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Federation University Art Collection
Painting - oil/oil stick on canvas, Untitled by Annie Burns
Annie BURNS Annie Burns attended the Victorian College of the Arts. She lives and works in Melbourne. Her works are mainly oils on canvas, wood panels and aluminium. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artwork featuring a woman in a tutu like skirt.art, artwork, oil, oil on canvas, available, annie burns -
Federation University Art Collection
Painting, Antonion Muratore, Adam and Eve’s Property Settlement, 2002
Antonio MURATORE (1947- ) Born Reggio, Cagliari, Italy arrived Australia 1952 After completing studies at the Preston Institute of Technology and RMIT, Antonio Muratore studied and taught in India and Europe returning ti Australia in 1985. Antonio Muratore lectured in printmaking at RMIT IN1887 before taking up a residency at the Rigalto Print STUDII IN umbra, Italy. Since 1992 Muratore had worked between Perugia and Melbourne.Framed artwork of two people holding masks.mask, hats -
Federation University Art Collection
Drawing - Artwork, Miller, Sally, 'Volcanos' by Sally Miller, c1995
Sally MILLER (1949-2015) Sally Miller completed undergraduate and postgraduate studies in Fine Art at the Sydney College of the Arts, and in 1995 a Master of Arts, Visual Arts by research at Deakin University. Miller lectured at the Ballarat University College (later Federation University) School of Arts in Printmaking and Drawing from 1994-1998, where her roles included Coordinator, Honours Program, Coordinator Printmaking, Lecturer in Printmaking and Honours Supervisor. In 2000 Sally Miller was an invited Artist-in-Residence and guest lecturer in Drawing and Printmaking at the School of Art, Australian National University, Canberra. She later became Art Director of Art Unlimited studio for adult artists with disabilities for St Laurence Community Services. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed artwork showing various depictions of volcanos. art, artwork, sally miller, volcano, available, staffmember, printmaking, monoprint -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Epacris impress - Common Heath), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this plant as Epacris impressa - Common Heath - white flower form. Common and widespread. NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanPainting of white heath spray, on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, baron von mueller, von mueller, henrietta d'alton, wama, wildlife art, painter, goache, halls gap, wildlife art museum australia -
Federation University Art Collection
Painting - Natural pigment on bark, Mawurndjul, John, 'Female Wayarra Spirit' by John Mawurndjul, 1995
Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan -
Nillumbik Shire Council
Painting: Isobel CLEMENT, Isobel Clement, Two Vases and Two Cups, 2008
Isobel Clement has been practising since the 1980's. She completed her post graduate diploma at Phillip Institute (RMIT) in 1990. She paints, draws and uses installation for creative discourse. She has had more than ten solo exhibitions. Her work is included in collections such as National Gallery of Australia, the Australian Print Workshop Archive, Art Bank Australia and The Bundanon Trust. She has been shortlisted for the contemporary painting prize, the Bayside Art Award, on three occasions in recent years and was the winner of the Nillumbik Prize in 2009.Isobel Clement is a local artist who won the 2008 Nillumbik Prize. Painted in monochrome the artwork depicts two vases (with decorative edges) and two cups on a table in a row. Each of the four objects are slightly different in scale and shape and parallel to the picture plane. N/Astill life, nillumbik prize, painting, monochrome, vases, cups -
Tatura Irrigation & Wartime Camps Museum
Photograph, naval officer in full uniform - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a naval officer in full uniform.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Geoffrey Kaye Museum of Anaesthetic History
Painting, Trevor McNamara, Return to Forever, 2002
The Australian and New Zealand College of Anaesthetists (ANZCA) began as a faculty at the Royal Australasian College of Surgeons (RACS). Separation was achieved in 1992, when the faculty became a college in its own right. The relationship between ANZCA and RACS has been strong ever since, and on opening the new building at the rear of the property in 2002, RACS gifted this painting to ANZCA.Mixed media abstract on square canvas. The painting is an orange, grey, green and white background, with an abstracted landscape in black to the centre.Handwritten in blue permanent marker on reverse: -RETURN TO FOREVER- / T MCNAMARAHandwritten on white sticker adhered to frame: TREVOR MCNAMARA / "RETURN TO FOREVER" / 160 X 160 / MIXED MEDIA / W: 3862 BTY ZAW -
National Wool Museum
Artwork, Sydney Wool Exchange, 1851, 1851
Image depicting the Sydney Wool Exchange. The donor's father (Wilhelm Eckles) had this picture on his office wall over his 43 year career in the wool industry. The image was possibly won at an event such as a Wool Ball but exact details have been forgotten.Artwork drawn on paper with wood and gold frame. Artwork depicts the Sydney Wool Exchange in the Background with trees on either side in the foreground and low vegetation bellow.Signed, bottom right corner: John Van Vliet Rear, lettering: This Picture Belongs to W.M. Eckels 17 Bushlands Ave Gordonsydney wool exchange -
Whitehorse Historical Society Inc.
Booklet - Commemorative - WAA celebrates 21 years at Silver Grove premises, Whitehorse Arts Association, Whitehorse Arts Association Art Show 2020, 2020
A commemorative booklet celebrating the 2020 End of Year Art Show and other events over 21 years at the WAA's Silver Grove premises including recollections by past WAA presidents and 22 pages of members artwork.A4 34 pp matt paper, glossy covers, color reproduction of photographs from events and members artwork. Artwork displayed over 22 ppnon-fictionA commemorative booklet celebrating the 2020 End of Year Art Show and other events over 21 years at the WAA's Silver Grove premises including recollections by past WAA presidents and 22 pages of members artwork.whitehorse arts association, mitcham arts association, art exhibitions, silver grove nunawading, rogalski barbara -
Tatura Irrigation & Wartime Camps Museum
Painting, Watercolour, 1939-1945
Harry Gorry bid for & purchased on internet auction site. The seller's mother was putting these & other items up for auction. Her father/ the seller's grandfather was Dr. Bruno Koening, a German surgeon detained by Allied forces while fleeing New Guinea in 1941. He was detained & sent to be interned in Camp 3, Tatura. There he met the painter Cesare Vagarini & they became friends, thus 4 years later upon the end of the war Vagarini gave the surgeon the two paintings in thanks & in memory of their friendship. Dr Koening then passed the paintings down to his daughter, where they remained in the family for 60 years. The seller's mother decided it was time to sell & was happy that the paintings went to a good home, as the family was until now unaware of the connection between Vagarini and the Tatura Museum. Harry Gorry just happened to notice a familiar name in an auction that he came across by accident & purchased them for our benefit. (Most information copied from Tatura Bulletin article, April 2014).Watercolour painting, depicting barracks at Camp 3. Picture showing fencing posts & bare ground in foreground, and row of huts in background, with 4 trees behind them. at bottom left of picture.tatura, camp 3, vagarini -
Stawell Historical Society Inc
Photograph, Chaponnel Butchers Slaughter Yard cnr Clifton Avenue and Ormston Road -- 2 Photos & print of painting by Reg Cepon
Butchers Slaughter Yard cnr. Clifton Avenue and Ormston Road which belonged to Chaponnel family. These yards are now demolished. The land being sold for housing. 0099.2 is a photograph copy of an original oil painting titled "The Old Timer" by Reg Capon Nov. 1979. Painting owned by Mr. Phillip Nicholson Clifton Ave. Stawell.Two black and white photographs of a scene depicting a neglected timber building, with corrugated iron roof and brick chimney. Timber fence and race surround the stock yards. The painting (0099.2) is by Reg Capon called "The old Timer" Nov 1979.stawell business -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1886
This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one is the larger centre painting). Beneath the frame in its current (2010) location in the Halls Gap Hall is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are red flowers in the centre; yellow/red "pea" flowers and white flowers on the upper left, with white, purple and one small spray of yellow flowers beneath them and white flowers and green/red "bells" on the upper right with white flowers beneath them.painting, floral -
Federation University Art Collection
Painting - Gouache, 'Annual Royal Show' by Nornie Gude, c1935
From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. She studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. Nornie Gude won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting showing two horses jumping over a fence.art, artwork, gude, royal melbourne show, poster, available, horses, animals, alumni, nornie gude -
Halls Gap & Grampians Historical Society
Photograph - Coloured
Painting is by Will Rees, an Australian Artist. Subject is a shepherd's hut owned by the D Alton Family on land where D'Alton's Resort now stands.Item is a coloured print of a painting. The range stands in the back ground. A hut stands middle of foreground with a stump in front . A taller gum tree stands to the right side of the photo. Print has soft muted colours.painting, landscape -
Bendigo Historical Society Inc.
Book - THROUGH THE EYES OF TWO CULTURES, 1997
Through the eyes of two cultures. A catalogue of an exhibition of paintings by artists Zhou Xiaoping & Jimmy Pike held at the National Gallery of China Beijing, created by the Golden Dragon Museum & sponsored by Arts Victoria, Australia Council for the arts & Foreign Affairs and trade. Coloured photographs of artworks.art, aboriginal, art, zhou xiaoping, jimmy pike, golden dragon museum, aboriginal artists. -
Phillip Island and District Historical Society Inc.
