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Glen Eira Historical Society
Article - Glenfern
Photocopy of typed research, undated, from an unknown author, regarding the architectural style of Glenfern, the changing landscaping from 1860, an addition to the property in 1876 and extracts from Jeannie Watson’s diary (daughter of then owner) dated 1870. Includes references from rate books, sale notices, titles, local history, Boyd history and various other sources. Includes photographs, poorly reproduced.glenfern, st kilda east, balaclava station, boyd captain, inkerman road, inkerman street, balaclava, mcdonnell francis, laing charles, architects, architectural features, boyd john t. t., gothic revival, hotham street, watson jeannie, coldham edith lucy, swanson donald, à beckett minnie, ostberg sarah ann -
Glen Eira Historical Society
Document - Athole, Poplar Grove, 18, Carnegie
3 page photocopy of an article on Athole, Poplar Grove, 18, Carnegie, from the Caulfield Conservation Study by Andrew Ward in 01/1995. Article includes a description, brief history, state of significance of Athole, poor quality photography and a bibliography.carnegie, poplar grove, athole, kelleher john thomas, rosstown swamp, market gardens, mackay richard, fish kareen, strathnaver estate, land subdivision, architects, brick houses, stables, greenhouses, architectural styles, architectural features -
Glen Eira Historical Society
Document - Alnwick, Railway Parade,|11-11A,|Murrumbeena
A Caulfield conservation study on ‘Alnwick’, 11 Railway Parade, Murrumbeena, including a description of the exterior of the house and a brief history of the life of its owner, Sir James Brown Patterson. Also includes a statement of significance for Alnwick. Assessment by Andrew Ward dated to March, 1995.railway parade, patterson james, architectural styles, patterson james sir, alnwick, victorian style, murrumbeena -
Glen Eira Historical Society
Document - Ascog (1900), Orrong Road, 10, Elsternwick
A photocopied assessment of Ascog by Andrew Ward as part of the Caulfield Conservation Study in 1994. Assessment includes a description of the house, its condition, integrity, history, including previous owners and a statement of its significance. It includes a poor quality photograph (150mm x 100mm).elsternwick, orrong road, ascog, muir j f, gardenvale estate, hamilton street, riddell parade, plante thomas, grant george, donaldson robert, murdoch thomas, ward andrew, mansions, architectural style, architectural features, victorian style, accountants, produce merchants, land subdivision, residential development -
Glen Eira Historical Society
Article - Athole, Poplar Grove, 18, Carnegie
Two items about this property: 1/Pages 17 and 18 of the Real Estate section of the Caulfield Southern Cross 29/07/1992 including an article on Athole, Poplar Grove, 18, Carnegie, with a sketch of the house and a detained architectural description about its historic features. It also gives a brief history of the house and the life of its designer and owner, architect John T. Kelleher. Names and contact numbers of the Real Estate auctioneers are provided and there are a number of advertisements for other houses in Glen Eira. 2/A photocopy of 2 colour photographs of the exterior and garden of 'Athole' circa 2012.carnegie, poplar grove, athole, kelleher john t, biggin and scott, auctions, stables, stockdale and leggo, glen huntly, wattle avenue, munro avenue, edgewood street, brick houses, glen huntly road, glenhuntly road, j r buxton, caulfield south, pyne street, elsternwick, stanley street, noel jones and associates, brukarz jack, fitch karl, moonya road, wattle avenue, mcpherson street, timber houses, caulfield north, aroona road, dunbar avenue, urandaline grove, lascelles street, mclaurin road, trevelyan street -
Glen Eira Historical Society
Document - Balaclava Road, 34, St Kilda East
A photocopy, 3 pages, of the Caulfield Conservation Study report on house formerly known as Noris, Quethiock and also Koala, located at Balaclava Road, 34, Caulfield, by Andrew Ward, dated 04/1993. Includes a description of the house, its condition, integrity, history, a statement of its significance, two black and white photographs (100mm x 70mm, 95mm x 70mm) of the house from different perspectives and a street map (160mm x 90mm) of the surrounding area with handwritten annotations.east louisa, alexandra street, balmoral court, beckwith thomas w, noris, quethiock, koala, wertheimer adolph, taunton james colonel, rosenhain oscar, rosenhain louise, victorian style, mansions, cuming william, ward andrew, cuming smith and co, johnson alfred, architectural styles, architectural features, balaclava road, ward andrew, st kilda east -
Glen Eira Historical Society
Document - Bambra House, Bambra Road, 5, Caulfield North
