Yokes like this one were key components used to control bullock teams. These teams were very important in Australia during the 19th century, hauling heavy loaded wagons of goods to remote settlements and rural produce to cities and ports over rough unmade roads. The bullocks were yoked together in pairs. Chains joined the yoked pairs. A heavy wooden bullock yoke with only one metal collar. One is missing. The fittings are iron. There is a small leather patch tacked on to one end. The yoke is made from a length of wood of roughly rectangular cross-section. It has been shaped to form curved depressions that allow it to rest across the necks of two bullocks and yoke them together. bullock-yokes transport

This early 1880s Mason & Hamlin reed organ was part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. It was donated to the Williamstown St Nicholas Seamen's Church by the Joy Club for Fighters around the time of the opening of the church. The front panel displays the front and back of six medallions, showing the year and location of exhibitions that Mason & Hamlin participated in, adding perceived notability and prestige to the value of this organ. These medallions date from 1867 - 1881: Paris 1867, Vienna 1873, Philadelphia 1876, Paris 1878, Sweden 1878 and Milan 1881. MASON & HAMLIN Mason & Hamlin organ manufacturer was founded by Henry Mason and Emmons Hamlin in Boston, Massachusetts in the 1850s, making about 450 organs per year. By 1905 the annual turnover was around 10,000 instruments. The Cable Co. purchased the company in 1911, which in turn was taken over by the American Piano Co. in 1924. By 1927 the production reed organs had ceased. Mason & Hamlin, like many other manufacturers, publicised its instruments at county fairs and exhibitions. They were quick to advertise any awards they won, or even recognition for displaying at these events, by adding matching medallion decals to their products. JOY CLUB FOR FIGHTERS The Joy Club for Fighters was formed in Williamstown in 1940 to raise funds to support Australians fighting in Australia and overseas in World War II. Activities such as dances were organised in venues such as Mechanics' Institutes, and enthusiastically supported. Donations were given to several hospitals and other care facilities, and local fighters, for distribution to the servicemen. Items such as food hampers and cigarettes were amongst the tributes given. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The organ is historically significant for its creation, being circa 1880 and still in use in the 1960s. This organ is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The item is historically significant for its connection to the Joy Club for Fighters, a support charity for Australian servicemen and women of World War II. The connection of this item to the Mission to Seamen and to the Joy Club for Fighters highlights the strong community awareness of the life of people in the armed forces, their dangers and hardships, and their need for physical, financial, spiritual and moral support.Organ; reed organ, mahogany wood with decorative carving and colourful inlaid floral design. Has two pedals that are decoratively covered in floral patterned tapestry. Inscriptions are on the panel above the keyboard. Organ has five octaves and eleven stoppers. Made by Mason & Hamlin, America, circa 1881. This organ is part of our St Nicholas Seamen's Church collection."Mason & Hamlin" and below the music rest "No 113032" and other indiscernible print Medallions, left - right "PARIS, 1878." "SWEDEN, 1878." "PHILA., 1876." "MILAN, 1881." "VIENNA, 1873." "PARIS, 1867."flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, joy club for fighters, musical instrument, reed organ, mason & hamlin, worship service, worship music

Bottle clear glass with screw lid "Melanyl" Inventors and Manufacturers Cooper, Dennison and Walkden Ltd. English dye in. Also 2 nibs and wood pen body. Bottle etc all container in cardboard box with sliding sleeve. Small pen with nib corroded, plus spare nib - inscribed "Hinks.Wells & Co "Flexor Pen" England 1884F.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This gown was worn by Shirley Falkinder (nee Ogden). She was the principal nurse educator and lecturer at the Ballarat Base Hospital from 1973-1985 when nurse education was hospital based. She was seconded to prepare the Accreditation document for a three year "Diploma of Applied Nursing", which commenced at the Ballarat College of Advanced Education in 1986 and she retired in 1989. Shirley continued her interest in the education of nurses and became the Vice President of the Ballarat University College Council in 1990 and President in 1991.A black polyester and wood academic gown with a wide red (edged with white) silk lapel. Across the shoulders and below the back yoke there are padded pin tucks which form gathers. The long sleeves reach to within 8 cm of the hemline of the garment. They are slit below the armpit on the front side for the arm to go through and the rest of the sleeve falls open below.Makers woven patch - R.W. Bredin & Son, Melbourne Australia, Academic, Legal & Civic Robe Makersshirley falkinder, shirley ogden, academic gown, ballarat base hospital, ballarat university college, ballarat college of advanced education, costume, uniform, graduation, academic gown, textiles

