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Federation University Historical Collection
Postcard, Embroidered World War One Postcard, c1917
Australian WW1 Soldier memento. This postcard was possibly sent home from France during World War One, most probably from Harry Holmes of Ascot, Victoria. HENRY SMERDON (Harry) HOLMES was born in 1897 at the family property, ’Sauchieburn’, 17 km north of Ballarat, in the Ascot district. He was the youngest of four children. After finishing his education at St Patrick’s College, Ballarat, Henry joined the Holmes family farming interests. At the age of 18 he enlisted and served with AIF in Egypt, France and Belgium 1915-1918. Henry served at the famous battlegrounds of Ypes and Somme in the Australian Army 8th Battalion. He was a Driver with the 4th D.A.C. The postcard is of "The Ascot" boys. Includes [Samuel] Gordon Spittle, Henry [Harry] Holmes's first cousin, and other Ascot and Tourello lads and district connections: neighbours (including a Wrigley boy), Ascot State School classmates and football mates from Clunes / Creswick districts. (Research by Jane Dyer) Postcard with embroidered detail on white silk, with top flap. The central embroidery depicts 2 small soldiers dressed in brown outside a gate leading to house in a peaceful setting surrounded by trees. Below is a blue embroidered "Best Compliments" and red embroidered garland of red flowers.chatham family collection, chatham, world, war, world war one, world war 1, world war i, france, harry holmes, holmes, embroidery, postcard -
Federation University Art Collection
Work on paper - Bookplate, 'Zelma Gartner Ex Libris'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Elephant holding foliage in its trunk Small signature and number 563keith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking -
Federation University Art Collection
Work on paper - Bookplate, ‘Johannes Gutenberg Ex Libris John Gartner’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A line drawing/portrait of presumably Johannes Gutenberg sits within an oval shape formed by the titlebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, john gartner -
Federation University Art Collection
Work on paper - bookplate, ‘Ex Libris Zelma and John Gartner 16 February 1983'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A bird with outstretched wings is positioned vertically above leaves within the title which forms a circlebookplate, printmaking, australian bookplate design award, keith -
Federation University Art Collection
Work on paper - Bookplate, ‘This book is the property of John Gartner of the Hawthorn Press Melbourne Australia’
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title in white letters on a smoky blue circular background is depicted within a circular blue and white floral border.bookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, hawthorn press -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Book plate depicts a series of coinsVery small signature bottom right cornerbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The title is depicted in white on a grey blue background within an eight sided borderbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18, the photograph depicts an aerial view of Villers-Bretonneux in France, a region which was part of the Western Front during World War I. The image mostly shows rural landscape. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. The First Battle of Villers-Bretonneux occurred between 30 March - 5 April 1918. It took place during Operation Michael, part of the German Spring Offensive on the Western Front. The offensive began against the British Fifth Army and the Third Army on the Somme, and pushed back the British and French reinforcements on the north side of the Somme. The capture of Villers-Bretonneux, close to Amiens, a strategically important road and rail-junction, would have brought the Germans within artillery-range. In late March, troops from the Australian Imperial Force were brought south from Belgium as reinforcements to help shore up the line. In early April, the Germans launched an attack to capture Villers-Bretonneux. After a determined defence by British and Australian troops, the attackers were close to success until a counter-attack by the 9th Australian Infantry Brigade and British troops late in the afternoon of 4 April restored the situation and halted the German advance on Amiens. The Second Battle of Villers-Bretonneux occurred between 24 - 27 April 1918, during the German Spring Offensive to the east of Amiens. It is notable for being the first occasion on which tanks fought against each other. A counter-attack by two Australian brigades and a British brigade during the night of 24 April partly surrounded Villers-Bretonneux, and on 25 April, the town was recaptured. On 26 April, the role of the Moroccan division of the French army was crucial in pushing back German units. Australian, British and French troops nearly restored the original front line by 27 April.