A black and white photocopy of the entry for ‘Bambra House’, Bambra Road, 5, Caulfield North, from the Caulfield Conservation Study by Andrew Ward, dated 08/1994. Includes a brief history of the house, a description of its architectural features and a photograph (99mm x 152mm) of the exterior.bambra house, caulfield north, bambra road, halstead, kambrook road, mclennan charles, halstead street, balaclava road, ward andrew, architectural styles, federation style, verandas, architectural features -
Glen Eira Historical Society
Document - Beauville Estate
Promotional material for the Beauville Estate Murrumbeena 65th Heritage Celebration held 10/03/2001. This comprises, a leaflet about the launch of the Glen Eira Heritage Draft Guidelines with features of the Estate and addresses listed, a special invitation to the unveiling of the heritage plaque by Glen Eira Mayor Veronika Martens, and a Leader newspaper advertisement dated 12/02/2001 for the event, giving brief history of shops and resident anecdotes by Bev Baxter of Murrumbeena Pharmacy.beauville estate, murrumbeena, lindsay avenue 40-44 (even), 229-233 murrumbeena road, beaville avenue, gloucester court, dalny road 5-25 (north side only), 232-242 murrumbeena road (even), glen eira heritage draft guidelines, murrumbeena pharmacy, a v jennings, 227-235 murrumbeena road, barker ann, martens veronica, baxter bev, heritage festivals, plaques, quinn miss, webb rosemary, webb roy, cleave edna may, quirk john, quirk eva, ritchie, kirkbride thomas, beauville, glen eira port phillip pulse small business awards 2000, architectural features, brick houses, shops, residential development, tennis courts, housing estates, builders, building regulations, local government, commercial development, children’s playgrounds, advertisements, invitations, pharmacies, grocers, dentists, greengrocers, butchery shops, sweet shops -
Glen Eira Historical Society
Document - Beauville Estate
Beauville Estate Draft Heritage Guidelines, July 2000, produced by the Glen Eira City Council, author unknown, 25 pages. The Guidelines set out design parameters, principles and techniques for achieving appropriate heritage conservation objectives for the defined Beauville Estate Heritage Area, to be used by the Council, property owners, residents and designers. A number of photographs of houses and design features are included in the document as well as a brief history of the Estate and a Key Design Checklist.a v jennings construction co, gurney edward, jennings albert v sir, beauville estate, beauville estate heritage area, beauville avenue 1-39 (odd), beauville avenue 2-36 (even), dalny road 3-25 (odd), gloucester court 1-3 (odd), gloucester court 2-6 (even), lindsay avenue 40-44 (even), murrumbeena road 227-233 (odd), murrumbeena road 222-232 (even), murrumbeena, glen eira city council, architectural features, architectural styles, plans, brick houses, shops, residential development, tennis courts, housing estates, builders, building regulations, local government, commercial development, history, maps, photographs -
Glen Eira Historical Society
Document - Caulfield City Rifle Club No. 119, 294 Glen Huntly Road, Elsternwick
A two page black and white photocopy of a report from the Caulfield Conservation Study on 294 Glen Huntly Road, Caulfield City Rifle Club by Andrew Ward, 09/1994. The report includes a description of the exterior of the property, a brief overview of the history of the building and a statement of its significance. It also includes a black and white photograph (150mm x 100mm) of the exterior of the building, dated 09/1994.caulfield conservation study, architectural features, glen huntly road, ward andrew, caulfield city rifle club, pavey p a -
Federation University Historical Collection
Book, Freund, Peter, Her Maj: A History of Her Majesty's Theatre, Ballarat, 2007
74 page book with coloured photographs on the coverher majesty's theatre ballarat, theatre, architecture, performers -
Mission to Seafarers Victoria
Book, Australian Scholarly Publishing, Lights Everlasting: Australia’s commemorative stained glass from the Boer War to Vietnam, 2023
Almost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.255 pages with colour and black and white illustrations; notes, bibliography, index.non-fictionAlmost hidden within religious buildings, hospitals, school chapels and civic buildings, stained-glass windows tell of Australians at war. Bronwyn Hughes focuses on commemorative stained glass—an overlooked art form—describing its rich artistic and architectural heritage and the artists and firms who created it. Memorial stained glass serves to depict and illuminate the men and women who fought and died for their faith and their country. It has a tragic beauty. The book includes stained glass windows from the St Peter chapel of the Mission to Seafarers.australian history, ww1, ww2, boer war, vietnam war, stained glass windows, bronwyn hughes -
Phillip Island and District Historical Society Inc.
