Yang Deliang was from the Jinshan Peasant Painting Academy where Chinese folk art of southeastern Yangtze River area of Shanghai is undertaken. The paintings integrate the folk arts of printing and dyeing, embroidery, paper cutting, wood carving, and cook stove painting, and depict the peasant's colorful customs and daily life. This style of folk art was born in 1972, under the guidance of a professional painter Wu Tongzhang. Jinshan Peasant Painting made its international debut in the Expo 1980 in Brussels, Belgium. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed silkcreen An artist's 'chop' is evident on the lower right cornerart, artwork, yang deliang, chinese, silkscreen, jinshan peasant painting academy, j

Nyukana BAKER (1943-2016) Born Ernabella, South Australia Country: Kanypi Language: Pitjantjatjara A Pitjantjatjara artist from Ernabella who began painting, designing and weaving in 1963 and producing batik in 1971. Founded in 1949 Ernabella Arts is the longest running Aboriginal arts centre in Australia. It was established o create employment opportunities for young women from the local Pitjantjatjara people. Nyukana Baker died 17 April 2016 at Alice Springs, Northern Territory. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print. 6/20 Tjitji Kutjara Two Children Nyukana Baker Feb 1996art, artwork, printmaking, linoprint, nyukana baker, pitjantjatjara, kanypi, aboriginal, ernabella

Dr Julie HERON Julie Heron lectured in Art Education at Federation University from 2006-2011. She was awarded a Doctor of Philosophy (PhD)Visual Arts in 2011. Her doctorate is a practice-based autoethnography entitled ‘Performing in the spaces between: an a/r/tographic inquiry into practice’. This research involved questioning and representing her practices, processes and positions as artist, researcher, teacher-educator and the outcomes of her research were made evident through an art installation and accompanying thesis. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three drawings framed together. art, artwork, julie heron, drawing, charcoal, charcoal on paper, alumni, available

Henry MORITZ (1931- ) Born Mainz, Germany Arrived Australia c1952 Henry Moritz was an experienced commercial artist when he left Germany for Australia. After working as a railwayman, coal miner, fruit picker and steelworker, he started teaching commercial art at the Ballarat School of Mines Technical Art School in 1963. He moved to the Mount Helen Tertiary Division, and was head of the Art School at the Ballarat College of Advanced Education (BCAE) when he produced this work. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Original caricature of Bill Durant. Both Bill Durant and artist Henry Moritz were staff members at the Ballarat College of Advanced Education (later Federation University). Neville Bunning ceremoniously presented the chair to Bill Durant in the Art Department at Neville Bunnings Retirement function.Verso "Bill Durant in 'Nev Bunning's Chair' which was ceremoniously presented to Bill in Art SChool Staffroom at Neville's retirement function. Drawing by Hner Moritz Donated by Heather (walton) Durant Heather (SMB Library) married Bill (SMB Physics Head) in December 1960. KC (Ken Clements) July 2002art, artwork, henry moritz, bill durant, caricature, available

John Malcolm Fraser AC, CH, GCL (21 May 1930 – 20 March 2015) was the 22nd Prime Minister of Australia and the Leader of the Liberal Party from 1975 to 1983. Fraser's bust was originally created by Victor Greenhalgh. However, Greenhalgh and others were critical of the final casting. Following Greenhalgh's death in 1983, Peter Nicholson was asked to create a new bust for Fraser, which was completed after the bust of Fraser's successor Hawke had been installed. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. A plaster marquette of Prime Minister Malcolm Fraser produced for the bronze bust in the Ballarat Botanical Gardens' Prime Ministers Avenue.art, artwork, prime minister, prime minister's avenue, malcolm fraser

Betty Brown was a student of the Ballarat Technical Art School when she completed this work, most probably for the Wiltshire Poster Competition. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A framed original gouache poster depicting a box of mixed fruits with whole fruits such as pineapple, oranges, cherries, lemons, apples and grapes at the top of the box, and dried fruits and a fruit cake at the bottomAt the lower edge of the work are the words "John Macleod & Co Pty Ltd. 122 Lydiard Street Ballarat" A sticker on the lower right hand side reads "Exhibit No 8547 Class No 1736"art, artwork, betty brown, brown, fruit, poster, ballarat technical art school, wiltshire poster competition, available

