River of Life and Hiroshima Day Banners The River of Life and Hiroshima Day banners were specific peace projects initiated by the CAO and taken up by Eltham Living & Learning Centre and funded by the Victorian Peace Secretariat for IYP. The project was transferred from the Centre to Tracey as part of her artist in the community portfolio. Tracey, as CAO, employed Jacky Talbot, who was not familiar with Eltham but was an experienced community arts worker personally interested in textiles and peace. The project was publicised and a peace banner group formed. Only two of the women knew each other. They had come together from a need to do something for peace, rather than to learn about textiles. Jacky Talbot shared Elizabeth Savage's approach to the banner. She was not 'a peace-expert' and did not want to be seen as such by the group. Like Elizabeth Savage she wanted to encourage an expression of peace as it was perceived by the group. Jacky showed slides of peace images and peace banners. Textile workshops were interspersed with discussions about peace, one of which was led by a local People for Nuclear Disarmament member. The idea for the banner occurred during one of these discussions. One of the women began to talk about feeling like a drop of water lost in the river of life - yet rivers were made of countless droplets which, when joined together, became the powerful force of the river. This group quickly established a commitment, not only to peace, but to the group itself, and this has continued beyond the project. The women, as is the case with many of the groups in the Banner Project, were really surprised at their increasing textile skills and self-confidence. But they were more concerned with their commitment to peace. Each is continuing to find ways in which she can continue to work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. One woman wrote a poem about the project and peace; others have sent telegrams and letters to politicians about peace. A great deal of information about peace and other activities, articles, books, media programs were circulated amongst the group. The Hiroshima Day Banner was made by Jacky Talbot as part of the project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The artist was concerned about the remaining time scheduled for the project and spent several days "whipping" up the banner herself. For the artist this banner was to prove quite significant. The women hung it at the Community Notice Board on Hiroshima Day and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Although no new members joined the group from this activity, the artist felt that she was more fully accepted by the group afterwards. This banner has initiated a small group of women committed to peace. The artist has also continued to liaise and meet with the women as time permits. Future group plans include: making kimonos to wear when carrying the banner, participating in the Palm Sunday March, an observance of Hiroshima Day activity, which is yet to be decided, establishing contact with a sister-town in USA and USSR and supporting Eltham Council's stance as a Nuclear Free Zone. (Source: The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report /​ by Jacky Talbot, Shire of Eltham, Feb. 1987, pp43-46)35mm colour positive transparency (1 of 2) Mount - Kodak KodachromeProcess Date OCT 86Mbanner project, community banner project, tracey naughton, eltham living and learning centre, eltham peace banner, jacky talbot, river of life banner

River of Life and Hiroshima Day Banners The River of Life and Hiroshima Day banners were specific peace projects initiated by the CAO and taken up by Eltham Living & Learning Centre and funded by the Victorian Peace Secretariat for IYP. The project was transferred from the Centre to Tracey as part of her artist in the community portfolio. Tracey, as CAO, employed Jacky Talbot, who was not familiar with Eltham but was an experienced community arts worker personally interested in textiles and peace. The project was publicised and a peace banner group formed. Only two of the women knew each other. They had come together from a need to do something for peace, rather than to learn about textiles. Jacky Talbot shared Elizabeth Savage's approach to the banner. She was not 'a peace-expert' and did not want to be seen as such by the group. Like Elizabeth Savage she wanted to encourage an expression of peace as it was perceived by the group. Jacky showed slides of peace images and peace banners. Textile workshops were interspersed with discussions about peace, one of which was led by a local People for Nuclear Disarmament member. The idea for the banner occurred during one of these discussions. One of the women began to talk about feeling like a drop of water lost in the river of life - yet rivers were made of countless droplets which, when joined together, became the powerful force of the river. This group quickly established a commitment, not only to peace, but to the group itself, and this has continued beyond the project. The women, as is the case with many of the groups in the Banner Project, were really surprised at their increasing textile skills and self-confidence. But they were more concerned with their commitment to peace. Each is continuing to find ways in which she can continue to work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. One woman wrote a poem about the project and peace; others have sent telegrams and letters to politicians about peace. A great deal of information about peace and other activities, articles, books, media programs were circulated amongst the group. The Hiroshima Day Banner was made by Jacky Talbot as part of the project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The artist was concerned about the remaining time scheduled for the project and spent several days "whipping" up the banner herself. For the artist this banner was to prove quite significant. The women hung it at the Community Notice Board on Hiroshima Day and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Although no new members joined the group from this activity, the artist felt that she was more fully accepted by the group afterwards. This banner has initiated a small group of women committed to peace. The artist has also continued to liaise and meet with the women as time permits. Future group plans include: making kimonos to wear when carrying the banner, participating in the Palm Sunday March, an observance of Hiroshima Day activity, which is yet to be decided, establishing contact with a sister-town in USA and USSR and supporting Eltham Council's stance as a Nuclear Free Zone. (Source: The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report /​ by Jacky Talbot, Shire of Eltham, Feb. 1987, pp43-46)35mm colour positive transparency Mount - Black and Whitebanner project, community banner project, tracey naughton, eltham living and learning centre, eltham peace banner, jacky talbot, river of life banner