Book, William Collins, National history of England : civil, military and domestic, from the Roman invasion to the present time, with an historical introduction by Henry, Lord Brougham, illustrated with fifty engravings of the most important events in British history, engraved by Dalziel, Cheshire, Miller, &c, after drawings by Selous, Wilkie, Zwecker, Bayes, Harlowe, &c., and upwards of five hundred illustrations of antiquities, architecture, scenery, manners, customs &c. In 4 volumes. V.2 by Frederick Martin
Stamped 'Phillip Island & District Historical Society'. -
Phillip Island and District Historical Society Inc.
Book, KNIGHT, Charles, Old England : a pictorial museum of regal, ecclesiastical, municipal, baronial, and popular antiquities, 1845?
... -island-and-the-bass-coast Architecture england history christian ...Labelled 'Cowes Free Public Library', 'Phillip Island Historical Society, Cleeland Bequest'.architecture, england, history, christian antiquities, description, travel, social life and customs, great britain, historic buildings, historic sites -
Mission to Seafarers Victoria
Article, A Woman's Melbourne Letter
A detailed description of the Mission and its activities written by a woman: Western Mail (Perth, WA : 1885 - 1954), Friday 13 December 1918, page 34 A WOMAN'S MELBOURNE LETTER. Melbourne, Dec. 4. There is an idea abroad, which as regards Melbourne, at any rate, is quite erroneous, that our sailors are not as well looked after as our soldiers, and that the noble men of the Mercantile Marine are much neglected ! For once, perhaps, my readers will pardon a letter dealing with only one subject, but the steady, unostentatious work done by the Ladies' Harbour Light Guild, in connection with the mission to seamen in Melbourne could not be adequately explained if dismissed in the usual short paragraph. Some of the most prominent names in Melbourne are associated with this guild and with the Mission Chaplain, and Mrs. Gurney Goldsmith, the members have made the Seamen's Institute a real home for those sailors of the Mercantile Marine, who touch our port. What we as a community owe to those men by their heroism in recent hostilities is certainly more understood by this band of enthusiastic workers than by the community generally. By using their unflagging energies, and influence on the sailor's behalf they endeavour to discharge a debt to which in some way or other we could and should all contribute. Even the most casual person can, if he thinks at all, sum up a few of the things our sailors - other than those belonging to our glorious navy - have done for us. On the spur of the moment we remember that those of the Mercantile Marine, are the men who manned our transports, who carried our wheat and wool, to oversea markets; who kept us in touch with our loved ones abroad; who kept the fires going in the furnaces of the great leviathans, bringing our wounded soldiers home again; who never flinched when self-sacrifice was demanded; who cared, with that tenderness, innate in all sailors, for the women and children, when the passenger ships were struck a dastardly blow by the wicked enemy; who, mocking death, gave up life with a heroism all the more heroic because it was always taken as a matter of course! Is it any wonder, then, that the members of the Ladies' Harbour Light Guild make it their business to provide a bright, homelike, spot in Melbourne, where the sailors are always certain of a cherry welcome ashore? The members of the guild are admirably drafted! The 360 non-workers each pay £1 1s. per annum. The workers, of whom there are between 700 and 800, donate 2s. 6d. and school members - it is confidently hoped that gradually all the schools will take an active interest in the mission - 1s. a year. The knights of the guild - as the men members are designated - are responsible for any sum they wish to name, from 5s. a year upwards. Everything is paid for out of these revenues, with the exception of a small grant from the Home Mission Fund - and such is the organisation, and management, that the entire concern is quite free from debt. The Seamen's Church and Institute, where the "Harbour Lights" gleam so brightly, is situated right in the midst of all the bustle and turmoil of the wharves, at the end of Flinders-street. The building, comprising chapel, and institute under the one red tiled roof, is grey stuccoed, with a small tower, from which flaunts the flag of 'The Flying Angel" - the badge of the guild. A visit to the institute makes one fully appreciate the boon the place must be to the voyage worn, weary, sailor. The atmosphere is eminently social in its best sense. While the architecture imparts an elegance, and quiet dignity which soothes by the very subtlety of its charm. With its comfortable furniture, its wealth of flowers, and the happy, wholesome, feminine influence which prevails everywhere, the quality which stands for the magic word "home" abounds. The Chaplain in the course of conversation said: -"We try to make this really a free club for sailors." But the habitues would probably tell you it was far more than that to them. The Institute is excellently appointed, and every