Black and white photograph - Netball Team, 1982."Attached to photograph" Back Row- L to R: Erica Gill, Michelle Wynne, Michelle Berrigan. Front Row- L to R: Trina Hill, sharon Postlethwaite, Rachel Mavroudis, Katie Walton. Coach: Mrs Jones (Back row).

Black and white photograph - Grade 4/5, 1981."Attached to photograph" Back Row- L to R: No names 2nd Row- L to R: Shane Milo, ?, ?, Rachel Mavroudis, Kathleen (?), Michallo Willoby, ?, ?, ?. 3rd Row- L to R: ?, ?, ?, ?, ?, ?, Pauline Morrison, ?, ?. Front Row- L to R: ?, Angela Craig, ?, ?, ?, Deborah Morrison, Erica Gill, Narelle Sanders. Teacher: Mrs M.Irvine

Black and white photograph - Grade 4, 1981."Attached to photograph" Back Row- L to R: Sean Cowley, ?, Chris McEwan, Scott (?). 2nd Row- L to R: Carl (?), ?, Troy Larkins, Bobby (?), Deanna Dinic, Steven Harris, Steven Gillen, Mark McDougall, ?. 3rd Row- L to R: Natasha Haggar, Melissa Beard, Kelly Wynne, Natania Jaffrey, Racheal (?), Frances Barbato, Frances Bellengeri, Debbie Wallace. Front Row- L to R: Cindy Bellengeri, Joanne Tabone, ?, Tina Gould, ?, Debbie Fisher, Pauline Eldridge, ?. Teacher was Margaret Mary Beuthin (d. May 1998, courtesy Rodney Beuthin). Teacher: Mrs Beuthin

Black and white photograph - Grade 1B, 1964."Attached to photograph" Back Row- L to R: Mark Stevens, David Burton, Graeme Boucher, Douglas Baillie, Jim Bunston, Glen Mitchem, John Lancaster, Philip Gailliot, Ross Millard, Neville Leslie, ?,. 2nd Row- L to R: Andrew Wood, Christopher Worsnop, Timothy Martin, Andrew Baker, Glen Pearson, Malcolm Keyes, Eugene Litoukins, Brett Smith, Donald Stevens, Russell Holden, Kelvin Burns. 3rd Row- L to R: Anne Astle, ?, Debra Conlan, Susan Terry, Sandra Hewitt, Darlene Larson, Leane Wescombe, Beverley McDonald, Jennifer Parker, ?. Front Row- L to R Jennifer Tiller, Wendy Sperling, Lorraine Davies, Jennifer Cook, Debbie Wood, Janelle Tunnecliffe, Kerry Pope, Robyn Craddock, ?, ?, ?. Teacher: Miss Marion Lyons, Mrs Jill Hobby (Absent)

Black and white photograph - Grade 3D and 4D,1961"Attached to photograph" Back Row- L to R: ?, Terry Bacon, ?, ?, Max Collins, Russell Payne, David Jenning, John Grayling, Michael Thwaites. 2nd Row- L to R: Malcolm Pearson, John Hardstaff, Gary Ladergess, James Fuller, Stephen McGoldrick, Keith Corbett, Colin Carrington, Mark Wells, Craig Austin, Craig McLaughlin. 3rd Row- L to R: Anne Joyce, Vicki Munro, ?, ?, Peter Bullock, Gary Davies, Freda Howson, ?, Ann Downey. Front Row- L to R: Julie Cook, Kay Langford, Carol (?), Meg Flowers, ?, Irene Pagram, Fay (?), Cathy Austin, Christine Schrum, Judy Stevens. Teacher: Mrs Saluter

Black and white photograph "Written on back of photograph" Ringwood State School- Class photograph, Grade 1C, 1969. Back Row- L to R: ?, ?, Duncan Boyle, ?, ?, ?, ?, ?. 2nd Row- L to R: ?, ?, Larry O'Sullivan, ?, ?, ?, ?. 3rd Row- L to R: Jeanette Boyle, Lisa Macklin, Wendy Maher, ?, ?, Carolyn Lancaster, ?, ?. Front Row- L to R: Rhonda Smilie, Christine Beard, ?, ?, Tracy Bird, Michelle Hodges, ?, ?, ?. Teacher: Mrs Whitney

List attached to one photograph reads, "Back row, A. Dwight, T. Wilkins, A. Paris, Mrs. G. Clark, N. Hargraves, B. Covell, E. Lane. Centre, ? Morris, V. Cooper, M. Clark, Miss Calahan, P. Bamford, Rose Whiter, J. Paine, D. Dare, E. Blood. Front, W. Dwight, C. Paris, L. Lane, R. Skerrett, ??"

