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Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, Henry Sutton's Ballarat Car, 2011
Henry Sutton was born in Ballarat. He became one of Australia's greatest inventors. The Ballarat Car is the oldest privately owned car in Australia. It was designed and built in Ballarat around 1900.Colour photograph's showing Henry Sutton's Ballarat Car on display in the Ballarat Mining exchange during the Ballarat Heritage Festival in 2011. henry sutton, sutton, ballarat car, automobile, ballarat mining exchange -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, Port at Hamburg, Germany, 2005, 27/02/2005
The port at Hamburg was an important immigration point. A large building with tower and domes built beside water at Hamburg, Germany, It is the port building. It is named Germany's "Gateway to the World" and is the largest port in Germany. hamburg, port, germany, sea, ships, immigration -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Approaching Mount Buninyong from the Geelong Side, 2014, 16/03/2014
Colour photographs showing Mount Buninyong as approached on the Geelong side. buninyong, mt buninyong -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, William Buckley's Cave, Point Lonsdale, 2015, 15/03/2015
Six colour photographs of William Buckley's Cave at Point Lonsdale.william buckley, aborigines, wathaurong, wada wurrung, buckley, point lonsdale -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Furphy Water Cart, 2014, 01/11/2014
The water cart was in itself a complete invention of John Furphy and was first made in the 1880's. At the time no similar article was used in Australia. Few houses of the time were designed to collect rain water from the roof and hence, water needed to be collected elsewhere and transported for stock and domestic use. The method of carting water was then confined to horse drawn drays or sleds with mounted wooden barrels or casks. At the same time the growing demand for agricultural implements, led to the establishment of a foundry with a furnace to cast components rather than the time consuming task of forging. This became the catalyst for the efficient production of the robust and mobile water carrier known then, and now, as the Furphy Farm Water Cart.Four colour photographs showing a tank made by Furphy and Sons, Shepparton.furphy, shepparton, water storage -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Langi Willi Soldier Settlement 1954 Memorial, 2014, 07/09/2014
Two colour photographs showing the memorial for the Langi Willi Soldier Settlement 1954soldier settlement, langi willi, nash, dickinson, gardiner, jackman, williams, wright, alford, devine, tayler, moyle, talbot, morell -
Victorian Interpretive Projects Inc.
photograph - colour, Paul Simon Memorial Hall, Ballarat East, 2015, 05/04/2015
The Ballarat Synagogue is the oldest Jewish Synagogue on mainland Australia. Paul Simon was a local member of the Ballarat Jewish Community.A colour photograph of a rendered building. It is the Paul Simon Memorial Hall associated with the Ballarat Synagogue.jew, syagogue, ballarat synagogue, jewish, worship, religion, paul simon -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, St Alipius Presbytery, 2015, 05/04/2015
Traditionally a Catholic Priest lived in a presbytery which was close to the church.A colour photograph showing a detail of the entrance to St Alipius Presbytery, Ballarat East.catholic, presbytery, st alipius, ballarat east -
Victorian Interpretive Projects Inc.