Black and white photograph. Poppet head, winder house, chimney, overhead tramway, stack of wood, one male figure pushing one truck on overhead tramway. Mine office at front right. Inscriptions: On front - '26' at TL. On back - 'New Red, White and Blue Consolidated, Main Shaft (Big Blue). Rec'd photo 21/4/67.'mine, gold, big blue ( r.w.b.consolidated), bendigo, mines and mining, mines, mining, poppet head, mining equipment

black and white photograph: view of mining area. From left to right, portion of cart, hut, houses and huts, whims, small houses, houses on skyline. Tall brick chimney at right with wood and corrugated iron roof buildings. 2 carts at front right. 2 males front right. Small houses at background right. Location unknown.batchelderplace, landscape view, mining

Colour photo in light wood frame and light brown matt.Depicted in picture is a soldier squatting down in front of a red and dark blue painted rock, half rock red - other blue In centre of the rock is a shield in light blue with a leopard, palm tree and boomarang. 105 Fd Bty is written on top of the rock In the background there is timber building and jeep.105 FD BTY.Vietnam 65-66 Vietnam 69 -70. UBIQUE My Vietnam Collection /The Biggest Rock in Vietnam - Nui Dat 1969.Copy right. Colin Howard ,back Gift Horse Gallery - orignal works by local and interstate artists and craft's people. 105 Field Battery.photograph, nui dat, 105 field battery

Building block set used by Enid Wall as a young child Building block set of fifteen (15) blocks in original box without lid. Each block has images of domestic and wild animals, alphabet and numbers. Blocks appear to be made from balsa wood or equivalent due to light weight, and images have been adhered. Flowers motif wall paper (very worn) adhered to the sides of the box.blocks, toys, building block, toy block, children toys, learning blocks

Bendigo Advertiser "The way we were" from Monday, February 21, 2005. Easter: many entrants in the annual Easter parade in Bendigo rely on the generosity of businesses to enter their floats. In the late 1940s, general carrier and wood merchant, Eric Finch, donated his services to the Bendigo Benevolent Home. The float is photographed travelling around the fountain at View Point.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Monday, January 31, 2005. historic festival: crowds line the streets of Bendigo's central business district to watch the annual procession. This photograph was taken in the late 1940s or early 1950s. The truck, used by the State Electricity Commission for the parade, was donated by Eric Finch, a general carrier and wood merchant. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photograph of Sayer Bros. Norfolk Brewery. A two storied brick building, the section on the right hand side has two chimney stacks. There is a picket fence along the front and a large curved sign over the gateway, Stack of wood are to the left inside the gateway and there are two carts loaded with barrels. Batchelders cart is visible on the left hand side outside the fence.Batchelderbuildings, commercial, norfolk brewery, norfolk brewery, sayer bros., batchelder

Small sepia tone photograph: a large tin shed. There is a water tank on the far left, on the far left side of the photo there is a weatherboard house, on the far right there are double gates. There are two men working on different machines. There are lots of bits of wood lying on the ground in the bottom right corner of the photo. Written on the back in black ink is 'Back view of the Factory'buildings, commercial, cohn brothers, cohn brothers

The photo shows "William Clarke" who owned and operated the first commercial Punt across the Ovens River during the goldrush daysthe photograph shows "William Clarke" who was one of the first pioneers of the township of Wangaratta as it is now known. He also built one of the first hotels in Wangaratta.Brown wooden framed photograph, greyish background with silver surround around photo of William Clarke, one of Wangaratta's foundation pioneers. The wood is from the first punt. He was the owner of the first punt to cross the Ovens river, which he had built for 500 pounds. It was sunk in 1855 after the first bridge across the Ovens river was built.William Clarke1 1839 Wangaratta William Clarke 11 William Clarke 111(my father) Nell Clarke 1884-1965 William Clarke 1 Pioneer of Wangaratta Vic. 1839 This frame is made of oak from the punt he operated over the Ovens River during the goldrush days to Beechworthclarke family, punt, sydney hotel

A Salmon & Webster 'Champion' tennis racquet, with solid convex throat, cloth tape shoulder reinforcements, and, a fine grooved handle with fish-tail butt and a rubber handle grip. Impressed inscription on handle grip: SALMON &/WEBSTER LTD./MAKERS OF THE/PARLOUR/SUPER STRONG/BAT. Materials: Wood, Lacquer, Glue, Metal, Gut, Cloth tape, Rubbertennis

An early wooden lawn tennis racquet, with: tilt-top head; solid convex throat; and, a leather collar.The racquet features a customised handle, with intricate inlay work on both faces. On the obverse are inlays comprising of what may be two lavender buds. On the reverse is a decorative design incorporating the initials 'ESA'. Materials: Wood, Lacquer, Glue, Metal, Gut, Leathertennis