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. Additionally, the record's significance is enhanced by its depiction of Villers-Bretonneux. The battles that occurred in this town during World War I are especially historically significant to Australia as this is where the Australian Imperial Force had one their greatest World War I victories. An Australian flag still flies over Villers-Bretonneux in the present. Furthermore, a plaque outside the Villers-Bretonneux Town Hall recounts the battles fought to save the town in 1918. Kangaroos feature over the entrance to the Town Hall, and the main street is named Rue de Melbourne. More officially, recognition of the significance of the battle in Villers-Bretonneux is found at the Australian National Memorial, which was built just outside the town. It commemorates all Australians who fought in France and Belgium and includes the names of 10,772 who died in France and have no known grave. Each year, a small ceremony is held at the memorial to mark the sacrifice made by the soldiers. Lastly, the record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: yAE.2.35. / 125 / 62d.2834.35.36.VA.5. / 12.G.18-11 / F.-(?)" /military album, wwi, world war i, villers-bretonneux, australian imperial force, aif, france, war, army, conflict, germany, 1918, battle -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, C.1915
Given that the photo was taken in Bendigo there are two “Salis Brothers” listed on the system, Francis and Albert. “Con” was maybe a nickname. Francis Edgar Salis No 4594 enlisted on 13.9.1915 age 18 years 8 months in 14th reinforcements 6th Bn AIF, embark for Eygpt 28.1.1916, embark for Marseilles 4.4.1916, hospital with Mumps 16.5.1916, rejoin unit 17.6.1916, WIA 17.8.1916 GSW Left Hand, rejoin unit 11.5.1917, KIA 21.9.1917 Ypres Belgium. Albert Joseph Salis No 1887 enlisted on 13.8.1915 age 21 years 6 months in 2nd reinforcements 46th Bn, embark for Eygpt 4.4.1916, embark for Marseilles 8.6.1916, WIA 10.8.1916 GSW Chest, rejoin unit 18.3.1917, hospital with PUO 10.4.1917, rejoin unit 3.5.1917, hospital 17.7.1917 with Scabies, rejoins unit then gets Sabine’s again, rejoins unit 7.2.1918, WIA 2nd occasion 8.4.1918 GSW Left Hand, rejoin unit 23.8.1918, WIA 3rd occasion 18.9.1918 SW to foot, RTA 2.1.1919, discharged from the AIF 1.4.1919.Sepia tone photo oval shape set inside a large light cream coloured rectangular card. Shows a soldier standing with a crop held behind his back, studio back ground. Studio details in gold colour at bottom of card, name written in ink on rear.On front, “J Remington Alexander View St Bendigo”, On rear in blue pen, “Con Salis”photographs, brothers -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers -
Warrnambool and District Historical Society Inc.
Postcard - WW1 The King at the front
Daisy Vickers collection: Item 1 of 27.Nance Moore, nee Vickers has a collection of post cards which were sent to her older sister Daisy Vickers, (later Mrs Ogier) by her uncle Arthur Anderson between August 1916 and October 1918. There is also one card from Ike – assumed to be Ike Primmer, an uncle by his marriage to Ida Anderson sister of Daisy’s mother. There are seven envelopes addressed to Miss Daisy Vickers, Bushfield Post Office. Daisy was born in 1907, so would have been a young girl of about ten years. There are nine cards – Arthur’s were sent from France and Belgium, Ike’s from Glasgow. The messages are simple. There are three embroidered cards. Some of the messages are responses to Daisy who must have sent letters or cards to her uncles. Daisy Vickers/Ogier was a long serving, much loved and respected teacher and senior mistress at Warrnambool Technical School. The cards bring to life the family ties, the need for contact, and the difficulty of communication of a distant time.This postcard along with others connected to Daisy Vickers provide a link to one of the most significant events of the 20th century.This postcard depicts the King at the front greeting peasant s from the countrysidedaisy vickers, ww1 postcard, warrnambool history, the king of the front -
Coal Creek Community Park & Museum
Pen box, Mabie Todd & Co Ltd
Long rectangular red, black and white cardboard box, writing on sides and a swan pictured on the lid.Lever filing model. Swan Pen Mabie, Todd & Co Ltd. Trade mark Mabie, Todd & Co Ltd., Manufactured Reg'd Office - Sunderland House, Curzon Street, Mayfair London W1. Branches - 133-135 Oxford Street, W1, - 114 Cheapside E.02 - 79 Holborn WC1 95 Regent St W1 London 3 Exchange Street. Manchester and of Zurich. Resident Agents : Cape Town, Paris, Barcelona, Wellington, Mabie, Todd & Co (Aust) Pty Ltd Sydney, Mabie, Todd Ltd, Belgium, S.A. 8-10 Neuve Brussels. -
The Beechworth Burke Museum
Photograph, 1916-17
Portrait of William Edward Peach in First World War military uniform, holding a crop in front of his thighs with military kit on the ground behind him. A Beechworth postal employee who enlisted in 1915, this photograph is probably taken in 1917, as he is a corporal in the photo and was promoted to this rank in May 1917. This photograph is of historic significance as it depicts William Edward Peach, a Beechworth postal assistant who enlisted in the Australian Imperial Force (AIF) on his nineteenth birthday, 5 August 1915, which required his parents' permission. He was decorated with the military medal for his courage in battle 4/5 October 1917 at the Battle of Broodseinde Ridge near Ypres, the most successful allied attack of the Third Battle of Ypres (31 July to 10 November 1917), also known as the Battle of Paschendale, which saw the greatest loss of human life during World War One, with almost half a million lives were lost on all sides. According to the recommendation for his military medal, Peach 'displayed conspicuous courage and initiative', taking charge after his platoon commander became a casualty, handling the men 'under heavy fire with great skill'. He also assisted the Company Commander in reorganising their military objectives. The photograph is of social as well as historic significance for the Beechworth community, because it provides a direct link between local, national and international histories in relation to Australia' s participation in one of WWI's best-known battles. The record has strong research potential given the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Peach is also one of the diarists of WWI, including of this significant period of Australian military history, from 1916 to 18, which can be accessed via the Australian War Memorial. Sepia rectangular photograph printed on gloss Kodak photographic paper mounted on board. Reverse: BMM 8779 item catalogue number pencilled in right-hand bottom corner.military medal, defending australia and victoria, military service, hmat a64 demosthenes, wipers, anzac, burke museum, beechworth, ypres, australian military services, beechworth post office, first world war, wartime, our boys, belgium, flanders fields, ww1, british war medal, victory medal, broodseinde, third battle of ypres -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a cluster of houses in the top right corner. It is believed that this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white rectangular photograph printed on matte photographic paper.Obverse: A.3.FE.2.291 / 62D O.20bd.P.25O.C / 16.7.18 / 12 / F 8 1/4 / Reverse: 6532military album, military, army, war, wwi, world war i, france, trenches -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Medals, Medals of L/Cpl George William Steele
Wounded7/5/1915 Gallipoli Died of Wounds at sea in transit to hospital The 1914 Star This bronze medal award was authorized by King George V in April 1917 for those who had served in France or Belgium between 5th August 1914 to midnight on 22nd November 1914 inclusive. The reverse is plain with the recipient's service number, rank, name and unit impressed on it. It should be remembered that recipients of this medal were responsible for assisting the French to hold back the German army while new recruits could be trained and equipped. Collectively, they fully deserve a great deal of honour for their part in the first sixteen weeks of the Great War. There were approximately 378,000 1914 Stars issued. The British War Medal, 1914-18 The silver or bronze medal was awarded to officers and men of the British and Imperial Forces who either entered a theatre of war or entered service overseas between 5th August 1914 and 11th November 1918 inclusive Approximately 6.5 million British War Medals were issued. Approximately 6.4 million of these were the silver versions of this medal. The recipient's service number, rank, name and unit was impressed on the rim. SN 1053 14Btn AIF -
Melbourne Legacy
Photograph, Tyne Cot Cemetery, Passchedale. Photo L. Duhameeuw, Ypres, 1930
A photo of the Tyne Cot Cemetery in Passchendale dated September 24, 1930. It appears to be a professional photograph purchased as a souvenir. See also 01024 Menin Gate, Ypres, as it is by the same manufacturer. The Tyne Cot Commonwealth War Graves Cemetery and Memorial to the Missing is a Commonwealth War Graves Commission (CWGC) burial ground for the dead of the First World War in the Ypres Salient on the Western Front (source Wikipedia). The hand written inscription on the back of the photo says: "This memorial in Cemetery was built over a German dugout. 12,000 men are buried here. Stone wall at back has soldiers names engraved on same. Those unknown - words in stone 'Australian Soldier of the Great War Known unto God.' Australians captured Passchendale from the Germans Oct 4th 1917. Beautiful cemetery, all well kept, gardens, lawns, flowers. Ypres, Belgium Sept 24/30" The source of these photos is not known but they were stored together in the archives. The founders of Legacy were returned servicemen from the first world war and may have returned to France in the 1930s. Manufactured by L. Duhameeuw, Ypres.The professional photos from France imply that Legatees were making pilgrimages to the battlefields of France in the 1930s in memory of their comrades.Black and white photo of Tyne Cot Cemetery, Passchendale, France.Indistinct round stamp on the back and a handwritten message.world war one, souvenir, cemetery, memorial -
Bendigo Military Museum
Photograph - PHOTOGRAPHS WW1, 1917 onwards
The collection revolve around Laurence Edward (Larry) O'Connor No.2508, enlisted 2.4.1917 in 21st Reinforcements, 13th Light Horse, embarked for England 21.11.1917. .1) On rear "Heap of Love 7 Kisses, In the best of health Larry". Another address on rear in "2515 TRP I.H. Westaway 18 Kinkorra road Hawthorn Vic" enlisted 3.8.1917 21st Reinforcements 13th L.H. Regt. embarked 21.11.1917 for England. .2), .3) & .4) All are "Larry O'Connor" on rear of .3) "8.11.17 To Mrs Ryan with best wishes from Linnie" .5) on front written in pencil "Uncle Larry" with arrow pointing to him. on rear "to Linnie with Love from Larry Dec 23.12.1918". across the top "??? Belgium " .7) On rear "To Linnie with best wishes Larry" "Taken in Glasgow June 28.6.1918" Larry is on the left of photo. .8) On the rear in pen "Your aff brother Larry" "Taken in Glasgow June 28.6.1918" Larry is on the left of photo. .9) One rear in pen - letter to "Dear Sister France Oct 23/1918" signed off "Your affectionate brother Larry". .10) Photo is Laurence (Larry) O'Connor..1) Postcard photo, black & white, two men on horseback, trees in the background. Brief letter on rear in pencil and ink. .2) Postcard photo, black & white, soldier sitting, wearing a cap, background clear. .3) Postcard photo, sepia tone, same as .2) but with brief note on rear in pen and pencil. .4) Postcard photo, black & white, portrait of a soldier in great coat and peak cap. .5) Postcard photo, black & white, three rows of soldiers, 24 in total in front of a building. .6) Postcard photo, black & white, 17 soldiers on horseback lined up in a row, trees in background. .7) Postcard photo, sepia tone, portrait of two soldiers in slouch hats. .8) Postcard photo, sepia tone, portrait of two soldiers without hats. .9) Postcard photo, colour, eagle at top, centre has oval frame with soldier centre, American, brown background, writing at bottom. .10) Photo, black & white, soldier standing with bandolier, peak hat, holding a crop.photographs, postcards, larry, 13th lh -
Federation University Historical Collection
Photograph - Photograph - Colour, Caroline Winter, World War One Graves, 05/08/2012
