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Phillip Island and District Historical Society Inc.
Photographs, Photo Shop Series, 1940
A collection of 18 photographs taken by Mrs Haines' sister whilst on an excursion to Phillip Island from Mt Barker High School in South Australia. 217-01 Photograph of the Cowes Pier taken from foreshore. Ferry at centre left and crowd of people on end of pier. 217-02 Photograph taken from the end of the Cowes Pier with Isle of Wight Hotel in the background. 217-03 Photograph of the Killara Ferry leaving Cowes with a crowd of people on board. 217-04 Photograph of waves surging over Bridal Veil rock platform in foreground. 217-05 Photograph of wave breaking over rock platform on the South Coast of Phillip Island. 217-06 Photograph of the Suspension Bridge from San Remo. 217-07 Photograph of a Guesthouse Dining Room. Tables covered with white cloth and fully laid, including floral arrangements. 217-08 Photograph of the War Memorial at Cowes with the pier in background. 217-09 Photograph of seals on Seal Rocks Phillip Island. 217-10 Photograph of a koala on the trunk of a Gum Tree. Handwritten on the back of the photo - "Roberta, a pet koala". 217-11 Photograph of children rolling down dune onto the beach. Children and adults standing at water's edge. 217-12 Photograph of the Killara at San Remo taken from the Suspension Bridge. 217-13 Photograph of a group of school children with teachers, young girl in the foreground, on rocks at Smith's Beach. 217-14 Photograph looking along the Suspension bridge from Newhaven end. Group of people walking toward San Remo. 217-15 Photograph of Suspension bridge from Newhaven beach. 217-16 Photograph of Mrs Melbourne and Mrs Haines sister. 217-17 Photograph of Seal Rocks taken from a boat. 217-18 Photograph of Theni Beddams - Headmistress of Shelford and Ila Tattersall (Mrs Haines) Sybil Robinson's sister together with four sailors.cowes pier phillip island, the killara ferry, ferries, wildlife - seals, wildlife - koala, suspension bridge phillip island, phillip island coastline, smith's beach, lover's walk cowes, lover's walk cowes phillip island, war memorial cowes phillip island, seals on seal rocks phillip island, seal rocks phillip island, mrs haines -
Phillip Island and District Historical Society Inc.
Souvenir Photographs, Valentine Publishing Co. Pty. Ltd, 1940's
Souvenir Photographic Strip photo envelope donated by Anne LucasBlack & White photographs in a Souvenir Folder. Photos of wildlife and coastal scenes at Phillip Island.On Cover: "Cowes, Phillip Island. Photographic Souvenir" 230-01. "Australian Native Bears (Koalas)." 230-02. "Bathing scene at Cowes." 230-03. "The Pier, showing Isle of Wight Hotel." 230-04. "The Beach at Cowes." 230-05. "Seals on Seal Rock." 230-06. "The Beach, Cowes." 230-07. "War Memorial and Pier". 230-08. "The Pier. Cowes (Phillip Island)" 230-09. "Rocks at Cape Woolamai. Cowes (Phillip Island)." 230-10. "The Nobbies." 230-11. "Sea Birds at Phillip Island." 230-12. "Rocky Headland, Cape Woolamai." 230-13. "Australian Native Bears (Koalas)." 230-14. "Forrest Caves."wildlife - koalas, wildlife - sea birds, coastline cape woolamai, the nobbies phillip island, seals on seal rocks phillip island, wildlife - seals, cowes pier phillip island, cowes jetty, cowes beach phillip island, forrest caves, phillip island, seal rocks phillip island, cowes war memorial, war memorial cowes phillip island, cenotaph cowes phillip island, anne lucas -
Phillip Island and District Historical Society Inc.