A Barker & Son 'The Invincible' tennis racquet with concave wedged throat and bevelled, oval head. Has cloth tape reinforcements around shoulders, and an octagonal handle with 'fishtail' shaped end. Model name imprinted across throat on obverse. Manufacturer's name printed across throat on reverse. Materials: Wood, Lacquer, Metal, Glue, Gut, Cloth tape, Inktennis

A ' Windsor' tennis racquet with bevelled oval head, concave wedge throat and red string whipping around shoulders. Fishtail shaped butt, handle has fine grooves and two large furrows. Model and manufacturer names imprinted and inked across throat on obverse. Strung with twine. Materials: Wood, Lacquer, Metal, Glue, Twine, Ink, String, Guttennis

A City Sale and Exchange 'Exchange' tennis racquet with oval head, solid convex throat and fishtail handle. Model name imprinted across crown on obverse. Retailer name inscribed across throat on obverse. Owner name engraved across throat on reverse. Two deep furrows on handle. Materials: Wood, Lacquer, Metal, Glue, Gut, Inktennis

A wooden, slotted handle racquet with a 12 1/2 inch head. Inscription along neck of obverse: FLASH. Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Metaltennis

A wooden racquet. Inscription across the throat of obverse: MERCURY. Inscription across the throat of reverse: HARRY C. LEE & CO./NEW YORK. Manufacturer details also along side of racquet stem. Company logo 'LEE' imprinted on red cloth butt cap. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Metal, Clothtennis

A wooden racquet. Inscription across the throat and stem of obverse, and below an image of a black bat: THE BAT/LEEL/MASTER/MODEL. Inscription across the throat and stem of reverse: HARRY C. LEE & CO./NEW YORK/THE BAT/CUSTOM BUILT. Materials: Wood, Glue, Lacquer, Ink, Leather, Metal, Paint, String, Gut, Cloth tape, Adhesive tapetennis

A wooden racquet waith a convex throat. Inscription across throat on obverse: VOLLIER. Red and yellow Reach 'baseball' trademark features on throat on reverse. Manufacturing details feature across right side of stem: A.J. REACH COMPANY/MAKERS/PHILADELPHIA, PA., U.S.A. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Paint, Leather, Stringtennis

A wooden racquet with a concave throat. Inscription across throat on obverse: QUAKER CITY. Red and yellow Reach 'baseball' trademark features on throat on reverse. Manufacturing details feature across right side of stem: A.J. REACH COMPANY/MAKERS/PHILADELPHIA, PA., U.S.A. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Paint, Leather, Stringtennis

A wooden racquet with a concave throat, and cork handle. Burgundy whipping around base of head. Inscription across throat of obverse: COLUMBIA. Decal on throat on reverse features company logo, incorporating monogram 'JB'. Inscription: JAMES W. BRINE/ATHLETIC SUPPLIERS/COLLEGE OUTFITTERS/CAMBRIDGE, MASS. Materials: Wood, Gut, Metal, Lacquer, Glue, String, Corktennis

A wooden racquet with a convex throat, and, carved octagonal handle. Throat on obverse features decal inscription: REX. Throat on reverse features a decal of a crowned garter with the inscription: E. KENT. Inscription of manufacturer's details along left side of stem: MADE BY E. KENT/PAWTUCKET, R.I., U.S.A. Materials: Wood, Glue, Lacquer, Metal, Gut, Ink, Leathertennis

A wooden racquet with a concave throat and an octagonal handle. Throat on obverse features decal inscription: WINDSOR. Throat on reverse features a decal of a crowned garter with the inscription: E. KENT. Inscription across left side of stem: DUCO PERMANENT/HIGH POLISH FINISH. Materials: Wood, Glue, Lacquer, Metal, Gut, Ink, Leather, Paint, Cloth, String, Plastictennis

A wooden racquet with an open throat. The base of the head on both sides features decal inscription: PARAGON. The lower stem on the obverse features a decal of a crowned garter with the inscription: E. KENT. Inscription across right side of stem: DUCO PERMANENT/HIGH POLISH FINISH. Materials: Wood, Glue, Lacquer, Metal, Gut, Ink, Leather, Cloth, Stringtennis

A partly black painted, wooden racquet with a concave throat, and curved, leather grip handle. Decal inscription across throat of obverse: TOURNAMENT. Decal of company logo is situated on throat of reverse. It comprises of a pennant, with inscription 'PENNANT', in front of crossed racquets, and supported by two balls. Materials: Wood, Glue, Lacquer, Ink, Metal, String, Leather, Painttennis

A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Decal inscription on obverse: NEW/DAYTON/RACQUETS. Handle and shaft are patyially wrapped in cloth tape. Materials: Wood, Metal, Glue, Lacquer, Leather, String, Ink, Paint, Cloth tapetennis