little corner seems to have its particular history. It was built after the model of one of the old mission churches in California, and retains something of the old world attraction, while yet it combines all the advantages of modern, practical, conveniences. On entering the door the first thing, one notices is a huge compass, inlaid upon the floor, evidently to indicate one's proper bearings for it points due north - to the chapel! Only one other seamen's mission in the world boasts such a compass. As the sailor swings through the entrance he finds the office on his right, and there is, here, always a smiling face to welcome the shy, or timid, new comer. Quite a real post office is staffed by members of the guild, and all the letters received are listed alphabetically. Therefore, the expectant sailor has just to run his eye down the list, and he can immediately see whether there is a letter for him or not. If he is fortunate, he comes up to the member in charge, who unlocks the box, and produces the longed for missive. The boys are always encouraged to answer letters - and to write them. Often a few words about their mother, and their own home, will provoke a sleeping memory into activity. The writing room is well stocked with paper, envelopes, pens, and ink. The tables are so divided to ensure the utmost privacy, and through a calculated chain of circumstances, many an anxious mother receives a letter from her sailor lad, who, perhaps, might not have written but for these kindly inducements. The central hall - where social evenings are held every other night besides two special concerts a week - is inviting in the extreme. A handsome piano affords opportunity for those musically inclined. The tables are strewn with papers. The walls are bright with pictures, and here, and there, is a carved model, of a ship. One, of especial interest, is a model of "The Roon" carved, and presented by a French sailor. This German vessel will always be remembered in Australia. For it was across her bows that the first hostile shot was ever fired in Australian waters. In the corner is the canteen. It was fitted up entirely from the proceeds of a quotation calendar compiled by one of the members. The sailors may at any time, get a teapot of tea, or a tray of eatables, at a nominal cost. Before the canteen was in existence they had to go out for refreshments! - and sometimes they did not come back! Groups of sailors sit chatting at the tables. Half a dozen Swedes laugh and talk among themselves, for the simple reason they know no other language than their own. Several British sailors cluster about a dark-eyed Welsh lad - a perfect Celtic type - who, although only about twenty years of age, has been the victim of the Hun five times. Mines and torpedoes sank the ships he was in, either in the Channel or off the English coast, four times; and it is to his fifth experience, when the Inverness was wrecked, that everyone is eagerly listening. "We were in the boats eight days," he was saying, "I was pretty well mangled when they picked me up. The sufferings we endured were awful. At last we managed to reach Rapa, a Hawaiian island. The natives thought we were Germans, and came at us with spears. When they found we were British, they were awfully good to us. They even cried when we left, and the day before the rescue boat arrived they begged us to go into the hills and hide." At another table a Canadian lad - once a sailor - then a soldier, who trained at the Broadmeadows camp - was telling his experiences : - "The voyage which will always stick in my memory," he said, "was to a place which must be nameless. We left the United States not knowing whether we were bound, or what we were going to do. After some weeks we sighted a group of wonderfully beautiful islands, and we headed for the most remote and most lovely of them all. Then, and only then, we learned our mission from the skipper. We were taking their year's supply to a leprosy station! Oh no! I don't blame the skipper for not telling us ! Someone has to do these things, you know. A naval guard saw they didn't come near - and we all got sixty dollars extra. When the job was over we were quarantined on another island for two months, and one little chap - the baby of the crew, not eighteen - developed leprosy, and died before we left. Yes! I'll never forget that voyage, mates! Sometimes, I seem to see Leper's Island yet, with its lavish tropical vegetation and the gorgeous sunsets which stained all the water with blood. Then, too" - here the voice deepened - "there was an English girl - a leper - there. We heard she used to be an actress, and she contracted the disease somehow or other. She was always alone, and always watching us. In the distance we could see her come to the water's edge, and from there she would watch. Just watch . .. . watch . . .watch. ..." "Here come a couple of North Sea chaps," broke in an elderly man after pause. "One of them wounded, too, poor lad." It is not strange that all the sailors flock to the Institute. It is so comfortable, and essentially inviting, besides being full of human interest. The men's quarters comprise reading, writing and