Printed coloured photographic postcard. Image is of a body of water with rocks and a bare branched tree in the foreground. Mountains are in the background. The words Derwentwater and Skiddaw are printed in white along the bottom edge. Reverse is addressed to Miss G Dean Glen Alvie Queenscliff. Handwriting covers the left hand side.BB London Series No G8 Printed in Germanypostcard

BHS CollectionPhoto of Joan Sartori: Black and white photo of Joan leaning against the drivers side of a car with her left foot resting on the running board. She is wearing a dark cardigan and floral dress, she is wearing two toned shoes. On the back is hand written in blue ink is *Joan Sartori * *Estelle Dole 1 Farrell St. Bendigo*. The number 41 is hand written in pencil. A green triangle with green print inside is *Printed by Oliver's Bendigo* and black *Velox*. is Box 116APrinted by Oliver's Bendigophotograph, person, hanro, bendigo. estelle dole

1970's Indian cotton, block printed dress.- Indian cotton printed dress (block printed) - Wrap style, long sleeves, tie belt, side splits - Skillful use of block printing in dress design - Black colour washed out, verging on dark brown'Dellriwala" Handmade in India 100% cotton size 8clothing, indian, block printed

Colour print of W3 class tram 661 in Wendouree Parade possibly on its first day of operation, 11-10-1980 for the BTPS. Tram 671 is in the shadows. Photographer unknown.Yields information about BTPS W3 671 in Wendouree Parade on its first day of operation.Colour print - on plain papertramcars, btps, wendouree parade, w3 class, tram 661

Coloured print of HMAS ANZAC by Tom Freeman 1996. Ship is powering forward firing forward gun turret & 2 missiles from aft. Ground troops with weapons are pictured in top background. Print is mounted on chipboard with white border & black edging. Laminated in clear plastic with small white hanging strap at rear.Above print in black type: “HMAS ANZAC” Below print in black type: “Commissioned 18 May, 1996 Port Melbourne, Victoria” Handwritten in blue ink either side of print: “Signatures” Emblem RHS bottom of print: “ANZAC UNITED WE STAND” Signatures print, anzac, mounted, hmas

'Deed of Defeasance under Mutual Rule . Residence Area Title (Miner's Right). The Bendigo Mutual Permanent Land and Building Society. Four page blank (unused) form. Printer: Cambridge Press Print.Cambridge Press Printperson, individual, curnow collection

Black and white print of the traffic offices of Glen Huntly tram depot soon after construction in 1923/24 Has the tram depot buildings in the background. Yields information about the then new Glen Huntly tram depot.Black and white print with details on the rear.In ink "GHtly Taffic Offices" and Sutcliffe Photographers stamp.tramways, glen huntly depot, buildings, depots

Copy print of a sepia toned image of a Bendigo Tramways Co. Ltd steam tram motor (No. 2) and trailer No. 6, possibly on the depot access track. Shown as a W. H. Robinson photograph, was scanned from a block mounted print. Has in pencil "1892 - 1902" reproduced on the photograph. Trailer No. 6 has a roof advertising board "Drapery half price Beehive Sale". shows in detail the presentation of the trams, painting scheme, bogie arrangements. Two copies held. 4369.2 - Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 30/6/2013. Has 'WJ T168" written in ink on the front of the photograph. See item 9464 for a glass plate negative of this image and 987 and 1439 for other images.Yields information about Bendigo steam tram and their trailers.Black and White reproduction printCopy 1 - Has "17)" in the top left hand corner of the front of the photograph. On the rear "(8)" in pencil in the top left hand corner. In pencil and ink "Bendigo Tramways (steam system) 1892", "Copied from William H Robinson / Leonard C. Bennetts Collection" and a "William F Scott" address label in the bottom right hand corner. Also has cropping instructions and other marks. Copy 2 - In pencil "Bendigo / William H Robinson / Leonard C. Bennett Collection" 4369.1 - on rear in ink "Bendigo No. 2 Motor, No. 6 Car, Mollison St. 1895" Motor No. 2 by Baldwin B/No. 12242 of 1891" Has Wal Jack copyright stamp on rear and number T168 written in.trams, tramways, bendigo, mollison st, steam trams, trailers, tram 2, tram 6

