Original design by Dorothy Leviny, aged 25, while she was a student at the Bendigo School Of Mines under the tutelage of Arthur T. Woodward. Woodward, who had come to Australia from Britain, was a renowned proponent of the Arts and Crafts Movement in Australia during the late nineteenth and early twentieth centuries. Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. Dorothy Leviny was the ninth child born to noted colonial silversmith and jeweller, Ernest Leviny, and his wife, Bertha (nee Hudson).This original wallpaper design by Dorothy Leviny is one of few that remain in existence from the early twentieth century showing the influence of the British Arts and Crafts Movement in Australia.Original wallpaper design made by (Bertha) Dorothy Leviny painted in watercolour. The repetitive floral design consists of pale pink bell-shaped flowers with green stems and leaves. Paper, card, watercolour paint.'D. Leviny /06'.dorothy leviny, watercolour painting, arts and crafts movement, 1906, buda, castlemaine, arthur t woodward, bendigo school of mines, exhibition of womens work 1907, wallpaper design, illustration

Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower stem view on left, with flower details on right, leaf and stepal details on left. On far left are two leaf views of front and back in dark green - back view shows smalls hairs on leaf. On lower left is a side view of the leaf. The stem study depicts leaves up both sides of the central stem and side stems. Two stems have flowers near the top end. The flowers are dark yellow with an orange tinge, with red and purple centres. On right is a detail of stem and leaves, two side views of flower buds, a top view of full flower and a side view of full flower. Mounted in a double matt (off-white on pale tan) in a gold paint and wood glazed frame.Front: Pultenaea humilis (lower left) (pencil) CEW 29/1/77 (signature, lower left) (pencil) Back: 3 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection

UnknownTrident form, blue and green patterning on a grey base. Below the trident are three circles of gold, with a black horizontal line underneath these. The background is pale blue with darker blue lines providing a textured appearance. Mounted in faun matt and gold frame.Front: Series VI/5 (lower left) Symbol derDreifealtigkeit (lower centre) K. Zimmer 70 (lower right) (pencil) Back: (no inscriptions)stencil

These items were used at the pharmacies in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frazer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf. Castor oil and Eichorn's Remedy were home based remedies for non life threatening injuries. The practices of early pharmacists are revealed through these glass containers. The items have a clear association with Orbost and indicate that many rural households had first-aid sources. .Six glass containers. 3210.7 is a deep blue coloured glass bottle. It has a narrow neck and a screw on lid. It has an embossed manufacturer's name, logo and contents (Castor Oil) on one side and identification marks embossed on the underside. 3210.8 is a small clear glass flat bottle with a metal top.It is labelled "SIGMA JUNIPER BACC'. It contains pale brown liquid 3210.9 is a a small moulded clear glass flat bottle with a white bakelite cap.It is labelled "EICHORNS REMEDY 100 ml HELP IN EVERY DROP". 3210.10 is a clear glass bottle with no lid.It has embossed manufacturer's stamp on base. 3210.11 isa clear glass beaker with a label on the front of two concentric green circles inside of which is "PYREX Made in England" with 200 ml below this. 3210.12 is a lear glass jar / bottle with a black lid. The front and sides are ridged with part of a label - "CAL". This bottle contains some pink powder.3210.7 - "Rolfes Medicinal Tasteles Castor Oil - Rolfe & Co King St Melbourne. Contents 5oz" 3210.8 - "SIGMA JUNIPER BACC SIGMA COMPANY LIMITED, Melbourne" 3210.9 - "EICHORNS REMEDY 100 mm Help in Every Drop" 3210.10 - on base -"J983 / M 2 " 3210.11 - "PYREX Made in England 200 ml" 3210.12 - "CAL"glass-containers pharmacies-orbost medicines chemists-orboet