Black and white photograph of nurses and a man and women in ordinary dress standing in garden in front of brick building. (4 copies)Written below photograph, "Ringwood Private Hospital, Adelaide Street (later 'The Pines')". Also, "The Kendalls who ran the hospital". Written on back of one of the photographs, "Ringwood Private Hospital, Adelaide St. c1920. Later 'The Pines' next to 'Mail' office". "R to L - Sister B. Kendall, Mrs. J. Roberts (Sister of nurses), Vera Kendall, Mr. James Kendall, Sister Annette Kendall, Sister Edith Kendall".

Black and white photograph of eight people. (2 copies).Written on back of photograph- "Ringwood Horticultural Society. Ap. 1949. N. West, G. Burns Pres., Mrs. West, Miss Covalador(?), J. W. Gillespie Sec., Mrs. Polson Asst. Treas, F. Caterer, R. Webber, Treasurer."

Written in the Melbourne "ARGUS" newspaper on the 17th February 1941 under "COUNTRY SPORTS - TENNIS". In the B Grade contests for the Norman Grills Cup Learmonth No. 2 (E. Blain, J. Blain), W. McIntyre, L. Hucker, The Misses M. Ryan, D. Grills, J. Thomas and D. Dean d. Garibaldi. These players were all from the Learmonth and Weatherboard districts.A sepia photo on cardboard backing 12 x 9 1/2 inches. The photo itself is 7 1/2 x 5 3/4 inches in a landscape shape. There are 5 men and four women tennis players, all holding tennis rackets with a Premiership Cup at their feet.Learmonth No. 2 Country Week Tennis Team. Winners Season 1941. Names L-R Back row. L. Hucker (Vic, Capt.), W. McIntyre (Weatherboard), L. Rasdell, E. Blain. L-R Front row. Miss D. Dean (Mrs Toleman), Miss J. Thomas (Mrs Lyttle. Weatherboard), J. Blain (Capt.), Miss D. Grills (Mrs David Baird), Miss M. Ryan (Mrs Harrison. Weatherboard). Photographer - Thornton, Richards & Co, Ballarat.learmonth. tennis team, 1941, hucker, mcintyre, rasdell. blain, dean, thomas, grills, ryan

The Welfare Club is celebrating 20 years of service to the Orbost Secondary College (High School).Names of people associated with the Welfare Club for Orbost Secondary College Two b/w photos showing a group of people, mostly women, celebrating with a birthday cake.Celebrations to mark two decades of service by the Welfare Club. Date 1968. 2684.1 left to right: Mrs Jack (Lu) Trewin - Welfare Club President - Mrs Phil (Ethel) McLaughlan, one of the original members - had the honour of cutting the birthday cake. Also in attendance was Mrs Arthur Reynolds. 2684.2 Mrs Lu Trewin reading a letter of appreciation written by headmaster (Mr R Bruce Osborne) and Headmistress (Miss Mary Gilbert) to mark two decades of service by the Welfare Club. Mrs Phil McLaughlan and Mrs Arthur Reynolds both original members, are seated at the table.orbost, orbost secondary college (high school), welfare club

