Winner of Portland Art Society Art Prize for the category of watercolours.An abstract depiction of a landscape. The work is predominantly completed in shades of blue, purple and green using a watercolour technique. Further detail has been added to the work using black ink ink and white paint. The work has a painted wooden frame with with white mount and glass.Front: Stephen Spurrier (black ink, lower left) 1966 Back: Stephen Spurrier "Landscape Near Condah" (1967) typed label Watercolourscema, portland artists society

Art CollectionThis painting depicts a green hill below a cloudy sky, and a sandy landscape below the hills. Towards the left of the hill there are trees and shrubbery. The frame is white with gold on inside, beige mount and glass.Front: Rita M McLean (grey paint, lower right) Back: (no inscriptions)

UnknownAbstract scene of a rainforest. Foreground depicts a stand of trees. There are several mountains in the background, set against a blue sky with rays of sun falling on a central mountain. Predominant colours for trees are green, yellow, brown and black. Mounted on cream matt in pale green frame, with glass glazing.Front: Enid Denton (lower right) (brown paint) Back: Rain Forest $600.00 Enid Denton, Smith Avenue, Croydon 3136cema, portland artists society

CEMA Art CollectionThe painting depicts the shoreline of a beach with green foliage in the background. Various shades of sand make up the foreground, with a black object in the centre edge of the foreground. To the right of the sand is the blue ocean with the white wash of a broken wave seperating the sand from the water. The background features foliage in various shades of green which meets a blue/purple sky. The work has a painted white wooden frame with material mount and exposed canvas.Front: I.G. HILL 1967 (black painted, lower right corner) Back: White chalk:- ARTIST (underlined) MISS I.G.HILL 42 BOWEN ST. CAMBERWELL(underlined) Price $63 IRENE HILL "BEACH AT DUTTON WAY" (1967) (typed label) Yellow Sticker: 1967 -cema, portland artists society

CEMA Art Collection Winner of 1963 Portland Art Society Art Prize for category Watercolour. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.The painting depicts mountain ranges from an elevated position looking down across the mountains. The mountains in the foreground are predominantly shades of green, yellow and brown. The mountains in the background are various shades of blue and extend into a pale blue sky. The work has a grey painted frame with a white cardboard mount and glass.Front: E Denton (lower right, black paint) Back: ENID DENTON "FLINDERS RANGES" (1963) Watercolour (typed label) 1963 (yellow sticker)

Portland Free Library and Museum and Literary Institute.Heavy metal. Decorative motif of flowers and leaves in gold on black background. Green felted woven fabric on base. Wooden handle. Metal embossing stamp (brass or bronze).

Portland's sesquicentenary, 1984-1985 celebrations.Green felt pennant with yellow edging and tabs on left.Front: (see title)

The Greensborough Hotel is on the corner of Main Street and Hailes Street Greensborough. Built in the early 1920s, the hotel has been refurbished and extended over the years. In 2018 the exterior of the hotel was painted grey as in this photo. Previously it was painted green.The Greensborough Hotel remains a landmark in the changing face of Greensborough.Colour digital photographgreensborough hotel, main street greensborough

A pamphlet outlining services available at Knight Street Occasional Child Care Centre, later named Watsonia Occasional Child Care.4 page pamphlet, printed on light green paper.watsonia occasional child care., knight street occasional child care centre

Quinn CollectionA bi-fold,commercially produced, poly-chrome Christmas card (0397.a). The predominant colours are blue, red and green. See image. Envelope (0397.b) is post-marked Sydney and dated 3 December 1948. The card is inscribed 'Very best wishes, Wanda'. letters-from-abroad, 1948, christmas card, allan charles quinn

This desk was donated to the MTSV in 2017 by a descendant of Padre Oliver, Chaplain from 1930-1960.This desk belonged to Rodney Oliver and is believed to have been used by Padre Oliver and his wife while Chaplain, and the family resided at the MTS and thereafter in subsequent parish postings. The desk makes a link with one of the longest serving Chaplains who had a significant influence through the intense period of operations early - mid 20th C. The Padre's influence was substantial. The desk is also believed to have been used by son Rodney Oliver who also served the Mission as Chairman in the later 20th C.A four drawer leather topped desk with detachable unit comprising double sliding door lockable cabinet with small bookshelf backed with shallow pediment. Sorting / sectioned pigeonhole interiors to the top cabinets see images. The main table desk appears to be of a different wood with green leather inset to top surface and heavy legs. Drawers with heavily decorated brass handles. The top cabinet features finer cabinetry and darker colour wood or stain which could be cedar.with simple narrow reeded decoration. interior two pigeon holes with labelsfrank leslie oliver, padre oliver, chaplain, desk, mission to seafarers, melbourne, seamen's mission, flinders street, padre frank leslie oliver