Ammunition pouches on leather belt to wear either as a bandolier or on waist as a belt, to carry extra ammunition for a rifle as manufactured by Holden and FrostLeather belt 70 mm wide with 9 pouches riveted onto it. At each end belt reduces to 35mm with a buckle . Holed each end for acceptance into buckleHolden and Frost Adelaidemilitary, ammunition belt, bullet pouches

Set of photographs of operations, including special tram, track work by SEC prior to the Bendigo system closing closing.Set of 13 Agfa slides, blue and white plastic base of Bendigo trams. Taken 24.9.1970 by Carolyn Dean. .1 - "5" - No. 7 at Golden Square terminus, with Golden Square Hotel in background. .2 - "6" - No. 7 passing SEC workmen replacing a broken joint, in McCrae St. Piece of rail alongside tram. .3 - "7" - No. 7 crossing No. 29 at start of double track with Hotel in background .4 - "8" - No. 29 running special at depot junction. .5 - "9" - No. 29 turning from Nolan into Bridge St. .6 - "10" - ditto, passing old loop .7 - "12" - ditto, turning from Caledonia into Thunder St .8 - "13" - ditto, southbound in Pall Mall near Bull St. .9 - "16" - ditto, crossing bridge into tram depot, with tram depot in background. .10 - "17" - ditto, entering depot. .11 - "18" - No. 26 entering the Eaglehawk terminus, High St. with Leo A Hughes photographer shop in background. .12 - "19" - No. 26 at terminus, showing "Quarry Hill", with High St in the background. .13 - "21" - No. 26 after leaving terminus, travelling in High St with shops n the background.Each slide has in corner a number in pencil and the first one the date of "24-9-70".tramways, trams, bendigo, tram 7, tram 29, tram 26

Set of photographs of operations, near the central area, in particular Charing Cross.Set of 13 Kodak slides, white cardboard of Bendigo trams. Taken 24.9.1970 by Carolyn Dean. .1 - "1" - No. 5 enroute to Eaglehawk passing former poppet head. .2 - "2" - Possibly No. 4 enroute to Eaglehawk - side on view (same ads shown on .4) .3 - "3" - View looking down onto Charing Cross from North East corner with single truck and Bogie car arriving. Has Ezywalkin, Maples and the Beehive buildings in the background. .4 - "7" - No 4, with destination of Eaglehawk, Mitchell St, near end of double track, with Shell Service station alongside. .5 - "8" - Alexandria Fountain, Charing Cross, with bogie tram behind. Has the Ezywalkin and The Beehive buildings in the view as well. .6 - "9" - No. 6 arriving at Charing Cross. Has the Ezywalkin and The Beehive buildings in the view as well. .7 - "10" - Bogie tram and single trucker at Charing Cross. Has the Ezywalkin and The Beehive buildings in the view as well. .8 - "11" - No. 7 departing ditto. Has the Ezywalkin and The Beehive buildings in the view as well. .Each slide has in corner a number in pencil and the first one the date of "24-9-70".tramways, trams, bendigo, charing cross, mitchell st, eaglehawk, tram 5, tram 4, tram 6, tram 7

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish. Mounted on yellow matt with purple highlight and sage edging. Wooden and gold frame with glass glazingFront: Portland Pier 30/70 (lower left) A Gee 83 (lower right) (pencil)femal artists, female artist, angela gee, portland screenprint, portland bay press, 150 years, 150th anniversary, 1984

Depicting a coach service between Mordialloc, Cheltemham and Brighton, which also shows the other coaches in the background which could be stopping at a coach hubBlack and white image of a horse drawn wagon with a man sitting on top holding the reins written across the side of the wagon Mordialloc Cheltenham and Brighton, indicating the route the coach took. Behind the coach is what appears to be a house with several other coaches in the yard indicating it could be a coach stop on the routePrinted in black text a round white sticker: 76 Hand written in red ink: 70%coach, horse drawn wagon, public transport, mordialloc, cheltenham, brighton

Rear is inscribed with BACK/Derriere MK 8C/1 Patent No. 889158 9/70 SN279

Yields information about the Ballarat's tramcars in the early 1970's and the Sturt St near Lydiard St .Black and white photograph of Ballarat No. 21 Sturt St, showing Special, east bound, with the SEC offices in the background. Graeme Turnbull photograph, 13/3/1970. Tram has a "Everything's fine in my all electric kitchen" roof advertisement. In the background are shops for Valpied (Fruiters?) and "Blast Off"On the rear in pencil, "Ballarat Single Truck car 21 outside the SEC Offices in Sturt Street, 13/3/70. Graeme Turnbull photograph. and in ink in the top right hand corner, "13/3/70 AA-27"tramways, trams, sturt st, secv, tram 21

Open typewritten page headed: 'Australian Railway Historical Society' Timetable/Itinerary for tram stops. Faded blue ink, top right corner: '13-9-70'.person, individual, basil miller

A five sided plastic banner, yellow background, 5RAR Tiger head emblem on black V, "66 - 67, 69 - 70 South Vietnam", RAR Corps badge5 rar, banner

