This postcard contains a depiction of the Mayday Hills Hospital in Beechworth, Victoria from the direction of Farm Hill, circa 1930. It was designed by C.F.Falk in Beechworth and printed in Saxony which is a landlocked state of Germany which borders the states of Brandenburg, Saxony-Anhalt, Thuringia, Bavaria and the countries of Poland and the Czech Republic. The depiction is a painting of the Mayday Hill Hospital which portrays the extensive buildings an HaHa wall (many of which have not survived to the present day). It provides a unique opportunity to reconstruct this historical site as it may have looked in approximately 1930. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). The extent of buildings displayed in this postcard helps convey the imposing and enormity of the structure before decommission. Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. The title on the obverse of this photograph as "Asylum for Insane, Beechworth" reflects a bygone era and attitude to mental health. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Colour rectangular postcard printed on cardObverse: Asylum for Insane, Beechworth. / Reverse: C.F. Faulk, Beechworth. Printed in Saxony. POST CARD / ADDRESS ONLY / AFFIX / STAMP / B 2298 / 1997.2457 /mental hospital, insane asylum, mayday hills mental hospital, beechworth, mayday hills, asylum, gold town, north-east victoria, ararat asylum, kew asylum

Avro Lancasters of 460SQN RAAF, based at Binbrook Lincolnshire about to join the bomber stream heading into the gathering darkness of the continent, June 1943. Rectangle colour print of a group of Lancaster bombersAircraft Illustrated Series two. Number 1. Signature of Ray Honisett Printed in Australia

The Imperial Camel Corps was a camel mounted infantry brigade raised by the British Empire in December 1916 during WW1.This is a print of the painting by H Septimus Power of the Camel Corps at Magdhaba on 23 December 1916An oblong colour print on paper in a wooden frame.The print is of a painting by H Septimus Power, published by the Australian War Memorial, Canberra, ACTcamel corps, ww1, december 1916

Australian Story by an Australian Author. Awarded the Prize of £100 (100 Pounds), Offered by the proprietors of thh "Sydney Mail" for the best competitve Tale by a Colonial Author.Red Hard Cover with Gold Print on SpinePrinted on Spine. The Title and Author's Name. "LUKE MIVERS HARVEST. N. Walter Swanstawell education, novel

Colour print of W4 class tram 671 in Wendouree Parade possibly on its first day of operation, 11-10-1980 for the BTPS. Photographer unknown.Yields information about BTPS W4 671 in Wendouree Parade on its first day of operation.Colour print - on plain papertramcars, btps, tram 671, w4 class, wendouree parade

Sepia postcard. Printed on Bottom ' Hargreaves Street Bendigo' Image shows intersection of Hargreaves and Mitchell Streets, Bendigo. Horse drawn vehicles in image, tram on RH side, lamp post next to tram. Man wheeling bicycle in foreground. Receipt number 355/16Printed in Saxonybendigo, business, carwardine soap and candle

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Tower Hill and Lake, Warrnambool – Tower Hill Wildlife Reserve is in the crater of a dormant volcano. In 1892 the area was declared a National Park, the first in Victoria, preserving native animals and Indigenous plants. The rich volcanic soil in the area attracted early settlers including the families of Henry Giles, born at Tower Hill in 1858 and his wife Mary Jane (born Freckleton) born nearby at Cooramook in 1860. Henry and Mary worked in the local area where they also raised their six children. For a time, Henry was employed as a labourer on the Warrnambool Breakwater. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The postcard of Tower Hill and Lake is connected to the location near Warrnambool where many of our early settlers lived and worked. One of these settlers was the Giles family, whose son Henry was born at Tower Hill. His family has donated many Victorian-era items which are now on display at Flagstaff Hill. Tower Hill National Park is the first place in Victoria to be named a National Park. As in the times when coastal trading ships brought passengers and cargo to the Port of Warrnambool, it continues to be a popular place to visit. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within a rectangle and an impressed line around the image on the front. The picture shows several islands close together with hills around them and bushland in the foreground. There are dead trees amongst the vegetation and a sandy shore at the foot of some of the hills. The lower left corner shows what appears to be two white rails, possibly a lookout fence. There is no correspondence written on the card. The title is printed in red on the front and the back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain. Front, in red: “Tower Hill Lake, Warrnambool” Back in green: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, tower hill, tower hill national park, victoria's first national park, henry giles, mary jane freckleton, breakwater, early settlers