These photographs were taken by Caroline Winter, lecturer at the University of Ballarat. Horace Pickford was born at Clunes, Victoria. He was killed in action on 27 September 1917. According to his dossier Pickford was in the 58th battalion and was buried in the vicinity of Polygon Wood. Glyndwr Evans was a native of Treorchy in the Welsh Rhondda Valley. He emigrated to Australia with his parents who lived at Randwick in New South Wales. He attended the Ballarat School of Mines, and served on the Student's Magazine Committee in 1905. The following year Glyndwr took up a position as a solutionist at the Golden Horseshoe Mine at Kalgoorlie. In the application for a commission in the AIF Glyndwr stated at he had completed three years at the Ballarat School of Mines, obtaining a Mine Manager's Certificate of Competancy, an Assayers Certificate and additional certificates in Land Surveying, Electrical Technology, Metallurgy and Geology. Gyndwr was a member of the AIF 1st Australian Tunnelling Coy. He was killed in Action at Hill 60 on 25 April 1917 and is buried in Belgium at the Railway Dugout Burial Ground (Plot VII, Row G, Grave 33). (http://guerin.ballarat.edu.au/aasp/is/library/collections/art_history/honour-roll/honourroll_Evans.shtml) A number of colour photographs of World War One war graves of soldiers from the Ballarat district. .1) Horace Pickford's headstone, Tyne Cot Cemetery .2) Glyn Evans tombstone, Railway Dugouts Cemetery south of Ypres. 3. Railway Dugouts Cemetery, Glyn Evans tombstone has a poppy on it. university of ballarat, world war one, war graves, war cemetery, world war i, world war, pickford, evans, horace pickford, harry pickford -
Beechworth RSL Sub-Branch
Medals WWI Court Mounted
The Victory Medal (also called the Inter Allied Victory Medal) is a bronze medal that was awarded to all who received the 1914 Star or 1914-15 Star and, with certain exceptions, to those who received the British War Medal. It was never awarded alone. These three medals were sometimes irreverently referred to as Pip, Squeak and Wilfred. The medal of which the basic design and ribbon was adopted by Belgium, Brazil, Cuba, Czechoslovakia, France Greece, Italy, Portugal, Romania, Siam, Union of South Africa and the USA in accordance with the decision as taken at the lnter-Allied Peace Conference at Versailles but in a particular form of a historic Greek monument as determined by each nation, with the exception of the nations of the far east who issued the medal but with a different design. Eligibility for this award consisted of having been mobilized in any of the fighting services and having served in any of the theatres of operations, or at sea, between midnight 4th/5th August, 1914, and midnight, 11th/12th November, 1918. Women who served in any of the various organizations in a theatre of operations were eligible, such as nurses, members of the Women’s Royal Naval Service, Woman Army Auxiliary Corps, Women’s Royal Air Force, canteen staff and members of the many charitable services.Original medals issued to the Hoffman family post WWI and donated to the Beechworth RSL Sub Branch by his sister Miss Anna Hoffman with the Hoffman Family collection.British War Medal 1914 -1920 with ribbon and Victory Medal with ribbon court mounted and the recipients name inscribed on the rim. On the reverse side is red felt and the mounter's label629 PTE. F. HOFFMAN . 33 - BN . A . I . F . is inscribed on the rim of both medals.medal, medal wwi, victory medal, the war medal -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers -
Federation University Historical Collection
Photograph (black & White), Lieutenant-Colonel Herbert Charles Onslow Plumer - South Africa
His military career led him to become appointed as assistant military secretary to the General Officer Commanding Cape Colony in 1895. He went to Southern Rhodesia in 1896 to disarm the local police force following the Jameson Raid and then later to command the Matabele Relief Force during the Second Matabele War. In 1899 he returned to Southern Rhodesia as Lieutenant-Colonel where he led the Siege of Mafeking during the Second Boer War. Plumer returned to the United kingdom in 1904 and received an audience with King Edward VI. Lord Kitchener, Commander-in-Chief in South Africa stated "invariable displayed military qualifications of a very high order.Few officers have rendered better service." Plumer received many honours - British and foreign. Knight Grand Cross of the Order of the Bath (1918; Knight Grand Cross of the Order of St Michael and St George (1916); Knight Grand Cross of the Royal Victorian Order (1917); Knight Grand Cross of the Order of the British Empire (1924); Knight of Grace of the Venerable Order Of St John (1925); Legion of Honour (France-!917); Croix de Guerre (Belgium-1918); Croix de Guerre