View of the Eltham Railway trestle bridge near Eltham Town Park with a train either approaching or leaving Eltham Station. A Tait 'red rattler' train is on the railway. The railway was commenced in 1900 and opened in 1902. It crosses the Diamond Creek on a timber trestle bridge just below where the Eltham Library stands today to the right on this view. The line was electrified in 1923. It is one of the few remaining similiar bridges remaining in Victoria. In 1976 when this was image was taken, Victorian Railways commenced works under the bridge to replace it with an earth embankment and large culvert pipes. This was abandoned following pressure from the Shire of Eltham and community protests. Colour photographbridges, railways, eltham, trestle bridge, eltham town park

William Nichols Anderson (1873-1927) was an Australian painter, one of whose works from the 1906 series River + Rail is in the Kew Historical Society’s art collection (donated 1984). A separate archive file contains correspondence, biographical information (written by his niece), and locations in Kew where he lived. Much of the correspondence between the Society and the City of Kew relates to the painting and its location in the Mayor’s Room at the Kew Civic Offices, Charles Street, where it was on loan from the Society. Lucy M (Jean) Hornby, the artist’s niece and the donor of the painting was a resident of 5 and 20 Queens Street, Kew (Vic). Australian ImpressionismGift of Lucy Hornby, 1984Framed oil on canvas by W. Nicholls Anderson of Park Street, Kew (now Adeney Avenue) looking uphill in a southerly direction towards Cotham Road. The painting is dated to 1906. The two storey house at left was known as 'Eborensis'. The house is still extant on the corner of Adeney Avenue and Parkhill Road. On sticker on back of frame - Adeney Ave./1913/ £3.3.0/ 13th Annual/ Exhib. V.A.S [Victorian Artists Society]/1911 Aust Art Exhib/the Guidlhall/Swanston st Melb./ Adeney's Paddock/ Kew. £3.0.0.artists - kew - victoria - australia, victorian artists society, william nicholls anderson (1873-1927), adeney avenue kew, australian art exhibition 1911, victorian artists' society, w. nicholls anderson

Map of the system shown at two inches = 1 mile. Drawing No. P5799. Shows crossovers, track layouts at junctions, signal cabins roads, railways and stations. Originally signed by Perway Engineer - 20/12/1940, though originally drawn in 1922. Has been marked up in coloured pencil to show the routes and route numbers. The plan shows the lines to Maribyrnong Munitions works along Cordite Ave and Wests Road and the track from Moonee Ponds to Union Road, which opened in July 1941, but not the extension to Essendon Airport built-in 1942. See Reg Item 1561 for a 1963 version and 1683 for a 1987 versionDemonstrates the use of a MMTB drawing to show tram routes and their route numbers at the time.Drawings - dyeline cloth backed print - titled - "Route Map showing location of special work and pole numbers" and subtitled - "Electric Tramway Routes - showing routes in colours and numbers". trams, tramways, mmtb, trackwork, tramways, junction, map, world war 2

Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Detail of a nun in stained glass window at St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, nun, bruce hutton

President's overview of the year including: difficulties in securing funds from estates who use wording other than specified by the association, opening of an office in Geelong, return of Michelle Noyce in the Queensland office, competition for donated dollars, role of Phyllis Gration in passing law that assistance dogs should not be excluded from transport or public place, holiday at Seamist in Otways for Swish Club and various staff members and their families, visits from Bill Thornton (Canada) and Alan Brookes (Int. Federation of Guide Dog Assoc. for the Blind), information on how the program works, appeal for volunteers and opportunities for speaking engagements, and profile of Phyllis Gration.1 volume with text and illustrationsannual reports, lady nell seeing eye dog school, phyllis gration

The Phoenix Wool Company was started in 1919 by Brigadier-General Robert Smith. The works were located on the Barwon River, near the end of Shannon Avenue; some remnants of the original buildings can still be seen at the site. Phoenix was one of the first to develop the wool carbonising process (the removal of vegetable matter from wool through the use of chemicals) and during its heyday in the 1930s-50s the company operated 24 hours per day and employed a workforce of over 100. The company closed in 1997. This box of carbonised wool samples may possibly have been used by a salesman promoting the activities of the company.Display case, brown cardboard printed with text in black on the lid at the top. Lined in blue. Interior divided into five sections, each containing samples of carbonised wool. There are five labels attached to the inside of the box lid.THE PHOENIX WOOL COMPANY / PTY. LTD. / WOOL CARBONISERS / GEELONG / VICTORIA / AUSTRALIA / TELEPHONE: 2241, GEELONG / CABLE AND TELEGRAPHIC ADRESS: / "PHOEWOOL" GEELONGphoenix wool company pty ltd, wool industry, wool carbonising, barwon river, geelong, company history, brigadier-general robert smith