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings

This small piece of wood was cut from a rib of the wreck of the Enterprise in c1885 by Mr John Flett (1869 – 1944), whilst it was lying on the beach in Lady Bay, Warrnambool. Mr Flett was about 16 years old at the time and used the wood (with other pieces from the wreck) to make a picture frame. A newspaper report published in the Gippsland Gazette on Tuesday 16th July 1912 titled "An Interesting Relic" describes a picture frame being displayed in Mr. Flett's shop in Warragul which was of interest as it had been made from wood taken from the wreck of the Enterprise when it was lying on the beach at Lady Bay, Warrnambool. This was still in his possession in the 1930’s when Mr. Flett presented the small sample of wood to Mr. Henri Worland of the Warrnambool Museum and Art Gallery - along with a signed letter of ownership. A transcription of the letter is as follows - “Kalos” 12 Yendon Road Glen Huntly S.E.9 Dear Mr Warland, I am enclosing herewith a small piece of timber which, about 50 years ago, I cut from a rib of the old wreck which at that time was well known as the old “Enterprise”. I am prepared to sign a sworn statement that this is a piece of that wreck and has never been out of my possession since I cut it from the wreck. Since returning to the city I visited the museum and inspected the walking stick and small model of a boat, presented I think, by Mr Richie. I notice the different grain of the timber and would suggest that they are not Blue Gum, and the piece I am enclosing is definitely of that Tasmanian timber. Of course there may have been other imported timbers used and only the frame of the vessel made of the Blue Gum; I am not suggesting an error on the part of Mr Richie, who evidently knew the old wreck [in an?] earlier date than I did. The piece I am enclosing was incorporated in an old picture frame which I made 50 years ago, and although not used for many years has always been in my possession. With kind regards Yours faithfully J Flett (signature) P.S. I have other small pieces in a small photo frame which I may let you see some day, but not just now. Mr R. Christian will recognise the other frame when he sees it, as we were working together when it was made. J.F. There were several branches of Fletts living in Warrnambool in the mid to late 1800’s. They were all related and had emigrated from Stromness in the Orkney islands – arriving mostly in the 1850’s on different ships. John Flett’s mother was Jessie Isbister who arrived in Australia in 1852 with her family on board the Ticonderoga. Over 168 passengers died on the voyage including two of Jessie’s sisters and one of her brothers. Mrs Jessie Flett's obituary (titled "An Old Colonist") which appeared in the West Gippsland Gazette on Tuesday 8th September 1914 describes her early connections to Warnambool and the Ticonderoga. John Flett moved from Warrnambool to Birchip, Warragul and later went to Melbourne where he worked for the YMCA. During WW1, he worked at the Caulfield Military Hospital and volunteered for active service with the YMCA in France -caring for the welfare of the soldiers. After the war, he continued to work with the YMCA in a secretarial capacity. THE ENTERPRISE 1847-1850 The wooden, two-masted schooner Enterprise was built in New Zealand in 1847 and registered in Melbourne, Australia. The Enterprise carried a cargo of agricultural produce and other commodities for trade between the ports of the Colony. On September 14, 1850, the Enterprise was at anchor in Lady Bay under its Master, James Gardiner Caughtt, loaded with a cargo of wheat and potatoes. A strong south-easterly wind caused the vessel to drag on its only anchor and the rudder was lost. The gale force wind blew it sideways and it became grounded. A local aboriginal, Buckawall, braved the rough sea to take a line from the shore to the Enterprise. All five members of the crew were able to make it safely to land. The Enterprise was totally wrecked. The Enterprise wreck was in an area called Tramway Jetty in Lady Bay. Since then the area became the location of the Lady Bay Hotel and now, in 2019, it is in the grounds of the Deep Blue Apartments. In fact, with the constantly changing coastline through built-up sand, the wreck site is now apparently under the No 2 Caravan Park in Pertobe Road, perhaps 150 metres from the high tide. Its location was found by Ian McKiggan (leader of the various searches in the 1980s for the legendary Mahogany Ship). DIFFERENTIATING the New Zealand Schooner “Enterprise” from John Fawkner’s “Enterprize“ Dr. Murray Johns, Melbourne, says in his article The Mahogany Ship Story “… In fact, as I documented in 1985, the Warrnambool wreck was of an entirely different ship, also called Enterprize [with the spelling ‘Enterprise’], but built in New Zealand in 1847. Fawkner’s ship had already been sold to a Captain Sullivan in 1845 and was wrecked on the Richmond Pier in northern New South Wales early in 1847. “ - (further details are in NOTES: and FHMV documents) Mr Flett had assumed the timber was Tasmanian Gum as he thought it had come from the Enterprise which had been owned by Mr Fawkner and built in Tasmania but we now know the ship was built in New Zealand and the timber was most probably New Zealand Rimu.This piece of wood is significant for its association with the wreck of the schooner Enterprise, now on the Victorian Heritage List VHR S238, being a New Zealand built but Australian owned coastal trader. The wreck is also significant, by connection with the Enterprise, for its association with indigenous hero Buckawall who saved the lives of the five crew on board. The original owner of the wood (Mr John Flett) is significant as a member of one of Warrnambool’s pioneering families, which has contributed to the growth of the community in several ways over the years, living and working in the area.Small square piece of brown wood with a handwritten inscription on the back. The front is polished with a prominent grain and a shallow indentation along two sides. The back has the words "FLETT" and "ENTERPRISE" written in ink with a line separating them. The back is rough and has two indentations - possibly from a nail or tack. The wood sample is accompanied by a letter. Handwritten letter (two pages) of authenticity by Mr. John Flett to Mr. Worland (Manager of the Warrnambool Museum and Art Gallery). Transcribed below"FLETT" and "ENTERPRISE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, carpentry, enterprise, lady bay warrnambool, schooner enterprise, wreck of the enterprise 1850, buckawall, shipwreck relic, john flett, warrnambool museum and art gallery, flett relic, letter, flett letter, ticonderoga, henri worland