with Palm ( France-1919); Distinguished Service Medal (United States-1919); Grand Cordon, Order of the Rising Sun (1921) Individual image from photographed poster of tobacco and cigarette cards.cape colony, southern rhodesia, jameson raid, matabele rrelief force, second matabele war, siege of mafeking, second boer war, lord kitchener, knight grand cross of the order of st michael and st george, knight grand cross of the order of the bath, knight grand crossof the royal victorian order, knight grand cross of the order of the british empire, knight of grace of the venerable order of st john, legion of honour, croix de guerra, croix de guerra with palm, distinguished service medal, grand cordon, order of the rising sun -
Melbourne Legacy
Photograph, 50 years of service, 1989
Photos of Legatee Grat Grattan being presented with a 50 years of service certificate from President Chas Wilks in 1989. L/ Grattan was a long serving legatee, an article written when he turned 100 says that as a Legatee he was widely respected, he was 'something of a father figure - many of the girls were given away at their weddings by this kindly Legatee'. The article says Oriel John Grattan was born in WA and enlisted in the First AIF in 1916. He served in France and Belgium before he was wounded near Menin Gate. It continues with an interesting piece on the acquisition of Legacy house. It says: 'Perhaps his most lasting monument is Melbourne Legacy House. Through his friendship with one of the principals of the firm, Brown and Dureau, Legacy was given a donation of 30,000 pounds in 1944 (amount was 27,059 pounds according to Dureau Act).' A condition of the donation was that Legacy had only eight days in which to buy a building. A building in Swanston St was purchased for 18,000 pounds and the balance invested. But vacant possession was not possible and the building was sold in the early '50s and became part of the Royal Melbourne Institute of Technology. The proceeds plus the invested money enabled Legacy to buy its headquarters, Dureau House, in Swanston Street in 1955.A record of a Legatee Grattan's long service at Legacy being commemorated with a 50 years service certificate in 1989.Colour photo x 2 of Legatee Grat Grattan receiving a 50 year service certificate and a yellow paper label.legatee, recognition, grat grattan -
Melbourne Legacy
Photograph, Legatee Grattan, 1994
A Legatee Grat Grattan with the President of the Melbourne Legacy Widows Club, Mrs Irene Noll, on the occasion of his 100th birthday celebrations at Legacy House. This photo was used in a newspaper article in 'Vetaffairs' October 1994. The article says Oriel John Grattan was born in WA and enlisted in the First AIF in 1916. He served in France and Belgium before he was wounded near Menin Gate. As a Legatee he was widely respected, he was 'something of a father figure - many of the girls were given away at their weddings by this kindly Legatee'. It continues with an interesting piece on the acquisition of Legacy house. It says: 'Perhaps his most lasting monument is Melbourne Legacy House. Through his friendship with one of the principals of the firm, Brown and Dureau, Legacy was given a donation of 30,000 pounds in 1944. A condition of the donation was that Legacy had only eight days in which to buy a building. A building across the road from the Royal Melbourne Institute of Technology was bought for 18,000 pounds and the balance invested. The building was sold in the early '50s and the proceeds plus the invested money enabled Legacy to buy its headquarters, Dureau House, in Swanston Street in 1955." Vetaffairs is a newspaper for the veteran community published monthly. The entire 8 page issue is kept but only the Grattan article has been scanned here.A record of a Legatee Grattans' achievements, both in the army and in later life and the impact he had on Legacy.Colour photo x 3 of Legatee Grat Grattan for his 100th birthday and article from Vetaffairs.Printed on the back "128 0133 N N N 2 2" on Kodak paper. legatee, birthday, grat grattan, dureau house -
Melbourne Legacy
Article, Bulletin VALE Legatee JHB Armstrong, 1978