BACK TO CLUNES, 1981. SMALL GROUP OF SOME PAST PUPILS OF CLUNES HIGHER ELEMENTARY SCHOOL..1 BLACK AND WHITE COPY OF PHOTOGRAPH OF PAST PUPILS OF CLUNES HIGHER EDUCATIONAL SCHOOL, WITH SCHOOL IN THE BACKGROUND, BACK TO CLUNES 1981. .2 .3 ENLARGED BLACK AND WHITE REPRODUCTIONS OF THE ABOVEOn reverse; Back to Clunes Easter (March 1981) Front Row; Gordon McLennan, Jean Harling (Campbell), Theo Harden Left to Right (sitting down), Mavis Williams (Talbot), Bess Dolan (Pickford), Mary Barry (Pickford), Hebe Morgan (Cottrell), Back Row: Betty McKenzie (Morgan), Harry Toole, Brenda Trembath, Joy Lins Torney (Harden), John Hill, Charlie Morgan, Dolly Torney (May), Bill Birch. local history, photography, photographs, schools, 1552

Invitation to Mr. J. H. Curnow to attend a dinner on the occasion of the first official visit of His Excellency Major-General The Hon. Sir Reginald Arthur James Talbot, K. C. B., Governor of Victoria and to celebrate the Jubilee of the Municipality on Monday, April 24th, 1905. On the front of the invitation, printed in gold is: Jubilee City of Bendigo 1855 -1905. Gold border 5mm from the edge. There are four scenes on the front, Pall Mall in 1855, Pall Mall in 1905, Mining in 1855 and South New Moon Mine 1905. On the inside is a scene of the Municipal Offices 1855 and the Town Hall 1905. On the right is the invitation. On the back cover is the City of Bendigo emblem and printed at the bottom is Town Hall, Bendigo, 1905 and A. Dunstan, Mayor.document, invitations, official celebrations, document, invitatioin to mr j h curnow, city of bendigo jubilee 1855 - 1905, south new moon mine, pall mall, municipa offices, town hall, j h curnow, his excellency major-general the hon. sir reginald arthur james talbot k c b governor of victoria

The vacant land was the site of Norman Carter's future home at 21 Everton Grove. Norman Broadley Carter (1899-1984) married Mabel Annie Moore in 1927. Norman was an engineer with a passion for photography. Norman took many photos of Surrey Hills and Mont Albert from the 1920s and particularly of events and activities of the Church of England. For many years the house on the left located at 14 Harding Street belonged to the Kenneth Rothwell Culliton and his wife (Fanny) Molly Culliton. The house is located next to the Harding Street Reserve. Ken was an engineer and Molly was an early member of the Surrey Hills Historical Society. Ken was born and died in Surrey Hills. His father Harry Culliton was a well known golfer. His mother Christina Mary Rothwell was the daughter of Thomas Talbot Rothwell, known as a tea merchant and importer; also lived in Surrey Hills. This image is significant for its documentation of pre-urban Surrey Hills.Black and white photo of an area of gently sloping mown grass. On the horizon is a line of trees and on the LHS the outline of a (?) Victorian house can be seen. A man and a young boy are playing in the open space.everton grove, harding street, kenneth rothwell culliton, miss fanny molly arthur, mrs fanny molly culliton, norman broadley carter, mabel annie moore, mabel annie carter

