Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .14 - St Joseph's debutants 1947 Left to right from rear (little girls not included) Shirley Payne, Pat Mowlam, ??, Mary Dawson, Carmel Mills, ??, Norma Davis, Pat Ryan, ??, Shirley Mallet, Joan Bath, ??, Lorraine Murphyfamilies, congues family, mowlam family, barbara gardiner nee hegarty, pat frisby nee mowlam, joan bath, lorraine murphy, shirley mallet, pat ryan, mary dawson, shirley payne, norma davis, religion - roman catholic church (st josephs)

Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .17 - Wedding photo of Carmel CONGUES and Albert MOWLAM in 1929 Left to right - Bill Mowlam, unknown girl, Moya (Moira) Congues, Albert Mowlam, Carml Congues, Rene ?, Lorna Congues, Johnny Congues, Denis Congues (aka Dinny) families, congues family, mowlam family, john (johnnie) congues, moira congues, lorna congues, denis 'dinny' congues, bill mowlam, albert 'tich' mowlam, carmel mowlam nee congues

This school burnt down in 1906.Oiginal sepia photograph, pasted to cardboard, of Heyfield State School, with group (mostly students) dressed for Boer War Peace Celebrations. They are gathered in front of the old school, with four older boys and five older girls gathered prominently at the front, the girls dressed as nurses, the boys possibly as Boers. Other interesting costumes include a boy in a split black and white outfit, two boys as footballers and boys in military uniform. One boy is seated on a horse.schools, boer war 1899-1902, nurses and nursing, celebrations, peace

Charles PEET was born in 1909 and Ida PEET in 1906. Photo may have been taken in front of Holy Trinity Church, Port Melbourne.Photograph mounted on grey card. Seven rows of students. front two rows seated.Charles Peet b1909 - 2nd Back Row, 2nd in from R. School at Holy Trinity Church of England Port Melbourne. Sister Ida b 1906 girl standing on own check dress 2nd one in LH side Row below Chas. education - primary schools, graham street primary school, religion - anglican (holy trinity), ida peet, charles peet

The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline.

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show events and people from the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area and making it accessible and interactive for visitors of all ages.Black and White photograph depicting a boy and girl standing underneath the balcony beside Rogers' Cottage.Catalogue number written in pencil on reverse.churchill island, photograph, rogers' cottage

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a group of people wearing a mix of contemporary and historical dress, gathered to the right side of the frame. In the centre, a girl in a purple dress chases a boy wearing contemporary clothing in front of two people in red. They stand in front of Amess Cellar.catalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of a woman and a girl sitting on a wooden fence.Catalogue number written in pencil on reverse. Handwritten in pen on reverse 'THINK THIS IS IN THE DAIRY AREA'churchill island

See 1833.02 for more information about Little Bay St. Ed WHITING lived in Dow St Port Melbourne in 1930s (A PMHPS Member in 2000s). Photos copied by Ed WHITING for PMHPS include Violet JOHNSON (now WOODS) as a little girl and later as a young woman. Shows 1930s Port Melbourne life.Note that .01, .02, .05 are in hard copy and a copy of all six is on database Black and white photos (copies) from the 1930s .01 - Ed WHITING and friend Ron .02 - Ed WHITING and three friends at BP filling station on Beach St near Princes Pier .03 - Ed WHITING and two friends in Port Melbourne lane.(database) .04 - Violet JOHNSON and friends, Port Melbourne backyard area (database) .05 - Violet JOHNSON and friend on Little Bay St .06 - Violet JOHNSON with pretend gun (database)families, domestic life, built environment - domestic, engineering - roads streets lanes and footpaths, edwin whiting, violet johnson, violet woods johnson

These wooden batons were used by a local girls gymnastic group in the Korumburra area in the early 1900's. Used in a similar fashion to a band leaders baton, they were twirled in each hand and in unison usually to music.3062.2 - Two turned wooden batons, teardrop shape with long handles finished with a balled end. Two grooved patterns in the centre of the teardrop.gymnastic equipment, wooden batons, 1900's

Clothing. Girl's grey silk tunic. Square neckline front and back. Three box pleats front and back falling from 7cm band across shoulders . Side opening on LHS from arm hole (17 cm) fastened with two press-studs. Fabric belt keepers on side seams with fabric belt (4 cm wide) with keeper at one end and one press-stud.Below belt keeper on RHS is an external fabric pocket (11 cmX 13 cm).costume, children's, girl's grey silk tunic

