ill, p.52.non-fictionA history of steam and diesel locomotives on the Western Australian Government Railways between 1940 and 1968.locomotives - australia - history, railroad locomotives - western australia - history

Brochure for Capers restaurant exhibition. The exhibit was also shown at Peter Payen's Studios, Drive-in Shopping Centre, 86 Whitehorse Road, Ringwood. He lived at "Walkabout" studio, Mast Gully Road, UpweyJack Montgomery was a senior art teacher at Ringwood Technical School

Contains Heidelberg Golf Club Bowling Club office bearers, club information, members' contact details and a calendar of events. 20 p., stapled, cream cover with brown writing and logo. Logo on front and back coversheidelberg golf club, members handbooks, program of events, heidelberg golf club bowling club, syllabus

Debutants trained by Maris BarlingBlack and white photograph of debutants at Football Club debutants Ball named are Wendy Allen McKean and Miss Northrope flower girls Christine Lamand and Margaret Zagami Lakes Entrance Victoriafundraising, balls, football club

ill, p.24.non-fictionA Brief History Western Australian Government Railways up until 1968railway history - western australia, railroad trains -- australia -- history -- pictorial works.

2.v. Ill, index, maps, p.274non-fictionTwo volume set. Volume 1 is descriptive of the ANZAC Battilion in 1967-1968 and the second of maps.vietnam - pictorial works, vietnam war - 1961-1975 - australian participation

The Merbein shops were originally owned by Spiros Raftopoulos (Levendi) who migrated from Kolieri, Ithaca, Greece. The family conducted a business in Merbein during the 1930s before relocating to Melbourne.Some Greeks who migrated to Australia during the first half of the twentieth century settled in larger country towns throughout regional Victoria.A coloured photograph of the exterior view of a group of single storey shops with a verandah across the front of the buildings. The words 'Beauty Salon' and 'The Family Shoe Store' are written across the top of the verandah awnings. A white sedan is angle-parked outside one of the shops.

Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans died on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents actions taken by the Falls Creek Tourist Area Management Committee in their role overseeing the Tourist Area.A detailed circular in preparation for the 1968 winter season. Key topics included:- the rezoning of car parking and some roads also involving the opening of the road between Mt. Beauty and the Omeo Highway becoming a public road called the Bogong High Plains Tourist Road; snow clearing on roads and the use of chains; use of "Yellow Horse" shuttle service: slope preparation and the "Ratrac" snow packing machine; chair lift ticket prices; concerns re straying cattle and a water supply and sewerage update. Over the summer some new buildings had been constructed bringing beds available on the mountain to about 1,350 and a clean up of the Village would be organised before the season began. Tobogganing areas were discussed, The need for publicity was stressed and the Committee saw this as the responsibility of those who would benefit most. Consistent approaches to snow reporting, loutishness and garbage were called for. Oversnow transport, Ski School, Snow Patrol were outlined. Finally the need to foster positive relations and a coordinated approach towards public relations was called for.falls creek tourist area management committee, falls creek administration

CEMA Art Collection Winner of 1968 Portland Art Society Prize for the category of other media.The painting is depiction of a field which is predominantly yellow with patches of red. The largest red patches are in the lower right corner and centre left side. Another focus point of the work is a large yellow mound slightly off centre which may represent a haystack. The background is a light blue sky. The work has a painted wooden frame with material mount and glass covering only the paint surface.Front: Huntington (signature, lower left) Back: ISABEL HUNTINGTON "POPPIES IN FLANDERS FIELD" (1968) (typed label) Yellow Sticker: 1968-cema, portland artists society, wwi, female artist, world war i, the great war

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

Copy of black and white photograph of Williamstown High School Form 5H of 1968.williamstown high school, form 5h, 1968

Small coloured photograph of an original painting by Nick Willoughby 1968 of the Junction Hotel, Pittong.On back: "Junction Hotel Pittong from a painting by Nick Willoughby 1968".junction hotel pittong

One of a series of photographs donated by the City Engineer of the former City of Kew, showing road works. The photos variably include council workers, signage and equipment.One of a series of photographs of core local government services as practised by the City of Kew. The photographs are an accurate record of street works of the period. Original black and white photographic positive of a road works in the former City of Kew. The photo shows an excavation in Studley Park Road near the corner of Carson Street in 1968/9. A Council officer and worker inspect the pit. Excavation equipment and a Council truck are at the back of the view. STUDLEY PARK ROAD AT CARSON STREET 1968/9city of kew, local government -- city of kew, road works, street works, kew city depot, studley park road -- kew (vic.)