The factory was located in Argyle Ave on the corner of Scotch Parade. These companies were engaged in collecting the gut of animals slaughtered at country abattoirs and using it to manufacture high quality tennis strings, sausage casings and medical sutures. Lorna , a former employee described the process. “The gut was cleaned by men in one room and then brought to a second where it was cut into ten yard lengths. Before being cut it was about thirty yards long. The length was then placed on a long nozzle and water poured into it. The gut was graded into different sizes or standards using gauges. Anything that was holey was rejected and sent to the Casing Works where it was made into tennis strings or sutures.”One black and white photo of four directors of the Country Service Casing Factory, Mr Aurish, Mr Stan Cook, Mr Northfield, Mr Brunstein. Three black and white photos of the factory buildings and surrounds of the factory.chelsea, workers, directors, pacific by products, aurish, mr northfield, mr brunstein, stan cook, argyle ave, gut factory

Tom NESTOR Tom Nestor studied a Diploma of Fine Art at Ballarat College of Advanced Education (later Federation University) in 1980, 1981 and 1982 with the intending to be a secondary teacher. Instead, he opened his own ceramics studio in Bald Hills at his parents property near Creswick. He worked for potteries in Albury and Healesville as well as Old Ballarat Pottery as a production thrower. In 1985 he moved to Belgrave where he continued to work producing kitchenware and garden pots till mid 1986. Works may be marked with an impressed stamp as on this vase "Tom Nestor Bald Hills Handcrafted"Glazed vase with cobalt blue leaves.ceramics, australian studio pottery, tom nestor, bald hills pottery

Plaque, bronze with polished bronze border, relief lettering and City of Caulfield ensign, and brown textured background. The plaque commemorates the official opening of kitchen extensions by His Worship the Mayor Cr Nicholas Gold on 25th January 1994. It lists Councillors of the City and Chief Executive. THESE KITCHEN EXTENSIONS / WERE OFFICIALLY OPENED / BY / HIS WORSHIP THE MAYOR / CR. NICHOLAS GOLD / THIS 25TH DAY OF JANUARY 1994 / CR. SANDY ANDERSON CR. JAMES BARRETT CR. ED BIGGS CR. TONY BROWNE CR. NOEL ERLICH CR. ALAN GROSSBARD CR. DANIELLE HASTINGS CR. VERONIKA MARTENS CR. DAVID MICHELSON CR. DAVID SPENCER CR. HEATHER WELSH / COUNCILLORS OF THE CITY / THESE KITCHEN EXTENSIONS WERE FUNDED BY THE CITY OF CAULFIELD / WITH ASSISTANCE FROM THE COMMONWEALTH GOVERNMENT'S LOCAL CAPITAL / WORKS PROGRAM / MR DOUGLAS AYLEN / CHIEF EXECUTIVE OFFICER

This is an image of a public square on the island of Kos in Greece. Kos was the home of Hippocrates, and the tree in this image is reputedly the plane tree under which Hippocrates sat as he taught his pupils medicine. Hippocrates is known as the "Father of Medicine" for his revolutionary impact on the field of medicine. The letters 'A.P.D.R' printed below the title on this artwork refer to the copyright granted to engravers in France.Black and white engraving of a market square scene on the island of Kos in Greece. A large tree dominates the scene. Below the tree sits a roofed structure with a series of small steps. Water appears to be coming out of a channel of each of the visible sides of the structure, suggesting a fountain. To the left, an array of human figures, horses and a dog sit or stand beneath the tree and on the steps of the fountain. To the right, there are shaded platforms on which people are sitting in groups. There are three dogs in front of the group sitting on a platform at bottom right. Text printed below image reads 'VUE DE LA PLACE PUBLIQUE DE COS/A.P.D.R.' Small printed text below bottom left corner of image is partly illegible, but references the original creator of the artwork, Jean-Baptiste Hilair. Small printed text below bottom right corner of image reads ' Gravé à l'eau forte par C. Weisbrod/ el terminé au burin par J. Aliamet'. Small printed text above top left hand corner of image reads 'Pl. 59.' The print has been framed in a brown wooden frame with gold trim. An old display label is affixed to the back of the object. A card from Professor Franco Crainz is affixed to the back of the object, thanking the unnamed receiver for a reprint of their "interesting paper on D.D.Davis' Obstetric Atlas". The front of the card carries a print of the Temple of Esculapia, located in the Villa Borghese in Rome. A wire and two hooks have been attached to the rear of the work for hanging.