An article from the Melbourne Legacy Bulletin on the death of Legatee Brian Armstrong, a long serving Legatee and past president (1937). He was one of the founding group of Legatees, being enrolled in 1924, and served for 54 years. The Bulletin often published articles on Legatees when they passed away. John Henry Brian Armstrong was born 23 June 1894 and completed a law degree at Melbourne University. He served with the militia when at University and tried to enlist in December 1915. He was accepted into the Army Medical Corps in April 1916. He served in France and Belgium as a Lieutenant with 22 Infantry Battalion and was wounded near Dernacourt on 24th April 1918. He was wounded again and taken prisoner at Herleville, France on 18 August 1918 when leading a night patrol in an action in which the majority of the party were killed. For a number of years Brian was a Trustee of the Frances Ormond Estate, which was the genesis of The Royal Melbourne Institute of Technology (RMIT). Along with Legatee Jim Gillespie (and Jim's grandfather) the trustees were identified with all the notable developments of RMIT. He remained a bachelor his whole life. He was one of the initial archivists of Melbourne Legacy. One of his speeches in 1961 gives an insight into why he became a Legatee. (see 02502)A record of the life and service of Legatee Brian Armstrong.Copy of 2 pages from the Legacy Bulletin on the death of Legatee Brian Armstrong in 1978.Bulletin No. VAW 2429. 19.9.1978. Pages 1 to 2.vale, past presidents, brian armstrong -
Tarnagulla History Archive
Photograph of Tarnagulla Council Chambers, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers -
Bendigo Military Museum
Photograph - WW1 PHOTOS 38th BN, Copy, May 2024
The three soldier are all brothers and are listed on the Honour Roll at the Soldiers Memorial Institute Pall Mall Bendigo. .1) William Street No 115 enlisted in the 38th Bn Machine Gun section on 1.3.1916 age 23 years 11 months, embark for England 20..1916, Hospital at sea with Measles, embark for France 22.11.1916, Hospital with Mumps 23.11. 1916, rejoin unit 2.1.1917, Hospital with Scabies 1.2.1917, rejoin unit 16.2 1917,promoted Cpl 25.8.1917, WIA 12.10.1917 Belgium, Head and left side, DOW,s 26.10.1917. .2) Henry Street No 2395 enlisted in the 4th Reinforcements 38th Bn on 14.3.1916 age 36 years 7 months, embark for England 20.6.1916, embark for France 5.4.1917, Hospital with Scabies 11.5.1917, rejoin unit 24.5.1917, WIA 13.7.1917 GSW Left elbow, rejoin unit 20.11.1917, discharged from the AIF 22.2.1919. .3) Herbert Street No 2761 enlisted 16.3.1916 in 4th Reinforcements 38th Bn age 20 years 10 months, discharged Medically unfit with Pluerisy not due to misconduct on 14.12.1916. His records also state that he was in the 5th Reo’s 60th Bn but given his No is 2 days after his brother Henry’s but sounds like 38th. NAA has him also No 45674..1) portrait of a soldier in uniform with peak cap, arms behind his back holding a pace stick.Studio photo. .2) Portrait of a soldier in uniform with peak cap, hands behind back. Studio photo. .3) Portait of a soldier in uniform with peak cap, hands behind back, is wearing basic webbing. Studio photo.street 38th, photo, 38th -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a house in the bottom right corner. A dotted line has been drawn across the photograph, marking the section of trenches that belonged to British forces during World War I. It is believed that the line marking on this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: A.3FE.O.146 / G2R 29 . 6 . 18 (Y p.m) / F= 10 1/4 / British Line / ------------------------------------------ / P. 250 1040 / 0. 30d. 0010 / 0. 30d. 3070 /military album, military, war, wwi, world war i, france, great britain, trenches, village, rural, western front -
Melbourne Legacy
Article, Bulletin VALE Legatee Jim Gillespie, 1987
An article from the Melbourne Legacy Bulletin on the death of Legatee James George Gillespie, a long serving Legatee, on 21st May 1987. The Bulletin published articles on Legatees when they passed away. The article includes a snapshot of his life and career as a surveyor and long history of service in many fields. He was a member of the RMIT Council, on the board of he Royal Women's Hospital - both of whom named building after him. He served on the Hospitals and Charities Commission, and the Nurses Memorial Centre and Greenvale Geriatric Centre. Plus many more. He enlisted in the AIF 18 months after his older brother had been killed on the first day of the landing at Gallipoli. He was in the 46th Battery, 12th Artillery Brigade as a gunner. He served in France and Belgium and was in Paris on the day the Armistice was signed. In World War 2 he was called up and was appointed Assistant-Director of Survey, with a rank of