Three Cohn brothers, Jacob, Julius and Moritz came to Bendigo from Denmark in 1852. They were followed by their brother Solomon (Henry) in 1858. Jacob (1830-1911) married Rosa Levy in 1858 during a return trip to Denmark. Moritz (1822-1878) married Roschen Ballin in Germany in 1861. Julius (1828-1877) married Rosetta Spyer in Victoria in 1866. Henry (1826-1874) was married to Leah Fonseca.. Jacob, Moritz and Julius began the Victoria Brewery in Bridge Street in 1858, whilst Henry was described as a traveller and collector for Cohn Bros. in 1859. The brothers soon expanded into the making of cordials (soft drinks). In 1866 Henry took up a hotel in Sandridge (Port Melbourne). Moritz moved to Talbot and set up his own brewery before returning to Bendigo after Julius' death.Tablets of Memory - the Bendigo Cohns and their Descendants 1853-1989. By Alan A. Cohn, Jack M. Cohn, Lawrence J. Cohn.

Three Cohn brothers, Jacob, Julius and Moritz came to Bendigo from Denmark in 1852. They were followed by their brother Solomon (Henry) in 1858. Jacob (1830-1911) married Rosa Levy in 1858 during a return trip to Denmark. Moritz (1822-1878) married Roschen Ballin in Germany in 1861. Julius (1828-1877) married Rosetta Spyer in Victoria in 1866. Henry (1826-1874) was married to Leah Fonseca.. Jacob, Moritz and Julius began the Victoria Brewery in Bridge Street in 1858, whilst Henry was described as a traveller and collector for Cohn Bros. in 1859. The brothers soon expanded into the making of cordials (soft drinks). In 1866 Henry took up a hotel in Sandridge (Port Melbourne). Moritz moved to Talbot and set up his own brewery before returning to Bendigo after Julius' death.Clear small glass bottle. Drinks Cohns Cold, Quick to quench Cohns since 1857 on one side of the bottle on the other: bottle is not sold but remains the property of Cohn Bros. Limited. Net content 26 fl ozs. Preservative added, artificially coloured.bendigo, business, cohn bros

Newspaper cutting from The Courier, Ballarat, Tuesday 20/9/1994 of the reproduction of a postcard photograph showing an ESCo tram soon after opening running west bound in Sturt St with the Town Hall in the background. Shows the development of the Gardens at the time and buildings on either side of Sturt St. and type of poles etc. The tram is fitted with a destination board on the front dash - the type used soon after opening in 1905. Caption of the photo says "Trams run up Sturt St and people relax in this postcard sent in December 1907. Ballarat's Town Hall is pictured at right." Also has an item in the "In Retrospect" section of the newspaper, about the construction of a new road to avoid two level crossings between Talbot and Clunes. Item compiled by Lorrie BrownIn bottom right hand corner, in blue ink "Tues 20/9/94".trams, tramways, sturt st, esco, town hall

Self-published book on institutional care around Yarra Bend, Melbourne, including sections on: Merri Creek Protectorate Station and Aboriginal School (1841-51), Yarra Bend Lunatic Asylum (1848-1925), Fairfield Infectious Diseases Hospital (1904-96), Fairhaven (1927-51), Fairlea Women's Prison (1956-96), Thomas Embling Hospital (2000- ), Abbotsford Convent (1863-1975), Kew Lunatic Asylum / Willsmere Hospital (1872-1988), Kew Cottages (1887-2008), Caritas Christi Hospice (1938- ), Villa Alba / Henry Pride hospital services (1954-98), Royal Talbot Rehabilitation Centre (at Kew since 1961), National Guide Dog Training Centre / Guide Dogs Victoria (1962- ). ISBN: 978-0-6480223-0-5"Donated by the author March 2017"merri creek protectorate station and aboriginal school (1841-51), yarra bend lunatic asylum (1848-1925), fairfield infectious diseases hospital (1904-96), fairhaven (1927-51), fairlea women's prison (1956-96), thomas embling hospital (2000- ), abbotsford convent (1863-1975), kew lunatic asylum / willsmere hospital (1872-1988), kew cottages (1887-2008), caritas christi hospice (1938- ), villa alba / henry pride hospital services (1954-98), royal talbot rehabilitation centre (at kew since 1961), national guide dog training centre / guide dogs victoria (1962- )