Photograph - Post Cards, 1940's/50's
A Collection of 12 (1 missing) photographs in a paper envelope. On the front of the envelope is the following: Valentine's Snapshots. 12 Real Photographs for Your Album. Cowes, Phillip Island. Published by The Valentine Publishing Co. Pty. Ltd., Melbourne. Photo No. 9 was originally missing but has now been supplied by James Iveson who had the complete collection. This was supplied to us on the 23/5/2020. We are always pleased when people visit VC and can add or make corrections to our entries and thank James very much. We are sure our original Donor, Anne Lucas, would also be pleased. 231-01. Black & White Photograph of the Cowes Pier looking towards Cowes with The Isle of Wight Hotel in the background. 231-02. Black & White Photograph of Forrest Caves looking out to the sea. Two people on the foreshore. 231-03. Black & White Photograph of seabirds on the coastline of Phillip Island. 231-04. Black & White Photograph of The Nobbies, Phillip Island. 231-05. Black & White Photograph of Pyramid Rock, Phillip Island. 231-06. Black & White Photograph of seals on Seal Rocks, Phillip Island. 231-07. Black & White Photograph of rocks at Cape Woolamai. 231-08. Black & White Photograph of the beach at Cowes. People and beach umbrellas - looking towards Mussell Rocks, Phillip Island. 231-09 Black & White Photograph of a Ferry arriving at the Cowes Pier loaded with people. Originally missing. 231-10. Black & White Photograph of the Killara Ferry at the Cowes Pier, Phillip Island. 231-11. Black & White Photograph looking towards the Cowes Pier. The Killara Ferry at the pier. 231-12. Black & White Photograph looking toward the Cowes Pier with the War Memorial in the foreground.Each photograph has a description of the photo with a number.the nobbies phillip island, australian fur seals, seals, wildlife - seals, wildlife - sea birds, pyramid rock, rocks at cape woolamai, rocky cliffs at cape woolamai, cowes war memorial, the killara ferry, cowes beach phillip island, cowes pier phillip island, forrest caves, phillip island, anne lucas -
Greensborough Historical Society
Article - Article and Photographs, Vietnam Veterans Association of Australia Diamond Valley Sub-Branch, 18/08/2023
Article with Photographs regarding the Vietnam Veterans of Australia and the commemoration of the end of the Vietnam War. Photographs by Rosie Bray.Article with Photographs, 7 pagesvietnam veterans, diamond valley vietnam veterans, vietnam war, war memorial, greensborough war memorial park -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Digger One, 18/03/2014
... forces for Australia. greensborough war memorial park leigh ...Digger One is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Digger Two - My Dad Charlie, 18/03/2014
... in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003 ...Digger Two - My Dad Charlie. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Digger Three by Leigh Conkie, 18/03/2014
... in the armed forces for Australia. greensborough war memorial park ...Digger Three. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The grandfather that never was by Leigh Conkie, 18/03/2014
... in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003 ...The grandfather that never was. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Puppy the mascot by Leigh Conkie, 18/03/2014
... in the armed forces for Australia. greensborough war memorial park ...Puppy the mascot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Rogue wave by Leigh Conkie, 18/03/2014
... in the armed forces for Australia. greensborough war memorial park ...Rogue wave. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Fallen by Leigh Conkie, 18/03/2014
... in the armed forces for Australia. greensborough war memorial park ...The Fallen. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.A Colour digital photograph.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Mates by Leigh Conkie, 18/03/2014
... in the armed forces for Australia. greensborough war memorial park ...The Mates. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Pilot by Leigh Conkie, 18/03/2014
... in the armed forces for Australia. greensborough war memorial park ...The Pilot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Sea Captain by Leigh Conkie, 18/03/2014
... in the armed forces for Australia. greensborough war memorial park ...The Sea Captain. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Three crosses of sacrifice by Leigh Conkie, 18/03/2014
... in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003 ...The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, The Writer (Billy Turner) by Leigh Conkie, 18/03/2014
... in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003 ...The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Photograph - Photograph - Digital Image, Marilyn Smith, Plaque accompanying chainsaw statues by Leigh Conkie, 18/03/2014
... in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003 ...Plaque accompanying chainsaw statues by Leigh Conkie. These chainsaw sculptures were in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.1 Colour digital photograph.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough -
Greensborough Historical Society
Booklet, Shire of Diamond Valley et al, Dedication service of Greensborough War Memorial: Order of service, 26/08/1994
Order of Service, dedication of Greensborough War Memorial, War Memorial Park, Henry Street Greensborough on 28/08/1994. 8 p. booklet, printed in black on white paperwar memorials greensborough, greensborough war memorial park, greensborough rsl, shire of diamond valley -
Mission to Seafarers Victoria
Plaque - Memorial Plaque, Australian Navy, 2007
The two windows commemorate both seafarers of two world wars and the historic vessel Dreadnought. The installation coincided in 2007 with the 150th anniversary of services to seafarers by the Mission to Seafarers.Rectangular memorial plaque. The plaque is bronze with brass edged frame and bronze raised lettering on a black background. The plaque is mounted to a brick wall beneath windows referred to.Australian Navy Windows Dedicated by RT. Rev. Bishop Jeremy Ashton - 1st March 2007 Celebrating 106th Anniversary year of the foundation of the Australian Navy. Windows designed, crafted, installed by Commodore Dacre Smyth AO Legion D'Honneur Ran in conjunction with Victoria Division - Navy League of Australia during the 150th Anniversary year of Mission to Seafarers - Melbourneaustralian navy, windows, reverend bishop jeremy ashton, commodore dacre smyth, ran, 150th anniversary, 2007, mission to seafarers -
Mission to Seafarers Victoria
Photograph - Photograph, Black and white, Herald, Captain R. Sunter of the M.S. Manunda , at the invitation of the War memorial in Melbourne, plants a tree, 04 August 1934
On the 4 August 1934, to mark the 20th anniversary of the Great Britain declaration of war on Germany, 106 trees were planted, during a ceremony, on the lawns of the newly created garden of the Shrine of Remembrance. The Shrine of Remembrance was built to provide a place to grieve and remember Victorians killed in the First World War (1914-18). Prince Henry, the Duke of Gloucester and son of King George V, officially opened the Shrine before a crowd of 300,000 people in November 1934. Captain Robert Sunter, commander of the coastal liner Manunda, Adelaide Steamship Company, was chosen to plant a Queensland kauri (tree - number 100) on the main avenue from Domain Rd leading to the Shrine of Remembrance. The photograph was published in the Herald (4 August 1934, p. 40). In the Argus (Melbourne, Vic. : 1848 - 1957), Friday 3 August 1934, page 8 In Memory of the Merchant Service- Captain Sunter to Plant Tree at the Shrine Tomorrow will be the 20th anniversary of Great Britain's declaration of war on Germany, and at 10 and. Captain R. Sunter, the commander of the coastal liner Manunda, will plant a tree in the Shrine! of Remembrance reserve In memory of the officers and men of the Australian merchant service who gave their lives during the war. The tree, , which will be No.100 in the reserve, will bear the following inscription based on the wording of the ' British Mercantile Marine memorial at Tower Hill. London: "1914-1918. In remembrance of the officers and men of the Australian Mercantile Marine who died for King and Country and have no grave but the sea. Planted August 4, 1934." During the war 12 ships of the Australian merchant service were sunk and 95 officers and men lost their lives.The Shrine of Remembrance committee recently asked the director of navigation (Captain J. K. Davis) to nominate a member of the mercantile marine to plant a tree in the reserve. Captain Davis passed on the request to the secretary of the Merchant Service Guild of Australia (Captain T. D. Snape) and, after having conferred with various sections of the sea-going service, Captain Snape announced yesterday that Captain Sunter had been chosen unanimously. Captain Sunter has a distinguished war record as commander of the hospital ship Wandilla. Born at South Shields, in England, in 1878, he is a son of the late Canon