Showing 1516 items
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Whitehorse Historical Society Inc.
Instrument - Spring Balance
Metal instrument for weighing - possibly in a butcher's shop. Round ring at top attached to a round dial measuring pounds(lbs) up to 200 lbs. Indicator on dial. Large hook at base of dial to attach the item to be weighed.0 - 200 Salter's Spring Balance British Made Silvester's Patent to Weigh 200 lb.instruments, weighing -
Southern Sherbrooke Historical Society Inc.
Salters Family Scales No.50
Metallic scales with cast iron base. Measurements go up to 28lbs. Brass dial. Metal dish attached.Engraved on main dial "Salters Family Scales No.50. Silvesters Patent to weigh 28lb by 2oz" -
Mont De Lancey
Bed-warmer
Russell SebireStainless steel, cylindrical bed-warmer, with removable screw stopper."Sunrise Stainless Steel Co Pat App 6368/42" Patent marks around the stopper.bed warmers -
Mont De Lancey
Wireless Receiver, 1923
Restored by Mr. Perce Sebire, 1923 and in working order.Crystal wireless receiver and head phones. Using Galena crystal cat-whiskers detector, on a wooden base.Receiver:- 'Using Galena Crystal Cat - Whisker Detector' Headphones:- 'Superior - BBC Patents ready'crystal receiving sets -
Woodend RSL
Knife sheath
This knife and scabbard belongs to Lindsay Fankhouser, who wore it on his ankle when he served as an engineer/ crewman in the RAAF (Iroquois and Hercules) during the Vietnam war. He used this knife many times a day while he was serving. It is a brown leather knife sheath, with a decorative front and two canvas straps attached at the back. The shorter strap is located at the bottom of the sheath and the longer strap is located just below the belt loop. Both straps are fixed in place with stitching. The top strap has a square of stitching, while the bottom strap has two lines of stitching that follows the stitching of the sheath. The belt loop is at the top of sheath and is a fixed flap of leather that is folded across the top and also holds the handle of the knife in place using a circular hole that fits around the butt of the knife. The bottom canvas strap has three adjustable brass male press studs on the left side as well as the fixed female one on the right. The top canvas strap has four adjustable brass male press studs on the right side as well as as the fixed female one on the right. The sheath is held together by stitching and five iron rivets. There is one on the point of the sheath, two on either side of the top, and two more 51mm below the top two. 46mm above the sheath, there are another two iron rivets on either side. Above that on the holding flap, there are two iron rivets just above the circular hole on either side. On the flap, around the hole there are three brass flat-headed split pins, one on either side and one on the front. At the top of the sheath, above the decorative embossing, there is a dark brown jagged cut strip of fixed leather. All the leather on the object is a reddish-brown, while the canvas and stitching is light beige. The end stitching on the canvas straps is dark grey. The front of the sheath is polished leather, while the back is rough.On back of belt loop flap, there is an embossd manufactuing patent number; PATENT Nr152.463 On face of the sheaf there embossed decoration. It depicts a lion with stylised decorative foliage and above the lion there is a fleur de lise. Above that it reads Soallingen Norge.norway, norge, soallingen, knife, small knife, hunting, scabbard, sheath, vietnam, lindsay fankhouser, raaf -
Orbost & District Historical Society
pencil, late 19th century
Mechanical pencils were first used in the 18th century with many designs patented in the 19th and 20th centuries.A metal pencil holder which holds a pencil at one end. It has an adjustable slide. At the top is a small metal loop.pencil writing-implement office-equipment mechanical-pencil -
National Wool Museum
Pliers
Lock (or Lok) patent clip pliers, for fixing wire to wire or netting to wire using flat clips.fencing -
Mont De Lancey
Iron
'Box' irons were heated by red hot charcoal. These first irons were first patented in 1852.Metal 'Box' iron with wooden handle. Specimen of 'Bless' charcoal iron decorated with head of Hephaestos, the Greek God of metal workers.irons, laundry irons -
Warrnambool and District Historical Society Inc.