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cuttings and flower details of two plant species. Six drawings include single cutting of Olearia asteroticha with brown stems, bright green long leaves and blue (daisy-like) flowers with purple and yellow centre, a single cutting of O. ramulosa with green-brown stem, dark green long leaves and white (daisy-like) flowers with pink and yellow centres, one small flower detail (left), one white flower detail (centre) and two leaf details (right). The work is mounted in a double matt (off-white on pale blue), framed under glass in a gold and grey-green frame.Front: Olearia asterotricha (Rough Daisy-bush) " ramulosa (Twiggy " " ) (lower left) (pencil) CEW/84 (lower left in image, next to stem) (maroon pencil) Back: 42 (upper left) (pen)collin woolcock, woolcock collection, botanical drawing, botanical, cema

Part of "Woolcock Gallery Collection" exhibition 1989 CEMADrawings of cuttings and flower details of two plant species with yellow flowers and green foliage. Five drawings including one flower detail (yellow and pencil), one cutting of tall yellow (Daisy-like) flower with a red-brown stem and long green leaves along stem and at base, one cutting with many flowers (no petals, button-like) on thin green stems with green flower details. The work is on white paper mounted on apricot (first layer) and pale grey (second layer) cardboard. It is framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Podolepis jaceoides (Showy Podolepis) Cotula coronopifolia (Water Buttons) (lower left) CEWoolcock (lower right) Back: 22 (upper left)woolcock, cema, botanical

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of cuttings and flower details of two plants with green stem, yellow flower and long green leaves. Nine drawings including (left-right) one brown and green detail, one yellow and pencil flower detail, a cutting of plant with a tall yellow flower and green foliage at base of stem, two flower details in pencil (one with yellow), a cutting with yellow flower and green foliage at base, two flower details in yellow and one detail in green and yellow. The work is mounted in a double matt (pale grey on apricaot) and framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Craspedia glauca (uniflora) (Common Billy-button) " pleiocephala (Soft " ") (lower left) (pencil) Back: 23 (upper left) (pen)cema, botanical, collin woolcock

Part of Woolcock Gallery Collection Exhibition, CEMA, 1989.Drawings of a cutting and flower heads of a plant with brown stem, green long and narrow foliage and star-shaped flowers in clusters. Seven drawings, including one branch with flowers and foliage, two white and brown flower heads (side view), one star-shaped flower head (above view), one detail of flower stamen and two leaf details. The work is mounted in a double matt (pale grey on apricot) and framed under glass in a gold and grey-green frame.Front: Epacris lanuginosa Woolly-style Heath (lower left) (pencil) Back: 7 (upper left) (pen)collin woolcock, botanical, cema, woolcock collection, botanical drawings, illustrations

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a stem with leaf, flower and seed pod details. Leaves are soft and long, dark green and grow from the central stem. Flowers are bell-shaped and pink-red. From top-bottom is a pale pink flower in full bloom; a leaf top view; a stem detail with pod with whithered petal; top view of flower; side view of white flower; side view of red flower; internal view of flower (splayed open). Work is mounted in a double matt (grey on pink) and framed under glass in gold painted wooden frame.Front: CEW/72 (signature, lower right) (green pencil). Common Heath - Epacris impressa (lower left) (pencil). Common Heath - Epacris impressa (erased, lower centre) CEW (sign, pencil, erased) Back: 5 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, woolcock, botanical drawings

Part of "Woolcock Gallery Collection" Exhibition 1989, CEMAFramed drawing of cutting, flower and leaf details of plant with brown stem, long pointed green leaves and green and purple flowers. Eight drawings, including one cutting, four flower details (3 side views, 1 above view) and 3 leaf details. The work is mounted on pale purple (first layer) and pale Grey (second layer) matt. It is framed under glass in a gold and grey-green frame.Front: CEW (born pencil - next to stem). Acrotriche serrulata (bottom left) Back: 8 (upper left)botanical, woolcock, woolcock collection, collin woolcock, botanical drawings

