heritage Study 2006 Stage 2, Volume 2: Environmental History, Prepared for Moyne Shire Council Helen Doyle in association with Context Pty Ltd, 2006.) Rosebrook Bridge, Rosebrook (1853; replaced) Post Office buildings, Bank Street, Port Fairy (c.1857) The author Henry Handel Richardson lived in the Koroit Post Office as a child after her family moved to Koroit in 1878. Remembering Koroit from her youth, the third volume in her The Fortunes of Richard Mahony trilogy is set in the town. When the author was six, her father Walter died in Koroit on 1 August 1879 and was buried at the Koroit cemetery. (https://en.wikipedia.org/wiki/Koroit, accessed 21 December 2016) In 1878 Mary Richardson was appointed postmistress of the Koroit Post Office at a salary of 72 pounds with free quarters, firewood and kerosene. She lived at the back of the Post Office. (From a Green and Pleasant Land by H. McCorkell and P. Yule.) Photographs showing the bluestone Koroit Post Office, phone box and postbox. It is located at 99 Commercial Road, Koroit. "Historic Area Statement of Significance: The significance of Koroit derives from its role as the urban centre of one of the most concentrated Irish Roman Catholic rural districts in Australia, noted for its mixed livestock and cropping argicultural patterns. This is reflected in two separate and distinctive areas in the town - the administrative/commercial area and the church precinct. The administrative and commercial area (focussing on the Boundary-Commercial Road/High Street intersection and the Koroit Hotel) consists of a number of significant public buildings and leads to a street of relatively intact humble shopfronts and kerbline verandahs, visually punctuated by opposing bank facades. The church precinct is dominated by a group of Catholic buildings larger in scale and more complete in range than those in any comparably sized Victorian town." http://vhd.heritagecouncil.vic.gov.au/places/69338#sthash.ELLuSMvg.dpuf, accessed 21 December 2016."koroit, post office, phone box, payphone, bluestone, henry handel richardson, koroit post office -
Melbourne Tram Museum
Newspaper, The Age, “Life's a wild ride for Facebook's Millennial NUMTOTs”, 12/03/2019 12:00:00 AM
Newspaper clippings titled: “Life's a wild ride for Facebook's Millennial NUMTOTs” Newspaper clipping from the Age 10/3/2019 by Jewel Topsfield - Melbourne editor New Urbanist Memes for Transit Oriented Teens (NUMTOT) - a Facebook meme group with over 130,000 members who love public transport. Any content, meme or otherwise, relating to cities, public transport and urban planning is welcome. The niche group was started in 2017 by a couple of University of Chicago students. Melbourne has the sixth highest number of active members. Photo and article features Adam Chandler, chairman of Melbourne Tram Museum. Photos taken on tram number 6002. Photo of Mitchell Sheldrick in his seat-designed T-shirt. Two memes are also shown. Online article included as it contains more photos and memes. Letter to the Age, titled: "Space? Not on my tram" from Simon Livesey commenting on the previous day's article.trams, tramways, public transport, numtot, meme, tram 6002 -
Kew Historical Society Inc
Photograph - 'Mandalay', 3 Molesworth Street (Kew), 1979
'Mandalay' at 3 Molesworth Street, Kew was originally named 'Kaikoura'. Pru Sanderson's 'Kew Urban Conservation Study' (1988) describes the house as: "The first documentary evidence of this property records that William Dawson was the original owner and occupier of this substantial two-storey mansion, built at the outset of the economic depression of the 1890s. Having an initial N.A.V. of £120 4, the house was occupied by Dawson until at least 1904. This two-storeyed rendered house is Italianate in styling and is dominated by a two-storeyed loggia that spans two facades. At ground floor level it is supported on coupled cast iron colonettes and above has single colonettes that support stilted segmental arches. The house is quite typical of its time, however it bears a strong resemblance to 39 Sackville Street probably by Beswicke and Coote (q.v.), and 'Kawarau'.in Hawthorn, designed by Coote. The similarity of these buildings and the fact that Beswicke and Coote called tenders for a house in Molesworth Street, both suggest that this house was also by that firm.Large original, black and white print positive photograph of 3 Molesworth Street, Kew The two storey Italianate mansion has a double loggia and two bay windows on the side of the property. A car is parked in front.manadaly - molesworth street (kew), historic houses -- kew, italianate architecture -- kew (vic.), kaikoura -- molesworth street -- kew (vic.), beswicke & coote -