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/caire-nicholas-john-3139/text3683, published first in hardcopy 1969, accessed online 1 July 2016.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen Silver Photograph, mounted on Board.printed in ink on support l.c.: VIEW OF PORTION OF THE CITY OF SANDHURST, AS SEEN FROM THE HILL, CAMP RESERVE / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 4. / VIEW OF PORTION OF THE CITY OF SANDHURST AS SEEN FROM THE HILL, CAMP RESERVE. / The Camp Reserve is the principal public promenade in this City. The Rotunda in the foreground, formerly used / by the local bands on festive occasions, is now regarded as a relic of the past. To the right of the picture is shown the / City of Sandhurst claim, supposed to be on the Hustler's line of reef. St. Paul's Church tower may be seen in the / distance. To the left of the picture Williamstown-street branches out from Pall Mall. On one side of the street is the / far-famed Shamrock Hotel; on the other stands the Bank of Australasia, with St. James's Hall immediately behind it. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography

Charcoal green soft covered book of 64 pages. Contents include Ballarat, berry Consols, Canadian Lead, Castlemaine-Daylesford System, Chiltern, Duke of Cornwall Mine, Dyke's Freehold, Frenchman's Lead, Garibaldi Shaft, Glenfine, Guidlford, Hepburn Estate Co., Hepburn Home Paddock, Italian Gully, Henderson's Lead, Langi Logan, Leigh Consols, Sebastopol Plateau; Talbot, Woady Yalloak, A definition of a deep lead, formation of deep leads, water in deep leads, methods of deep lead mining (Tunnelling, Deep sinking, Chiltern method of working, Ballarat method of working), sampling washdirt and gravels, Balmoral, Mt William, Stawell, Moyston, Great Western, Ararat, Raglan, Wimmera Valley, Landsborough, Cardigan, Haddon, Beaufort, Waterloo, Avoca, Lamplough, Caralulup, Ballarat West, Ballarat, Smythesdale, Glenfine, Illabarook, Durham Lead, Morrison's Lead, Bullengarook, Berry-Moolort-Loddon System, Clunes, Creswick, Spring Hill, Bullarook, Castlemaine - Daylesford, Majorca, Carisbrook, Timor, Burnt Creek Tributary, Tarnagulla, Marong, Rheola, Inglewood, Huntly, Coliban, Campaspe, Goulburn Lead System, Ovens Valley System, Mitta Mitts, Kiewa Valley, Tarago, Tanjil, Moondarra, Bogong, Dargo High Plains, glossarymining, deep leads, mines department, squire, leigh consols, chiltern, duke of cornwall mine, dyke's freehold, frenchman's lead, garibaldi shaft, glenfine, guidlford, hepburn estate co., hepburn home paddock, italian gully, henderson's lead, langi logan, sebastopol plateau, talbot, woady yalloak, tunnelling, deep sinking, chiltern method of working, ballarat method of working, sampling washdirt. gravels, balmoral, mt william, stawell, moyston, great western, ararat, raglan, wimmera valley, landsborough, cardigan, haddon, beaufort, waterloo, avoca, lamplough, caralulup, ballarat west, ballarat, smythesdale, illabarook, durham lead, morrison's lead, bullengarook, berry-moolort-loddon system, clunes, creswick, spring hill, bullarook, castlemaine - daylesford, majorca, carisbrook, timor, burnt creek tributary, tarnagulla, marong, rheola, inglewood, huntly, coliban, campaspe, goulburn lead system, ovens valley system, mitta mitta, kiewa valley, tarago, tanjil, moondarra, bogong, dargo high plains