Photograph, Innishowen, 1978/9
Innishowen - home of William Harbison from 1868. Bought by Gliddon Family in 1911 and demolished in 1976 by owner G Gliddon. Present photograph of painting taken 1978/1979Innishowen - the home of William Harbison who owned most of the south western section of Phillip Island from 1868. Coloured photograph of painting of Innishowen showing house and garden. Green roofing iron.local history, photographs, buildings - historical, coloured photograph, john cook, innishowen, ventnor, phillip island, harbison -
Glenelg Shire Council Cultural Collection
Painting, Frank Werther, Dead Wattles, 1962
CEMA Art Collection Winner of 1962 Portland Artists' Society Prize for the category Painting. Included in the 1999 "Salvage" Exhibition at CEMA Arts Centre.The painting depicts several trees on a multi-coloured ground with mountains in the background. The trees in the foreground are linear and completed in shades of browns and pinks. The work has a white, gold and blue hand-painted frame with exposed canvas.Front: Werther '62 (bottom right, brown paint) Back: PORTLAND "DEAD WATTLES" 40 GNS FRANK WERTHER COTTLES BRIDGE VIC per MAYNE NICKLESS (white chalk) Red sticker: 32 Yellow sticker: 1962cema, portland artists society -
Federation University Historical Collection
Sign, Red Cross Junior Competition, c1943
This sign was made by Keith Rash, most probably made during World War 2 (1939-1945)Original artwork sign on strawboard relating to a Red Cross Junior Competition with proceeds to the Prisoners of War Fund. The artwork shows a small child dropping a coin into a box.keith rash, red cross, prisoner of war, prisoner of war fund, signwriter, world war, warld war two -
Federation University Art Collection
Painting - Artwork - bookplate, Olley, Margaret, 'Apple with Glass' by Margaret Olley, 2005
Margaret Olley (24 June 1923 – 26 July 2011) Born Lismore, New South Wales In 1941 Margaret commenced classes at Brisbane Central Technical College. In 1943 Olley moved to Sydney and enrolled in an art Diploma course at East Sydney Technical College graduating in 1945 with A-class honours. She is known as a still-life and interior painters Margaret who drew inspiration from her home and studio, and the beauty of the everyday objects she gathered around her. Her paintings often feature arrangements of fruits and flowers, set amid domestic ware art and souvenirs of her travels. For her service as an artist and to the promotion of art, she was awarded the Order of Australia in 1991 and made a Companion of the Order of Australia in 1996. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of an apple on a table with red gingham cloth. art, artwork, margaret olley, olley, apple, fruit, still life -
Nillumbik Shire Council
Painting: David ARMFIELD (b.1923 Melb AUS - d. 2010 Melb AUS), David Armfield, Eltham 1965, 195
David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire -
Federation University Historical Collection
Photograph, Artworks by Neville Bunning
Neville Bunning lectured in photography at the Ballarat Technical Art SchoolPhotographs of artworks by Neville M. Bunning, and one slide. ballarat technical art school, neville bunning, ceramics -
Victorian Aboriginal Corporation for Languages
Book, Bunj Consultants, Snapshots of Aboriginal Fitzroy, 2004
Features artwork by VACL Project Officer Mandy Nicholson.maps, photographswurundjeri, carlton gardens, alexandria gardens, maysar, batman treaty, oral histories -
Tatura Irrigation & Wartime Camps Museum
Photograph, Australian swaggy and magpie - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a male, typical Australian swaggy, magpie looking on.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, native woman carrying a baby - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a native woman carrying a baby on her back.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, German Waitress carrying beer mugs - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one German waitress carrying mugs of beer.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Asian Lady with Donald Duck - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting female Asian lady, leading Donald Duck.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Pyrenees Shire Council
painting, Sue Jarvis, Lake Burrumbeet by Sue Jarvis
Donors Mr. A.F. Russell Mrs. Bettine James Mr. O.P. Gutauskas Hains & Sutton &co. Mr. F.W. Glare Mr. & Mrs. R.I. Read Fiery Creek Stage & Trading Co. Mr. P.B.A Cowden Mr. A.W.N Lyons Mr. J.McG. Troup Mrs. W.R.R Beggs Mr. W.J. Smith Mr. R. Read Mr. & Mrs. N..S.Reid Mr. K.W. McKenzie Mrs. Pam. Wotherspoon Mr. L.J.Harris Mr. R.A. Fraser Mr. W. Morcombe Mr. R.F. Gardiner Mr. S.R. Greenbank Mr. C. J. Hedges Mr. F.J. O'Briensignificant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture oil painting of Lake Burrumbeet with trees in the foreground"Signed: Jarvis (lower left) Verso: (handwritten and typed list) Painting of Lake Burrumbeet By Sue Jarvis Obtained by Cr. C.J. Hedges Cost $120 Donors Mr. A.F. Russell Mrs. Bettine James Mr. O.P. Gutauskas Hains & Sutton &co. Mr. F.W. Glare Mr. & Mrs. R.I. Read Fiery Creek Stage & Trading Co. Mr. P.B.A Cowden Mr. A.W.N Lyons Mr. J.McG. Troup Mrs. W.R.R Beggs Mr. W.J. Smith Mr. R. Read Mr. & Mrs. N..S.Reid Mr. K.W. McKenzie Mrs. Pam. Wotherspoon Mr. L.J.Harris Mr. R.A. Fraser Mr. W. Morcombe Mr. R.F. Gardiner Mr. S.R. Greenbank Mr. C. J. Hedges Mr. F.J. O'Brien" -
Chiltern Athenaeum Trust
Photograph - Gum Leaf, Alfred Eustace
This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold -
Latrobe Regional Gallery
Painting, LINCOLN, Kevin b. 1941 Hobart, Tasmania, Still life with covered bowl, 1983
Oil on canvasSigned top left of painting.