Victoria Police Gazette No. 51 dated Thursday, December 22, 1864, containing the substance of information received in cases of felony and of misdemeanours and against receivers of stolen goods, reputed thieves, circumstances of the offence, the names of person known but not in custody, who are charged with offences and descriptions of those who are not known, their appearance dress and other marks of identity, the names of accomplices and accessories with every particular which may lead to their apprehension, a description as accurate as possible of property that has been stolen and a minute description of stolen horses for the purpose of tracing and recovering them.essential services, police, victoria police gazette

Victoria Police Gazette No. 37 dated Thursday, September 10, 1868, containing the substance of information received in cases of felony and of misdemeanours and against receivers of stolen goods, reputed thieves, circumstances of the offence, the names of person known but not in custody, who are charged with offences and descriptions of those who are not known, their appearance dress and other marks of identity, the names of accomplices and accessories with every particular which may lead to their apprehension, a description as accurate as possible of property that has been stolen and a minute description of stolen horses for the purpose of tracing and recovering them.essential services, police, victoria police gazette

Victoria Police Gazette No. 43 dated Thursday, October 22, 1868, containing the substance of information received in cases of felony and of misdemeanours and against receivers of stolen goods, reputed thieves, circumstances of the offence, the names of person known but not in custody, who are charged with offences and descriptions of those who are not known, their appearance dress and other marks of identity, the names of accomplices and accessories with every particular which may lead to their apprehension, a description as accurate as possible of property that has been stolen and a minute description of stolen horses for the purpose of tracing and recovering them.essential services, police, victoria police gazette

Victoria Police Gazette No. 44 dated Thursday, october 29, 1868, containing the substance of information received in cases of felony and of misdemeanours and against receivers of stolen goods, reputed thieves, circumstances of the offence, the names of person known but not in custody, who are charged with offences and descriptions of those who are not known, their appearance dress and other marks of identity, the names of accomplices and accessories with every particular which may lead to their apprehension, a description as accurate as possible of property that has been stolen and a minute description of stolen horses for the purpose of tracing and recovering them.essential services, police, victoria police gazette

Victoria Police Gazette No. 50 dated Thursday, December 10, 1868, containing the substance of information received in cases of felony and of misdemeanours and against receivers of stolen goods, reputed thieves, circumstances of the offence, the names of person known but not in custody, who are charged with offences and descriptions of those who are not known, their appearance dress and other marks of identity, the names of accomplices and accessories with every particular which may lead to their apprehension, a description as accurate as possible of property that has been stolen and a minute description of stolen horses for the purpose of tracing and recovering them.essential services, police, victoria police gazette

Photo of a worker bringing in a log on a dray with what appear to be narrow steel wheels. Dray is being pulled by eight or ten steers or small bullocks. Heavy bush and tall, straight timber on side of the road. Most likely Sherbrooke Forest. Road bends to left behind team then possibly to the right, going up a small rise. The man could be well-known bullocky Bill Martin. He is dressed in a wellworn hat, a pale shirt with sleeves rolled up, and darker pants, and is carrying a long, slender stick or possibly a whip in his right hand.

Yields information about the opening configuration and early passengers of the tramways in Ballarat, with the Sturt and St Grenville St buildings behind. Shows uniforms and clothing styles.Black and White copy photograph of a Ballarat Municipal library (No. 911) postcard at the time of the opening of the Electric tramway in Ballarat. Tram has destination of Gardens, with four crew/inspector in uniforms, a number of well dressed passengers including ladies and children and some boys at the rear. Shows arrangements of steps lining etc. In the background is the Bucks Head Hotel, a Confectioner (J.M. Kiln?) and other buildings. Photo taken in 1905. Collected by Alan Bradley from the Ballarat Municipal library early 1980's. Used in The Golden City and its Tramways - front covertramways, trams, sturt st, electrification, grenville st, opening

6917.15a contains two photographs The first photo is titled 'The Melbourne Caledonian Band' and depicts a large orchestra dating from 1906. The second photo dating from 1905 depicts four pipers of the Bendigo Caledonian Band. All are dressed in Scottish Highland attire. 6917.15b contains three dance reels with handwritten musical notations. The first reel is titled 'The Deil amang the Tailors' and is three brackets long. The second reel is titled 'The Miller O'Drone' and is four brackets long. The third reel is titled 'Reel O'Tulloch' and is three brackets long.emu creek bush band, melbourne caledonian band, bendigo caledonian band, highland reels