Bogong Village, which was known as “The Junction”, is well recorded. The first tent camp was at the junction of Pretty Valley and Rocky Valley streams in the early 40’s. Further downstream were the sawmill, stables and blacksmith’s forge. Horses were the main mode of transport in the early days. The road to Bogong had reached the lookout spur just beyond Roper’s Spur track just before the 1939 fires. The early forties saw rapid growth of the village, with single and married men’s quarters, workshops, mess huts and administrative offices. The facilities necessary for communal living were quickly in place- a post office, police station, co-op store, medical centre, community hall/theatre, tennis courts and school. Much of the temporary accommodation that housed groups such as the Albion Quarrying Company were in the area now under water.This group of photographs are a pictorial record of the early history of the Kiewa Hydro Scheme, the people who worked in the background supplying administrative support and the workers and their families. It also shows a glimpse into how a large group of people from very diverse backgrounds came together to enjoy social activities and share each others companyGroup of 10 black and white photographs and photocopies of original photographs of varying sizes (some official SECV photos) Some Photos are labelled with the date and the names of SECV staff members. Depicting early life at Bogong Village 1. Group photo – Kiewa House Residents 1.8.41 (SECV official photo) 2. Female staff residents 3. Female office staff 4. Kitchen staff – Junction Mess (SECV official photo) 5. Male administration staff Bogong 6. Bogong Social Club fancy dress ball, 1940 7. Wives and children of SECV workers 8. Children in fancy dress 9. Opening of Volunteer Air Observers post 1943 10. Flag raising at opening of Volunteer Air Observers post 1. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 1.8.41 Time: 12.30pm No:K 435 Kiewa Hydro-Electric Works. Kiewa House Residents Back Row L to R: S.A. Salmon, W. Strachn, T.A Connors, W.J Norman, R.C Grealey, R.D Hegarty, Mrs Hegarty, W.R Morgan, S.A Clarke, P. Morgan, P.J. Harnetty, G.W Crouch. Front Row L to R: W.L Godfrey, R.S Hollands, Pte. R Charlesworth, R.L Dunn, N Caldwell, L.T Davies, I Webber, H.L Kendall, P Tiller, Ricky Hegarty, L.T Guy, M.C Cox, K.F Calder, D.S Gibson 2. Printed on bottom: Staff who lived at Kiewa House and worked in the Administration Office c 1943 Handwritten at bottom Priscilla Johnson (nee Reid) At top of page A GOOD LIFE: WOMEN’S RECOLLECTIONS OF LIFE IN THE UPPER KIEWA VALLEY 3. Printed under photo- Office Staff – Bogong 4. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 18.5.40 Time: 11.05am No:K 103. Kiewa Hydro-Electric Works. Kitchen Staff- Junction Mess. Opening night of the new staff mess Bogong. 5. Printed under photo -Administration staff Bogong 6. Printed under photo- The social club raised money for patriotic fund from fancy dress nights. (1st Fancy Dress Ball, Bogong 1940) 7. Printed above photo: ---- and family life begins (1942 Bogong) 8. Printed under photo: A favourite photograph 9. Printed under photo: STATE ELECTRICITY COMMISSION OF VICTORIA Date: 24.5.43 Time: 2.8pm No:K 1151 Kiewa Hydro-Electric Works. Bogong- Squadron Leader Leggett speaking at opening of Air Observer’s Post 10. Printed under photo: Raising the flag at the opening of the Volunteer Air Observer’s Post at Bogong - 1943 bogong village; kiewa hydro electric scheme; social activities; community clubs

