Has a strong association with a BTM/BTPS volunteer - 1990's and trackwork undertaken by the BTMSet of six Colour photographs of roadworks in Wendouree Parade, derailment marks and subsequent repairs. See July 1997 issue of Fares Please! for details of the events. Photo taken by Warren Doubleday. Printed on Kodak Paper. .1 - Paul Mong, Alastair Reither and Simon Jenkins clearing track - 671 in the background - 27/6/1997 .2 - ditto .3 - rail repairs - 13/7/1997 .4 - ditto .5 - derailment marks and repairs - 13/7/1997 .6 - ditto See July 1997 Fares Please!On ink on rear "26/6/97" and "13/7/97"btm, wendouree parade, trackwork, derailments, tram 671

Digital image of BTM trams and events at the time of the 50th anniversary of BTM operations on 21-12-2024 1 - Trams 40, 13 and 33 at Carlton St 2 - Paul Mong speaking at the unveiling of the celebratory plaque with Richard Gilbert. 3 - Tram 13 and 33 at Carlton St 4 - Depot scene after 40 has driven out. 5 - Richard Gilbert drives 40 through the ribbons. 6 - Trams 40, 13 and 33 at Carlton St. Photos by Benjamin Boehle-Mitchell. See Fares Please! April 2025 for details of the work done.Yields information about the 50th anniversary celebration of 50 years operations in Wendouree Parade.Digital image of 6 colour photographstramcars, btm, 50th anniversary, tram 40, tram 13, tram 33

Set (4 of 6, 2 missing) ceremonial bayonet tip covers. .1) Wooden box, varnished brown, padded internal dividers. .2) Wooden, sliding type lid. .3) - .6) Chromed bayonet tip cover with a 12 mm sphere at tip..3) - .6) Stamped with traces of red paint, both sides of tip covers: “38th Inf Bn” Sticky label on box side: 26.military equipment - army, bayonet, passchendaele barracks trust

Newspaper clipping about the National Rugby League (NRL) State of Origin match on 26/6/2024 at the MCG. Photo taken at the Museum with Laurie Daley, Dermott Brereton and Mal Meninga standing in front of a tram with the promotion poster on a stand. Published in the Australian Financial Review.Yields information about the visit of former football greats to the Museum in June 2024.Newspaper clipping from the Australian Financial Review page 3, 25-6-2024melbourne tramway museum, nrl, travel promotion, visitors

Bullets are Mark 6 .303 practice round bullets. Source unidentified.Metal clip of 5 practice bullets. Brass colour with 3 indentations on the side marked in red. Indentation also in the bottom of each are Mark 6 .303 bullets on a .303 clip..303 rifle bullets., practice rounds, ammunition

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. However, this bottle is rare, in that the base has been embossed then over-embossed with the same text, letters overlapping. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is a rare find, in that the base has been over-embossed with the same lettering, letters overlapping one another. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, over embossed, brown glass, handmade, rare. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has sealing tape remnants around top. Mould seam around shoulder. Body tapers inwards to push-up base. Top edge of lip has application faults. There is also a rectangular indent in the upper edge of lip. Base is embossed and over embossed, with the letters overlapping each other. Embossed on base "6 TO THE GALLON", then over-embossed with the same "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable, over embossed, rare

Hand written on back: given to Hist Soc St Kilda Est(?) Miss O. Appleton 19/6/83black and white photograph good condition mounted given to Hist Soc St Kilda Est(?) Miss O. Appleton 19/6/83

All images from Mal Rowe, except No. 6 from Marcus Wong 1 - D class 5001 at the terminus showing the sign at the south end - 23-9-2013 2 - B class 2088 looking south - 30-7-2010 3 - B class 2128 looking south - 12-2003 4 - Sign on Combino D1 3501 5 - D1 3501 - in Swanston Street at Victoria St - 16-3-2004. Was given the name of Sir Robert Risson, but was removed when the PTC livery was applied in June 2014. 6 - Plaque Feb. 1994, laid by Alan Brown, Minister for Public TransportYields information about the Sir Robert Risson Tram TerminusSet of 6 images of the Sir Robert Risson Tram Terminus in Elizabeth St at Flinders St.tramways, robert risson, elizabeth street, memorials, plaque, d class, d1 class, b class, tram 5001, tram 2088, tram 2128, tram 3501

Set of six colour prints of a tram tour on 7-12-1994 of trams 661 and 38. 1 - Tram 38 running a Special service at St Aidans Drive 2 - Trams 38 and 661 crossing at Gardens Loop 3 - Trams 38 and 661 at St Aidans Drive 4 - Trams 38 and 661 at St Aidans Drive 5 - Tram 661 arriving St Aidans Drive 6 - St Aidans Drive with tram 38 and the "Warning oncoming trams" signYields information about tram operations by the Ballarat Tramway Preservation Society.Set of 6 colour prints printed on Kodak paper.tramways, trams, btps, tram 38, tram 661, wendouree parade, signs

Certificates won by Scott, J G at Rutherglen Show. 32.18 Second Prize - 6 Head Cabbage, pink.Prize certificate for 1910, Rutherglen & Murray Valley Agricultural & Horticultural Society, awarded to J G Scott. Second Prize - 6 Head Cabbage, pink."Rutherglen and Murray Valley / Agricultural & Horticultural Society / Thirty First Annual Exhibition / Wednesday, 19th October, 1910" / "Harry O'Brien, Secretary"rutherglen show, j g scott, rutherglen & murray valley agricultural & horticultural society

The townships of Mount Beauty and Bogong Village were constructed by the Victorian State Electricity Utility Commission (SEC) from the 1930’s to the 1950’s to house workers on the Kiewa Hydro Electric Scheme. At its peak the Kiewa Scheme employed around 4000 people. Although the towns were built as temporary accommodation for the workers and their families, many stayed and even retired there after the scheme had finished. The Bright Council, now the Alpine Shire took over the control of the township in 1960 and today Mount Beauty is one of the most complete company towns in Victoria.The SECV provided several standard designs for the housing of workers and management in Mt Beauty. At the completion of the scheme the housing was retained and Mount Beauty now exists as one of the best examples of a company town in Victoria.There are many examples of the original houses remaining around the town. This is significant as the houses were only built as temporary accommodation and still remain functional after over 60 or more years of use.Set of 6 black and white photographs of original SECV temporary house designs in Mt Beauty.Written in blue ink on front of photos 1. Winwood 2. Winwood 3. K Type 4. K Type 5. English Precut 6. Cube mt beauty houses, secv housing

First Prize certificate for the Australian Corriedale Association, International Fleece Competition 1965 awarded to R W Pettitt for the Victorian Corriedale Ewe Fleece (Adult) Class 6 No 224.Certificate for first prize in the International Fleece Competition, Australian Corriedale Association. Won by Mr R.W. Pettitt's corriedale ewe fleece, 1965.R W Pettitt/Victorian Corriedale Ewe Fleee (Adult)/ 6/224corriedale sheep sheep breeding agricultural shows, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding, agricultural shows