Cleaning Pad, Cleaning Pad Gramaphone Mrs Rowan, 1920s
John Brunswick from Switzerland came to U.S.A. in 1845 and established a business in Ohio making carriages and billiard tables. In 1874 a merger gave the company a new name of Brunswick and Balke Company and in 1884 it became Brunswick, Balke and Collender. In the early 20th century the company made other products including phonograph records and discs and in 1930 this section of the company was sold to Warner Brothers. Today it is known as the Brunswick Corporation. The patent for these cleaning pads was taken out in 1922. Matilda (Tilly) Rowan, the daughter of Robert and Ellen Lavery was born in Warrnambool in 1872 and by 1896 was advertising her stationery shop in the Oddfellows Hall in Koroit Street. She married Thomas Rowan in 1908. She had a music shop at 143 Liebig Street with one known date, 1930, and then transferred her business to the Oddfellows Hall building which she owned. She also operated the Plaza Picture Theatre in the same building. She died in 1948.Brunswick- Balke- Collender CompanyThese are two gramophone records cleaning pads. They are circular in shape with a tin top and felt cleaning pads. One pad is brown-coloured and the other is green-coloured. The metal tops have the name of the supplier and the name of the music shop in Warrnambool that gave out or sold the pads. The tops are painted black with gold-coloured printing. The tops have ornamental scrolls on the edges. ‘Brunswick, Mrs Rowan Music House, 143 Liebig Street, Warrnambool, ‘Phone 634, Agent for New Edison Diamond Disc Phonographs and Records, The Brunswick-Balke-Collender Company, Reg.U.S. Pat.Office, M de F. Marca Industrial Registrada, patented November 1922, Philadelphia Badge Co., Phila, U.S.A.’mrs tilly rowan, brunswick- balke- collender company -
Bendigo Historical Society Inc.
Document - BILL ASHMAN COLLECTION: CORRESPONDENCE
Carbon copy of a letter dated 27 June, 1938. Letter is to A. S. Bloomfield, Esq. No name of who it is from. Items mentioned are: What the Scalebuoy Process is, Fields of Application, Installations operating in the State of Victoria, Patents, Gross Margin of Profits, Promotion and Finance, Manufacture and Working Capital.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, scotts hotel, a s bloomfield esq, nell gwynne gold mine bendigo, crown hotel bendigo, hunters cordial factory, ice works bendigo, victorian railways, bendigo electronic company of (australia) pty ltd, r h s abbott, h a abbott -
Bendigo Historical Society Inc.
Container - GRAHAM HOOKEY COLLECTION: BENDOVER FASTENERS
Red cardboard box containing large number of gilt metal paper fasteners pre-dating staple system. Printed label affixed on top reads, The Bendover Fastener, Manufactured by George Tucker of Birmingham, Learoyds Patent. Directions of applying fastener included on label. !890 circulation.domestic equipment, writing equipment, paper clips -
National Wool Museum
Instrument - Yarn speed meter, c. 1995
Timber box with brass clasp at the front. Inside is lined with green felt. Black plastic yarn meter with handle grip, pulley wheels and window showing the measurement gauge. Patent panel on the back. 2 pieces of paper- one is a diagram of the battery (?). The other is a general overview of the product.wool, hatra, yard speed meter -
Tennis Australia
Action game, Circa 1937
Ernest Sewell series 'Tiddlytennis' game. Patent no.22857/35 (1935-6). Contains miniature net and wooden net supports, printed cotton as 'court', and eight bone discs (1 large, 5 small). Materials: Cardboard, Ink, Glue, Wood, Natural fibre, Papertennis -
Tennis Australia
Action game, Circa 1890
A Horsman's (English) 'Improved Parlor Tennis' game. Photographic advertisement for Horsman racquets underside of lid. Contains felt playing mat, 17 playing pieces, cardboard 'net', wooden cup. Patented 9 Dec 1890. Materials: Cardboard, Paper, Ink, Felt, Wood, Bonetennis -
Shepparton RSL Sub Branch
Uniform, Hat
Royal Australian Air Force officer’s cap.Navy cotton drill peaked cap with black crossgrain band around exterior. Two black eyelets sit above band on either side. Black patent leather chin strap attached by two gold buttons on brim, slightly misshapen. Embroidered patch carrying a red velvet and metal crown (Queen Elizabeth II era) with blue, green and red embroidered knots mimicing jewels, sits above a gold eagle above now tarnished gold leaves. Interior sweatband in patent leather with plastic layer on top interior, underneath which is a manufacturer’s label with red ink. Strip of folded newspaper (H06.2) inserted inside interior sweatband.Label reads “M.TX/SIZE 6 7/8/A [broad arrow] F/MADE IN AUSTRALIA”. Black ink stamp on inside of sweatband reads “M. TX” inside a circle and “S19/[broad arrow]”raaf, royal australian air force, officer -