Clothing. Women's cream coloured double thickness silk scarf. Fabric has embossed pattern of diagonal leaf shapes. At each end on one side only are hand painted pictures;. 1. A Chinese girl kneeling below a tree and holding a sword in her right hand. 2. Tree branch with two butterflies and a rectangular Chinese symbol. Both ends have 5 cm fringeing.costume accessories, female, cream coloured silk scarf

Colour photo of Sheena and Jodie Dillon. The girl on the left is wearing a red swim suit and holding two medals on ribbons around her neck. The girl on the right is wearing a purple swim suit and holding two medals on ribbons around her neck. The girls are standing in front of the open door of a garage. Written on the front of the photo: Sheena and Jodie Dillon Twin G/Dau,s.recreations, sports, swimming

Printed card folded to form an opening card. Front is printed with a decorative blue border enclosing the words Everlasting Silver Leaves from Durban Natal. An address has been handwritten to Miss G Dean Esmond McKenzie St Golden Square Victoria. Opening the card, on the left hand side is a coloured photograph attached to the card inside a decorative gold border. The image depicts three males wearing native headdresses standing in front of three two wheeled carriages. The words Ricksha Boys are printed in red in the border beneath the photograph. Words have been handwritten below. On the right hand side are three leaves made of silk stuck to the card within a gold decorative border. The first leaf contains the words With love to ... My only Girl printed onto the silk. The name Glad has been handwritten onto dotted space. The second leaf has a printed image of an urn with flowers growing from it. The words Good wishes have been handwritten. The third leaf has the word souvenir printed onto it with initials C.N. The words From a fond heart across the sea have been handwritten across it.postcard

Collection of campcraft notes of Merle Bush. A: '9C' on first page - 3 ringed binder with covers; B: 'Diary' of loose leaves with 1 ring binder; C: Notes - 2 pinned pages - '11th Campcraft'; D: Loose leaf notes - 11th Campcraft (with single paperclip); e: Loose leaf notes - 11th Campcraft (with two paperclips)Merle Bushperson, individual, bush collection - personal

p.426fictionThe year young Australians sailed off to war in high hopes of adventure, only to find themselves faced with disaster. The tragedy and violence of Gallipoli provide the climax to this very personal, moving and surprisingly romantic story. With remarkable skill and in achingly beautiful prose, Roger McDonald takes the reader on an archetypal Australian journey which parallels the nation's progress from its country childhood, through the adolescent exuberance of its young cities, to initiation on one of the world's ancient battlefields. It is a vital journey, haunted by menace and disillusionment, one embedded in our national mythology. This astonishing first novel, published to great critical acclaim in 1979 and since then selling over 100,000 copies, tells the story of two boys from the bush, the thoughtful and awkward Walter and his knowing friend Billy Mackenzie, and their girls Frances and Diana. Together they discover a future which seems full of promise, drawing them into the exciting turmoil of passion and war. But theirs is a fateful alliance, in a world all too quickly passing, with an outcome they never could have foreseen.gallipoli campaign - fiction, world war 1914-1918 - fiction

ANZ Savings Bank showbag. Blue and yellow design on a white background. Top left hand side in a blue circle the words ANZ Saving Bank. At right a cartoon character of smiling man with body shaped as a passbook. At bottom right a money box with several coins falling into it. At bottom left two smiling children (a boy and a girl) holding passbooks and the words: watch your savings grow at ANZ Savings Bank. Both side are the same. There are two identical bags.business, retail, advertising, business advertising usually found at agr icultural shows and other promotional activities.

A paper showbag. The design is in red and blue colours over a white background. On one side the words: Your Baby Loves Heinz Baby Foods, there is a drawing of a baby face and two cans o food, one Heinz junior foods the other Heinz strained foods. The number 57 in blue at bottom right. On the other side the faces of two youths a boy and a girl and the words: Easy as winking! mix yourself a beaut drink of Heinz-Ade, 1 small packet makes 4 big pints of refreshing drink! Orange, Lemon, Raspberry, Lime, Fruit Cup, Ginger Beer.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities.

A paper showbag. A colourful bag yellow background with design and words in white, red, green and black. On top left what looks like a three towers castle, the words giant Brand Licorice at centre and on the left the picture of a giant handing a packet of licorice to two children (a boy and girl) underneath the words: pure and wholesome. The same design on both sides. There are two bags.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities