"My current practice explores and questions ideas about social, cultural and historical inherited gender stereotypes. The images used are sourced from toys, games, models and references to childhood from my own collection. One such toy is a model plane of the Enola Gay. This screenprint, sourced from the box, shows an image of young boy happily clutching his toy plane. The surface of the print is embossed with images of the nuclear weapon that was dropped on Hiroshima."Darren BRYANT ( 06/06/1971- ) Born Lismore, New South Wales Darren’s work explores the familiar landscapes of childhood, identity and the everyday. He received a Bachelor of Visual Arts (Printmaking) from the Southern Cross University, Lismore, NSW, in 1992 and a Bachelor of Visual Arts in Fine Art (Printmaking) from Griffith University, Brisbane, in 1993. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print of a boy playing with a toy aeroplane. art, artwork, printmaking, toy, aeroplane, darren byant, print council of australia, available

Book. ALEC H CHISHOLM COLLECTION. 308 page hardcover book of the journeys by the arctic explorer Vilhjalmur Stefansson. Illustrated with B & W photos and maps. Forewords by H.F. Osborn and R. W. Brock. Published in 1924 by George G. Harrap & Co, London. Printed in Great Britain by Unwin Bros. Ltd. Catalogue sticker '2142 STE' on spine. Handwritten in ink on flyleaf ''To Alec H Chisholm with pleasant remembrances of an afternoon at the Burrellls with the platypus from Vilhjalmur Stefansson Sydney August 8 1924''. Pasted inside front cover is a newspaper obituary to V. Stefansson from the Sydney Morning Herald 28-8-1962.Vilhjalmur Stefanssonbooks, collections, ethnology, alec h chisholm collection, vilhjalmur stefansson, arctic explorer, eskimos, ethnology

'Document Pathway' was commissioned for the entrance of the new Administration Building at Mount Helen. The University of Ballarat was renamed Federation University Australia on 01 January 2014. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.In 1993 Iain Reid wrote: "Document Pathway" Celebrating the presence of the University of Ballarat. The composition based on the proportions of a document. The document serves as a vehicle transmitting knowledge. Boarders of the document contain a structured pathway. It is solid in its base and growing aspiring to new levels and understanding. Marks on teh painting reflect an interest in Chaos theory. Through research random order is understood via measured knowledge. Surrounding the inner document lays the resource. A world to explore and enhance through knowledge. The surface of the painting investigates the aerial landscape placing the University of Ballarat within a physical location. The geometric structure demonstrating a peopled landscape where ideas create form. art, artwork, iain reid

The Weekly Times was first published on September 11, 1869. After absorbing two other rural publications and expanding its publications, in 1902 The Herald and Standard Newspaper Company Ltd became the Herald and weekly Times, now Australia's oldest rural newspaper (more information on Weekly Times website). The article on Orbost was part of a series written by Steve Cooper with photographer, Mark Griffin. It explored communities which were struggling to survive. At that time the timber industry in the area was in decline and there was much discontent about flows to the Snowy River,This newspaper is a useful research tool.A newspaper, titled The Weekly Times, dated October 23, 1996. It contains articles about Orbost - Towns Against The Tide. The paper has an orange cover with the title in blue print and coloured photographs throughout. orbost-history-1996 weekly-times-newspaper

This drawing was done by Andy Freer, founding member and Artistic Director of Snuff Puppets. It forms part of the creative process to develop a new show, 'Forest in the Night', exploring themes of evolution, chaos theory, Darwinism and the survival of the fittest. More than 25 puppets were created and transformed into new strange creatures. This drawing was submitted as part of a pitch to the 1995 Melbourne International Festival of the Arts program, where it was performed as a large outdoor spectacle in the round. Please visit http://www.snuffpuppets.com/shows/Forest_in_the_Night for more information.The significance of this drawing is that it is a rare, original demonstration of the creative development processes of Snuff Puppets' unique puppet creation and building.A black ink drawing on A5 paper detailing the creative concepts for puppet design and development for a new production entitled 'Forest in the Night'art, environment, ink drawing, snuff puppets, puppetry, theatre, creative, puppet, performance, imaginery

Memo dated 5 January 1973 from R.J.A. Foskett, the President of Melbourne Legacy, to Branch Chairmen and Members of the Board of Management setting up a meeting with them on 22 February 1973 to discuss the future of Legacy nationally. L/ Foskett identifies the following issues to be explored: 1. Admission of WWII men as Legatees 2. Rate of decline in membership 3. Maintenance of the Legacy style of service 4. How to wind up Legacy in the event of that being decided 5. How to perpetuate Legacy if not wound up. Exemplifies the thinking post WWII that the need to care for widows and children would fall away as the children became adults, which is surprising given that the Vietnam War was going on and didn't end until 1975.3 x foolscap photocopied, black on white. Two holes punched for filing. Page 1: letterhead review committee, conference

This book tells the story of William Barak and the de Pury family, where descendants of both sides still live today. It also has national significance as a story that explores the complex, first generation negotiations between Aboriginal and European people. Also the establishment of Coranderrk Aborignal Station at Healesville and the growth of the wine industry in the Yarra Valley. William Barak was a Wurundjeri leader and the de Purys' were a wine making family. The book complemented and exhibition called Oil Paint and Ochre 29 Aug - 22 Nov 2015.Soft cover paperbackwilliam barak, de purys, corranderk

Newspaper articles (2) 'Colac Herald' 3rd and 6th October 1969, describing a dedication of carpet and communion cushions by Nan Saunders in honour of her deceased husband, George Cook Saunders. Article (a): 'Carpet, Cushions to be dedicated' 'Mr Saunders, a descendant of explorer Captain James Cook, was a prominent Colac citizen until his death 18 months ago' The dedication to be performed at the Colac Wesley Church. Article (b) 'His Life was a life worth living', minister's tribute to late Mr. G.C. Saunders. George Saunders lived in 'Tintin Glen', Panton Street Golden Square, before he relocated to Colac. See plans of 'Tintin Glen', designed by William Beebe, in BHS Collection.