Shepparton RSL Sub Branch
Uniform, Hat, Emerco
Navy-black coloured peaked cap with red piping trim along peak. Red felt band encircles the band. Black patent leather chin strap is held in place with two gold buttons on either side, each depicting a crown above the map of Australia. Gold badge in centre depicts kangaroo in front of crossed rifles underneath a crown with oak leaves forming an arch eitehr side. Interior brim is green with black patent leather trim; brown leather sweatband with holes for air cirulation, tied at back with cream silk bow. Top of hat is covered with plastic layer, underneath which is the manufacturer’s label and a sticker for size.Sticker reads “6 7/8”, and manufacturer’s label reads “MELBOURNE 36 1218/EMERCO/REG TRADE MARK/THIS IS YOUR GUARANTEE FOR QUALITY/MADE IN AUSTRALIA”. Badge reads “DUTY FIRST/ROYAL AUSTRALIAN REGIMENT”.royal australian regiment, rar, army, uniform -
Tennis Australia
Racquet, Circa 1937
A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with blue and gold ribbon strips. Upper inside of outer prongs also reinforced with fibreglass strips. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Ribbon, Fibreglass, String, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1937
A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with green and gold ribbon strips. Upper inside of outer prongs also reinforced with fibreglass strips. Inscription across the base of the head, on obverse: GREEN. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Ribbon, Fibreglass, Stringtennis -
Tennis Australia
Racquet, Circa 1937
A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Upper inside of outer prongs reinforced with fibreglass strips. Lower half of head, and all the throat is painted white. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark 'HAZELLS' decal features along central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED/MADE IN ENGLAND. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Fibreglass, Paint, Adhesive tapetennis -
Bendigo Historical Society Inc.
Document - JAMES LERK COLLECTION: BENDIGO CENTRAL BOTTLE CLUB NEWSLETTER - VOL 4 NO 1
Bendigo Central Bottle Club Newsletter - James Lerk Collection, Vol 4 No1 (ca. September 1978)front and back covers show details of Mandollot's patent Soda water machinery. Inside pages show photos of old whisky jars, Norma Rollinson and Barrie Christison. -
Tennis Australia
Poster, Circa 1890, Circa 2000
A digital reproduction of a late 19th century poster, featuring the illustration of a male youth pushing a line marker. Inscription: THE/"CAXTON"/LAWN/TENNIS/MARKER/PATENTED &/REGISTERED/MANUFACd. BY F.H. AYRES LONDON/ARMITAGE & IBBETSON LITHOS BRADFORD. Materials: Paper, Ink, Cardboard, Foamcore, Glass, Woodtennis -
Harcourt Valley Heritage & Tourist Centre
Cider Press, 1880s
A 'BUCKEYE" grape and cider press, manufactured by P.P. Mast & Co. of Springfield, Ohio, USA and distributed by P. Rohs, Sandhurst (Bendigo). The PP Mast Company was established in 1854. Their Buckeye drills, seeders and other implements played an important role in the development of American farm machinery, being sold in every American state, Europe and Australia. This press was used by the Gaasch family of Harcourt over several generations from 1898 to crush grapes for wine and vinegar making, subsequently to crush apples and then press the pulp to make apple vinegar and cider. The crushing was accompanied by lusty singing of songs and hymns such as 'Ein Feste Burg ist unter Gott'. The press was designed to be hand-operated but was later used by Harcourt Coolstores to press apples. It was then belt-driven by an electric motor. The press was restored (timber cleaned and varnished, metal shoes on base of wooden uprights, which had rotted ) by Mr. Howard Carr, 2001-An early application of mechanics to the crushing of grapes. Hand-driven, geared drive metal crushing parts, with metal flywheel, wooden feed hopper in vertical arrangement, wooden frame, tray and vat, with metal pressing screw installed in heavy metal yoke at front. Metal crushing section carries cast-in maker's name and patent details'BUCKEYE" manufactured by P.P. Mast & Co. of Springfield, Ohio, USA distributed by P. Rohs, Sandhurst (Bendigo). -
Flagstaff Hill Maritime Museum and Village
Ceramic - Tile, circa 1878
