Line of nine Ariel motorcycles. Circa 1950police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle branch; police motorcycles; ariel motorcycle

Part of Ansett Airways hostess/stewardess uniform 1958-1964Complements the collection of air flight crew attire.Navy check (houndstooth) lined hostess cap. ansett airways, navy, hostess, flight attendants, stewardess, pillbox

STAWELL PS 1955 Grade 5 CLASS 1 Back Row: Garry Gardiner, Garry Blackman, Roy Howard, Ron Barker, Max Fry 2nd Row: Allan Logan, Ian Rickard, Leon Wheelan, Harold Woolley, Ray Mathews, Richard Lea, Neville Ross, Wayne Whitehead, Ron Peart, Arthur Wallace, Max Shefield, Barrie Graham 3rd Row: Syvlia Williams, Betty Davis, Lorrain Crouch, Mavis Smith, Lorraine Hughes, Paulene Blake, Judy Walsh, Sonia Earl, Lorraine Stokes, Jullie Coward, Margret Randall Front Row: Gillian Clark, Pam Devlien, Janet Martin, Patty Holmes, Christine Rule, Hilda Currie, Edna Collins. Students Lined up in front of School Building Stawell Grade V 1955education

Used in Government SchoolsSoft red covered Line Text BookVictorian Series 20th Thousand The Victoria School Arithmetic approved by the Department Oral and Written Exercises Forth Class Expressly designed to meet the requirements of the new Victorian Programme by G.H. HALLAM (Victorian Education Department) Price ......Sixpence Answers Seperate .. Sixpence Melbourne Jas. Ingram & Son, Publishers 987 Little Collins Street Copyright. Inside: Hand Written Chrissie (Struck Through) Harry (written underneath) Cummingstawell education

lined silk embroidered bib, scallop edgeaccessory

Drafts of letters written by Patricia Boyd to Manning Clark, Zelman Cowen, Joe Burke, regarding contemplated biography of Robin Boyd (and list of names on the bottom. A third page is to Mr Kirk regarding Robin Boyd being chosen as one of the 200 Outstanding Australian's, and Patricia's not being invited to the award ceremony or having any knowledge of his receiving the award in advance.Handwritten, foolscap, 3 pages on lined paper.

The furriers Keitel were established in Australia early in the Twentieth Century. The business was initially in Port Melbourne in Beach Street and later in Lt Collins Street, Melbourne. In 1916, 1918, 1924, and 1927 there were newspaper reports of robberies at the business; an indication of the monetary value of furs in the past. There was an interesting connection to Jewish refugees to Australia reported in Australian newspapers in 1939, which relates to the Keitel family. OFFICER'S WIDOW A REFUGEE MELBOURNE, Wednesday. - A widow, whose husband was killed in action while a German officer in the Great, War, reached Melbourne in the Marella, a refugee from Nazi Germany. She is Mrs L. Fuchs, and on the wharf she met her, brother, Mr K. Feitel, a Melbourne furrier, for the first time in 40 years. Another, brother, Mr I. Feitel, travelled with her from Vienna. Mr I Feitel is a watchmaker, and has been in the business in Australia for about 50 years. He has brought with him an agency to establish here, for the well-known Swiss watchmaking company, Chaux-de-fonds. ESCAPED INTO HOLLAND. Having escaped from Germany into Holland, 80 refugees brought to Australia in the Marella were taken by Dutch ships to Batavia, where they Joined the Marella. Seven landed in Brisbane, 40 in Sydney, and 33 in Melbourne. There was only a few British subjects in the ship. The Jewish refugees include a cattle breeder, a lawyer for a Viennese bank, dentists, clothing , manu facturers, machinery experts, and general merchants. (Source: Evening New (Rockhampton, 4 May1939, p. 4) In 1947, Mr Kallman Feitel died and the business was carried on by his family.A fashionable fur stole created by a major furriers in Melbourne.Large brown lined mink fur stole. Label: K. Feitel, Furrier, 290 Lt Collins Street, Melbourne.furs, costume accessories, women's clothing, fur stoles

Small lined rectangular brown fur stolefurs, costume accessories, fur stoles, fur collars

Blackburn Railway Line heading towards Mitchamblackburn railway, mitcham, glen ebor avenue

Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatregoers. A vintage pair of 1920s opera glasses probably made in France by an unknown maker the item is significant due to it's provenance that can be traced and it's completeness as a useful social item and fashion accessory used by theatergoers from the mid 19th century and well into the 20th century. Some people still use modern variants of theater glasses today to improve their enjoyment of the theater.Both glasses and case are covered with black and white snake skin. Case lined with purple velvet, and has brass closure clip.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, opera glasses, serpentine opera glasses, binoculars, accessories, optical instrument, scientific instrument, theater glasses, french opera glasses, hans lipperhey

This Cat No 5880P and the following ten Cat No's to 5890P were part of the original GRINTON PHOTOGRAPHS exhibition in 2008. Each frame follows a story from the 'War to Home' at Tragowel near Kerang, Victoria. The Grinton Collection was a large negative collection found in a tin at Myers Flat and developed from there. Frame 1. 1. Jack Grinton in full marching order. This appears to have been taken after Jack came back from being wounded the 2nd time on 31/9/1918 in the push into the Hindenburgh Line. He was away 3 months with his wounds and rejoined his unit at Visme-au-Val on 11/1/1919, a small village near Abbeville, France. he is wearing his two "Empire Wounded Stripes" on his arm. It is believed he took this photo to show what a fully kitted out digger looked like. 2. Full kit lid out, right down to a tooth brush. It is also believed this was taken to go with the above photo. Note the protective cover on the rifle trigger and magazine area. 3. Mess parade line up. From notes of Jack this could be at "Gamaches", France where the last group of 111 men of the 38th Batt in the 45th quota left to come home. They went from Gamaches to Havre then to England. 4. In "Billets" behind the lines. Note the straw on the floor. When a unit came out of the line they were billeted in farm houses, barns, sheds, homes and at times anything that would give the men shelter from the elements. Refer Cat No. 1280 for Jack GRINTONS Service Records. Photographs - black and white on paper. Four photographs top to bottom, Soldier in uniform, Full kit laid out, Mess parade line up, Billets behind lines. Frame - timber, black colour paint with glass. Mount - black cardboard. Backing cardboard with handwritten notation.On backing cardboard - handwritten in black felt tip pen "1."framed photographs, grinton collection, ww1, 38th