Photograph - digital, Clare Kathleen Gervasoni, Barkly Street Uniting Church, Ballarat East, 2015
Started as a Wesleyan Church. Up for Auction in April 2015.Brick Church in Barky Street, Ballarat East.barkly street uniting church, barkly street wesleyan church, churches -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Kathleen Gervasoni, St Paul's, Ballarat East, 2015, 06/04/2015
Brick Church with bell tower.st paul's, ballarat east, church, religion -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, Eastern Town Hall Gardens, Barkly Street, Ballarat East, 2015
eastern town hall gardens, ballarat eastern botanical gardens, gardens, barkly steet, ballarat east -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, Barkly Street Uniting Church Baptisimal Font, 2015, 05/04/2015
Photograph of a white Baptisimal font at the Barkly Street Uniting Church.barkly street uniting church, barkly street wesleyan church, barkly street methodist church, baptism, baptisimal font, church, ballarat east -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Kathleen Gervasoni, Ballarat from St Paul's, Ballarat East, 2015, 05/04/2015
st paul's ballarat east, ballarat -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, World War One Honour Roll in Barkly Street Uniting Church, 2015, 05/04/2015
Repousse World War One tablet: 1914-1919 For God, King and Country The windows above have been erected as a memorial to the heroic lads of this school and church who fell in the Great War. Brittain, H.O. Butcher, J.C. Cornish, H. R. MM Eady, Jas Edmends, W.H. Ferguson, F. Farrar, A.Z. Gist, C.H. Gates, S.C. Grave, H.B. Hughes, A.W. Hughes, G.A.C. Jones, Stan Marshall, R. McConnell, A.R. Muller, A.V. Polkinghorne, E.C. Ridgwell, H.R. Sansum, A.H. Smith, A.G. Tait, R.E. Tait, Laurie Veal, T.P. Vincent, L.A. World War Two tablet: This memorial tablet is dedicated to the memory of P. Sullivan, who fell and to those who enlisted in World War II.world war, world war one, world war two, p. sullivan, brittain, butcher, cornish, eady, edmends, ferguson, farrar, gist, gates, grave, hughes, jones, marshall, muller, polkinghorne, ridgwell, sansum, tait, veal, vincent, stained glass memorial, barkly street uniting church, mmm -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, Interior of the Barkly Street Uniting Church, Ballarat East, 2015, 05/04/2015
Colour photographs of the interior at Barkly Street Uniting Church.church, barkly steet methodist church, barkly street uniting church -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, Former Ballarat East Library, 2015, 05/04/2015
Colour photographs of a brick building which is the former Ballarat East Library.ballarat east library, ballarat east high school, ballarat school of mines -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Lone Pine at Ballan, Victoria, 2015
Three photographs relating to a Lone Pine planted at Ballan Victoriaballan, world war, world war one, lone pine, gallipoli, mmm -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Kathleen Gervasoni, ANZAC Centenary Eve Massed Fire Brigades Torch Light Procession, 2015, 24/04/2015
2015 marks the centenary of the ANZAC landing at Gallipoli.A series of photographs of the torchlight procession which included around ten fire brigades from around Creswick, including Ballarat, Ballarat City, Creswick, Buninyong, and Daylesford fire brigades. The procession was held on the eve of the centenary of the ANZAC landing at Gallipoli. anzac centenary, gallipoli centenary, creswick, fire brigade, creswick fire brigade, daylesford fire brigade, ballarat fire brigade, ballarat city fire brigade, buninyong fire brigade, torchlight possession -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Paul's Ballarat, from the Coles Carpark, 2015, 05/2015
Colour photograph of Ballarat looking towards St Paul's church and spire. The horizon viewline allows a clear view of the St Paul's belltower.st paul's ballarat east -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Ballarat Law Courts and Grafitti from the Ballarat sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse, May 2015, 30/05/2015
The Royal Commission into Institutional Responses to Child Sexual Abuse is investigating how institutions like schools, churches, sports clubs and government organisations have responded to allegations and instances of child sexual abuse. It is the job of the Royal Commission to uncover where systems have failed to protect children so it can make recommendations on how to improve laws, policies and practices. The Royal Commission is about creating a safer future for children. It can look at any private, public or non-government organisation that is, or was in the past, involved with children. This includes where an organisation caring for a child is responsible for the abuse or for not responding appropriately, regardless of where or when the abuse took place.(http://www.childabuseroyalcommission.gov.au/about-us, accessed 30/05/2015)A number of colour photographs that show chalk grafitti drawn onto the steps and paving outside the Ballarat Law Courts during the May 2015 sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse.ballarat, ballarat law courts, royal commission into institutional responses to child sexual abuse, graffiti -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, St Peter's Catholic Church, Daylesford, 2015, 14/06/2015
"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Sir Douglas Mawson, 26/05/2013
Sculpture of the bust of Sir Douglas Mawson located in North Terrace, Adelaidedouglas mawson, antarctica, explorer, exploration -
Victorian Interpretive Projects Inc.