Number 443/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 204/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 442/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 244/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 245/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 444/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 446/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 442/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Half-length studio portraits of an unidentified woman photographed using the daguerreotype process. The portrait is contained within a pinchbeck frame, bound in a brown-tooled leather cases, with red, cut-velvet binding. The portrait of the woman is notable for her centre-parted hairstyle with the fullness of the hair drawn into a single chignon at the base of the neck. This style set off the tilted-back angle of bonnets and hats. The seated woman wears a dark silk day dress with a voluminous skirt. The bodice is set-off by a large lace collar on its high neckline and at the cuffs. daguerreotype, portraits

Poster - printed on off white paper of a lady with 5 parcels, a case mark "S. S" and a well dressed man reading a newspaper and with two fingers around the hand rail looking at here - taking up the whole of the seat. In the background is a sign on the tram with the words "Move Up Please" Has a message "Here's another "Selfish Sue" who dawdles all her shopping thru, then late she rushes for Tram, and some tired worker has to stand". Promoting early shopping and passenger behaviour. Has the initials JH on the bottom of the message.trams, tramways, passengers, behaviour, shoppers, cartoons, illustrations

Black and White formal wedding portrait. Mrs Alice Breen stands on the left wearing an ankle-length dress with high neck and full-length sleeves. She has a knee-length veil with a floral headpiece and is holding a large bouquet. Her hoes have a small curved heel. Mr Tom Breen is seated on a wicker chair. He is wearing a dark 3-piece suit, a shirt with a high collar, study lace-up shoes and he holds a pair of white gloves. They are in a photographer's study. Both look solemnly at the camera.

Book with dustjacket and protective covering. The dustjacket has a purple background, with title and author's name in grey print on front and spine. Front of dust jacket also has a black and white photograph of 12 women and a man. 10 of these women are in dressed in nurses uniforms, another wears a white cap, and the woman in the centre is wearing a white scarf on her head (Florence Nightingale with a group of nurses from London Hospitals at Claydon. Standing behind her are her brother in-in-law Sir Henry Verney (owner of Claydon) and the matron Miss Crossland).non-fictionThis book challenges the traditional view of Nightingale as a saintly figure, presenting a more complex and critical portrait. The book analyzes how Nightingale leveraged her personal relationships and influence to advance her public health and nursing reforms, highlighting her achievements and less savory tactics.florence nightingale, nurse administrators-great britain, nurrse-history, nursing-history

BHS CollectionBendigo Advertiser '' The way we were'' from 2002. Demure: all dressed up for the 3BO ball on October 8, 1941, are; back row: Rose Crossman, Elaine Boyd, Lillian Barker, Doris Harvey, Shirley Gray, Dorothy Rudd, Norma Young, Jean Harvey, Georgina Allen and Peg Browning. Middle row: Jean Fitzpatrick, Teresa Gallagher, Betty Swenwy, Pam Dodd, Mrs Dodd, Ella Martin, Lorna Scott, Joyce Hosking and Pat Hodge. Front row: Mary Jacobs and Maureen Minnard. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Illustrated book, Fronts cover has a photograph of two women in operating theatre dress with a young child (Vietnamese anaesthetic technician Tran Thi Dung, theatre nurse Cathy Blackmore and a young patient in an operating theatre at Bien Hoa Hospital, in early 1972). Below this on a background photo of bandages title and authors names are printed in shades of brown. Abbreviated title (light brown ink) and authors names (dark brown ink) are also printed on the spine along with the publisher's mark. A summary of the book, along with information about the authors, is [rinted on the back cover. non-fictionFrom October 1964 until the end of 1972, over 450 surgeons, nurses and other medical specialists from Australian hospitals volunteered to work in South Vietnam. In the towns of Long Xuyen, Bien Hoa, Vung Tau and Ba Ria they brought expert medical and surgical care, comfort and support to a war-weary and traumatised civilian population. The extraordinary story of these Australian civilians at war is told here, based on interviews with many of those who served in the teams, The book includes two appendices: one lists the dates of service of the teams, the other lists the members of the teams.vietnam war 1961-1975-medical care, vietnam war 1961-1975-participation-australia, vietnam war 1961-1975-personal narratives-australian, volunteer workers in medical car-vietnam-history, alfred hospital