The original small, pioneer cottage was built in the late 1840s to early1850s, by an unknown pioneer. It was located on part of a 30 Acre allotment that was originally part of Dendy’s Special Survey granted in 1841. The doors and window sashes, (made of red deal joinery timber), as well as the brass locks and fittings, are from the original cottage, and were imported from England. The fire-place bricks are from the original cottage, and are sun-dried, (not kiln fired), and are hand-made. Convict marks can be seen on two bricks. There is a small display of external cladding shingles from the original pioneer cottage. These shingles were hand-split, and most likely made from locally collected timber The nails included in this display were used to fasten the shingles on the original cottage, and are also hand-made. The cottage was occupied by William Box and family from 1865 until 1914 when it was sold to William Reitman who resided there until 1950. The enamel nameplate, “Colonial”, on the wall of the cottage, was the name chosen for the original pioneer cottage by Mr William Reitman, when he purchased the property in around 1915, for 1200 Pounds approximately. In 1974 Mr Lewis, a timber specialist, found the dilapidated building on property he had recently purchased in Jasper Rd and suggested it be reconstructed and relocated. Moorabbin Council agreed and the cottage was rebuilt just about 250 metres from its original site. The cost of the rebuild was met by 'Victoria's 150th Committee, plus a small grant from the City of Moorabbin, and Mr Laurie Lewis donated much of the timber for the reconstruction. The re-constructed cottage plan has followed faithfully the original dimensions, and plan of the original pioneer cottage, and as many original items from that cottage’s long occupation have been incorporated. The photographs in Album 1 record the progress of the reconstruction from February 1984 to the First Public Open Day November 18th 1984The Moorabbin Standard was the local Newspaper for the City of Moorabbin during the 20th century until it was absorbed into the Leader Newspaper Group Pty Ltd. Mrs H. Deam and Mr Arthur Smith, CMHS members, kept this article to record the progress of the ‘Reconstruction’ from February 1984 to November 1984. This article 6/7/1977 notes that Mr Lewis jnr states "The National Trust is not interested in the house because it is built of wood". and that Cr Max Fox MCC states " It is too easy to knock things down and regret the loss of these pieces of history later on". Although 'Box Cottage' is a re-construction, it is an unique museum that, being located in the midst of a modern community in Ormond Victoria, can educate and demonstrate many aspects of the early settler’s way of life in Victoria. As such, it is an invaluable resource for students and all kinds of visitors. The Moorabbin Standard Newspaper article 6/7/1977 with 2 x black and white photographs of Box Cottage and apprentice Malcolm Proven holding a convict brick when the derelict building was discovered by Mr Laurie Lewis jnr. on the property of Lewis Timber Yard, Jasper Road, McKinnon Written on the article ; 6/7/1977 Moorabbin Standardbrighton, moorabbin, highett, ormond, mckinnon, cottages, pioneers, colonial, dendy henry, box william, box elizabeth, reitman william, convicts lewis timber co. ltd., deam h, smith arthur, museums, box alonzo, moody & smith builders highett, the moorabbin standard newspaper, the leader newspaper pty ltd., fox max , lewis laurie, moorabbin city council, national trust,

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Thomas G. Jellis, Mayor of Kew 1905-6. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Thomas G. Jellis, Mayor [of Kew] 1905-6cr. thomas g. jellis, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

This is a pennant from the Warrnambool District Bowls Association. This association is a division of the West Coast Bowls Association and the members are the Bowls Clubs of Dennington, Koroit, Lawn Tennis Club, Mortlake, Terang, Port Fairy, Timboon, Warrnambool and City Memorial. This pennant was awarded for the premiers of 1975/76 and, as the pennant came from St.John’s Bowls Club (Presbyterian Church Warrnambool) it is presumed that this club was the winner of this pennant. St. John’s Bowls Club, in Princess Street, Warrnambool, was prominent in the 20th century but has now been disbanded (early 21st century) with the land sold in 2014. The maker of the flag, Evan Evans Pty Ltd, is a well-known Australian flag-making business. It was founded in 1877 and a member of the family was a co-designer of the Australian flag in 1901. This pennant is of some interest as it was awarded by the Warrnambool District Bowls Association to St. John’s Bowls Club in Warrnambool. As the St. John’s Club no longer exists it is an important memento of this Warrnambool sports club. Bowls is a popular sport in Warrnambool. This is a large triangular-shaped pennant from the Warrnambool District Bowls Association (1975-6). It is a white cloth pennant made in two sections with stitched hems on the edges and through the centre. The side holding the cord is made of thicker folded cloth with a white plaited cord inserted. The lettering is made of blue cloth and machine stitched on to the pennant. The material is nylon and wool. There are some dirt smudges and rust marks where the pennant has been attached to a wall. ‘W.D.B.A. Premiers 1975-6’warrnambool district bowls association, st. john’s bowls club, warrnambool, warrnambool

Khaki slouch hat with brim turned up on left side, secured with the Rising Sun badge. Beige cotton hat band with unit colour patch made from light blue, violet and green felt. Internal leather headband and chin strap. Size 6 7/8. This Slouch Hat belongs to VX37033 Andrew Bishop."MADE BY / FAYREFIELD / MELBOURNE / 6 7/8"

Set of 6 postcards produced for sale by Greensborough Historical Society. Postcards Frame 1, top to bottom: Ashril Cinema, Main Street 1958; Britnell's Lane 1910;Main Street 1910. Frame 2, top to bottom: Watson's Garage, Watsonia 1920s; Fallen Soldier's Memorial 1927; Willis Vale on the Plenty River 1930.6 black and white postcards in 2 black timber frames, under glass.greensborough historical society, main street greensborough, ashril theatre, watsonia, willis vale

Helene Moll was an internee in Camp 3 and was a midwifery sister at Finschafen Lutheran Mission NG and at the camp hospital. Photograph is of her with 6 children she helped deliver. They are: Kate, Traud and Walter Wied, cousin Else Helbig, Theo Baer (on Sister Moll's lap) and his sister Gerda (obscured).Black and white photograph of a lady sitting on the ground with 6 children. Trees, bushes in the background.helene moll, kate wied, traud wied, else helbig, theo baer, gerda baer, camp 3 children

Gordon Craig Ford 30-8-1918 - 16-6-1999 Landscape designer Loved and respected Husband of Gwen, father Of Angela, Emma, Ben, Cassie, Dailan, Caitlin. A good life lived welleltham cemetery, gravestones, memorials, gordon craig ford, gwen ford

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire. The family of Miss M Curtis were early settlers in Moorabbin Shire. Sad-iron, domestic, flat, cast iron, Silvester's Patent, No 6, Salter, England, c. 1890-1900s A sad iron made from cast iron was heated over a fire or on a stove and used for pressing clothing and table wareSILVESTER'S/ PATENT/ SALTERS / No 6 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves

6975-38 Stawell High School Form 6, 1976 Form Teacher Mr Evenden Back Row, Trevor Troutbeck, Malcolm McClure, Stuart McClure, Darryl Nielson, Neville Moller, Michael Glisson, Front Row, Julie Ross, Pam Guy, Debbie Giles, Mr Evenden, Aileen Browne, Wendy Blake. Kathy. Sluga. Absent. Gayle Redford, Lynne Bonney, Poppy Mangana. Students and Teacher Class Photo beside high School wingsStawell High School 1976 Form 6education

Weaving sample folder: "JOHN YANG (1967) RANGE 6" contains "WORSTED LADIES SKIRTING RANGE" pattern sheet and 3 checked cloth samples (light brown, medium brown, grey).JOHN YANG (1967) RANGE 6 (marker) WORSTED LADIES SKIRTING RANGEtextile production weaving, textile production, weaving

This 1942-dated Map Case was still in use post-1982 when it was used by a member of the 5/6 Royal Victoria Regiment. This new Melbourne-based battalion was created on the 17 August 1982. Open-sided with a khaki canvas flap attached to a resin-impregnated board.. Hinged to the top edge is a celluloid cover. Four clips holds the cover (and any map) to the backing board. The flap is secured by a pair of Carr Australia press studs on the back. The underside of the flap has four loops for chinagraph pencils and a wider pocket and loop for a Protractor. Two brass buckles are provided for a web shoulder sling. C. G. Hartley & Co. 1942 ORMISTON 3200879 5/6 RVR

Set of 6 postcards produced for sale by Greensborough Historical Society. Postcards Frame 1, top to bottom: Fallen Soldier's Memorial, Main Street 1923; Greensborough Park Tea Rooms 1920s;Greensborough Railway Station 1920s. Frame 2, top to bottom: Stubley Motors 1930s; Greensborough Township early 1900s; Main Street Greensborough 1956.6 black and white postcards in 2 black timber frames, under glass.greensborough historical society, main street greensborough, greensborough station, stubley motors

Programme of the annual "Anzac Commemoration Ceremony for Students", held in April each year. In 2022 it was held on 6th April and was the 90th time it was held. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The attendance was smaller than normal due to the Covid pandemic. The Governor was ill and was represented by her ADC. The 6 pages outline the order of service of the ceremony.A record of the long running event run by Legacy to inform school students about Anzac Day.Colour printed brochure x 6 pages for the 2022 Anzac Commemoration.anzac commemoration for students, wreath laying ceremony

Tickets sold on trams for a through journey to Melbourne, the format indicating the availability. See reference 120 and figure 6-1 for an example. 1 - Brighton Beach to Melbourne First class - 55591 2 - ditto - first class return - 45158 3 - Vautier St to Melbourne - first class - both numbered 41723 - training set? 4 - ditto - return first class - both numbered 41700Demonstrates a set of Victorian Railways tram - rail tickets for use on the St Kilda Brighton tramway.Set of 6 Edmondson style railway tickets, printed on pasteboard and cancelled.tickets, vr, vr trams, victorian railways, st kilda - brighton