Mission to Seafarers Victoria
Print - Digital collage, 586, Captured, 2011
"Art is the vehicule for communications far Beyond the confines of a space, while design is the aesthetic cradle in which messages are nurtured and processed." "A 586 rework of the iconic building that has withstood the redevelopment of the Melbourne Docklands and defied the odds. On display a large format print 700mm x 1400mm print. Also a limited run of smaller prints on archival paper also available to support Melbourne's first non-profit charitible organisation that is still self funded, ie. not government funded." During the Open House Melbourne 30-31 July 2011, the artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. Made in Melbourne, 586 is an urban digital experimentalist who blends social narrative with found image creating messages that inspire social consciousness and free thought. Cast in a local foundry back in 1991, 586 was a number, amid hundreds of men working between the ladie and the furnace in a clock on - clock off automated industrious landscape. Legend tells of a time when correspondance to workers was addressed to their number, not their name. Disapproval spread rapidly and a revoit soon followed, eventually the power of the masses won out, but the demoralizing treatment of the worker would go on to shape 586's perception and became the catalyst for a personal protest against social imbalance. This print was on display and smaller prints were also sold to raised funds for the Mission.DigitalLarge digital print of a design that overlays various symbols ( 4 flying angels ), the sails of a sailing ship and contemporary cityscapes and seascapes. centrally features a full photograph of the Mission to seafarers building at 717 Flinders St. Melbourne. Mounted in a large black frame and glazed with perspex .mission to seafarers, flinders street, melbourne, windvane, dome, flying angel, sea, norla dome, bendigo wealth, artist 586, 2011, artwork-paintings, open house, norla dome project space -
Wooragee Landcare Group
Photograph, 20 June 2004
Photo shows, (L-R): Luke Bayley; Ray Henderson; Chris Robinson; Ann Henderson; Lesley Finedon, assessing successful stream side rehabilitation at Bev DeJong and Bob Dunnett's place during a paddock demonstration and tree planting field day, called 'Really Successful Tree Planting!' run by Wooragee Landcare on Sunday 20th June 2004. Maintaining and reforesting native trees, shrubs and grasses are really important for a variety of reasons, including creating native habitat and food for birds and other animals, shade, biodiversity, visual appeal, cooling, shade for urban areas, sequestering carbon and conservation among other considerations. The planting must be consistent with the particular needs of the environment, such as trees or shrubs which would naturally occur and are native to the area. Tree planting demonstrations such as this one run by the Landcare Group ensures that the projects are being managed consistently with an overarching commitment to land protection and management and the best methods for best outcomes are employed.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group to educate themselves and members of the public on successful techniques needed to plant and maintain trees for replanting in the Wooragee area. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paper.Reverse: WAN NA 0ANA2N0 NNN-1 1636/ [PRINTED] (No.23)/936/wooragee landcare, wooragee landcare group, beechworth, landcare group, wooragee, tree planting, successful tree planting, demonstration, paddock demonstration, tree planting field day, really successful tree planting, land protection and management, land management, native trees, conservation -
Merri-bek City Council
Gloss enamel painted paper collage, Louise Paramor, Boomtown, 2016