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph

Note printed at lower edge of poster - "These colour patches identified units and formations of the Australian Army which fought during World War 1. They are reproduced for ANZAC Day 1981 as a tribute to the soldiers who wore them".Poster - paper, colour ink print of 250 colour patches of the Australian Army, Worl War One. Reproduced from the "Supplement to 'The Weekly Times' April 5, 1919" Heading to poster "THE GREAT WAR/1914 - 1918" beside Rising Sun badge framed by crossed flags (Red, White and Blue) with laurel leaves and lettering "COLOUR PATCHES". Frame - black colour paint on timber frame with glass front and cardboard backing. Mount - white colour cardboard.Information on poster in purple colour print "THE GREAT WAR/ 1914-1918". "With the Compliments of The Herald and Weekly Times Ltd". "DISTINGUISHING BADGES OF THE AUSTRALIAN IMPERIAL FORCE".framed accessories, poster, ww1, colour patches

Two colour slides of two young men playing table tennis in a recreation room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen.Colour slide of two young men playing table tennis in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and Slide number '19' or '20' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house

Set of two colour prints of Ballarat Tram No. 18 derailed just prior to the 2/3 roads points on 22/11/2000 during the COTMA Conference tour open day. Photographs by Carolyn Dean. See also Reg. Item 2696 for other photographs as well. Printed on Kodak paper.On rear of each print is "263.1 22.11.00" in ink.btm, derailments, cotma, depot, tram 18

Ray Simpson VC, DCM. Refer 630 for his service history, WW2, Korea, Malaya, Vietnam. This portrait came as an extra to a large framed print of Australia’s 96 at the time Victoria Cross winners.Dark brown marbled effect timber frame, with gold inner edge glass, gold metal look name plate glued to glass at lower edge. Coloured print of a water colour painting of soldier RAYENE STEWART SIMPSON in uniform. Black print on gold name plate: SIMPSON Rayene Stewart VC Rank Warrant Officer Class II Unit: Australian Army Training Team: Vietnam Date: 6 and 11 May 1969 Place: Kontum Province, South Vietnam (now the Socialist Republic of Vietnam)portraits, illustrations-watercolour, aattv, vc

A small green soft covered book titled, 'Scouting in Bendigo District. Official Year Book 1964.' Arthur Hocking Print, Bendigo. 60 pgs. Photos, illustrations, advertisements.Arther Hocking Print, Bendigoclubs, social, scouts, lydia chancellor, collection, scouting, boy scouts, australian boy scouts association victorian branch, bendigo district scouting, boys, male, recreation, handicrafts, clubs, clubs and associations

Two colour prints of Norm Maddock, former Assistant Secretary of the Victorian Branch of the Tramways Union and Malvern Tramway Museum alongside Scrubber No. 8 at the BTM depot 6/10/2009. See October 2009 Fares Please! See Melbourne Tram Museum item No. 7582 for a photo of Norm at the Australian Ex-Prisoners of War Memorial. Has a strong association with Norm Maddock, former Assistant Tramways Union secretary and driver of the scrubber tram. Photographed during a visit to Ballarat and the War Memorial.Set of two colour prints on digital prints.trams, tramways, scrubber tram, btm depot, unions, tram 8

