August 1945 saw Major Hugh St Clair Brockway accepting the surrender of a Marine Brigade of Japanese, at Bonis Northern Bougainville, from Naval Commander Takahashi the representative of the Japanese High Command. For a month Major Brockway concentrated on transporting the Japanese out and returning the area, as far as possible, to a pre-war condition. "The Japanese were in a bad way, saying no ship had resupplied them since 1942. They had lived off fish from the sea and what they could grow. Many were sick and they had few medicines. "Our job was basically to evacuate the Japanese and ship the troops out to a POW compound at Torakina, on the mid-eastern coast of Bougainville." Major Brockway had a small group of about 30 to execute the operation, which included destroying all Japanese arms and ammunition of the 3000 strong naval brigade. "They had been cut off since about 1942 and we had to clean the place up for civilian occupation again." Source "the Wargin Argus" BY VEANA SCOTT 27 Apr, 2005 09:36 AM Wagin Argus cnr Tavistock and Ranford Streets Wagin WA 6315 [email protected] Phone: 08 9861 1200Photograph in very faded colour (mainly pale pink with a square of colour visible under label) of Japanese P.O.W's resting en-route to compound at Torakina Digitally rescanned in greyscale

Black and white photograph of Japanese men leaving the camp on a work detail. Taken at Camp 13.Black and white photograph stuck on coreflu depicting a group of Japanese men leaving the camp. Barracks and trees in background. The men are just coming through the sentry guard gate.japanese internees, camp 13 murchison, internment camp work detail

Items souvenired by J.A McDONALD VX79511. Refer Cat No 2481.2Japanese occupation currency notes. .1) FIVE GULDEN, Dutch, green/white colours front and rear. .2) TEN GULDEN, Dutch, purple/white colours front and rear. .3) TEN ROEPIAH, Netherlands Indies, light purple/white colours front and rear. .1).2) Both have, “JAPANSCHE REGEERING” on. .3) “DAI NIPPON TEIKOKU SEIHU”.currency, japanese, occupation, ww2

Korean War/Japanese Occupation period historical significanceFlying helmet from Korean War/Japanese Occupation period belonging to A34219 Stuart Simpson Leather with ear sound baffles built in. Dark brown with soft bone colour leather on inside.Nil

Robin Boyd was commissioned to write 'New Directions in Japanese Architecture' following recommendation by Walter Gropius. It was published by Studio Vista in 1968. The book was well-received and influential around the world - this Italian translation dates to 1969.Hardcover w/ Dust JacketItalian translation of Robin Boyd's book New Directions in Japanese Architecturewalsh st library

Photograph depicts "The arrival of Lt.Gen. Baba Masao, Supreme Commander, Japanese/ Forces, Labuan Borneo". (Exhibition Label with photograph.)Photograph - copy of black and white photograph depicting 3 Australian troops and six Japanese personnel with an aeroplane fuselage in the background. Photo is laminated - on back is handwritten notation.Back of photo - handwritten in black ink "HOSHIJIMA/IN / CHARGE/ SANDAKAN CAMP.photographs, ww2, japan, sandakan

In the collection belonging to H.J.B.Burrell BEM MM VX 59659. Refer 290, 296.2P, 297.2P, 298.4.Bank notes from Asian Countries .1) 10 Yen, blue/green colour. .2) One Yen, yellowish, red. .3) One Yuan China, reddish colour. .4) One pound, Japanese Govt., bluish colour. .5) Ten dollars Blueish colour. currency, notes, japanese, chinese

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here a whole dried and salted fish (a yellow tail, to be exact) has been wrapped in a sheath of straw and wound with a continuous length of straw rope. The effect is attractively rustic, and the tightly wound rope makes a pleasing pattern. When the fish is to be eaten, it is necessary only to unwind the rope part of the way, slice off as much as is needed, and then close the package by rewinding. This rope-wound yellowtail, makiburi, as the Japanese call it, is a well-known product from the city of Kanazawa, Ishikawa Prefecture, in the Sea of Japan. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Saudi Arabian Pavilion, Expo 70, Osaka, JapanMade in Australia / 17 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Toshiba IHI Building, Expo 70, Osaka, JapanMade in Australia / 9 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Mitsui Group Building, Expo 70, Osaka, JapanMade in Australia / 33 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Red display background, Osaka Expo '70, JapanMade in Australia / 8 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Utopia under the sea, Expo '70, Osaka, JapanExpo'70 / Utopia under the Sea / 31 (Handwritten)expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Elevated moving walkway, Expo '70, Osaka, JapanMade in Australia / 22 / MAY 70M3 / 21 (Handwritten)expo 70, osaka, robin boyd, slide

The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people.hiroshima, nagasaki, atomic bomb aftermath, b&w photography, war photography

The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people.

The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people.

The photographs appear to have been taken in the days after an atomic bomb explosion in Japan. The bombings of Hiroshima and Nagasaki occurred on the 6 and 9 of August 1945.Eight black and white photographs depicting the aftermath of an atomic bomb explosion in Japan, probably Nagasaki or Hiroshima. Four photographs depict injured or deceased people.

Purchased by Mr. & Mrs. H. N. Lord in Japan in 1960. The Japanese word for cloisonne ware is SHIPPO or seven treasured ware. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. Pale blue Japanese Cloisonne vase with peony flower design in pink and white with green leaves on black wooden stand. vases

Foreign currency issued by Japanese Forces in WW2. Aim was to take economic control of countries occupied and to diminish western influences with these countries. Items in collection of Richard William McGILVERY, RAAF. refer Cat No.7287P for his service records, photos and awards.One Gulden notes issued by Japanese Occupation. Four notes basically brown in colour. Cloud emblems on one side with No. 1 and other side a picture of fruit and nut trees. Has "De Japansche Regeering Betaalt AAN Tronder EEN GULDEN". Translated to "The Japanese Government Pays to Bearer One Gulden."Inscribed "De Japansche Regeering Betaalt AAN Tronder EEN GULDEN" and No. 1.japanese occupation forces, foreign currency, gulden, richard william mcgilvery

Two china plates/saucers from Tennis sets. 1. White with floral motifs in various colours with gold decoration and gilding on edges. Nosegay Royal Albert Bone China England PEG No 39142 2. White with gilded motifs. Hand painted made in JapanNosegay Crown Royal Albert Bone China England Peg No 839142 & Hand painted made in Japandomestic equipment, table setting, plate

Photograph of the Japanese Representatives signing the Peace Treaty. End of WW2 on Aug 15thg 1945 on board the Missouri Battleship Deck.Black and white photo of signing of Peace Treaty August 1945.Written on back "Signing of Japanese Peace Treaty August 15th" Written on front "On board Missouri Battleship (USA) Signing Japanese Peace Treaty Aug 15th 1945. Print indistiguishable stamp from Govt Body supplying on back.japanese peace treaty, ww2, uss missouri