Framed Document in a Black Frame. 161 Recce Flt Honours and Awards. Details achievement of 2nd Lt Peter Bysouth DFC in Vietnam Aug 69 to Aug 70framed document, 161 reconnaissance flight, 2nd lt peter bysouth, dfc

Black and white photograph of of the 'open area' office of the Nunawading Council - a popular trend in the late 1960's and 70's. View taken from the east end of the officecity of nunawading

The Australian Womens Weekly. Special features, People and Fashion, Home and Family, Fashion in the Shops.|Note pages 50-56 for 70 Winter Fashions; also 132 - 137.Australian Womens Weeklybooks, magazines

Believed to be 70 years old.Flat grey box containing four set squares in the lid, one compass, one ruler, two pieces of cork (not numbered), two pencils (not numbered), and an eraser (not numbered).The School Set of Mathematical Instrumentsinstruments, measuring

EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1966-70. Bendigo Institute of Technology, Engineering School, Applied Science. Construction of circular theatre. Markings: OCT70M7Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1966-70. bendigo institute of technology, engineering school, applied science. construction circular theatre

Certificate in a wooden frame of US Dept of the Army Award of Meritorious Unit Commendation to the Australian Army Training Team Vietnam. Awarded 9/2/70 by US Secretary of the Army.Signature of Sec of the Armyframed document, meritous unit commendation, aattv

The book explores the changes in attitude of Americans towards the Vietnam War from the first film made, The Green Berets to Apocalypse Now & many other films in between (nearly 70).When the long-awaited Apocalypse Now exploded into public consciousness the movie business had completed a 180 degree turn. For many Francis Ford Coppola's mammoth project, though flawed, was the most savage indictment of the Vietnam War yet - a vision of harrowing and mindless carnage in which threr were only victims. 1961-1975 - participation, american, vietnam war, 1961-1975 - movies

The book explores the changes in attitude of Americans towards the Vietnam War from the first film made, The Green Berets to Apocalypse Now & many other films in between (nearly 70).When the long-awaited Apocalypse Now exploded into public consciousness the movie business had completed a 180 degree turn. For many Francis Ford Coppola's mammoth project, though flawed, was the most savage indictment of the Vietnam War yet - a vision of harrowing and mindless carnage in which there were only victims. vietnam war, 1961-1975 - participation, american, vietnam war, 1961-1975 - movies

A photocopy of Appendix 1 to Annex A to 17 Const Sqn GP Periodical Technical Report as at 31 May 70 on Operation. This is on A4 paper with a yellow background and the print is in black ink.appendix, annex, operations, 1cap patrol, soui neigh, long son island, thomas roger lloyd, pte lloyd, 3797402, royal australian infantry corps, 1 australian reinforcement unit, 2nd battalion, the royal australian regiment, 17 construction, technical report

Collector says: It was always satisfying to reunite matching blankets. One of these was acquired from a garage sale in Castlemaine and the other from The Mill Market in Daylesford.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with salmon stripesThe Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australia/Wool 70% Cotton 30%wool, blanket, blanket fever, laconia, cotton

Collector says: It was always satisfying to reunite matching blankets. One of these was acquired from a garage sale in Castlemaine and the other from The Mill Market in Daylesford.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with salmon stripesThe Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australia/Wool 70% Cotton 30%wool, cotton, blanket, blanket fever, laconia

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. One hundred mill labels sewn onto a single sized cream blanket with blue end panels(On original blanket label) "Marco" Blanket/Wool 70%/Cotton 30%/Guaranteed Free From Fillingwool, blanket, blanket fever, labels, sampler

Yields information about the appearance of tram 30 towards the end of operation and Sturt St itself.Agfa colour slide, white blue plastic mount. Photograph Monday 14/9/1970, by David Verrier of No. 30 in Sturt St at the corner of Armstrong St with the Town Hall alongside. Note the school boy standing in the front of the tram.On back of slide in pencil "Mon 14/9/70 4 wheeler 30 Sturt St Ballarat"tramways, trams, sturt st, armstrong st, town hall, tram 30

Yields information about the appearance of tram 30 in the Gardens area.Agfa colour slide, white blue plastic mount. Photograph Monday 14/9/1970, by David Verrier of No. 30 in Wendouree parade, in the Gardens area. Photo is out of focused.On back of slide in pencil "Mon 14/9/70 30 Lake Wendouree near Gardens Ballarat"tramways, trams, wendouree parade, tram 30

Yields information about the appearance of tram 13 in the Gardens area at Gardens Loop.Agfa colour slide, white blue plastic mount. Photograph Monday 14/9/1970, by David Verrier of No. 13 at the Gardens Loop. Tram has the destination of Victoria St.On back of slide in pencil "Mon 14/9/70 13 Lake Wendouree near Gardens Ballarat"tramways, trams, gardens loop, lake wendouree, tram 13

Black and white photograph of Ballarat 36 at the Sebastopol terminus, 16-1-1970. Tram has an SEC roof ad at rear, and has Lydiard St. Nth destination. On Kodak paper.On rear in black biro "36 at Ballarat Sebastopol terminus, 16-1-70/ Ex 132 MMTB"trams, tramways, ballarat, sebastopol, tram 36