Sunter, of Adelaide. He served an apprenticeship in sailing ships, and soon after obtaining his master a certificate entered the service of the Adelaide Steamship Company, where he has remained. In the Wandilla during the war Captain Sunter became known to thousands of wounded soldiers and troops." Padre Frank Oliver of MtS can be seen assisting with dedication at far left. Captain Robert Sunter who also served in WW1, a friend of the seamen and the mission, died a month later in Cairns. A window funded by crew of the Manunda and friends was dedicated to his memory in St Peter's Chapel, MtSV in February 1936 by Padre Oliver. (see item 0038).Depicts one of the few memorials specifically commissioned for Merchant seamen of WW1 and in later years also a focus for those who died in WW2 and other conflicts. Mounted black and white photograph of a group of people at a tree planting, minister of religion at far left, on dark grey mount with typed caption label on the lower edge of mountTyped caption in upper case: CAPTAIN R. SUNTER OF THE M.S. “MANUNDA”, AT THE INVITATION OF THE TRUSTEES OF THE WAR MEMORIAL IN MELBOURNE , PLANTS A TREE IN THE AVENUE OF REMEMBRANCE TO COMMEMORATE THE OFFICERS AND MEN OF THE AUSTRALIAN MERCANTILE MARINE WHO BETWEEN 1914 AND 1918 DIED AS A RESULT OF ENEMY ACTION AND WHO HAVE NO GRAVE BUT THE SEA. AUGUST 4TH 1934padre oliver, captain robert sunter, m.s. manunda, war memorial, mercantile marine memorial tree, melbourne, shrine of remembrance, wandilla, hospital ship, adelaide steamship company, memorial trees, queensland kauri -
Mission to Seafarers Victoria
programme, Anzac Day Tuesday 25th April 1967, 1967
Several items were given by a seafarer, Mr Nicholas Garlick (1926-2009) into the care of Father Brady who retired from St Pauls Cathedral, Melbourne in 2018. Father Brady later donated the collection of; objects, documents and an extensive collection of cruise ship menus (1937-end of 20thC) to the Mission via the intermediary William Hastie, volunteer at the Mission for Seafarers.Possibly a pamphlet printed for VIP guests and families attending the ceremony.Two page Anzac Day memorial service pamphlet/leaflet. Smooth/shiny paper, two ink colours (magenta and bluish green), picture of slouch hat at top right corner, and the insignia of each Australian armed force (navy, army, airforce) along the bottom of the pamphlet. The order of ceremony is printed in red ink on the two inner pages. The back features a photo of the Brisbane Shrine of Remembrance and the poem 'The Glory of the Soldier' by Joyce Kilmer.1967, anzac day, brisbane, shrine of remembrance, brisbane, joyce kilmer, poetry, war memorials, william hastie, nicholas garlick, father brady -
Mission to Seafarers Victoria
Plaque - Memorial plaque, P.J. King, Memorial Chapel of Saint Peter, 1917
The Chapel of Saint Peter was dedicated on September 6, 1917 by His Grace the Archbishop of Melbourne. The total sum necessary for the construction of the chapel was collected by the L.H.L.G and the chapel stands as a tribute to the honoured memory of the officers and men of the Mercantile Marine who lost their lives in the Great War. Note that the building was erected to commemorate fallen Mercantile Marines in the Great War before the war was concluded. This shows that the war and death toll thus far was significant enough at this point that it was having a serious impact on Australian society. Highly significant as the identifier of the raison d'etre for the chapel building and the massive fundraising effort made by the Ladies Harbour Lights Guild to fund the building prior to the end of the Great War.Large rectangular engraved brass plaqueMEMORIAL CHAPEL OF SAINT PETER / THIS CHAPEL WAS BUILT WITH FUNDS / COLLECTED BY THE LADIES HARBOUR LIGHTS GUILD/ TO THE GLORY OF GOD / AND TO THE COMMEMORATE THE/ BRAVE AND FAITHFUL MEN / OF THE MERCANTILE MARINE WHO/ GAVE THEIR LIVES IN THE/GREAT WAR / THEY ARE TOO NEAR TO BE GREAT / BUT OUR CHIDREN SHALL UNDERSTAND/ WHEN AND HOW OUR FATE/ WAS CHANGED AND BY WHOSE HAND/ ERECTED 1917 At the bottom manufacturer's name and address: P.J. King / 175 Collins Stmemorial, memorial chapel, wwi, first world war, great war, 1917, lhlg, merchant navy, mercantile marine, st peter chapel, walter richmond butler, p.j.king engraver -
Koroit & District Historical Society
WWI school peace memorial Triumph of Liberty and Justice 1919, Back of Medal, 1919
Schools victory medal awarded to school children( 0-14 years of age) of the Commonwealth of Australia. This was a commemorative medal to mark the end of world war 1. Victorian children received their medals on Friday 14th July and on "Peace Day" on Saturday 19th July.Round with loop, made of silvered bronze1919, peace, medal, school, wwi -