Pindarri was the name of the property on which artist John Serle lived on Pindari Road, St. Andrews. Colour painting reproduced on page 11 of "Pioneers & Painters: One hundred years of Eltham and its Shire" by Alan Marshall (1971). This chapter 1 "In the beginning" gives a physical description of the area: "Thick forest covered all the higher mountain ranges .. These areas were all heavily timbered, associated grasslands and eucalyptus extending from the thick forest country across undulating hills to the Yarra... The timber in general is gum, oak and Banksia, the two later are small, the gum two to four feet of diameter and from then to thirty feet high; on some of the low ground somewhat larger. The forest was open with little scrub..." The artist John Serle (born 1928) was the first local artist to become a councilor for the Shire of Eltham. He also worked for the Shire of Eltham grading roads. The Shire of Nillumbik hold a similiar painting in their collection (access via Victorian Collections) titled: Untitled (bush) Donor details on file. Location of original painting unknown. Most probably held in Serle family collection. Painting produced in 1968. Reproduced in "Pioneers and Painters", 1971 This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (1) Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. Significant light flare is reflected off glossy surface of original work at camera lens at lower left and right sides causing quality issues.pioneers and painters, sepp, shire of eltham pioneers photograph collection, john serle, pindarrri, bush

Image 12 Ward House built by owner 1950 Partly destroyed by fire in 1967 Rebuilt in 1968 re-using original mudbricks The Alistair Knox Collection The Alistair Knox Collection is a series of mounted enlarged photos of mud brick houses and related subjects. The collection is understood to have been put together by Alistair Knox although it is the work of several unacknowledged photographers. For some years it was held by the Building Department of the former Eltham Shire Council and was then passed to our Society for safekeeping. Some of the photos have been used in Knox's books and from time to time some of them have been part of various historical displays. As far as we know there has not been a public display of the whole collection which numbers about forty photographs. The collection has been copied on to slides for the purpose of this meeting and to be retained as part of the Society's pictorial collection. Alistair Knox 1912 - 1986 is acknowledged as the founder of Eltham's mud brick building movement. Many of the buildings shown in the collection are of his design and he was also involved with the construction of several of them. Others are the work of his contemporaries and associates such as Peter Glass, Gordon Ford, and John Harcourt. (EDHS Newsletter No. 145 July 2002)Handwritten notes in pencil re details of building, year of construction, owner, designer, builder, etcalistair knox design, houses, mud brick construction, ward house, alistair knox collection

The International Stoke-Mandevile Games, held in Tel-Aviv in 1968, were later classified as the third edition of the Paralympics. The International Wheelchair and Amputee Sports (IWAS) World Games (or IWAS World Games) are a multi-sport competition for athletes with a disability, which under the former name of the International Stoke Mandeville Games were the forerunner of the Paralympic Games. The competition has been formerly known as the World Wheelchair and Amputee Games, the Stoke Mandeville Wheelchair Games, the Stoke Mandeville Games, the World Wheelchair Games, and in the 1960s and 1970s was often referred to as the Wheelchair Olympics. The Games were originally held in 1948 by neurologist Sir Ludwig Guttmann, who organized a sporting competition involving World War II veterans with spinal cord injuries at the Stoke Mandeville Hospital rehabilitation facility in Aylesbury, England, taking place concurrently with the first post-war Summer Olympics in London. In 1952, the Netherlands joined in the event, creating the first international sports competition for the disabled. In 1960, the Ninth Stoke Mandeville Games were held in Rome, Italy, following that year's Olympic Games. These are considered to be the first Paralympic Games.[1] The 2012 Paralympic mascot Mandeville was named after Stoke Mandeville Hospital. While the Paralympic Games evolved to include athletes from all disability groups, the Stoke Mandeville games continued to be organized as a multi-sport event for wheelchair athletes. Games were held annually in Aylesbury under the direction of the International Stoke Mandeville Games Federation (ISMGF), which became the International Stoke Mandeville Wheelchair Sports Federation (ISMWSF)..Plastic medallion encasing a paper disc commemorating the 1968 Stoke-Mandeville Games for the Paralysed. Inscriptions (English): Front: Municipalities - Nazareth Elite - Nazareth. Reverse: The International Stoke-Mandeville Games for the Paralysed - Israel '68. Friendship - Unity - Sportsmanship. On both sides of the medallions there are what are likely to be the equivalent Hebrew and Arabic translations. Images induces Front: Logos of unknown organisations. Reverse: Logo for the 1968 Paralympics, showing three interlocking wheels to represent their values: friendship, unity and sportsmanship 1968 paralympics, 1968 stoke-mandeville-games, 1968 tel-aviv paralympics