dressing rooms - hot and cold baths are always available - billiard room, and a special baggage room, where any sailor may leave his kit for as long as he likes. The payment of 3d. covers its complete insurance. Upstairs are the officers' quarters. These also have their own billiard room, writing and reading rooms, bath and dressing rooms. Just close are the apprentices' quarters - "The Half Deck," as popular parlance has it! The lads also have a billiard room of their own, and indulge in an easy armchair - amongst others - which was a donation from the Milverton School branch of the Guild. It is hoped by the committee to some day utilise the huge empty rooms, which run the length of the whole building. Their ultimate intention is to fit them up as cubicles, or "cabins," as they are to be called. They trust these "cabins" will be donated, either in memory, or in honour, of someone dear to the donor. Another forward movement soon to be put in hand, now that materials are available, is the establishment of "Norla Gymnasium." In a sailors' club such facility for exercise is absolutely essential. The men both need, and miss, exertion. As one boy, who had been backsliding, once said pathetically : -"If only there was something to do to get me into a good sweat, I would be all right." Soon such an one will be helped to swing from the trapese of the Norla Gymnasium into the right track! Sunday is always a fete day at the Institute, for 40 or 50 sailors generally come into tea. The up-to-date kitchen, which is fitted with every labour-saving appliance - all paid for out of working members' half crowns - is then a hive of animation, and methodical order. A formidable row of teapots await filling. Mrs. Goldsmith -, the chaplain's wife - rightly thinks it is far more homely to pour out the tea from a pot, than to serve it straight from the urns. So tea is poured out by a member, who sits at the head of a table gay with flowers, and chats to the guests. These latter are of all nationalities. But the French, the Spanish, Scandinavian, Norwegian - or any other sailor is equally welcome with the British. Two enthusiasts belonging to the Guild actually learnt Norwegian, so that men of this nation would have someone to talk to, and so be less lonely when they reached this, to them, foreign port ! The members of the Guild have their own private suite where they arrange the flow-err and do other necessary odds and ends undisturbed. No one appreciates flowers like a sailor, and the earliest and most beautiful may always be seen adorning the tables and rooms. Teas are served and lectures are held in the "Celia Little Hall," one of the most beautiful portions of the institute. It was erected by the chaplain in memory of his aunt from whom the hall takes its name. The Gothic windows open upon the cloisters, where, in the hot weather, the sailors enjoy their meals out of doors. The cloisters, indeed, form an exquisite spot. They are between a series of sweeping arches which lead to the chapel, and are sheltered by the open balcony of the chaplain's quarters. Grace of contour marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English, Spanish, Scandinavian, Norwegian, and German may be found on the shelves. Each week about 36 convenient parcels of reading stuff are made up. These contain illustrated papers, books in various languages, and magazines. These parcels are eagerly accepted by the sailor with a long monotonous voyage before him. But complete as is every corner of the institute, no part is so well equipped as the memorial chapel erected by the Ladies' Harbour Light Guild, in memory of the officers and men, who have lost their lives during the war. St Peter's - for it is called after the sailor's patron saint - with its hallowed gentle dignity is a veritable sanctuary of peace, perhaps all the more so because it sprang out of war. The fittings are entirely of Australian wood. The pews, given in memory of some loved one by one of the members, are of Tasmanian hardwood. The reredos and altar chairs of carved blackwood. The rich carpet was provided by the members' magical half-crowns. Already this chapel holds memorials of peculiar historical interest. The altar lectern was given in memory of Commander Elwell, who, it will be remembered, was killed at Rabaul, in the early part of the war. The font commemorates two heroes - Nigel Hockley and Fred Hyde, who lost their lives at the hands of the Germans, although they survived the actual torpedoing of their ships, the Galgorn Castle off the coast of Ireland. The mother of one of them wrote out that her son had died as an Englishman should - fighting for the right. This noble sentiment is suitably paraphrased upon the inscription engraved upon the font. Practically every-hing enshrined in the chapel has its own sentimental value. The alms salver of beaten copper, studded with agate, is fragrant with the memory of a saintly woman.The eye of the sailor is caught and held by the pulpit, which is fashioned like a ship's hull and only a twist of rope guides the chaplain up the steps. For the last 13 years the Rev. A. Gurney Goldsmith, M.A., has acted as chaplain to the Seamen's