Built by journalist turned earth builder, John Harcourt as his own home. The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, clay nuneham, mount - kodak kodachrome, scan - 35mm positive, stanhope street

Built by journalist turned earth builder, John Harcourt as his own home. The 1993 Eltham Heritage Tour was enjoyed by a busload of members of the Historical Society on a fine, calm day, Sunday May 23rd. Between 10.00 am and 4.30 pm, except for a brief lunch stop at the Eltham Living and Learning Centre, members passed about thirty places of local interest and others recommended for the Historic Buildings Register and the Register of the National Estate. A number of significant trees and buildings were also highlighted along with the opportunity to explored some of the properties.35mm colour positive transparency (1 of 24) Mount - Kodak Kodachromeactivities, shire of eltham historical society, heritage excursion, eltham, houses, mudbrick, clay nuneham, mount - kodak kodachrome, scan - 35mm positive, stanhope street

This certificate was presented at the East Gippsland Shire Council Australia Day celebrations on 26.1.2003. The veiling of McKillops bridge was a 'Year of the Outback' event. The event was organised by Orbost resident, Sr Helen Barnes RSJ. to show solidarity with rural people. The local community transformed the bridge into "a symbol of communal love and hope", when its sides were draped with hundreds of personal messages. McKillop's Bridge, located high in the Snowy Mountains, is named after George McKillop, a pioneering explorer of the area. The bridge is a vital link for isolated farming communities living beyond the Bonang highway. The Veiling of McKillops Bridge was a significant community event.A large framed certificate. An Australia Day Community Event certificate for January 2003. The frame is silver The certificate has white, green and blue print on a blue background.presented to "Veiling of McKillops Bridge on frame corner AMS by East Gippsland Shie Council signed by Cr P. Bommer (mayor)mckillops-bridge-veiling east-gippsland-shire-council-australia-day

“The artwork speaks to the historical architecture of this area, while exploring the idea of changing understanding of space. Space is bent, bulged and repeated, in this painting, like a mirror maze. In this way, it will inspire playfulness, curiosity and thought, by transforming the way we observe, move through and engage with public space”Artist George Goodnow has installed their artwork on the Annex Wall in Alfred Deakin Place from 30th November 2021 - 1 November 2022. George is a multidisciplinary artist and curator currently living in Naarm (Melbourne). Their work for the Annexe Wall will feature a fictional architectural arrangement of the Police Lane site. George utilises painting (designed through hand-drawn and digital processes) to adjust existing architecture, illuminating how spaces reflect, orientate and hold bodies. Recent work explores feelings of disorientation, binaries and queerness within suburban and urban landscapes. painted wall

Kristin McFARLANE An Australian artist who combines graphic design, glass, botanical specimens, photography, encaustic painting, print and typography to explore fragility, nature and beauty. Kristin studied graphic design followed by a Graduate Diploma and Master of Fine Arts in glass at Monash University, Melbourne. Since graduating in 2004 she has undertaken public and private commissions and exhibitions including works for the Royal Melbourne Hospital, Monash University and Her Majesty Queen Rania of Jordan. Kristin designed and created the trophies for the Australian of The Year Awards from 2005-2014. These glass panels celebrate the history of the Monash University site; its early days as Berwick showgrounds and Casey Arifield to its current use as a state of the art educational centre. Images sourced from: Berwick Nostalgia, Early days o Berwick and its surrounding ditricts, Beaconsfield, Upper Beaconsfield, Harkaway, Narre Warren North, Berwick Mechanics Institute and Free Library and Monassh University archives. Federation University Australia took on the Berwick campus after Monash departed from the campusmonash university, casey airfield, berwick showgrounds, federation university berwick campus, berwick, fused glass

The 2017 Official Coin Collection The Legends of the Anzacs: Medals of Honour – commemorate 14 significant military honours (both Imperial and Australian honours) awarded to Australians throughout the 100 years of Anzac. The folder contains all 14 coins including the 4 unique issue 25 cent coins produced as part of the News Corp program . Each coin design explores a different medal and the stories behind them, inspired by images supplied by the Australian War Memorial, Gary Ramage and the Australian Government Department of Defence. Coins presented in a card, housed in the display folder. Released by the Australian Mint as the official collection of ANZAC medals of honour commemorating the centenary of the Great War, World War 1.anzac, medals, world war i, military, australian mint

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In Farquhar’s close-up portrait of the rat catcher and his dog, the photographer excludes any extraneous data that otherwise might have provided a spatial or motivational context. The contemporary or the present day viewer is required to construct a narrative to explore or understand what is occurring. The title of the picture might incline a viewer to believe that what they see is an exercise in vermin control, and that the rat concerned might be an introduced black or brown rodent. A more likely scenario is that the rat catcher is focussed on catching ‘rakali’, a native water-rat once widely trapped for its fur. The trapping of rakali for use in the manufacture of fashionable clothing accelerated as introduced furs such as musquash became more expensive. It was not until 1938 that rakali were granted protected status.Ratting on the Yarrakew illustrated, kew where we live, photographic books, henry kellett, yarra river