St Andrews Primary School was one of thirteen primary schools and one high school to participate in the banner project. A picture of the St Andrews Primary School banner was included in page 10 of The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report /​ by Jacky Talbot. The 'As We Are' Community Banner Project was the first major Community Arts project initiated and co-ordinated through the resources of the Shire of Eltham. It was originally conceived and inspired by a local textile artist, Tracey Naughton, who, together with the Community Services Manager of this local government council, made the idea a very concrete and flourishing reality. The project grew from the original fourteen or so intending participant groups to fifty-seven banners; expressions of those diverse groups' interests and identities. As a first major project it was rightly felt by Tracey Naughton, who became the Shire's first Community Arts Officer in March 1985, that it should be fully documented, so that an appraisal of the extensive growth of this community arts development process could be assessed. Given the time and money available to do this, Jacky Talbot, and her advisors, decided it was appropriate to select fifteen or twenty banners for detailed analysis. This was done by taping interviews with members of the chosen groups. The groups were chosen to cover all ages participating, from the toddlers in the Playhouse to our grand elder citizens in their Nursing Horne, and to cover a wide range of different types of groups - schools, scouts, churches, youth issue based, and the numerous women's groups of various combinations, localities and concerns. ·. Some groups who presented their banners for the culminating highlight of this project - the Exhibition, held at the Eltham Community Centre on October 9th, 1986, had no contact with the Shire or project co-ordinator, but heard about the project through the local news' networks or other participants. The extent of community participation was enormous. It involved hundreds and hundreds of people. It changed some people's lives, enlivened others. As a first step on a new road its success is notable. The 'As We Are' Community Banner Project took place in the Shire of Eltham and neighbouring environs for approximately 12 months, from October 1985.35mm colour positive transparency Mount - Cardbanners, st andrews primary school, banner project, community, emblems, flags, shire of eltham

Eltham Day Care Centre The Centre made two banners; the first was made during a one-day workshop with Tracey Naughton utilising individual fabric painted triangles and joining them together. This workshop was so well received that the Centre wanted to make another banner over a longer period. Tracey suggested that local felt artist, Alice Ruxton, Tracey's grandmother, work with the group. The group wanted to do something with an historical theme and Tracey brought some photos from the Historical Society's files. A design was created from these. Felt, a physically demanding medium, attracted a number of men to participate in this banner, as well as women. Weekly workshops were held over a couple of months, with everyone at the Centre very interested. The completed banner was returned to Tracey to attach a backing. (Source: The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report /​ by Jacky Talbot, Shire of Eltham, Feb. 1987, pp30-31)35mm colour positive transparency (1 of 2) Mount - Kodak KodachromeProcess Date OCT 86Mbanner project, eltham day care centre, community banner project, tracey naughton

History of the Coghill Family from the 1700s.Typed and handwritten papers relating to the Coghill Family. Part ot the handwritten history "The Coghill Family - 13-9-40 Statement by Mr Henry Holmes of Essendon" includes the following: (Page 1) "The original Captain Coghill owned Glendaruel and Glendonald Stations (the homestead of the latter was Andrew Munro's original home.) He had five sons and two daughters ... William Coghill Jnr, a son of Captain Coghill married Miss Catherine Dorothy Holmes. They had no family and they adopted William and Henry Holmes, their nephews, who were the sons of Edward Carer Holmes, brother of Mrs William Coghill Jnr. ... (Page 2 - does not run on from page1)coghill, pioneer family, land settlement in victoria, new south wales, captain john coghill, donald john coghill, will of william coghill senior, indenture agreement, david coghill, william baldwin, talbot, elizabeth coghill, margaret coghill, christina coghill, george coghill, helen coghill, john coghill, catherine dorothy holmes

Maps indicate the land owned in various areas of Victoria - Mornington Peninsula, Ascot / Creswick areaLand maps showing block divisions and owners. Edward Carter Holmes J.P. selected land and called it Launchley - later called Wambalano.jeetho, county of mornington, edward carter holmes, joseph clarke, catherine holmes, talbot, william coghill, pre-emptive right, tourello pre-emptive right, glendonald pre-emptive right, clunes, smeaton, ascot, counties of ripon and talbot, certificate of title, ballaarat general cemetery, new cemetery, poowong, helen coghill

Colour postcard photograph showing railway station and yard with a steam train engineWritten on back of card: "Address 214 Talbot St South Ballarat | Rutherglen 20/1/07 | Dear Alick. All well. Hope you are enjoying your new place & are in good health. Am going away by Excursion on Wednesday if any chance would like to see you have left my job so may not come back. Toby | Yours T Irvine" Address: "Mr A Hylands | c/o Mr Touleins | Baker | Swanpool | via Benalla" 1d stamp with postmark: "Rutherglen JA 22 07"rutherglen railway station, railway stations, steam trains