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower and stem view on left, depicting two stalks shooting from a central stem. All three stems are brown with small hairs. Green leaves with rounded ends and a brown central vein with a sharp protruding point are staggered up alternatue sides of the stem. One stem has two flower buds and two flower blooms (each are in clusters). On right are (top-bottom) top view of flower, side vire of flower, top leaf vire, stem detail, bud views. Printed numbers on paper are glued to the surface of the image, with the same numbers also written in pencil. Mounted in a double matt white on pale tan) in a gold painted wooden glazed frame.Front: Pultenaea daphnoides (lower left) (pencil). CEW (signature, lower left in image) (purple pencil). Back: 28 (upper left) (pen)collin woolcock, botanical, cema, botanical drawings, woolcock collection

The fringed tablecloth is an example of a domestic item brought to Australia by early settlers in the Western District of Victoria as a home comfort.The fringed tablecloth helps tell the story of the arrival of European settlers and the small, light home comforts they brought with them to maintain a meaningful connection to home.Fringed and lined square tablecloth. The front is hand embroidered on brown loose weave fabric, the back a pale yellow polished cotton fabric. The edges on the back have been turned and machine stitched. Hand-stitching has been used to join the top to the back and to add the fringe around the edges. The embroidery uses tapestry wool in cream, yellow, brown and green tones. The style is possibly an example of European folk style embroidery. An inscription on a pink ribbon is sewn onto the reverse.“S F . 31303 OLIVER - - [undecipherable]”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, tablecloth, fringed tablecloth, embroidered tablecloth, european embroidery, hand sewing, domestic object, handmade, textile, silk thread, geometric design, vintage, long-stitch, zigzag design, decorative, home décor, domestic linen, table linen

Red print on Certificate template. "For Liberty ANZACS FOR JUSTICE". This is a blank certificate.Certificate - paper, red print on scroll, illustrated in colour - top to bottom, blank scroll; 2 soldiers and flag surrounded by 6 flags, silhouette in white of Australian map, oval shape with ship and troops. Further side decoration yellow and green wattle flowers and foliage. Pale blue background. Certificate template - possibly available to Shires and localities to customise as required. frame - timber, with varnish finish in natural tones, glass front and cardboard back.framed, ww1, certificate

This is a collection of nine directories published by the City of Warrnambool dating from 1952 to 1992. They contain descriptions of the municipality and lists and details of services, social and community facilities for the period covered.These directories give snapshots of the City of Warrnambool for the years covered and will be useful for research.[.1] 16 pages printed with black and white photographs. The cover is cream card with writing in blue printing and the city of Warrnambool crest in the top left corner. [.2] 16 pages printed with black and white photographs. The cover is yellow card with writing in blue printing and the city of Warrnambool crest in the top left corner. [.3] 8 pages printed with pale yellow feathered design edges on either side of the text. The cover is cream with writing in Blue print and the pale yellow feathered pattern. A coloured City of Warrnambool seal is in the centre top third of the front cover. [.4] A single sheet of buff coloured light weight card folded in half to make a booklet. Black printing with a black Warrnambool crest in the top centre. [.5] 36 page booklet. The cover is of white shiny card with printed purple text. [.6] 96 page booklet. The cover has black printed text and red stylised cartoon like drawings representing different aspects of the community. [.7] 32 page booklet. The cover is of cream card printed with a 5mm wide green line across the front and back. Black ink drawings of Warrnambool landmarks by P Bryant feature on the cover and the Warrnambool City seal is in the bottom right hand corner. [.8] 20 page booklet of white paper with black text printing. There is a photo of the Tourist information centre on the rear cover. The Warrnambool city crest on the front cover which has a black geometrical edging design. [.9] 24 page booklet of white paper with black text printing. The front cover has the Warrnambool city crest in the top left hand corner and a photograph of the Lake Pertobe playground in the bottom two thirds. The back cover has a photo of the Warrnambool Saleyards. [.1] City of Warrnambool Victoria, Australia [.2] City of Warrnambool Victoria, Australia [.3] City of Warrnambool [.4] City of Warrnambool Organisations taking part in the Community Life of the City of Warrnambool 1952 [.5] Warrnambool Directory of Social Services [.6] Community Information Directory Warrnambool and District 1981 [.7] Community Information Guide 1991/1992 City of Warrnambool [.8] Citizens' Information Handbook for 1976-1977 [.9] Citizens' Information Handbook for 1977-1978 warrnambool, warrnambool city directory, warrnambool community organisations

Silk postcard from a soldier in WW1.1. Pale cream colour postcard with an embroidered front in the form of a folded envelope. On top part is embroidered a red and green bunch of flowers. On the bottom part is embroidered a message. Inside the pocket is a card. 2. The card has a message surrounded by 8 shields with the flags of the various allies in WW1.1. Embroidered in "To my dear Daughter". 2. On card is "Hearty Birthday Greetings" and various flags.postcard, ww1

Mining By-LawsPale Yellow Paper cover with black borders and black printMining By-Laws of and for the State of Victoria With an APPENDIX Containing Extracts from the MInes Act 1928 Relative to Residence Areas, Claims on Private Land, & Etc. Price 3D. Published in the "Government Gazette" 19th February 1931 pp, 617 - 640 H.J. Green, Govt. Print., Melb.stawell mining

Illustrated book with dust jacket. Book has abbreviated title and authors surname printed on spine in white ink on pale blue background. This pale blue binding extends for 55mm on front and back covers. The remainder of the covers have repeated images of various Victorian Nurses board Badges on a white background. Dust jacket has similar images on pale blue background on spine and extending 55mm on front and back, remainder of back is pale blue. On the front is an image of one person (torso only) holding another's wrist and holding a watch in their other hand and part of a stethoscope is also visible. Title and author's name are printed on front and spine. There is a 9mm wide attached gold satin ribbon bookmarknon-fictionThis book documents an important part of the story of nursing and midwifery in Victoria. the role of registration, training accreditation and monitoring of nurses and midwives has been fulfilled by three bodies in Victoria: the Nurses Board (1923-1957), the Victorian Nursing Council (1957-1994) and the Nurses Board of Victoria (1994-2010).nursing-history, nursing-law and legislation-victoria-history

Illustrated book with dust jacket. Book has abbreviated title and authors surname printed on spine in white ink on pale blue background. This pale blue binding extends for 55mm on front and back covers. The remainder of the covers have repeated images of various Victorian Nurses board Badges on a white background. Dust jacket has similar images on pale blue background on spine and extending 55mm on front and back, remainder of back is pale blue. On the front is an image of one person (torso only) holding another's wrist and holding a watch in their other hand and part of a stethoscope is also visible. Title and author's name are printed on front and spine. There is a 9mm wide attached gold satin ribbon bookmarknon-fictionThis book documents an important part of the story of nursing and midwifery in Victoria. the role of registration, training accreditation and monitoring of nurses and midwives has been fulfilled by three bodies in Victoria: the Nurses Board (1923-1957), the Victorian Nursing Council (1957-1994) and the Nurses Board of Victoria (1994-2010).nursing-history, nursing-law and legislation-victoria-history

CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions)

CEMA Art Collection Winner of 1963 Portland Art Society Art Prize for category Watercolour. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.The painting depicts mountain ranges from an elevated position looking down across the mountains. The mountains in the foreground are predominantly shades of green, yellow and brown. The mountains in the background are various shades of blue and extend into a pale blue sky. The work has a grey painted frame with a white cardboard mount and glass.Front: E Denton (lower right, black paint) Back: ENID DENTON "FLINDERS RANGES" (1963) Watercolour (typed label) 1963 (yellow sticker)

The brooch belonged to the donor's grandmother Lucy Stafford, who was born in 1878Gilt metal brooch, has two flowers, a bud and two leaves. The flowers are pale pink with a mauve glass centre. The leaves are green and the bud is pink. A pin with safety catch is on the back of the gilt bar.costume accessories, jewellery