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Ballarat Diocesan Historical Commission
Oleograph, Oleograph of Mary with Elizabeth, child Jesus and John the Baptist
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Melton City Libraries
Photograph, Heather Marjorie Barrie - [Wood], , Peter Ernest Barrie and Wendy Elizabeth Barrie, Unknown
Ernest Wesley BARRIE and Eva Edna MYERS's childrenlocal identities -
Wodonga & District Historical Society Inc
Book - Dust From the Pine Trees : The Life and Family Stories of Arthur and Elizabeth Ann Henman - From Bedfordshire to Barmedman, Lila McCann & Betty Lawrence
The story of the life, family and achievements of Arthur Henman, born in 1861 in Lidlington, Bedfordshire, England and his wife Elizabeth Ann nee Pollard of Bonegilla, Victoria. For a time on arrival in Australia at the age of 17, Arthur had a contract to supply timber to the New South Wales Railway Department. After marrying in 1888, Arthur and Elizabeth became successful dairy farmers in Glen Innes, northern New South Wales, before deciding to come to the Barmedman district. They took up the property, now well known as "Pine Valley." They had a pioneer's task to face for a thick belt of green timber stretched from the back door of their first home to Temora. Undaunted by the task, but with great determination and courage, they fashioned a first class property out of the wild and waste of those days and made valuable contribution to the fledgling communities until retirement from active farming in 1923 when they moved to Sydney.non-fictionThe story of the life, family and achievements of Arthur Henman, born in 1861 in Lidlington, Bedfordshire, England and his wife Elizabeth Ann nee Pollard of Bonegilla, Victoria. For a time on arrival in Australia at the age of 17, Arthur had a contract to supply timber to the New South Wales Railway Department. After marrying in 1888, Arthur and Elizabeth became successful dairy farmers in Glen Innes, northern New South Wales, before deciding to come to the Barmedman district. They took up the property, now well known as "Pine Valley." They had a pioneer's task to face for a thick belt of green timber stretched from the back door of their first home to Temora. Undaunted by the task, but with great determination and courage, they fashioned a first class property out of the wild and waste of those days and made valuable contribution to the fledgling communities until retirement from active farming in 1923 when they moved to Sydney.pioneers australia, pioneers nsw, arthur henman, elizabeth ann pollard, barmedman district nsw -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Portrait of an Aboriginal Girl [Undated], Elizabeth Durack
Australian 1915 - 2000Gouache on paper Signed -
Bass Coast Shire Council - Robert Smith Collection
Work on paper - A Toy Town that is Nobody's Plaything [Undated], Elizabeth Durack
Australian 1915 - 2000Charcoal and Goache on brown paperSigned and titled -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Catching the Stars 1999 [From the Art of Eddie Burrup], Elizabeth Durack
Australian 1915 - 2000Oil on canvasInitialled l.r Presented to Robert Smith in 2008 by the artist's daughter, Perpetua and son Michael, with appreciation and affection -
Melbourne Legacy
Programme - Document, programme, The Shrine Forecourt. Dedication by Her Majesty Queen Elizabeth the Second, 1954
The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. It was the official commemorative document of the occasion. The Queen lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)Booklet x 12 pages with sepia photos and brown text in a cream card cover for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance -
Melbourne Legacy
Document, Dedication of the Forecourt to the Shrine of Remembrance by Her Majesty Queen Elizabeth the Second, 1954
Ticket and notice about the Dedication of the Forecourt by The Queen, possibly kept as souvenirs by a Legatee. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as the symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191)Ticket for admission and notice about Etiquette for the Dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance -
Melbourne Legacy
Programme - Document, programme, Dedication of the 1939-1945 War Memorial by Her Most Gracious Majesty Queen Elizabeth the Second, 1954
The order of service of the ceremony to dedicate the Shrine Forecourt by the Queen on 28 February 1954. The Queen laid a wreath and lit the Eternal Flame as part of the ceremony. The design of the Forecourt was part of a competition that was run to find a suitable memorial. The Forecourt is cross shaped. The Cenotaph is 65 feet high and rises as a focal point to the Forecourt, it is balanced on the other side by three 70 foot high flagstaffs. The sculpture at the top of the Centoph is "carved in Footscray basalt. It represents six men in battle dress of the Navy, Army and Air Services, carrying a bier on which lies the figure of a dead comrade draped with the national flag. Its simple symbolism harmonises with the great shrine itself and sums up with dramatic power the whole message of the monument - the debt of the living to the dead, the eternal bond between the fallen and those who enjoy the fruits of their sacrifice." Also from the souvenir booklet: "In front of the Cenotaph, surrounded by a protective railing, the Eternal Flame which burns continually in its great bronze bowl. The eternal flame is an ancient symbol signifying at times the continuing spirit of a city, at others the constancy of man to an ideal, and again as they symbol of continuing faith." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01191).A record of the dedication of the Forecourt at the Shrine of Remembrance by the Queen. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01191)Cream paper program with blue print, single page folded in half, order of service for the dedication of the Shrine Forecourt on 28 February 1954.memorial, wreath laying ceremony, royal visit, shrine of remembrance -
