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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Craig Wilcox, The Boer War - Australians and The War in South Africa 1899-1902, 1977
A guide to the collections in various offices of the National Archives of Australia referring to Australia's involvement in the Boer War. Includes background political history, some photographs and records of activities.history, settlers -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Bringing them Home, 1997
A guide to major themes, findings and recommendations of the National Inquiry into the separation of Aboriginal and Torres Strait Islander children from their families.aboriginals -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Bird Geoff, Re-establishment Benefits for National Servicemen Department of Labour and National Service December 1966, 1991
A short history of the Lakes Entrance Ocean Rescue Squad Victoria, includes action to be taken before crossing the Lakes Entrance Bar and distress procedure, contains photographs of boats and rescues.boats and boating, safety, community services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Department of Labour and National Service, Private Lives Public Records -Family History Resources at Public Record Office Victoria, 1966
Government booklet intended to direct National Servicemen to the assistance available for return to civilian life.community services -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Parsons Ronald, Scuttled and Abandoned Ships in Australian Waters, 2000
A guide to the Ship Register and transaction books held at Australian ports, and to the microfilmed records in the National Archives. Alphabetical index of ships enrolled at the various ports.ships and shipping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Howse, Derek and Sanderson, Michael, Bunga Haven on Lake Bunga. An East Gippsland Idyll, 1973
A sample collection of maps and charts showing the development of the sea chart from 1420 to a metric Admiralty chart of 1971. The sixty reproductions are of sea charts preserved in the National Maritime Museum, Greenwich.maritime history -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Kernot, Maurice Edwin, National Standards for Australian Museums and Galleries, 1917
A printout of part of the Paper and Discussion of the construction of the Bairnsdale to Orbost Railway with emphasis on bridges.public utilities, bridges -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Commonwealth of Australia, The Productivity Commission, Omega Navigational, 2005
Draft paper by Productivity commission on inquiry into protection of National Heritage Places.heritage -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Memorabilia, National Bank Calendar
Ten calendars 1961, 1962, 1966, 1967 1975, 1976, 1977, 1978, 1979, 198210 calendars from National Bank, wire bound on upper short edgedocuments, calendars -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, East Gippsland National Estate Report, 1996
109 printed pages, plastic envelope containing maps inside rear cover, spiral wire boundBuff coloured cover with leaf pattern, left side of cover is brown, rear cover is monotone buff.documents, reports -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Johnson, Dick, Bullockies, 1974
Contains historical evidence of the use and misuse of the Alpine area, and misuse of the Alpine area, and the need for management of this special environment by the establishment of an Alpine National Park. Many illustrations and maps.environment, settlement -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Public Record Office Victoria, A Guide to Writing a Collections Policy Including examples and pro formas
A collection of Public Records, Victoria Guides and Services, and National Archives of Australia Guides to caring for collections.reference material -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Green Words and Images, Victorian Heritage Strategy, 1999
A discussion paper outlining all aspects of Heritage Tourism, from international and national to local. Operational guidelines for successful tourism projects included.tourism, heritage -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Chambers, Don, Exploring the Gippsland Lakes in 1882, 2006
Made after National Trust was alerted to the threats to the state's wooden bridges. Tells the history, location and structural diversity of Victoria's extant timber bridges. Amply illustrated in both colour and black and white.bridges, civil engineering -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, National Archives, The National Trust Victoria Sketchbook
A very brief description from National Archives - events, stories, war, Royal Commissions, Cabinet debates, buildings, people.archives -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Davidson, Rodney, Victoria 1834-1900, 1970
Brief description and drawing of buildings on the Victorian National Trust listing.architecture, archives -
Sunshine and District Historical Society Incorporated
WUNDERLICH TILE, Wunderlich Limited, Circa 1965
In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building -
Clunes Museum
Book, NATIONAL LIBRARY OF AUSTRALIA et al, CLUNES - A TOWNSCAPE STUDY OF A VICTORIAN COUNTRY TOWN
GENERALLY THIS SIDY IS AN ANALYSIS OF THE VISUAL FABRIC OF THE TOWN AND GIVES SUGGESTED GUIDELINES FOR FUTURE GROWTHBOOK - CLUNES - A TOWNSCAPE STUDY OF A VICTORIAN COUNTRY TOWN PRODUCED BY CENTRE FOR ENVIROMENTAL STUDIES. UNIVERSITY OF MELBOURNE 1977GENERALLY THIS SIDY IS AN ANALYSIS OF THE VISUAL FABRIC OF THE TOWN AND GIVES SUGGESTED GUIDELINES FOR FUTURE GROWTHlocal history, town scape -
Clunes Museum
Newspaper - NEWSPAPER CUTTING, BALLARAT COURIER
JAMES WILLIAM ESMOND MONUMENT.NEWSPAPER CUTTING FROM THE SUPPLEMENT TO THE BALLARAT COURIER, WITH A SCENE OF THE FIRST GOLDSTRIKE IN VICTORIA AND A PHOTO OF JAMES WILLIAM ESMOND MONUMENT AT CLUNES MARKING THE DISCOVERY OF GOLD THERE IN JULY 1851.ADVERTISEMENTS OF WILLIAM BARKELL ART & HISTORICAL CENTRE, CLUNES NEWSAGENTS, CLUNES LICENSED GROCER, NATIONAL HOTEL, MOTEL, CLUB HOTEL, CARAVAN PARK, ETC.local history, document, newspaper cutting, mining, monument -
Nillumbik Shire Council
Print (lithograph) Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Mandarin on Kitchen Table, 1983
This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print -
Nillumbik Shire Council
Prints (solar etchings): Christine JOHNSON (b. 1959 AUS), Voyages Botanical, 2014
Johnson undertook this project with a State Library of Victoria 'Creative Fellowship' in 2012, drawing on early botanical illustrations by Sydney Parkinson, Pierre-Joseph Redoute, Ferdinand Bauer and others from the Library's 'Rare Books' Collection. Johnson printed this series in 2013 while working as artist in residence at Baldessin Press, St. Andrews. 'Voyages Botanical' celebrates the untamed treasures of Australia’s (Nillumbik) vast native flower garden. The work speaks to Nillumbik's natural environment and colonial heritage in the context of our national story. Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre (edition 4/5). Catalogue: 52 colour pages. Solar plate engravings x 30; ink on paper. Series A: Ten multi-layered solar plate engravings (edition of 12); Series B: Ten flower images drawn from living specimens (edition of 12); Series C: Ten details from early botanical art engravings (open edition) Charcoal solander box with artwork title, artist name and flower motif in silver lettering bottom centre. Solar plate engravings x 30: Series A, B: all prints have edition number '4/12' to bottom left of image, artwork title () centre and artist signature 'Christine Johnson 2014' to bottom right of image. Series C: all prints have artist initials signed 'CJ' bottom right of images. All inscriptions in pencil. johnson, solar plate, engravings, creative fellowship, baldessin press, state library of victoria, botanical, flora, native, european explorers, cartography, wildflowers -
National Wool Museum
Folder, c1950
Small dark red leather-bound folder/binder/booklet. Front cover has a gold circular stamp in the upper centre of cover. Folder contains brief information about the Albion Mills in Geelong, several images of sheep and a glossary of common woolen and textile industry terms. Folder was stored in a plastic sleeve with an envelope with two stamps advertising industrial events in Bradford. The writing on the envelope appears to be German or similar.ALBION MILLS/ GEELONG -
National Wool Museum
Blanket, 1939
This blanket was made in 1939. The blankets spent 60 years at the Belgrave Heights Convention Centre, This was/is a catered accommodation lodge and these blankets were used by campers.Woollen blanket. Grey with 3 blue stripes. White overlock stitching on the edge. Blanket label reads B.H.C Collins Bros 1939.B.H.C./ COLLINS BROS. / 1939 -
National Wool Museum
Blanket, 1942
Made in 1942, this blanket has spent 60 years in the Belgrave Heights Convention Centre in the Dandenongs. It was provided for camping and accommodation by the BHC.Grey woolen blanket with 3 blue stripes. Large stain. Eagley Mills 1942 label in bottom right corner. Blue edging along the two short sides.Eagley / MILLS / 1942 -
National Wool Museum
Handbook, 1966
Donated by Mrs Robyn Adams, daughter of Victor Clyde- a wool grower from North-Eastern Victoria who used this itemWhite paper booklet with four staples on left spine. Front cover has heading -ELDER SMITH / GOLDSBROUGH MORT / LIMITED-. at top centre. Text also reads -WOOL HAND-BOOK / AND WAYBILLS-. Text is black and there are four red horizontal bars on the cover. Inside front cover has list of points to remember. First pages have instructions. Booklet contains several lined yellow pages which can be copied with carbon paper, or removed. Inside back cover has a foldable map. Back cover had a ready reckoner printed.wool sales, wool auction, wool transport, mrs robyn adams, elder smith goldsbrough mort limited, dalgety and company limited elder smith goldsbrough mort limited -
National Wool Museum
Griswold stocking knitting machine, c1890 - 1900
The machine was most recently used by donor's father c2008 to knit socks, but had been used for many years earlier. According to family history, it is believed that the machine came to Australia with donor's grandparents in the early 20th century, and was created c1890-1900. It is still in working order and a demonstration was given by the donor during the acquisition process.Griswold stocking knitter machine. Black steel manual machine which clamps on to the edge of a table and is operated by turning a handle. Centre of machine is a cylinder which can be lined with pins to create the sock/stocking. Two detached parts of the machine include a bobbin holder and yarn feeder. Accompanying items include: 3 examples of incomplete attempted socks made by donor. 4 envelops containing instructions, pattersn, notes and advice on using the machine, created by donor's father and grandfather. 1 bobbin with grey yarn. 2 metal machinery pieces. 2 tins containing pins for the machine. 1 metal yarn feeder cone. 10 weights plus two weight stands. Stocking knitter machine has an identifier plate with patent numbers on the side. -
National Wool Museum
CFA Blanket
Created by the Creswick Woollen Mills for wildland firefighting. Has CFA logoRed fire blanket containg aramid core with wool stiched to either side. White CFA logo locatted in the centre top of the blanket. Creator's label stiched in white to the bottom right corner of the blanket. Moth damage brings to the surface aramid core in one small section.White CFA logo stuck on front top centre of blanket. Bottom right corner has white sthiched maker's tag. -
National Wool Museum
Booklet - Catalogue, Mossgiel, c. 1920
From the collection of a family who had three generations that worked for Dennys Lascelles. This is a catalogue describing the Mossgiel estate for an upcoming auction which was going to be held through the Dennys Lascelles Company. Mossgiel was built for or owned by Brigadier-General Robert Smith, who (I believe) was the founder of the Returned Soldiers & Sailors Mill in Newtown.Cream/pale yellow coloured paper booklet with maroon/brown text and border on front page, "Mossgiel" text in centre. 6 pages, bound with two metal staples on spine. Text and images throughout, describing and showing the Mossgiel estate. Back cover has small drawing of a shield or symbol with flowers below and text reading "LIST. HICKIE. PTY. LTD"dennys lascelles ltd, hendy leary and co, mossgiel -
National Wool Museum
Notice, Mossgiel
From a family who had three generations that worked for Dennys Lascelles. This notice is advertising the upcoming auction of Mossgiel estate through the Dennys Lascelles Company. The auction would take place at The Wool Exchange. Mossgiel was built for and owned by Brigadier-General Robert Smith who (I believe) foundered the Returned Soldiers & Sailors Mill in Newtown.Single paper page, off-white colour with black text and black and white photograph. Upper part of text describes the auction details, there is a photo in the centre of the page. Text below the photo describes the estate details and auction terms. -
National Wool Museum
Memorabilia - Certificate, Guinness World Records, 2015
Guinness World Record certificate with envelope, backing card and two information sheets presented to the National Wool Museum in 2015 as part of the Shaun The Sheep Pom Pom Parade exhibition. As part of the exhibition the National Wool Museum joined with Pyrenees Presents Inc to attempt to set a record for the most number of handmade pom pom sheep exhibited. The challenge was set prior to and during the exhibition, with and end date of October 11, 2015.Navy blue envelope with an address sticker at front centre and Guinness World Records logo on right centre. Perforated horizontal opening at back with text OFFICIALLY AMAZING at top part and Guinness website address on bottom left corner. 2 x letters of record confirmation and information from Guinness World Records, featuring their logo at top right corner. Plain white cardboard backing support for certificate. Official Guinness World Records certificate. Navy blue border, background watermark of Guinness World Records text. Official metallic stamp at bottom right corner.guinness world records, shaun the sheep, pom pom parade