Lieut-Colonel. Jim Gillespie joined Legacy in June 1928, being nominated by Frank Doolan and seconded by Harold Peters. He filled many posts, including vice-president in 1937 and President in 1938 The article was part of an folder about of past presidents that served on the LCC in preparation for the photo board that was produced. The folder included biographical details and obituaries, eulogies and death notices of some Legatees. The items have been catalogued separately.A record of the life and service of Legatee Jim Gillespie. The information was published in the Bulletin and collected to record the lives of prominent legatees in a folder.Typed copy of 4 pages from the Legacy Bulletin on the death of Legatee James Gillespie.Bulletin No. VAW 1209. 28.5.1987. Pages 2 to 5.vale, eulogy, past presidents, jim-gillespie -
Eltham District Historical Society Inc
Photograph, Gala Day, Panton Hill, 1916. Mr. W. Smith and Horse Float. Passengers include: Beatrice and Ruby Cracknell, Lily Harris, Rose Smith
Three horses with cart decorated with passengers for Gala Day. Mr. W. Smith & horse float, passengers include Beatrice and Ruby Cracknell, Lily Harris and Rose Smith. The Evelyn Observer and Bourke East Record reported on April 28, 1916 on the Red Cross Carnival at Panton Hill. “The Red Cross Carnival in aid of local Patriotic Funds' held on the Panton Hill Recreation Reserve on Easter Saturday, sand instant, proved a gratifying success, so much so that £70 was netted on the occasion…. The fancy dress procession, although not as lengthy as the previous one for the Belgium Carnival, lost nothing of its effectiveness, and those who helped In this part of the entertainment de: serve the very best thanks. The prize for the best decorated vehicle (which was kindly provided by Mr. Wm. Smith) was awarded to Miss Goldman's bevy of young ladies representing the "Allies." Arbor Day was once a big celebration, especially celebrated in schools usually acknowledged on the last Friday of April. Wikipedia reports that the first Gala Day was held on November 3, 1916, to raise money for the Red Cross Society at the height of World War I in Geelong. Reference: RED CROSS CARNIVAL AT PANTON HILL. (1916, April 28). Evelyn Observer and Bourke East Record (Vic. : 1902 - 1917), , p. 3 (MORNING.). Retrieved April 3, 2016, from http://nla.gov.au/nla.news-article60664371 https://en.wikipedia.org/wiki/Gala_Day This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection'. It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, panton hill, beatrice cracknell, lily harris, rose smith, ruby cracknell, w. smith, carnival, float, red cross, easter, decorated vehicle, ww1, world war 1914-1918, parade float -
Churchill Island Heritage Farm
Textile - Lace Trim
Whether machine made or handmade, this length of trim is dainty and delicate in the true Valenciennes style. Circles surrounding six-petalled flowers with little spiders above and below where the circles meet, it is quite beautiful. The diamond ground is typically Valenciennes as is the pattern of flowers. Valenciennes was a lace making town on the French- Flemish border which in 1780 had 4000 lace makers but due to the revolution of 1789 the number was reduced to 250. It was initially Flemish but was claimed by the French, however the centre for Valenciennes lace eventually diverted back to Ghent and Ypres in Belgium. Due to its lightness and neatness Valenciennes lace, although very expensive was simpler to produce than Mechlin lace, and was never used for expensive garments. Instead it was applied to bed linen, lingerie, and the fichu (a woman's scarf wrapped over the shoulders and fastened in front).This lace was favoured by Queen Victoria, the Empress Eugenie and others as a trim on undergarments. The basic undergarments were stays, shift (smock, chemise or shirt), petticoat and drawers although drawers were not in general use until the mid-19th century when the tendency of the fashionable crinoline to become airborne or to tilt itself at embarrassing angles made a covering garment for the nether regions essential. Drawers were just two cylinders for the legs, joined at the waist with the lower ends frilled or trimmed with lace. This trim is also suited to trimming a mob cap.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries. Valenciennes lace with floral motifs with six petals enclosed within a circular motif.janet amess lace collection, lace, churchill island, janet, amess