Possibly used as a tool to rescue people who may have been in distress in the ocean off Gabo Island. It was removed from Cape Otway and returned to Gabo Island museum. Information printed in black on the orange, plastic, ring shaped buoy confirms the item’s association with Gabo Island Lightstation and also indicates that it was made in Australia by the Rotadyne company for the Department of Transport, which oversaw lightstations between 1950 and 1982, and 1983 and 1987. The buoy was repatriated to Gabo Island from Cape Otway Lightstation in July 2015. It is unknown how it came to be there or how long it had been there.It has second level contributory significance for its historic value and provenance.Circular orange plastic ring with printed in black around ring. Ring has raised inscription. Remnants of white reflective tape in four places. White rope tied to ring through four holes in a distinctive taught crossed pattern at the back of the bouy.On front printed in black, "GABO ISLAND LIGHTSTATION", and embossed "MADE IN AUSTRALIA', 'DEPT. OF TRANSPORT / APPROVAL CERT. No 2315' On reverse, 'ROTADYNE'

The set of three colour prints of tram 28 in the ESCo colour scheme on the depot fan soon after the completion of the repainting and re-entry into service. First print has visiting tram No. 44 in the background. Dated 30-11-2003, photographer unknown.Yields information about tram 28 soon after its repainting into the ESCo colour scheme.Set of three colour prints on Kodak Royal paper with date on rearEach have date of 30-11-03 in ink on rear.tramcars, trams, tram 28, repainting, btm

The ration card includes directions for use, and a page of printed rectangles designed to be cut into separate coupons.Pink coloured card printed in black on both sides.Stamped number 299425. Name, address and identity card number of card holder Emma S Morgan, 42 Foam Street Elwood handwritten in ink.wwii, world war ii, rationing

Various playing cards with large print numbers and suit types. Playing cards with red and white design with numbers and suit in large print. recreation equipment, games

Knitting pattern book with colour pages and black and white printed text. Contains 13 patterns for knitwear.front: [printed] Cleckheaton / Myth front: [handwritten] 3.95knitting, pattern, fashion, knitwear, cleckheaton

Set of 36 colour prints of the renovations to the Bungaree house and surrounds - Oct and Nov. 2000. Photographed between 1/10/2000 and 5/11/200. Photographs by Carolyn Dean. Image represents front of house taken on 1/10/2000. Printed on Kodak paper.On rear of each print is photo number and date in ink.btm, bungaree

Negative copy of an original print and associated print copy of Ethel Osborne photos featuring William Alexander Osborne, Ethel Elizabeth Osborne, Audrey Josephine Osborne, two cows and a calf in front of their home in Warrandyte. Inscribed on reverse of print: WAO EEO Audrey aged 2 Warrandyte 1907-8Negative black and white film 120 6x9 format 2 strips Associated B&W printFuji Safety Neopan SSwarrandyte, audrey cahn, audrey osborne, ethel osborne, houses, william osborne, osborne family, farm animals

Colour print of the Partners of the COTMA delegates photographed alongside Ballarat No. 26 on 22/11/2000. From left to right - Margaret McKay, Robin Richardson, Nagore Donaldson, Win Weir, Stephen Butler, Janette Rosenthal, Mavis Sheehan, Win Blackmore, Robin Gamble and Christine McCormack. Printed on Kodak paper.On rear of each print is "263.2 22.11.00" in ink.btm, cotma, personnel, conferences, tram 26

Light buff coloured paper titled Social Evening Memorial Hall, Donald, Wednesday, July 19, 1944 Instructions to V.D.C. Personnel. Paper contains instructions and timings for the Social Evening. At the end is an invitation from the Rev. Morton, of St. George's Church of, Donald, to members of V.D.C. to attend Church Service on Sunday, July 30 where The Bishop of St. Arnaud, Dr. James, will conduct the service. Printed by 'Times' Print, Donald, Vic.'Times' print, Donald, Victoriaclubs, social, social evening, r.s.l. bendigo collection - social evening instructions to v.d.c. personnel, memorial hall donald, general whitham, r.s.s. & a.i.l.a., captain swaby, d coy, general rankin, rev morton, st george's church donald, dr james, 'times' print donald

Triangular blue sports pennant screen printed in pastel blue.Screen printed with "W.S.B.A. D grade, summer competition, Premiers 1972-73."