Part of a collection presented by Miss Edith Elms via Chrisy Northcote.Westernport Bay at low tide showing line of low mangroves 1/3 from bottom. Brown foreground, low line of sand dunes in background.local history, photography, photographs, seascapes, westernport, coloured photograph, san remo

Colour photographs, seventeen images on nine page. Images labelled as follows : 1. North New Moon shaft - natural discharge point of Garden Gullly line 2. Actual exit to surface from beneath mullock at North New Moon shaft. 3. Looking into Deadhorse Gully from mullock heap at North New Moon site. 4. Deadhorse Gully downstream of WMC Weir. 5. Sydney Creek track crossing - impassable ford. 6. Sydney Creek looking downstream from ford. 7. Sydney Creek looking upstream from road near Recreation Reserve (12 inch pipe under road). 8. Sydney Creek looking downstream from same point. 9. Sydney Creek - Camp Road, looking upstream.. 10. Sydney Creek - Camp Road, looking downstream. 11. Sydney Creek - Camp Road Culverts. 12. Sydney Creek - Pyramid Road Bridge, looking upstream. 13. Sydney Creek - Pyramid Road Crossing looking downsteam. 14. Sydney Creek - rail crossing, looking upstream. 15. Sydney Creek - rail crossing, looking downstream. 16. Sydney Creek - Airstrip road, looking upstream. 17. Sydney Creek - Airstrip Road, looking downstream 12 inch pipe under road. Lined paper, in blue pen 'Deadhorse Gully-Sydney Flat Creek, March 1986, Photos of Deadhorse Gully/Sydney Flat Creek'kangaroo flat gold mine, deadhorse gully, sydney flat creek, unity mining, water discharge, north new moon, camp road, pyramid hill road, eaglehawk

Card is part of collection of items donated by the Grigg family to LDHS after the death of Marie Grigg.Small Christmas card given to members of Linton Brownie Pack in 1930 by 'Brown Owl' L? Nicol. Card depicts a girl in Brownie uniform, sitting next to a very large owl which is winking at her.Inside the card, on line for name, handwritten: "Brownie Maree" Printed message: "With all Good Wishes for Christmas and the New Year / from" On line for name, handwritten: "L? Nicol / Brown Owl / Xmas 1930".christmas cards, brownies, girl guide movement, marie grigg legacy, christmas cards, l? nicol [brown owl]

Hand sewn and machined by Elizabeth Webber nee Eddy1920s Black silk brocade gown lined with sateen trimmed with jet sequins and beads. It has a matching black silk brocade shirt front with high collar neck lined with cotton and false bolero lined with silk. Also matching is a black silk brocade vest.costume, female

B/W. Lead-in to Beech Forest Railway Station in 1912, with line to Crowes on the left and the line from Colac on the right. Note Gardner Street crossing the Crowes line, the Beech Forest Public Hall to its left, a house further down, and the Catholic Church to the right.beech forest; railways;, beech forest; railways;

May have come from Germany with the donor Dorothy Adamson's grandparents in the 1920's.1. Set of three clear cut footed glass wine glasses, with a lined pattern. 2. Set of two clear cut footed glass sherry glasses with a lined pattern. 3. Set of five clear cut footed glass sweet dishes with a lined pattern. glasses, drinking glasses, sweet dishes, bar equipment, liqueur glasses, wine glasses

The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.Eight people are gathering hay and putting them into stooks. They are under supervision. There is a line of trees along the fence line and birds are flying in the sky. Unmounted black and whitewalls, w., sunbury asylum, walls album, george evans collection

White lawn bust bodice with torch on lace at neck line and sleeves. Blue ribbon threaded through eyelet lace at waist. v shaped neck line.costume, female underwear

This coloured photograph shows the re-floating of the P. S. Adelaide on a soil ramp, being encouraged (rear entry) down the temporary slipway onto the river. The temporary slipway is clearly visible with a workman (possibly Kevin Hutchinson) standing at thelast log as the boat nears the waters' edge. A winching float and an outboard motor boat are at the right. Spectators line the banks of the ramp. Part of a photo sequence no.P000041; P000045; P000046; P000047; P000048 of P. S. Adelaide re-floating.The re-floating of the P. S. Adelaide was a Significant community social event evident by the number of spectators in the photograph. The community had invested a great deal of time and money into re-floating the paddlesteamer. The newspaper covered the event in detail with a number of action shots as the boat made its rear entry from the temporary slipway onto the river. Part of a photo sequence no.P000041; P000045; P000046; P000047; P000048 of P. S. Adelaide re-floating.Colour photograph of the P. S. Adelaide on a soil ramp, being encouraged (rear entry) onto the river. A winching float and an outboard motor boat are at the right front. Spectators line the banks of the ramp. Temporary slipway constructed of logs is clearly visible before the boat enters the water.