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - OIL PAINTING ON HARDBOARD. Depicts - an interpretation of the Gallipoli story of Private John 'Murphy' SIMPSON KIRKPATRICK and his donkey. Colours - vivid oranges with some white and brown. Visible in the painting - donkey, wounded soldier, rocky terrain, background figure of "Simpson" and cliff and gullies. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper."CLIFTON PUGH (1924 - 1990) Untitled IV (Simpson and His donkey) 1990". Clifton Pugh was appointed as the Australian War Memorial's official artist at the 75th Anniversary of the Gallipoli landing. He served in the Second World War in New Guinea and Japan.framed accessories, pprints, ww1, gallipoli, centenary

Ray Simpson VC, DCM. Refer 630 for his service history, WW2, Korea, Malaya, Vietnam. This portrait came as an extra to a large framed print of Australia’s 96 at the time Victoria Cross winners.Dark brown marbled effect timber frame, with gold inner edge glass, gold metal look name plate glued to glass at lower edge. Coloured print of a water colour painting of soldier RAYENE STEWART SIMPSON in uniform. Black print on gold name plate: SIMPSON Rayene Stewart VC Rank Warrant Officer Class II Unit: Australian Army Training Team: Vietnam Date: 6 and 11 May 1969 Place: Kontum Province, South Vietnam (now the Socialist Republic of Vietnam)portraits, illustrations-watercolour, aattv, vc

Black and white photograph of a poll Hereford bulls lined up for judgingThis item is a part of a larger collection of 4,500 Frank Johnson photographs and negatives donated to Melbourne Royal by Frank Johnson’s daughter, Francis Beatty Wallace in 2016. This collection spanning from the 1930s to the 1980s holds important social and historical significance in preserving and sharing Victoria’s agricultural history and community. The photographs capture the local, regional, and state’s shared relationships developed through agriculture and the importance of farming and husbandry to the population and development of Australia. A large proportion of these photographs depict events from the Royal Melbourne Show, including livestock competitions, exhibitions and awards ceremonies. Dating back to 1848 when the society first began, the Royal Melbourne Show has held a special place in the hearts and minds of Victorians, allowing for extensive showcasing and celebration of agricultural excellence, bridging the divide between metropolitan and rural Victoria.A black and white photograph, landscape, printed on gloss paper with a white border[printed and taped on the reverse] Poll Hereford line up for Ch. Bullroyal melbourne show, hereford, bull, cattle, livestock, blue ribbon competitions, agricultural shows, judging

Colour print showing W2 class tram No. 414 (Burwood Route 74), at the junction in Riversdale Road for Camberwell Depot. Note the signal light on the pole on the right hand side of the photograph.Yields information about tram 415 and the junction with the Camberwell Depot tracks.Colour print on Fujichrome paper.trams, tramways, tram 415, riversdale road, cambewell depot

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Tower Hill and Lake, Warrnambool – Tower Hill Wildlife Reserve is in the crater of a dormant volcano. In 1892 the area was declared a National Park, the first in Victoria, preserving native animals and Indigenous plants. The rich volcanic soil in the area attracted early settlers including the families of Henry Giles, born at Tower Hill in 1858 and his wife Mary Jane (born Freckleton) born nearby at Cooramook in 1860. Henry and Mary worked in the local area where they also raised their six children. For a time, Henry was employed as a labourer on the Warrnambool Breakwater. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The postcard of Tower Hill and Lake is connected to the location near Warrnambool where many of our early settlers lived and worked. One of these settlers was the Giles family, whose son Henry was born at Tower Hill. His family has donated many Victorian-era items which are now on display at Flagstaff Hill. Tower Hill National Park is the first place in Victoria to be named a National Park. As in the times when coastal trading ships brought passengers and cargo to the Port of Warrnambool, it continues to be a popular place to visit. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within a rectangle and an impressed line around the image on the front. The picture shows several islands close together with hills around them and bushland in the foreground. There are dead trees amongst the vegetation and a sandy shore at the foot of some of the hills. The lower left corner shows what appears to be two white rails, possibly a lookout fence. There is no correspondence written on the card. The title is printed in red on the front and the back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain. Front, in red: “Tower Hill Lake, Warrnambool” Back in green: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, tower hill, tower hill national park, victoria's first national park, henry giles, mary jane freckleton, breakwater, early settlers