The certificates related to hangings at the Former Ballarat GaolDeath Sentence Certificate for: * James Ash (Rape), 1876 (George Ferguson - signed S Bowen) * Denis Murphy (murder), 1867 (Robert Wallace-Ballarat Sherriff, Sutton, Maurice Sutton, Moore) * Charles Bushbee alias Charles Baker (intent to murder) (Henry Brougham Loch, H. Moore * John Wilson (carnal knowledge - girl under 10) (John Adrian Loius, H. Moore) * James Jones (murder) - (Robert Wallace Ballarat Sherriff - Charles Darling) * Charles Henry Deutschmann ( Murder 1908) - (Reginald Arthur James Talbot, W.A. Callaway) * Cornelius Bourke (Murder 1891) John Adrian Louis, H. Moore) * John Wilson, 1891 (carnal knowledge - girl under 10) *James Johnston, 1891 (murder) * James Jones, 1866 (murder) * Joseph Ballan and George Searle, 1868 (murder) James Ash, 1876 (rape) Robert Wallace, 1866 (murder) hangings, ballarat gaol, death penalty, james ash, death sentence, george ferguson, ferguson, bowen, henry loch, loch, charles baker, h. moore, moore, bushbee, charles bushbee, james jones, charles darling, robert wallace, arthur talbot, w.a. callaway, callaway, james johnson, joseph ballan, george searle

Document. Connelly, Tatchell & Dunlop. 1 - 1880's - Document dealing with the Loddon Shire Trust and Serpentine Estate concerning damages done by Water Trust in constructing drain works, channels, weir building etc on Serpentine Estate. Contains statements by:- Raleigh Joseph - Sheep Farmer 'Tandarra'; Coutts George - Farmer & Grazier Fernihurst; Coutts David - Grazier; Stewart James Symes - Arbitrator and Auctioneer at Talbot; Moylan Mr W - Water Bailiff; Southern George Bell - Inspector of Works; McIvor John - Grazier & Farmer; Bryant Henry - Farmer & Contractor; Fleming George - Farmer & Grazier; Carter Samuel - Sheep Breeder & Squatter; Roberts Edmund Jas - Hay & Corn Merchant South Melbourne; Young George - Stock & Station Agent Ballarat; De Caris Elisha Clement - Wesleyan Minister; Starr John Gardner - Engineer to Water Trust; McKay Robert - Clerk in Office Mining Engineer; Manning James - Actuary.cottage, miners, connelly, tatchell & dunlop, loddon shire trust, serpentine estate, raleigh j, coutts geo, coutts d, stewart j s, moylan mr w, southern g b, mcivor j, bryant h, fleming geo, carter s, roberts e j, young g, de caris e c, starr j g, mckay r, manning j

Yields information about the streetscapes of Ballarat on the Gardens to Victoria St route and in particular buildings and people that crewed the trams.Set of nine Colour 27 x 27 mm slide in a Kodachrome cardboard mount of a series of photographs taken from Wendouree Parade in the Gardens to the City tramway - taken from the front or rear window of the tram. .1 - Carlton St loop looking north .2 - Wendouree Parade, north of the Windmill Drive north intersection - has a tram stop pole. .3 - Sturt St - in bound just past Pleasant St - has passengers waiting at the tram stop. .4 - at Ascot St. .5 - at Drummond St with Shell garage in the view and a track worker. .6 - at Talbot St? with track workers repairing the road surface. .7 - at Dawson St showing the tram stop and End of Section signs. .8 - nearing the intersection with Armstrong St. .9 - nearing Lydiard St. Slide mount date cannot be read - possibly August 1971. Photo from the collection of Lilian Butler.ballarat, tramways, trams, wendouree parade, sturt st, drummond st, trackwork, tram stops, carlton st loop

Contains a valuation for Crown Lands applications under pre-emptive right by Victorian county, giving names of applicants name of run, area, and remarks. Contains a valuation for Crown Lands applications under pre-emptive right by Victorian county, giving names of applicants name of run, area, and remarks. clarke andrew, anglesey, evelyn, bourke, dalhousie, dundas, follett, grant, hampden, heytesbury, normanby, polwarth, ripon, talbot, villiers, district of murray, district of wimmera, district of western port, early settlement, mornington