Louise Paramor says, “I just love colour and playing around with it, it makes me feel good. I get a kick out of harmonising colour in conjunction with form. I think if there was more finely tuned colour in the world it would be a better place. There exists a lot of untamed colour in the everyday and to me this is often creates a feeling that is the opposite of uplifting.” In this work, Paramor creates a utopian building from collaged pieces of paper, which have been painted in planes of coloured enamel. Often these collages become sculptures, for which Paramor is mainly known. Andy Gomez writes of Boomtown, “Louise Paramor invites us into her own fabricated domain, where colours are coherent and vivid, buildings are unique and non-conformist, where public sculpture exists for the sake of form, colour, line, and levity. There is an inherent optimism at work here, exalting the accomplishments and ingenuity of the urban sprawl and the enforced participation of a shared culture and experience that offers.” -
The Beechworth Burke Museum
Animal specimen - Musk Lorikeet, Trustees of the Australian Museum, 1860-1880
The Musk Lorikeet is a bright coloured bird which commonly resides in south-eastern Australia. They also live in the drier areas of Tasmania. These birds are common in suburban and urban areas and are nomadic, meaning they are willing to travel significant distance to find flowering trees. The bright colours of this Lorikeet enable the bird to camouflage in dense foliage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Musk Lorikeet is a beautiful species of parrot with mainly green plumage. it has a patch of yellow on the side of the breast which has faded to a grey on this specimen. This could be due to the impact of the taxidermy process or a product of time. The bird has an orange patch on the forehead and band through he eye to the ear coverts which has also faded from a brighter red colour. The crown of this bird is grey and would have been a grey-blue colour originally.87a / (89a)? Musk Lorikeet / See catalogue, page 24. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, lorikeet, musk lorikeet -
The Beechworth Burke Museum
Animal specimen - Musk Lorikeet, Trustees of the Australian Museum, 1860-1880
The Musk Lorikeet is a bright coloured bird which commonly resides in south-eastern Australia. They also live in the drier areas of Tasmania. These birds are common in suburban and urban areas and are nomadic, meaning they are willing to travel significant distance to find flowering trees. The bright colours of this Lorikeet enable the bird to camouflage in dense foliage. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Musk Lorikeet is a beautiful species of parrot with mainly green plumage. It has a patch of yellow on the side of the breast which has faded to a grey on this specimen. This could be due to the impact of the taxidermy process or a product of time. The bird has an orange patch on the forehead and band through he eye to the ear coverts which has also faded from a brighter red colour. The crown of this bird is grey and would have been a grey-blue colour originally.88a / Musk Lorikeet / See Catalogue, page 24. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, lorikeet, musk lorikeet -
Kew Historical Society Inc
Plan - Subdivision Plan, J R Mathers & McMillan, Plan of Subdivision of Part of Crown Portion 83 at Kew : LP6669, 1923-1939
In 1888, in the section of Park Hill Road between Belmont Avenue and Normanby Road there was only one street running between Park Hill Road and Cotham Road. This was Park Road, later to be named Adeney Avenue. Subsequent 20th century subdivisions created the ‘through roads’ of Cecil Street, Wimba Avenue, Florence Avenue, Marshall Avenue, Uvadale Road, and Barrington Avenue. This subdivision represents an attempt by auctioneers, rather than town planners to create an urban environment from larger residential allotments or in many cases farmland. Existing streets such as Parkhill and Normanby Roads provided a convenient starting point for the surveyors, but the Road named ‘Street Street’ indicates the role of the private surveyor in creating streets. Given that a number of allotments are listed as sold on the plan, the street is presumably Cecil Street. Even those lots that had been sold do not quite match the dimensions of the blocks in this parcel of land today, indicating that either further subdivisions or boundary alterations occurred.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.Hand-drawn subdivision plan of 19 lots facing Parkhill Road, Normanby Road, and an unnamed street [now Cecil Street] in Kew.Estate Agent notes in ink indicate those lots which had sold.subdivision plans - kew, parkhill road - kew, cecil street - kew, normanby road - kew, cecil street -kew, parkhill road - kew, normanby road - kew, crown portion 83 - kew