Note printed at lower edge of poster - "These colour patches identified units and formations of the Australian Army which fought during World War 1. They are reproduced for ANZAC Day 1981 as a tribute to the soldiers who wore them".Poster - paper, colour ink print of 250 colour patches of the Australian Army, Worl War One. Reproduced from the "Supplement to 'The Weekly Times' April 5, 1919" Heading to poster "THE GREAT WAR/1914 - 1918" beside Rising Sun badge framed by crossed flags (Red, White and Blue) with laurel leaves and lettering "COLOUR PATCHES". Frame - black colour paint on timber frame with glass front and cardboard backing. Mount - white colour cardboard.Information on poster in purple colour print "THE GREAT WAR/ 1914-1918". "With the Compliments of The Herald and Weekly Times Ltd". "DISTINGUISHING BADGES OF THE AUSTRALIAN IMPERIAL FORCE".framed accessories, poster, ww1, colour patches

Colour print showing the installation of the wooden shelter at Gardens Loop by the Museum prior to the installation of the interpretative board in the shelter. The shelter was subsequently replaced by the Council with a new structure.Yields information about the shelter installed by the Museum at Gardens Loop during 1994. Colour photograph print on Fujichrome paper.museum, shelter, gardens loop, shelters

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph

Two colour slides of two young men playing table tennis in a recreation room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children of deceased servicemen.Colour slide of two young men playing table tennis in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and Slide number '19' or '20' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house

A book with printed perforated pages to send one half to owner of property demanding outstanding payment of rates prior to Council taking possession of land.A mottled blue and brown hard cover book with black spine. Printed and handwritten pages. Printed pattern very worn on front and back covers."Shire of Bulla/Notice of Intention..."1890s, shire of bulla, george evans collection

Newspaper distributed to troops in the field. Sent home by Charles Vernon COCHRANE VX116175. Enlisted 21.10.1942 aged 21, 67th Anti Aircraft Searchlight Battery. Discharged 14.6.1946.Newspaper, cream with black print.Printed in black at top: GUINEA GOLD In the Field, Thursday August 12 1943 Vol 1 No 268 Not For Salenewspaper, ww2

Triangular blue sports pennant screen printed in pastel blue.Screen printed with "W.S.B.A. D grade, summer competition, Premiers 1972-73."

Set of two colour prints of Ballarat Tram No. 18 derailed just prior to the 2/3 roads points on 22/11/2000 during the COTMA Conference tour open day. Photographs by Carolyn Dean. See also Reg. Item 2696 for other photographs as well. Printed on Kodak paper.On rear of each print is "263.1 22.11.00" in ink.btm, derailments, cotma, depot, tram 18

Knitting pattern book with colour pages and black and white printed text. Contains 13 patterns for knitwear.front: [printed] Cleckheaton / Myth front: [handwritten] 3.95knitting, pattern, fashion, knitwear, cleckheaton

Colour print of a group at the launch of the horse tram on 7-11-1992 - left to right - Richard Gilbert, David Frost, Glenise Kellett and Dave Kellett. Dave was a SECV Ballarat tramway inspector.Yields information about some of the attendees on the day of the launch of the horse tram in Ballarat.Colour print with plain back.tramways, btps, trammies, dave kellett, david frost, richard gilbert

Possibly used as a tool to rescue people who may have been in distress in the ocean off Gabo Island. It was removed from Cape Otway and returned to Gabo Island museum. Information printed in black on the orange, plastic, ring shaped buoy confirms the item’s association with Gabo Island Lightstation and also indicates that it was made in Australia by the Rotadyne company for the Department of Transport, which oversaw lightstations between 1950 and 1982, and 1983 and 1987. The buoy was repatriated to Gabo Island from Cape Otway Lightstation in July 2015. It is unknown how it came to be there or how long it had been there.It has second level contributory significance for its historic value and provenance.Circular orange plastic ring with printed in black around ring. Ring has raised inscription. Remnants of white reflective tape in four places. White rope tied to ring through four holes in a distinctive taught crossed pattern at the back of the bouy.On front printed in black, "GABO ISLAND LIGHTSTATION", and embossed "MADE IN AUSTRALIA', 'DEPT. OF TRANSPORT / APPROVAL CERT. No 2315' On reverse, 'ROTADYNE'