Isaac Sherwoods Ltd were manufacturers of oil lamps and burners in Birmingham, in 1904 they were trading as Isaac Sherwood & Son Ltd. but by 1920 they had taken over Linley & Co. of 73-75 Great Lister Street, makers of `American' pattern lamps to become Sherwood-Linley at Nechells Park Works, Eliot Street. The company were a leading manufacturer of oil and candle lamps exporting their goods all over the world. The subject lamp is operated with a candle, which is inserted on the underside, it is sprung and as the candle burns the spring keeps the candle pushed upwards keeping the flame burning until the candle is extinct. Sherwoods invented and patented this innovation for candle lamps.The subject item is incomplete however it has some significance as it was designed to be used in a sea going vessel, as a result is quite rare also the item is made by a well known manufacturer.Spring loaded candle Lamp, brass, with gimbal wall attachment for use on a ship, shade and mount missing. Candle-stop has the words "Sherwoods Limited, trademark sound".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, candle lamp, gimbal spring, sherwoods limited

This lock was once used in the old 19th century gaol in Gilles Street, Warrnambool. The gaol is part of a group of four heritage buildings which comprise a police station, a police residence, police stables as well as the gaol. These were built between 1883 and 1888 from the designs of the Victorian Public Works Department architect, E.R. Laver. He was responsible for the designs of many 19th century country police stations, post offices and courthouses in Victoria. The four heritage buildings, of which the gaol is one, are important because they are some of the few surviving Warrnambool 19th century bluestone buildings. Today they form part of the South West Tafe Complex. This lock is of considerable interest as one used in the Warrnambool 19th century gaol building. The door on which it was used appears to be walled up now. This is a large iron lock with a base plate with three rivets and a projection piece. There are three curved iron pieces on the plate and these are fixed to the plate with 12 rivets. The bolt is rounded and moves under the three curved pieces across the plate. There are two other curved pieces, part of the bolt locking system. The lock has surface rust. warrnambool police and gaol heritage buildings, history of warrnambool

The E.J. Tippett Library is named after the late E.J. Tippett who was a long time President of the Ballarat School of Mines Council, and library advocate. In February 1985, the first sod for the new SMB Campus building was turned by the Minister for Planning and the Environment, the Hon. Evan Walker, M.P. The overall responsibility for the building rested with the Public Works Department in association with the SMB Campus architect, Ewan Jones & Associates and the builder, S. J. Weir Pty. Ltd. They put together the facility that is both functional and of a style that merges with the surrounding architecture. The new building was opened on 04 July 1986 by Governor of Victoria, His Excellency Dr Davis McCaughey.E.J. Tippett Library on the Ballarat School of Mines library.ballarat school of mines, smb campus library, e.j. tippett library

Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy, Institute of Education, Arts and Community. Notes a return to face-to-face teaching. Catalogue includes students from Diploma of Graphic Design (9), Advanced Diploma of Graphic Design (4), Bachelor of Visual Art (6), Bachelor of Communication Design (2), Graduate Diploma of Ceramics (4), Bachelor of Fine Art (2). Publication design by Angas Dorsett, Jack Trevey, Ashleigh Freeman, Susan Stanley and Jason Grace. Last page lists acknowledgements of staff and supporters. Inside back cover lists sponsors.Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2022. 48 page + 4 page cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye

In this picture we see the cement mixer on the right so possibly stone work being undertaken both sides of the street. Work is under way at the house one down from the bend where two piles of bluestone are gathered; possibly for terrace edging of the driveway and footpath. These images were from a strip of negatives, most likely taken by a Shire of Eltham employee so the works could have been part of council operations. Many streets in the shire have stonework edges for gardens abutting footpaths where the roads have been cut into the terrain. Much of this stone masonry work was undertaken for the council by C.J. Watson and Sons.Roll of medium format 120 6x6 black and white negative film, 1 stripbriar hill, c.j. watson and sons, fx holden, mountainview road, side-car, motorcycles

The E.J. Tippett Library is named after the late E.J. Tippett who was a long time President of the Ballarat School of Mines Council, and library advocate. In February 1985, the first sod for the new SMB Campus building was turned by the Minister for Planning and the Environment, the Hon. Evan Walker, M.P. The overall responsibility for the building rested with the Public Works Department in association with the SMB Campus architect, Ewan Jones & Associates and the builder, S. J. Weir Pty. Ltd. They put together the facility that is both functional and of a style that merges with the surrounding architecture. The new building was opened on 04 July 1986 by Governor of Victoria, His Excellency Dr Davis McCaughey.Two colour photographs showing the exterior of the E.J. Tippett Library at Federation University Australia SMB Campus, and two taken from inside the library looking over Ballarat East.e.j. tippett library, tippett library, smb library, tippett, e.j. tippett, ewan jones & associates

The E.J. Tippett Library is named after the late E.J. Tippett who was a long time President of the Ballarat School of Mines Council, and library advocate. In February 1985, the first sod for the new SMB Campus building was turned by the Minister for Planning and the Environment, the Hon. Evan Walker, M.P. The overall responsibility for the building rested with the Public Works Department in association with the SMB Campus architect, Ewan Jones & Associates and the builder, S. J. Weir Pty. Ltd. They put together the facility that is both functional and of a style that merges with the surrounding architecture. The new building was opened on 04 July 1986 by Governor of Victoria, His Excellency Dr Davis McCaughey.Photographs of the opening ceremony at the E.J. Tippett Library. e.j. tippett library, library, e.j. tippett, library catalogue cards, ewan jones and associates, smb library, ballarat school of mines

The E.J. Tippett Library is named after the late E.J. Tippett who was a long time President of the Ballarat School of Mines Council, and library advocate. In February 1985, the first sod for the new SMB Campus building was turned by the Minister for Planning and the Environment, the Hon. Evan Walker, M.P. The overall responsibility for the building rested with the Public Works Department in association with the SMB Campus architect, Ewan Jones & Associates and the builder, S. J. Weir Pty. Ltd. They put together the facility that is both functional and of a style that merges with the surrounding architecture. The new building was opened on 04 July 1986 by Governor of Victoria, His Excellency Dr Davis McCaughey.Black and white photo taken from outside the Tippett Building, showing the wood pattern at the entranceballarat school of mines and industries, tippett building, ballarat school of mines, library, buildings, ewan jones and associates, e.j. tippett library, smb library

As the Yarra became unsuitable as a source of water, several attempts were made to find alternative sources for the growing population of Melbourne. It was not until 1891 that the efforts to sewer Melbourne came to fruition with the setting up of the Melbourne Metropolitan Board of Works (MMBW), now known as Melbourne Water. From 1891 until 1992, it was the responsibility of the MMBW to safeguard public health by providing a sewerage system and a safe water supply system. In 1992, The MMBW merged with a number of smaller urban water authorities to form Melbourne Water. This item was used by MMBW employees as a measuring device to determine areas or figures on a plane surface having either straight or irregular boundaries. The Compensating Polar Planimeter is of historical significance for its association with the former Melbourne and Metropolitan Board of Works (MMBW). This measuring device is perfectly intact and a rare surviving object of standard Board issued equipment. The kit is significant for its representativeness of the theme of Technology in building Victoria's industries and workforce, which continues to resonate strongly within Melbourne Water today.The instrument is inside a black metal case with accessories including: Setting bar, screwdriver, Allen key and spare pole point. Inside is also the adjustable planimeter. mmbw, melbourne water, melbourne metropolitan board of works, technology, instrument, work, measure, historic, water, staff

Murrup Laarr translates as 'Ancestral Stones' in Wadawurrung. This artwork by Dr Deanne Gilson is located in the North Gardens Indigenous Sculpture Park. The park is a significant project for the City of Ballarat and features works by Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming, memory, ceremony.The artwork is of aesthetic and cultural, social and spiritual significance to the people of Ballarat and to Wadawurrung peopleA traditional hut made from river stone and stacked rocks, with the hut surrounded by large basalt rocks with plaques featuring unique designs on stoneware plates imbedded into them. Murrup Laarr (Ancestral Stones), 2019 / By Deanne Gilson / Wadawurrung people have always used stones to mark places of ceremony and important business. The stones are the holders of memory and knowledge, Country and Spirit. They mark the cosmos and seasons. They follow the sun, marking the summer and winter solstice, important dates for planting and harvesting and telling stories of past, present and future. / The stones are alive and still present. Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. I am very honoured to have had this opportunity. An Aboriginal stone circle existed in Ballarat pre-colonisation; by putting back what was lost throughout colonisation I pay homage to my ancestors, past, present and emerging”/ – Deanne Gilson, March 2019 murrup laarr, wadawurrung