Mission in Melbourne. Before that he and his wife worked in China. Mr Goldsmith visits all the boats and gets in touch personally with the sailor, over whom he has great influence. He is not only their chaplain and friend, but, amongst a wide range of other things, their banker besides. An exchange system exists between the various Missions, and the sailor who has "banked" his money with the chaplain, upon going away, receives a cheque which is cashed - minus exchange - by the chaplain of the next port. Mr. Goldsmith will tell you he has a soft spot in his heart for on old sailor he calls "Paddy." This ancient mariner has been wrecked ten times. It was a long time before the chaplain prevailed upon "Paddy" to partake of the spiritual and secular advantages afforded by the institute. He would not come, he said, until he could do so "with a good heart." Finally he frankly admitted that he had no "friends like those of 'the Flying Angel,' " and that he eventually proved his own "good heart" will be shown in this story. One day he came in to the chaplain and said bluffly, "Well, sir, I've been payin' off some old scores up Carlton way, an' I tells yer, plain, sir, not one of 'em would have seen a penny of their money but for the Mission." The Ladies' Harbour Light Guild has over thirty working suburban branches, and the excellent results achieved at the Institute now will no doubt be considerably augmented in the future. The practical actions of the members do more than anything else to convey the subtle meaning of the name of the Guild. To the visiting sailors the word "ladies" signifies the bread givers; "harbour" safety ; "lights" welcome; "guild" the welding of fraternity, and they one and all tell you the ideals thus embodied are unselfishly carried out by all the ladies who have banded together to care for the sailors' welfare.The article describes the Mission and the use of several spaces a year after its opening and gives details about the daily activities.Digital copy of an article published in the Western Mail on the 13th of December 1918. 717 flinders street, seamen's mission, norla dome, lhlg, reverend alfred gurney goldsmith, celia little room, garden, frederica godfrey -
Greensborough Historical Society
Book, Historic Buildings of Victoria, 1966_
A listing of National Trust listed buildings from around Victoria in 1966. Each entry has a photograph and caption with some history of the building. Arranged by region.The development of architectural style in Victoria.278 pages, black and white illustrations. Hard cover. Dust jacket has illustration of interior of the Library of the Supreme Courtmelbourne architecture, victoria architecture, historic buildings victoria, national trust of australia, victoria -
Greensborough Historical Society
Booklet - Digital Image, Album of Melbourne Views, 1890_
... history melbourne architecture Digital copy of 10 page booklet ...Photographs of Melbourne's grand architecture, mainly built following the gold rush boom.Digital copy of 10 page booklet of black and white photographs of Melbournemelbourne history, melbourne architecture -
Greensborough Historical Society
Booklet, Banyule City Council, The History of The Centre Ivanhoe, 2005_
Gives the history of The Centre Ivanhoe from its beginnings as Heidelberg Town Hall and municipal offices in the 1930s. Text and photos by Robin Grow.The Centre is an example of Art Deco architecture and has retained these features. The Banyule Council is committed to maintaining this building in its present form.12 pages, illus. (some col.).heidelberg town hall, the centre ivanhoe, art deco architecture, robin grow -
Greensborough Historical Society
Booklet, Banyule City Council, The History of The Centre Ivanhoe, 1934_
Gives the history of The Centre Ivanhoe from its beginnings as Heidelberg Town Hall and municipal offices in the 1930s. Text and photos by Robin Grow.The Centre is an example of Art Deco architecture and has retained these features. The Banyule Council is committed to maintaining this building in its present form.12 pages, illus. (some col.). -
Glenelg Shire Council Cultural Collection
Certificate - Certificate - Historic Buildings, Portland Town Hall, 1974
From the Victorian Heritage Register: The foundation stone of the original Portland Town Hall was laid by William Learmonth on 21st September, 1863 following a competition and subsequent public controversy over the permitted entry of architect John Barrow. The conservative classical design of municipal surveyor Alexander Ross was preferred and this axially planned design with central council chamber and side offices fronted by a fine axed pedimented gable entablature of basalt and Tuscan Doric pilasters was completed by 24th may 1864. The old Town Hall is one of a distinguished group of public buildings in Portland and an interesting example of conservative classical architecture of the first years of settlement in western Victoria. The basalt structure was partially erected of stone from the Portland stockade and has significant historical associations with local Government administration in the district. The Town Hall is the most impressive work of Alexander Ross, a surveyor architect whose career remains largely undocumented. The old Town Hall at Portland has been discreetly extended at the rear to provide additional meeting room accommodation. The premises are no longer used for local government administration.A4 sized certificate demonstrating Portland Town Hall's special significance to the state of Victoria & inclusion on the Historic Building Register. Singed by Robert Maclellan, Minister for planning & Historic Buildings Council Chairperson. Red seal attached, bottom right.portland town hall, history house, heritage register, historic buildings, certificate -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - 'Stanton Drew', Portland, n.d