Photograph - Colour, Corindhap Avenue of Honour, 2015, 23/08/2015
"The Corindhap Avenue of Honour, located on Colac-Ballarat Road, was planted to commemorate those who served in the First World War. The avenue was planted on the 15th September 1917 as a mark of admiration for the men of Corindhap who had left to fight in the Great War." (Ballarat Courier, 19th September 1917) A number of colour photographs showing trees from the Corindhap Avenue of Honour. The trees are not in good condition, and one has fallen over. corindhap, corindhap avenue of honour, avenue of honour, world war one -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Stained Glass Window in St John's, Colac, 2015, 23/08/2015
St John's Anglican Church was dedicated to St John the Evangelist. The current church replaces an earlier building and was constructed from plans prepared by Henderson and Davidson and was opened on 8 May 1870, and was consecrated on 18 April 1882. Stained Glass Window recognizing the Australian Commonwealth Military Forces, and the death of Lieutenant Benjamin Meredith who was killed in action at Beersheba.To the Glory of God in loving memory or our dear parents John jenner Meredith - Born 29th Nov 1929 Died 30th March 1914. Margaret Meredit - Born 14th Jan 1843 Died 16th August 1915 and our dear brother Lt Benjamin P.G. Meredith Born 9th July 1882 killed in action at Beersheeba 31st Oct 1917. Erected by Annie F.T. and Charlie Meredithst john's colac, colac, john jenner meredith, margaret meredith, benjamin meredith, annie meredith, charles meredith, world war one, beersheeba -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, World War One Honour Board at St John's Anglican Church, Colac, 2015, 23/08/2015
"It has been decided by the managing body of St. John's Church of England to erect a war memorial to commemorate the thirty brave men of the congregation who have given their lives at the front, and the 98 men whom they expect to welcome home again. The memorial will cost from £250 to £300 to complete in its entirety, and active steps have been taken to raise the amount amongst the members and adherents of the church. ... The sanctuary panels will be placed on each side of the altar, and will become the permanent Honor Roll by having the names of the soldiers and nurses who enlisted from the congregation inscribed thereon.The whole scheme when completed will be a noble monument to the loyalty, response to duty, and self-sacrifice of the members of the church who enlisted, and will in years to come remind the worshippers of the response of the young members of the congregation to the call of our Empire in her great need. (Camperdown Chronicle, 20 March 1919) LocationPhotograph of a timber World War One Honour Board at St John's Anglican Church, Colac. Plaster 'Station of the Cross' on either side of the honour board are by Mattei brothers. st john's colac, colac, world war one, world war one honour board, mattei brothers -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Stained Glass Windows in St John's Anglican Church, Colac, 2015, 23/08/2015
The stained glass windows are a memorial to parishioners who served during World War Two.Colour photographs of two stained glass windows by Alan Sumner in St John's Anglican Church, Colac.st john's anglican church colac, colac, stained glass, alan sumner, world war two -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, View from Armstrong Street South, Ballarat, towards Mt Warrenheip
A changing array of images taken from the same place in Armstrong Street South, Ballarat, looking towards Mt Warrenheip.ballarat, ballarat east -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Alipius' School, Ballarat East, 2015, 05/04/2015
Three colour photographs of St Alipius' School, Ballarat East.st alipius', catholic, education, school -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, View or Ballarat from St Paul's Ballarat, 2015, 05/04/2015
St Paul's way is located on Bakery Hill, in the vicinity of the Ballarat Reform League Monster Meetings of 11 and 29 November 1854.Colour photograph looking down on the City of Ballarat from the high vantage point of St Paul's Anglican Church, St Paul's Way, Ballarat East. st paul's bakery hill, bakery hill, ballarat east, religion, ballarat reform league, eureka stockade -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, St Paul's, Bakery Hill, Ballarat East, 2015, 05/04/2015
St Paul's was an early church on the Ballarat Goldfields. Built on Bakery Hill, it is situated close to the site of the Ballarat Reform League Monster Meetings. Colour photograph of a brick church with bell tower. It is St Paul's Anglican Church, Bakery Hill, Ballarat East.st paul's anglican church, bakery hill, ballarat east, religion