Taken between circa 1920 - 1930 this photograph depicts a Hydraulic water jet in the foreground and a man dressed in dark trousers, a white long sleeved shirt and broad-brimmed workers hat digging around in the Three Mile Mine at Barramutha. The mine was an important gold resource and was typically mined using a method known as hydraulic sluicing whereby high powered water jets are used to dislodge rock or move sediment. The remaining water sediment slurry is directed through sluice boxes to remove the gold. The Beechworth mining district was one of six mining districts established by the governor-in-council on 4th of January 1858 under the provisions of An Act for Amending the Laws Relating to the Goldfields (21 Vic no. 32).This photograph shows cultural and research value into the historical methods of hydraulic sluicing in the Beechworth mining disctrict. It also shows the evolution of the mining methods and has potential for understanding future engineering endeavors in the context of victorian mine goldfields.Black and White rectangular photograph printed on matte photographic paper. Reverse: Copied from original on loan from Webb (QLD)/ Donated Nov 2009/ Barnawatha Three Mile Mine c1920-1950/ Owned by Plain Bros then Parkinsons/ Managed by John Weir, Peter Jenson, Jack Cox/ Slicing. three mile creek, three mile goldfields, three mile beechworth, goldfields, #beechworth, hydraulic mining, hydraulic sluice, burke museum

These six photos were taken in the grounds of the Army Survey Regiment, Fortuna in spring 1991. MAJ Ray Redman appears in his mess dress by the Roman fountain, serving a silver service morning tea to CPL Pat Drury, as a result of a losing bet on the 1991 Rugby League Grand Final. Pat Drury was a very keen rugby league supporter and followed Penrith, who lost its first Grand Final appearance to the Canberra Raiders in 1990. Penrith reversed the result the following year against Canberra winning their first premiership. This occasion is covered on page 152 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This is a set of six photographs of two Army Survey Regiment personnel in the grounds of Fortuna, Bendigo, 1991. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .6) - Photo, black & white, 1991, MAJ Ray Redman and CPL Pat Drury. No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

A special luncheon was held for World War I widows as a lead up to "Legacy Week". Legatees dressed up as moustached waiters to add a bit of humour to the day. Legatees include L/- Lucky Luscombe and L/- George Woodward as waiters and L/- Salty Saltmarsh making a speech. Due to its success it was held for a number of years. The note with these photos says it was 1996. And the widow featured in Answer article in October 1996 is in these photos wearing the knitted beret. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled. The article in the Answer in October 1996 shows the event is a great photo of widow Beatrice Gay.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo x 5 of a World War I widows' luncheon in 1996 and an article from the Answer in October 1996.widows, function, answer

A special luncheon was held for World War I widows as a lead up to "Legacy Week". Legatees dressed up as moustached French waiters to add a bit of humour to the day. Due to its success it was held for a number of years. Seated with the widows is President Geoff Swan who was president in 1992. Also Sir Weary Dunlop attended. Another photo shows a film crew from SBS recording the event. Legatee Lucky Luscombe is seen serving bowls of food. Also President Swan presenting flowers to Audrey the lady who ran the kitchen. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo x 11 of a World War 1 widows lunch.widows, function

The Riding of the Bounds was an annual event that took place in Berwick. It linked back to a centuries-old tradition in sister city Berwick upon Tweed, England. Riders followed a route through local streets and participate in ceremonies along the city's border. The Mayor would wave off riders from the local showgrounds with instructions to inspect the boundary with the neighbouring municipality. Once the ride was complete, the Marshall would report back to the Mayor that the boundaries were secure, and this would herald the commencement of the presentation ceremony. This re-enactment of the Berwick-Upon-Tweed Riding of the Bounds was filled with pomp and ceremony and many of the riders took the opportunity to dress in period costume in recognition of the history of this event. This information is from https://collection.casey.vic.gov.au/Ribbon for City of Berwick Riding the Bounds 1993. Printed on white material with red ink. Has the City of Berwick coat of arms at the top of the ribbon.city of berwick, riding the bounds, city of berwick coat of arms, horses, berwick boundaries

The Riding of the Bounds was an annual event that took place in Berwick. It linked back to a centuries-old tradition in sister city Berwick upon Tweed, England. Riders followed a route through local streets and participate in ceremonies along the city's border. The Mayor would wave off riders from the local showgrounds with instructions to inspect the boundary with the neighbouring municipality. Once the ride was complete, the Marshall would report back to the Mayor that the boundaries were secure, and this would herald the commencement of the presentation ceremony. This re-enactment of the Berwick-Upon-Tweed Riding of the Bounds was filled with pomp and ceremony and many of the riders took the opportunity to dress in period costume in recognition of the history of this event. This information is from https://collection.casey.vic.gov.au/ Ribbon for City of Berwick Riding the Bounds 1989. Printed on white material with green ink. Has the City of Berwick coat of arms at the top of the ribbon. city of berwick, riding the bounds, city of berwick coat of arms, horses, berwick boundaries