This Minton floor tile is from the wreck of the LOCH ARD along with other examples of this manufacture recovered from the wreck site and form part of the collection at Flagstaff Hill. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London when it ran into the cliffs of Mutton Bird Island near Port Campbell and was wrecked on June 1st, 1878. The LOCH ARD was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-metre-high ceramic masterpiece of vivid glazed colours. The almost total loss of life and property from the LOCH ARD registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from Gold and Wool was increasingly being spent on grandiose private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent, were their new range of colourfully patterned but very durable floor tiles – ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased “within” the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line ships that sailed from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The Minton floor tile is significant for its hard-wearing yet attractive design. The shipwreck of the LOCH ARD is of State significance. Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history. A square Minton floor tile with a black and apricot pattern against a chocolate brown background. There is a large chip missing. This decorative floor tile was recovered from the shipwreck of the LOCH ARD. On the back, or base, of the tile is inscribed the number “46” and the letters “Minton & Co Patent Stoke upon Trent”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, encaustic tile, melbourne international exhibition, floor tile, minton floor tile -
Flagstaff Hill Maritime Museum and Village
Ceramic - Tile, circa 1878
This Minton floor tile is from the wreck of the LOCH ARD. Other examples of this manufacture have been recovered from the wreck site and form part of the collection at Flagstaff Hill. The iron-hulled clipper ship from the Loch Line was heading for Port Phillip from London when it ran into the cliffs of Mutton Bird Island near Port Campbell and was wrecked on the early morning of June 1, 1878. The LOCH ARD was laden with high-value cargo including luxury goods intended for display at the Melbourne International Exhibition in 1880. One notable survivor from the ship’s freight manifest was the well-packed Minton porcelain peacock, a two-metre-high ceramic masterpiece of vivid glazed colours. The almost total loss of life and property from the LOCH ARD registered as a shocking tragedy for the Colony of Victoria, at a time when social confidence and economic optimism were otherwise high. The wealth generated from gold and wool was increasingly being spent on magnificent private residences and imposing public buildings. The demand for quality furnishings and fittings was therefore strong. Among the products consigned to burgeoning colonial markets by the Milton Pottery at Stoke upon Trent were their new range of colourfully patterned but very durable floor tiles – ideal for the high-traffic spaces in the large civic buildings then being constructed in Australia and America. These new floor tiles were “encaustic”, meaning that their designs and colours were encased within the depth of the tile. Rather than their decorative patterns being glazed onto the surface of the tile, their inlaid designs were created during the manufacturing process, as “coloured slips” (or liquid clay) that were poured into a deep pre-moulded casting. When fired, the resulting tile was colour-fast and design-fast.The Minton encaustic floor tile is significant for its method of manufacture which makes it durable as well as decorative. The shipwreck of the LOCH ARD is of State significance. Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.A square Minton floor tile with a black and beige pattern against a white base. This encaustic floor tile was recovered from the shipwreck of the LOCH ARD. On the back, or base, of the tile is inscribed the number “46” and the letters “Minton & Co Patent Stoke upon Trent”.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, minton floor tile, encaustic tile, melbourne international exhibition, floor tile -
Coal Creek Community Park & Museum
Bottle, glass, Post 1809
Wikpedia : James Murray (physician) Sir James Murray (1788–1871) was an Irish physician, whose research into digestion led to his discovery of the stomach aid Milk of Magnesia in 1809. He later studied in electrotherapy and led the research into the causes of cholera and other epidemics as a result of exposure to natural electricity. He was the first physician to recommend the breathing in of iodine in water vapour for respiratory diseases. Born in County Londonderry, Murray became a licentiate in midwifery having studied at the Edinburgh College of Surgeons in 1807. He undertook studies in pharmaceuticals, an area in which he became competent. In 1809 he developed the foundations of a fluid magnesia, which contained a base ingredient of magnesium sulfate. He modified it in order for it to act as an aid for "weak nerves", low fever, spasms, cholera, and diarrhoea. He named his recipe Fluid Magnesia, and set up the company Sir James Murray & Son in order to successfully market it. Murray graduated from the University of Edinburgh as a Doctor of Medicine in 1829, and became the resident physician to Henry Paget, 1st Marques of Anglesey, in 1831, a post Murray held until the 1840s. Murray was knighted in 1833 and received an honorary degree in Medicine from Dublin University the following year. He was appointed as an inspector of anatomical schools in Ireland, and was a member of the central board of health, as well as the resident physician to the Netterville Dispensary and the Anglesey Lying-In Hospital, Dublin. Murray died at his home in Dublin on 8 December 1871. Large clear green tinted glass bottle with small neck, for stopped seal, oval in section. Embossed text on two sides, concave impression in base. Seed bubbles in the glassSide 1 : 'SIR J MURRAY'S PATENT RECARBONATED FLUID MAGNESIA'. Side 2 : 'LONDON & DUBLIN'. -
Dandenong/Cranbourne RSL Sub Branch
WWI Belt Box (Possibly Canadian) (Refer also 0539 and 0541)
Round Box to house a Soldiers Belt. Wooden with metal band on bottom. Lid wooden with metal band. Brown in colour.Making on base of box in round stamp-Robertsons Patent Package. Writing on top of box could not be deciphered. -
Brighton Historical Society
Clothing - Swimsuit, circa 1930s
This swimsuit belonged to Jessie Aldred (nee Dell, 1903-1995). Jessie was a dressmaker who married Frederick Ashley Aldred (1902-1974) in 1928. They lived at 34 Thomas Street, Sandringham from the late 1920s until at least the late 1970s. BHS also has a photo of Jessie on Hampton Beach in the 1920s. Seagull swimsuits were designed by Peter O'Sullivan (who also designed Black Lance swimwear) and manufactured by Botany Knitting Mills Pty Ltd in Melbourne.One piece black wool lastex swimsuit with mini-shorts and a modesty skirt to cover the tops of the thighs. White straps and white lacing down centre bodice. Seagull logo on left thigh. Low back; straps fasten with buttons at back waist. Hidden drawstring at back waist.Label: "This Seagull Swimsuit is protected by the patent and designs reg. nos. 22340/35, 13277, 16028/34".jessie aldred, jessie dell, swimwear, seagull, 1930s, melbourne designers -
Trafalgar Holden Museum
Functional object - Horse Clippers
Used for the grooming of horse hair C1900we believe these were sold by Holden and Frost C1900Two pivoted steel arms with wooden hand grips with steel cutting combClark on one arm, patent on other arm. Impressed on each wooden handle 628 Oxford Streetequine, clippers -
Bendigo Military Museum
Instrument - Old Delft Scanning Stereoscope ODSS III, C. 1956
This is a superbly crafted cartographic mapping instrument. It is housed in its own high-quality purpose-built oak box. Made in the Netherlands from 1950 onwards. This instrument is from c 1956. it is a very high-quality military grade stereoscope that was generally used by photographic interpreters such as intelligence analysts but was equally useful for mapping activities. The stereoscope was used to examine 3D aerial photographic images. This instrument has a particularly useful capability to scan over the 3D stereo model using X and Y movement knobs, rather than having to physically move the aerial photographs. In the public and private sector it was also useful for photogrammetric interpretation for Forestry and Agricultural purposes. See also Bendigo RSL Collections Victoria item Number 6205.6P that shows the Old Deft Stereoscope in use at the Army Survey Regiment, Bendigo.This is an "Old Delft" scanning stereoscope with its reflecting carriage and legs. The Stereoscope is housed in its own purpose built wooden oak box that has dovetail joints, 2 x securing clips, 2 x handles and a lock (without key). The instrument is assembled by inserting colour coded legs into their matching slots."OLD DELFT SCANNING STEREOSCOPE ODSS III" "Patents Applied for" "OLD DELFT C4790" "MADE IN THE NETHERLANDS"royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr -
Kiewa Valley Historical Society
Typewriter - Barlock
The Bar Lock typewriter is a patented design by the inventor and lawyer Charles Spiro in 1888. The keys are easily recognised and well spaced. Used by the typists working in the office for the State Electricity Commission of Victoria during the construction of the Kiewa Hydro Electric SchemeLarge, heavy black typewriter with white letters on the keys. Green matt finish with gold printing. c 1921 Model 22?Bar-Lock / Manufactured by / Bar-Lock Typewriter Co. Nottingham England/Supplied by / Richard Williams Pty Ltd. 193/197 King St. Melbourne At the back in gold print: "Serial / Number' rest too hard to read. typewriter, bar-lock, office equipment