Stanton Drew was a two storey stucco rendered bluestone house was constructed in 1864 for Major Alexander Davidson, a Scottish born pastoralist who had earlier in 1848 settled on the Wando River near Casterton. Stanton Drew is a characteristic pattern book, regency gothic villa and virtually devoid of ornamentation save for unusually fenestrated bay windows and window label mouldings. Stanton Drew is a late example in Victoria of the primitive regency gothic style of villa architecture popularised by pattern books of the period 1840-60. The two storey house is an undistinguished design most notable for its associations with Western District pastoralist Alexander Davidson. No important historical associations are apparent, although the Davidson family lived in the residence until c.1908. Stanton Drew is in an extremely dilapidated state and has suffered badly form subsidence and lack of regular maintenance. The slate roof has been replaced with iron. The house was originally named Wando Villa by Davidson in memory of his time at Wando River. The house was renamed in 1938.Black and white photo. View of the front of 'Stanton-Drew' house, Portland.Back: 'STANTON-DREW, PORTLAND, VICTORIA, 1971' -handwritten black biro. Purple stamp 'ALEX PRIESTLEY BOX 155 PHONE 309 HEYWOOD VIC 3304'historic homestead, bluestone building, alexander davidson, pastoralist -
Eltham District Historical Society Inc
Photograph, Eltham - Interior of the living room at Sweeney's, 1971
Sweeney's, originally Culla Hill, a former homestead, located on a site bought from the crown in 1842 by Irishman Thomas Sweeney. The cottage is important in the history of Eltham and of architectural interest as an example of a Colonial Style dwelling. The Living room shows a wooden door and floor with rug. A window to the left, two seats and a book case. This was the home of V.C. Burston.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, sweeney's cottage, v.c. burston -
Eltham District Historical Society Inc
Book, Alan Marshall (1902-1984), Pioneers & painters : one hundred years of Eltham and its shire, 1971
Jacket painting by Clifton Pugh. "Eltham Shire is a well known as a district in which a large number of painters, sculptors, potters, writers and other creative people, The early settlers were, for the most part, resourceful and far-sighted ; the present residents are no less so. Mention the name Eltham and many things spring to mind ; conservation ; the integration of architecture with the environment ; mud-brick buildings; Montsalvat - the list is endless. In 1971, the centenary of the Shire's birth, the Council felt that the publication of a history would fittingly mark more than a century of achievement.." - Dust jacket. Contents: The Beginning Kangaroo Ground Education at Kangaroo Ground The Days of Gold Queenstown Panton Hill The Pioneer Women Christmas Hills and Yarra Glen Eltham Education at Eltham and Research Kinglake Hurstbridge by Sheila Ferguson Montmorency and Lower Plenty The New Way of Life Old Identities Eltham in modern times Educationalists and Writers Earth building in Eltham Early Painters by Peter Glass Painters Today by Peter Glass Warrandyte painters and Potters by Peter Glass Wildlife Present day This book provides a comprehensive history of the former Shire of Eltham and its first one hundred years. Hardback Book with Dust Jacket - 144 p. : illus. (part col.) ; ISBN 0170019489 eltham, alan marshall, shire of eltham, clifton pugh -
Eltham District Historical Society Inc
Book, Earthbuild, Mud and Man: a history of earth buildings in Australia by Ted Howard, 1992
Includes references to local sites Bear's Castle, Yan Yean (City of Whitlesea), mud brick houses in Eltham, including at Montsalvat and Eltham Community Centre, Smith's Gully, Plenty Baptist Church and Warrandyte. Includes chapter on Alistair Knox. The author's own home appears in the book on page 100. It was situated at Batman Road, Eltham next to the manse and church opposite Stanley Avenue. It was demolished for unit development June 2004 after the author's death in 2003. A significant and oft cited history of the mud brick earth construction style of architecture which includes a number of examples within the Shire of Nillumbik, known to be a site of the environmental earth building movement following WW2.198 p. : ill. (some col.), maps ISBN 0646069624earth construction, mud bricks, pise, domestic architecture -
Warrnambool and District Historical Society Inc.