In May 1968, in the western jungle of Vietnam near Laos, led by Australian Captain J White, 11th Mobile Strike Force Company (MSF) occupied an old French fort on a hill named Ngok Tavak tasked with improving allied intelligence-gathering capabilities in the area. However, with enemy activity increasing, on May 4th, 44 US Marines, 35 CIDG (Civilian Irregular Defence Group) and two 105mm Howitzer field guns arrived as reinforcement from the Special Forces base at Kham Duc. By May 9th, Captain White’s company numbered about 200 men. Although in a good defensive position, coming towards them was the Iron Brigade of the 2nd Division of the North Vietnamese Army (NVA). At 03:00 on May 10th, the attack on Ngok Tavak began. The NVA, led by Major Dang Ngoc Mai, poured through the entrance at the eastern wall quickly occupying most of the fort. By midday the next day, Captain White had lost 40 Nung soldiers and 11 Marines with over 70 others badly wounded. Realising he could not withstand another attack, Captain White decided to abandon Ngok Tavak. Once the wounded were evacuated, Captain White ordered strike aircraft to blast a ‘corridor’ through the surrounding enemy cordon using napalm. By early afternoon, what remained of the defenders escaped through the ‘corridor’ and helicopters eventually flew them to Kham Duc. Colour image of U.S. soldiers disembarking from a helicopter in a clearing in the jungle. Foreground is rear of two soldiers watching. Background is mountains.united states - marine corps, battle of ngok tavak, john white, ngok tavak

Article from a collection of newspaper clippings from October 1968 to July 1971Article about the offer by Mr R Ritter to clean the beaches with the assistance of school children for the coming season, December 1968phillip island, phillip island beaches, mr r ritter

The Methodist Girls' Comradeship badge was designed by Miss Bessie Sanger of Bondi. This block was created as part of the celebrations of the MGC Golden Jubilee in 1968. Wooden cube shaped block with a metal printer's die attached. The die is a replica of the Methodist Girls' Comradeship ivy leaf shaped badge emblem with MGC in the centre and writing round the outside."MGC" 'METHODIST GIRLS' COMRADESHIP GOLDEN JUBILEE 1968"methodist church of australasia, printing, methdoist girls' comradeship, methodist girls' comradeship golden jubliee 1968

Framed engraving of early Melbourne by J C Armytage (1802-1897), an English engraver. Published by The Australian newspaper in 1968. C J Armytage; Limited Edition Published by the Australian, 1968j c armytage, melbourne, engravings

4182 - Box 2 - Melbourne 1968 (RT033-054) RT033 Dandenong Rd - tram 870 - "St Kilda Bch - Balaclava Rd" - route 69 RT034 St Kilda Rd - tram 262 - "South Melb Beach" - route 2A RT035 Sth Melb Beach Ter - tram 262 - "City" - route 2A RT036 Wallen Rd - tram 923 - "City" - route 70 RT037 Dandenong Rd - tram 438 - "Malvern - Burke Rd" - route 5 RT038 Batman Ave Ter - tram 851 - "Wattle Park Warrigal Rd" - route 70 RT039 Batman Ave - tram 864 - "City" - route 70 RT040 Princes Bridge - tram 874 - "Moreland" - route 15 RT041 E Brunswick Ter - tram 1038 - "City - Spencer St" - route 96 RT042 Victoria Pde - tram 673 - "South Melb & St Kilda Beach" - route 12 RT043 Dandenong Rd at St Kilda Junction? RT044 Dandenong Rd at St Kilda Junction? RT045 St Kilda Jct? RT046 Wellington St - tram 811 - "City" - route 64 RT047 St Kilda Jct RT048 St Kilda Jct? - trams 968 & 902 - "Carnegie" & "City" route 4 RT049 St Kilda Jct? - trams 968 & 902 - "Carnegie" & "City" route 4 RT050 Carnegie Single Line - tram 774 - "City" - route 4 RT051 Nth Fitzroy Depot - buses RT052 Wattle Park Single Line - tram 823 - "Wattle Park Elgar Rd" - route 70 RT053 Wattle Park Single Line - tram 371 - "Wattle Park Elgar Rd" - route 70 RT054 Essendon Reserved Track - tram 449 - "City" - route 59Demonstrates the work of Robert Thomson in photography, collection and/or production of slidesAssembled album in a black presentation folder of 22 colour slides, collected or produced by Robert Thomson. All photographs have been scanned and placed on the Museum's G drive. A list of all photographs with details has been compiled. melbourne, tramways, trams, track construction

Copy of black and white photograph of Williamstown High School Form 1A of 1968.williamstown high school, 1968, form 1a, class photographs

Copy of black and white photograph of Williamstown High School Form 1B of 1968See image above.williamstown high school, 1968, form 1b, class photographs

Copy of black and white photograph of Williamstown High School Form 1E of 1968See PDF above.williamstown high school, 1968, form 1e, class photographs

Copy of black and white photograph of Williamstown High School Form 6B of 1968.williamstown high school, 1968, form 6b, class photographs

Black painted wooden plaque with a decal of a Gold Vampire. Words 1st Field Hospital 30th Anniversary Reunion 1968 - 19981st Field Hospital 30th Anniversary Reunion 1968 - 1998plaque, 1st australian field hospital