Ringwood and District Historical Society
Newspaper, Death notice for Ringwood resident, Elizabeth Ruth (Wendy) Wilkins - 24th October, 1983
Local newspaper clipping with two notices.Loving wife of the late Alldin Roy, mother of Christine, Mother-in-law of Bob, Nanna-San of Mark, Tara and Phillip. Mother of Sue, Mother-in-law of Ken, Nanna in hospital to Natalie and Aaron. Proudly remembered loved forever, Stephen. Dearly loved sister-in-law of Garnet (dec.) and Dot, loving Aunty of Bruce, Ronda, Peter, Kenneth, Edward and families. -
Merbein District Historical Society
Document, Eugene & Elizabeth Fisher Merbein Pioneers, 1911
eugene fisher, elizabeth fisher, merbein, pioneers -
Merbein District Historical Society
Photograph, Harding, Gertrude Elizabeth (nee Storer), unknown
gertrude elizabeth storer -
Linton and District Historical Society Inc
Photograph, Elizabeth Jane and Oscar Garland Ball
The photograph was taken on the occasion of Mr & Mrs Ball's golden wedding.Black and white copy of photograph showing an older man wearing a dark suit and an older woman, wearing dark clothing, standing behind a 2-tiered cake in a garden.elizabeth jane ball, elizabeth jane mitchell, oscar garland ball -
Linton and District Historical Society Inc
Photocopy, Daniel and Elizabeth O'Beirne
This is a photocopy of original photograph, showing a man with a large mustache wearing dark jacket and vest and light shirt and pants. He is seated in an upholstered chair with a lady standing and leaning on the back of the chair. She is dressed in a dark lacy, long sleeved dress with buttoned high collar and bodice insert.daniel o'beirne, elizabeth o'beirne, photocopy, print, portrait -
Ballarat Heritage Services
Photograph - Photograph - Black and White, John Hogan Gervasoni and his parents Elizabeth Gervasoni and Gus Gervasoni, c1941
Gis Gervasono served in Northern Australia and was in Darwin for the bombing.Black and white photograph of Gus Gervasoni in AIF Uniform, and his son and wife. This photograph was taken before his World War 2 departure. gus gervasoni, aif, world war two, chocco, chocolate soldier, conscript, john hogan gervasoni, elizabeth gervasoni, george gervasoni, elizabeth hogan -
Stawell Historical Society Inc
Photograph, Elizabeth Laxton Earn's Mother
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St Kilda Historical Society
Ephemera - Program, State Reception in honour of Her Most Gracious Majesty Queen Elizabeth the Second and His Royal Highness the Duke of Edinburgh, 1954
State reception by the Victorian Government, at the Exhibition Building, Monday, 8th March, 1954. Includes order of proceedings, musical programme, names of members of the Cabinet Reception Committee, the Music Committee, and the Music Sub-Committee.Booklet with cream coloured card cover, printed in blue with coloured royal crest above it, and a small blue reproduction of the Victorian coat of arms. Multi page insert on white glossy paper, printed in bluer. Attached by staples. Includes black and white photograph of the Queen, the Duke of Edinburgh and the Exhibition Buildings. The booklet includes the Order of Proceedings, the Musical Programme, a list of the Choirs Represented, and the names of the Cabinet Reception Committee and the Music Committee.royal visits, queen elizabeth ii, prince philip - duke of edinburgh, state receptions, royal exhibition building, wh greaves collection, greaves, city of st kilda -
Ringwood and District Historical Society
Photograph, Elizabeth Cutts
Sepia photograph -
Ringwood and District Historical Society
Photograph, Victoria and Elizabeth Cutts. Two girls of Ellen Cutts and Jim Tortice
Sepia photograph -
Ringwood and District Historical Society
Photograph, Presumably old Samuel and Elizabeth Cutts
Sepia photograph -
University of Melbourne, Burnley Campus Archives
Document (item) - Diaries, 1. Diary of Elizabeth M. Fry School of Horticulture Burnley Term 2 1926 2. Ella Fry Burnley Gardens Diary
Diary covers period 1 June 1926 - March 1927. Notebook has index to plant names at front, then notes on subject such as Trees & Shrubs, Annuals & Biennials, Manures, Spraysburnley college, elizabeth fry, ella fry, ella chalmers -
Narre Warren and District Family History Group
Book, Charles Brodley, The family and descendants of Henry & Elizabeth Barrow from 1750-1920
...non-fiction... -
Narre Warren and District Family History Group
Book, Robyn Gemmill, A Harborough family tree: Descendants of William and Elizabeth Harborough 1813 - 1906, 1992
A family tree of the Harborough family: Descendants of William and Elizabeth Harborough 1813 - 1906non-fictionA family tree of the Harborough family: Descendants of William and Elizabeth Harborough 1813 - 1906william harborough, elizabeth harborough -
St Kilda Historical Society
Ephemera - Invitation, State Reception in honour of Her Majesty Queen Elizabeth the Queen Mother, 1958
State reception by the Victorian Government, at the Exhibition Building, 27th February, 1958. Includes order of proceedings, and a list of ministers of the state of Victoria.Booklet with blue coloured card cover, printed in white embossed with gold coloured crest. Multi page insert on white glossy paper, printed in black. Attached by staples. Includes black and white photograph of the Queen Mother and coloured image of royal crest.royal visits, queen mother, queen elizabeth the queen mother, state receptions, royal exhibition building, wh greaves collection, greaves -
Warrnambool and District Historical Society Inc.