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. An Exposition of the New Testament Hand writing on fly page reads "" Mrs Gilpin presents this book, as a testimony of her affection, to her much valued friend Lady Neale." Author: William Gilpin Publisher: R Blamire Date: 1790Label on spine cover with typed text R H 225 GIL Pastedown end page has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service (partly torn away) warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, an exposition of the new testament, william gilpin

Black and white photographa.j. roberts, cr. j.o. white, shire of eltham

This file contains five items: 1/An official programme for the Glenhuntly Traders Association’s Annual Christmas Festivals on 22/11/1986. 2/A handwritten letter from Vice President Kaye Georgiades of the Glenhuntly Traders Association to Mr. Balentine thanking him for photos lent. The letter is undated. 3/A typed letter from the Glenhuntly Traders Association to Mr. R. Ballantyne of the Caulfield Historical Society thanking him for helping and supporting the Festival and Payment Art Competition. Dated 30/10/1986. 4/Two typed letters from the Glenhuntly Traders Association to Mr. Ballantyne of the Caulfield Historical Society regarding planned activities for the 1986 and 1987 Christmas Festivals. 5/A black-and-white photograph of members of the Glenhuntly Traders Association, including Gus Theobold pictured on the left. The photo is undated and was published in the Caulfield Contact newspaper.glenhuntly traders, glenhuntly traders associations, caulfield festival, glenhuntly road, booran road, grange road, caulfield, watsons grove, glenhuntly newsagency, royal avenue, campbell j., farey j. mr., manchester grover, mayors, ryall m., caulfield historical society, glenhuntly bowling club, caulfield grammar band, caulfield baton twirlers, glenhuntly christmas festival, glenhuntly festival, truscott v., balentine mr., ballantyne r. mr., truscott v. mrs., neville street, carnegie, georgiades kaye, ford p., glenhuntly, glen huntly, glenhuntly pavement art festival, truscott vanessa, georgiades k., caulfield contact, theobold gus, glenhuntly shopping centre, local government, local officials and employees, associations, historical societies, bowling clubs, festivals and celebrations, festivities, musical ensembles, educational and research establishments, schools, business people, competitions, art competitions, commercial events and activities, officer workers, shows and exhibitions

This file contains 8 items about members of the Langdon family including a family tree: 1/Photocopies of a photograph of the wedding of Mary Langdon and Ewan Campbell on 26/11/1903. 2/Photocopy of an article, source and date unknown, describing the wedding of Mary Langdon and Ewan Campbell. 3/Photocopy of newspaper wedding notice, date and source unknown, announcing the wedding of Dorothy Langdon and J. H. C. Campbell on 11/06/1913. 4/Handwritten and drawn family tree of the Langdon family tree from Henry and Elizabeth Langdon and three generations subsequent. Author and date unknown. 5/Photograph of Order of Service for dedication of a memorial window at St Mary’s Anglican Church, Caulfield to Mr. and Mrs. H. J. Langdon on 28/09/1913. 6/Colour photograph of Marie Langdon and Margaret Moxham with the statue of Isabella Webb, Half-sister of Mrs. D. Langdon. 7/Photocopy of photograph of Grace Peterkin, formerly Langdon, and two boys, Stuart and Lang. Date unknown, photographer R. Ballantyne. 8/Photocopy of extracts from ‘Langdon Court – the History of an English Manor House’ dated 1983/1984.campbell ewan, langdon mary, campbell mary, campbell j. h. c., langdon dorothy, campbell dorothy, ‘rosecraddock’, langley h. t. rev., st mary’s anglican church caulfield, langdon henry joseph, langdon elizabeth laetitia lane, caulfield city hall, webb isabella, langdon d. mrs., langdon marie, moxham margaret, peterkin grace, langdon grace, garnett ian maxwell, langdon vernon, statues, somers charles