Book, Western Horizon, C 1960
This book presents a pictorial history of the western District of Victoria. It explores various aspects of the Western District such as water supply,architecture,ports,produce,and agriculture. It also presents the various scenic spots around the district. The publishers of this book , the Australian publicity Council is dedicated to publicising the state of Victoria and its natural resources in an effort to attract overseas investment and industry.This book provides a snapshot of the Western District in the 1960 's both with the information and the photographs contained within, including some which were taken by Ralph Illidge who was one on Warrnambool's best known photographers. Coloured hard board cover with country scene with road with two vehicles on a road which continues to the back cover.. A large gum tree sits beside the road. The title is gold on a navy blue banner. Thereis a small blurb on the back cover. 112 pages.Australian Publicity Council. Henry Bolte Premier of Victoria.history of warrnambool, western horizon, western victoria, ralph illidge, warrnambool 1960's -
Warrnambool and District Historical Society Inc.
Artefact, China Plate, 1922 (painting)
... history of architecture in warrnambool... of architecture in warrnambool history of warrnambool china painting Front ...This plate was painted by J.J. Forrester in 1922. John James Forrester, the son of John Lamb Forrester and Maria Hexter, was an architect in Warrnambool in the early 20th century. He had an office in Kepler Street (1910) and in Koroit Street (1916). He lived in the house in Liebig Street that was formerly the first Savings Bank and was erected in 1860 (7A Liebig Street today). Forrester was a staunch member of the Presbyterian Church and was the co-architect for the re-building of the interior of St. John’s Presbyterian Church in Warrnambool after it was destroyed by fire in 1920. John Forrester was also a noted artist of his time and several of his works of art have survived. A landscape by him is in the possession of the Warrnambool and District Historical Society. This plate is one of two painted by Forrester that survive today.This plate, although damaged, is of interest because it was painted by John James Forrester, a Warrnambool artist from the early 20th century. This is a china plate showing a seascape painted by John James Forrester in 1922. It depicts a coastal scene of rocks, birds and sailing boats. The colours are in mauve/brown/ white tonings and are slightly opalescent. The plate has brown/grey handles with one broken and repaired. The plate is oval-shaped with a slight dip and a stand at the base. Front of plate: ‘J.J.F.’ On base: ‘J.J. Forrester 1922’ john james forrester, history of art in warrnamool, history of architecture in warrnambool, history of warrnambool, china painting -
Warrnambool RSL Sub Branch
BOB: Map - 1:13,000, YPRES, Yperen, p.40, 'Baedeker's Belgium and Holland',1905,14th Edition (English), Leipzig: Karl Baedeker, Publisher, 1905
... reference to the history, culture and architecture of the countries.... Bob's letters home often made reference to the history, culture ...Bob Snape always included in his kit a few second hand Baedeker's guide books, as well as the 'Belgium and Holland' volume. Bob was a keen observer and commentator and used these guide books as any interested tourist. Bob's letters home often made reference to the history, culture and architecture of the countries he visited in the course of the war. Bob's English born father had lived and worked in France from 1878 to 1880 before his emigration to Australia.Two tone map in orange, grey and black. snape collection -
Ringwood and District Historical Society
Envelope, Jeanette Maynard, Packet: Jeanette Maynard, Masters Prelim in Environmental Studies - Ringwood History and Planning, 1991, 1991
Jeanette Maynard, Masters Prelim in Environmental Studies, Faculty of Architecture and Planning Melbourne 1991; Letter from Jeanette Maynard to Mrs Pullin -
Ringwood and District Historical Society
Memorabilia - Booklet, Real Estate history of "Cherry Hill", 19 Wonga Road, Ringwood North, with property titles and subdivision plans of the 35 acres in the triangle bounded by Oban, Wonga and Warrandyte Roads
16 plastic pockets containing the history of "Cherry Hill". Titles and subdivision plans of the 35 acres in the triangle bounded by Oban, Wonga and Warranyte Roads, Ringwood North. Multi pocket burgundy coloured spiral binder containing 34 pages of the property history, subdivisions, land titles and photographs of the house, compiled by Richard Carter pre-auction 9 September 2006. Includes architectural descriptions of "Cherry Hill" from original allotment in 1872 to 2006. Also history of well known residents who lived in it. -
Flagstaff Hill Maritime Museum and Village
Furniture - Screen, Thomas Hope, 1905-1913
The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen