One of the most comprehensive studies of mechanics institute in Victoria. Beginning from 1839 to the present. Arguably Victoria's oldest and most influential surviving institution. History of approx.1,000 institutes including building status, social adult education, library history, heritage listings, plus thematic essays about the Mechanic Institute movement and development. Includes: role of woman, architecture, schools of art and design and schools of mines. This is the most comprehensive study of mechanics institute in Victoria.History of approx.1,000 institutes including building status, social adult education, library history, heritage listings, plus thematic essays about the Mechanic Institute movement and development. Includes: role of woman, architecture, schools of art and design and schools of mines. This is the most comprehensive study of mechanics institute in Victoria.Signed by co-author Ken James on title page.libraries, educational and research establishments, mechanics institutes, surrey hall, (mr) ken james, (ms) pam baragwanath

The State College Victoria at Ballarat was formerly the Ballarat Teachers' College. Four men and a woman are photographed. The inaugural Council of State College Victoria at Ballarat - (Left to Right) Ian Gordon, John Vernon, Janet Torney, Bob Croft and Geoff Hendy (Secretary to Council).state council of victoria at ballarat council, scvb, ballarat teachers' college, ian gordon, john vernon, janet torney, bob croft, geoff hendy, university women

Fold out postcard which encloses 6 black and white photographs of attractions in and around Marysville in Victoria.Fold out postcard which encloses 6 black and white photographs of attractions in and around Marysville in Victoria.POSTAGE/ 1D/ PRINTED MATTER/ ONLY From If any correspondence is included, full letter rates of postage will apply.marysville, victoria, taggery river (image 1), cora lynn falls (image 2), talbot drive (image 3), steavenson's falls (image 4), main street from bridge (image 5), the log cabin (image 6), postcard, souvenir

The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Black and white Photograph of the main path through the botanical Gardens with the arbour to the left and mature trees and lawn on the rightEntrance to the Gardens Port Fairy Victoriagardens - entrance, path, arbour, trees, griffith street

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Photograph is of the 'Talk of the Town' which was a restaurant which served pizzas and other light meals. This building was severely damaged in the 2009 Black Saturday bushfires.murchison street, talk of the town, marysville, victoria, photograph, 2009 black saturday bushfires

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph looking down Murchison Street in Marysville in Victoria. The buildings along Murchison Street, including the Christ Church, were destroyed in the 2009 Black Saturday bushfires.murchison street, marysville, victoria, christ church, photograph, 2009 black saturday bushfires

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. The photograph shows The Crossways Hotel. The Crossways Hotel is circa 1920 and one of the oldest buildings still standing in Marysville. The Crossways Hotel survived the 2009 Black Saturday bushfires, through the efforts of the owner using buckets of water from the nearby Steavenson River.murchison street, marysville, victoria, the crossways hotel, photograph, 2009 black saturday bushfires

A colour photograph of the view looking down Sedgwick Street towards Lyell Street in Marysville in Victoria.A colour photograph of the view looking down Sedgwick Street towards Lyell Street in Marysville in Victoria.sedgwick street, lyell street, marysville, victoria, travel victoria, photograph

Contents: [1] Select bibliography of pre-1960 printed sources in the collections of the State Library of Victoria /? Heather Evans --v. 2. Select bibliography of post-1959 printed sources in the collctions of the State Library of Victoria /? Heather Evans and Judy Macdonald.b&w photographs, b&w illustrationsstate library of victoria, bibliographies, catalogues

The permanent fruit fly road blocks in Victoria began in 1958. The first was set up on the Lincoln Causeway between Albury and Wodonga. The aim was to protect the Victorian fruit export industry, the largest in the country. Cars would be stopped and inspected when entering Victoria. At peaks periods, such as Easter and school holidays, there were up to 10 inspectors at the 24 hour checkpoint near the former butter factory on the Lincoln Causeway. Local residents could apply for a pass which would be displayed on their window, but were still subject to random checks. Hundreds of tonnes of fruit each week was confiscated and pulverised by Department of Agriculture staff. The road block was closed in 1980, partly due to the increased traffic flows and the cost of maintaining inspection points.This image reflects government measures taken to protect the fruit industry in Victoria.A large image of the LIncoln Causeway at the Victorian/NSW border at Wodonga. The southbound lanes on the right hand side feature overhead signals and traffic light signs to control traffic leading into the Fruit fly inspection checkpoint ahead. The photo is in a wooden frame.On right hand side: Border sign: Wodonga/Victoria and the Victorian State Coat of Arms.fruit fly control, victoria border, lincoln causeway wodonga

Large framed map of Victoria, showing Victorias extensive rail network. Printed by Victorian Railways and is one of a number of 'framed pictures, particularly photographs of scenery, which have always been a feature of the Chalet.' (Pg 83. Historica, 2011) This map has been a permanent fixture situated in the hallway alongside the ballroom leading to the ski hire area since the 1950's and most likely earlier. Listed in Draft Inventory of Significant Collection ItemsLarge railway map of Victoria, Melbourne & Ballarat framed in white painted wood. Scale eight miles to one inch. Areas of the map have been whited out.Yes

Colour photograph of Omeo, Victoria.2017, great alpine road, omeo high plains, omeo, high country, post office

A number of photographs of Woodford, Victoria. woodford

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria.murchison street, marysville, victoria, photograph

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Shows the view looking down Murchison Street from Pack Road. The buildings that can be seen in the photograph were all destroyed in the 2009 Black Saturday bushfires.murchison street, pack road, marysville, victoria, photograph, 2009 black saturday bushfires

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Murchison Street in Marysville in Victoria. Shows the view looking down the street towards the F.J. Barton Bridge. All the buildings that can be seen in the photograph were destroyed in the 2009 Black Saturday bushfires.murchison street, marysville, victoria, photograph, 2009 black saturday bushfires, f.j. barton bridge

A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph looking up Murchison Street in Marysville in Victoria. The view is looking up the street from the roundabout at the corner with the Marysville-Buxton Road.murchison street, marysville, victoria, photograph, 2009 black saturday bushfires

Booklet - "Moving Victoria - A World of experience in Light Rail" - produced by the Victorian Government to advertise and market its expertise in Light Rail manufacturing and operation. Notes Melbourne trams, track infrastructure, Electrical systems and Asset Management. Includes images of Sydney Light Rail and Hong Kong vehicles. Has a forward by Mark Birrell, Minister for Industry Science and Technology (Minister from 1996 to 1999). Includes an extensive list of contacts, companies and their products. See item 7206 for a similar document c2003.Yields information about Victorian Light Rail manufacturing capacity.Booklet - 24 pages, centre stapled titled "Moving Victoria - a world of experience in Light Rail"victoria, tramcar manufacture, sydney, hong kong, melbourne, light rail, tramways, marketing

In 1861, August Dhmel of Slatey Creek near Ballarat, applied to be naturalized. He was born in Prussia and arrived by ship from Hamburg in 1849. He was thirty years old and was wishing to purchase land intending to settle for the rest of his life in the Colony of Victoria. This would be granted after taking the Oath before one of the Judges of the Supreme Court. This was taken before Sir Redmond Barry, Knight, in April 1861. A copy of the wording of the oath August Dhmel took hand written on a separate page.Thick cream paper, hand written in ink. Official seal - red and gold - between two pieces of light blue paper and dark blue ribbonSeal Signature of I Moore Date 20 February 1861 Signature of Governor of Victoria, Sir Henry Barklyaugust dhmel, slatey creek, ballarat, naturalize, colony of victoria, judge of the supreme court, redmond barry

This coin was minted in the time of Queen Victoria whose young image appears on the coin. It is a bronze coin mainly composed of copper with traces of tin and zinc. From 1825 English coins were minted in countries of the Empire where they were used as currency. In 1862 pennies would have been one of the more common denominations in circulation.A common item which relates to the 19th century with historical and social significance.Round copper coloured coin with head of young woman on the obverse and the image of Brittania on the reverse. There is text around the edge of both the obverse and reverse.The rim is flat.On the obverse is 1853 with Victoria Dei Gratia. Reverse has Brittannia REG FID. DEFwarrnambool, english penny, 1853 penny

Booklet - "Moving Victoria - the 1987-88 Forward Look and Transport Budget" detailing the planning and budget for the agencies that reported to the Transport Minister for 1987 - 1988. Has a photo of Tom Roper, the Minister holding a road closed sign following the opening of Wellington Parade East Melbourne to two-way traffic after 30 years. Includes the various Boards and Committees that came under the Minister.Yields information about the Transport Ministry and its planning and budges for 1987-88Booklet - 36 pages, perfect bound titled Moving Victoria - the 1987-88 Forward Look and Transport Budget"minister for transport, tom roper, the met, v line, budgets

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: BANK OF VICTORIA / YACKANDANDAH / Reverse: Y 6 / 017 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

A colour photograph of the view looking up Pack Road from the corner with Murchison Street in Marysville in Victoria.A colour photograph of the view looking up Pack Road from the corner with Murchison Street in Marysville in Victoria.pack road, murchison street, marysville, victoria, travel victoria, photograph

A formal group photograph of the grand opening of the Victoria Street Bridge on March 31 1884. The Argus was to report that: ‘The ceremony of laying the memorial stone of the Victoria-bridge, which connects Kew and Hawthorn with Richmond and Collingwood, was performed yesterday afternoon by the mayor of Richmond (Mr John Adam) in the presence of a large assemblage. Among the gentlemen present at yesterday’s proceedings were the mayor of Collingwood (Mr. M. Dwyer), the Mayor of Melbourne (Councillor C. Smith, M.L. A.) the mayor of Kew (Mr. Barnard), Mr. J. A. B. Koch and Mr. W. W. Shelley (ex mayors of Richmond), Mr. Joseph Bosisto, M.L.A., the Hon. L. L. Smith, Councillor De Mole (ex mayor of Kew), Mr. Jas. Lancashire and Mr. Winter (ex mayors of Ricmond), Mr. Walker (ex mayors of Collingwood), Mr. Johnson (engineer), Mr. C. Rowan, C.E. (engineer of the bridge alterations) and the town clerks of Richmond, Collingwood and Kew.’ Following the opening ceremony ‘… a ponderous steam roller was driven over the structure, with a view to test, or rather to demonstrate its stability … Most of the gentlemen present walked over the bridge, after which they were grouped by a photographer, with the memorial stone as a central feature, and several views of the scene were taken’.An original, rare silver albumen mounted and titled photograph of an important event in 19th century Melbourne.Original photograph mounted on display card of the opening of the Victoria Street Bridge. The original photograph is very faded and has been enhanced to improve the image's viewability.On the reverse of the card is an indecipherable stamp and an inscription identifying the photographers. "T. W. & C. A. McAlpine Bros, Photographers &., Campbell Parade East Richmond Melbourne March 31.1884victoria street bridge, john adam, m. dwyer, c. smith, barnard, j.a.b. koch, w.w. shelley, bridge, kew, collingwood, l.l. smith, joseph bosisto