LAMINATED BLACK AND WHITE PHOTOGRAPH OF CLUNES HIGHER ELEMENTARY SCHOOL 1931. Back Row; Colin Kerr, Len Teague, Standon Nelson, John Hill Second Row; Jean Annear (Porta), Lucy Pascoe, Isobel Sparks, S. Oliver, Mavis Talbot (Williams), Ida Pickford (Leishman) Middle Row; Isabel Nicholson, Leila Sparks, Amy Dunn (Vinecombe), Amy Cottrell, Aver Aberhard, Dorothy Carter, Enid Davidson, Melba Hutchins (Harvey) Front; Harry Toole, Dave Richards, Tom Kerr, Justice Eberhard, Garland Hancock Absent; Leila McDonald, Brenda Trembatch, Eilliam (Bill) Birch, Jim Sanderslocal history, photography, photographs, schools - higher elementary., 1931

Presented by Lieutenant-General Sir JJ Talbot Hobbs, KCB, KCMG, VD, LLD at a parade held on the Esplanade, Perth, 22 October 1927. With the re-activation of the Citizen Military Forces (CMF) following the Second World War, the 11th/44th Infantry Battalion (The City of Perth Regiment) was raised as a linked battalion in 1948 to carry on the identity and traditions of the pre-war 11th and 44th Battalions respectively. The King's and Regimental Colours formerly held by these two battalions were passed on to the new battalion who paraded them in rotation on ceremonial occasions. Under major reorganisation of the CMF in 1960, all individual infantry battalions that existed at the time within each State were amalgamated to form State regiments, taking effect from 1 July 1960. Thus from that date the 11/44th, 16th and 28th Infantry Battalions were amalgamated to form The Royal Western Australia Regiment. In September 1960, at a ceremonial parade held at Northam Camp, the Colours carried by all former battalions were handed over for safe keeping by the new regiment. These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. Dark green with gold fringes. In the centre the battalion colour patch of a white over blue oval within a circle inscribed "FORTY FOURTH INFANTRY", the whole within a wreath of Australian wattle and surmounted by the Imperial Crown. In the upper canton the Arabic numeral "44". The following battle honours are emblazoned on the Colour: SOUTH AFRICA 1899-1902, MESSINES 1917, YPRES 1917, BROODSEINDE, PASSCHENDAELE, SOMME 1918, ANCRE 1918, HAMEL, AMIENS, MONT ST QUENTIN, HINDENBURG LINE

This dress was made for and belonged to Mrs Elizabeth McLachlan (nee Duncan, 1820-1904), wife of Reverend John Hamilton McLachlan (1813-1908), who was the first Minister of St Cuthbert's Presbyterian Church in Brighton. Elizabeth and John were married at the Free Church of Ayr at Lindsaystonn in the Parish of Kirkmickach, Ayrshire, Scotland on 15 October 1849. At this time his occupation was listed as "Minister of Presbyterian Church" and hers as "Governess". They left for Australia on the 1 November 1849 and arrived in Australia 6 months later. Apparently John's hair turned snow white during the journey due to his seasickness! The McLachlans first went to Geelong upon their arrival in 1850, then to the Western District, then Brighton, then Talbot at the height of the gold mining era. The couple had seven children: John Campbell Duncan McLachlan (b. Geelong, October 1850), Mary McLachlan (b. Geelong, November 1851), Agnes McLachlan (b. Hopkins River near Wickliff, May 1853), twins Elizabeth and Walter McLachlan (b. June 1854), Elizabeth McLachlan (b. Hesham, June 1855), Margaret McLachlan (b. Brighton, 1857). Elizabeth died in 1904. She and John are both buried in Amherst Cemetery. The dress was donated by one of her granddaughters. This circa 1849 silk blue grey window pane check dress features a high round neck and pleats on either shoulder extending over the natural shoulder line. The dress shows evidence of nine ornamental buttons down the centre front with only four blue silk buttons currently still attached. The dress fastens with thirteen concealed hook and eye closures to the waist. The Pagoda sleeves inset into the bodice in a small high armhole flaring out and finishing just below the elbow. A pale blue silk ribbon with a diagonal drawn stitch design decorates the front of the sleeve in a simple geometric design. The Pagoda sleeve is lined in a matching pale blue silk. The full skirt is pleated into the waistband and finishes just above the floor at the front. At the back the bodice features a squared off design to the princess panels shaping the dress into the body. The skirt is heavily pleated at the centre back into the waistline and finishes slightly longer at the back than the front. The skirt features two very small pockets on either side of the dress, just inside the hips. reverend john hamilton mclachlan, st cuthberts presbyterian church brighton, elizabeth mclachlan, amherst cemetery, 1840s fashion, brighton