Functional object - Printing blocks Barnard, Early 20th century
These items have no known provenance and no information has been found on the Barnards on the printing blocks, delivery paper and stamps. The stamp for ‘W.I.O. Barnard’ was sent to an address in Camberwell so it is presumed that the Barnard family members were in Melbourne and not in the Warrnambool district.The only interest in these items is in the printing blocks and stamps. They are good examples of the type of printing used in the early 20th century and the type of stamp used by individuals for letterheads, visiting cards, personal items etc. There are 5 objects in this collection:- 1. A small red cardboard box 2. A printing block with a tapered wooden base and metal type – E.D. Barnard There are three small nails holding the type to the wooden block. 3. A printing block with a metal ring handle – R. Barnard 4. Five metal type letters (G, I, K, O, W) 5. A much-tattered sheet of paper showing delivery of stamp to ‘W.I.O. Barnard’ Wooden Block – E.D. Barnard Metal Block – R. Barnard Box - stamped E.D. Barnard Paper – ‘Linen Stamp Co. 231 Elizabeth St. Melbourne, Please deliver stamp and pad at 2/6, Name: W.I.O. Barnard, Address: 29 Bowen St. Camberwell, Signature: E. Barnard’ barnard, printing blocks -
Lakes Entrance Historical Society
Postcard - RMS Queen Elizabeth, E A Sweetman and Son Tunbridge Wells
Sepia toned postcard of the Cunard White Star Ltd passenger liner RMS Queen Elizabeth at seaRMS Queen Elizabeth 85000 tons gross length 1031 breadth 118ships and shipping -
Glen Eira Historical Society
Article - Elizabeth Street, 44, Elsternwick
A two page advertisement from the Melbourne Weekly Bayside, dated 14/02/2007, written by Kathryn Kernohan, for an upcoming auction of the house at 44 Elizabeth Street, Elsternwick on 04/03/2007. The article includes a description of the property including architectural features and four colour photographs, two of the house exterior (119mm x 216mm; 167mm x 316mm) and two of the house interior (89mm x 155mm; 89mm x 157mm), taken by Tim Barker.bent thomas sir, rippon lea estate, elizabeth street, elsternwick, house names, architectural features, architectural styles, biggin and scott, kernohan kathryn, barker tim -
Federation University Historical Collection
Certificate, Honours Pianoforte Grade 2, 1947
The Australian Music Examinations Board awarded Mary Elizabeth Holmes Honours in Pianoforte Grade 2 in 1947. This was at the Public Examinations.Certificate with seal , Mary Elizabeth Holmes, 1947.Name hand written Signature of Chairman: Brian D Henry Signature of Registrar, University of Melbourne: F H Johnstonchatham-holmes collection, mary elizabeth holmes, australian music examinations board, university of melbourne, brian henry, chairman, f h johnston, registrar, 1947, honours in pianoforte grade 2 -
Glen Eira Historical Society
Article - Elizabeth Street, 30, Elsternwick, formerly Trengrove
A one page article from the Southern Cross newspaper, dated 09/12/1998, on page 12, for the auction of the mansion at 30 Elizabeth Street. The article includes a brief history of the existence of a 1908 property called "Trengrove", occupancy of the current house built for Mrs SJ Hannon after the demolition of "Trengrove" in 1937, mention of the Edna Walling-designed garden, a description of the property and the interior plan and three colour photographs (168mm x 121mm; 59mm x 78mm; 58mm x 73mm) taken by Maurice Grant-Drew.rippon lea estate, elizabeth street, elsternwick, sargood fredericl sir, bent thomas, hannon s j mrs, georgian revival style, gardens, architectural features, walling edna, flats, house names, talbot birner morley, trengrove, architectural styles, grant-drew maurice -
Linton and District Historical Society Inc
Photograph, Richards and Co, Photo, Ballarat, Carte de Visite : Alan McDonald
Given or sent at unknown date by Alan McDonald to George and Elizabeth Lewis. George Lewis, who was Alan McDonald's brother-in-law, married Elizabeth Smeaton in 1910.Black and white photograph, printed for use as a postcard or Carte de Visite, shows a young man wearing suit with emblem on left lapel, and tie."Alan McDonald to George and Elizabeth Lewis".alan (allan) mcdonald, george lewis, elizabeth lewis née smeaton