Koroit & District Historical Society
WWII school peace memorial 1945, Front with map of Australia, 1945
wwii, school, peace, medal, world war two -
Mission to Seafarers Victoria
Photograph - Framed montage, Arthouse - Picture Framing & Gallery, Noli Me Tangere, 2013
A GLOBAL PERSPECTIVE Before the increase of air transport, everything that arrived or departed from Australia did so via the ports and wharves. The Mission to Seafarersis not a Victorian initiative, but rather a global network that currently operates in over 260 ports worldwide, assisting over 1.3 million seafaring men and women each year. The importance of the Mission’s role is demonstrated in the Chaplain’s Report 1947, which notes that ships and their crews are: “...inextricably linked with the well-being of Australian industrial and economic life... This, in turn, means that you cannot escape some share in responsibility for their welfare.” This window, titled ‘Noli Me Tangere’, was installed in memoriam of Moira Oliver, the wife of the Reverend Frank Oliver, chaplain at the Mission 1930-60, and whose dedication in life and service to the welfare of seafarers was inspirational to many.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Moira Bird Oliver, wife of Padre Oliver , a photograph of Padre Oliver listing a ship and a photograph of sailors playing tug-of-war during a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Mission to Seafarers' chaplain Frank L Oliver, visiting a ship whilst in port, c1950s BELOW: The crew of the motor ship Nyhaugin a tug-of-war with the crew of the SS Madgeburg at the 1926 Boxing Day picnicreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, moira bird oliver, moira bird oliver (nee good), padre frank leslie oliver, picnic, tug-of-war, flinders street, catherine mclay, arthouse -
Mortlake and District Historical Society
Photograph, Late 19th Century: [ c. 1885?]
... australian australia defence war rifles memorial mounted light ...This informally posed photo was taken in front of the old grandstand at Mortlake's recreation (football) oval. It shows 17 troopers in uniform, holding rifles. There are 7 horses, one trooper is mounted. All wear an early version of the slouch hat. An interested group of mainly boys and a few men, including a policeman, watch from the grandstand. Shows early preparation for national defence or conflict, at a local level. Britain had withdrawn its defence forces from the colonies in 1870, so the States had to provide their own. District defence groups were common at this time, meeting regularly for training. This un-named and un-dated photo appears to be a local (Mortlake) unit of the Victorian Mounted Rifles c. 1885,[A local expert on weaponry believes they are from the 'Victorian Rangers' judging from their rifles.] They were precursors of the Light Horse regiments of the Boer and First World Wars. Mortlake has its own Boer War Memorial (1902) in Mortlake Botanic Gardens. Rectangular sepia photograph on cardboard backinghorse, victorian, australian, australia, defence, war, rifles, memorial, mounted, light, mortlake, boer -
Mortlake and District Historical Society
Jug, Melba Bone China, Probably 1950's, 1960's
This small white jug was probably created as a souvenir of Mortlake. Its depiction of the 'Soldier's Monument' (War Memorial completed 1920), is quite accurate and perhaps reflects the importance of such monuments in small country towns. Memorials created in many country towns, cities and suburbs after the Great War, reflected civic pride and were created in recognition of the sacrifice of so many men in defence of the realm. Mortlake's 'Soldier's Memorial' is typical of many such memorials Australia wide. It forms one part of the Mortlake's tribute, the others being the Soldiers' Memorial Hall (which incorporates the old Mechanics' Institute) and the Avenue of Honour (cypress) along the Hamilton Highway on the eastern side of the town. Small glazed white jug, with gold rim, handle; transfer picture of the Mortlake War Memorial - showing plinth, column, soldier and fence with backdrop of mature trees. Captioned: 'Soldier's Monument Mortlake'. On base: 'Melba Bone China (followed by crown insignia) Guaranteed Made In England.'1914, 1918, world, war, memorial, memorials, mortlake, souvenirs -
Mortlake and District Historical Society
Lone Pine
This pine tree (Allepo Pine, Pinus halepensis) a native of the Gallipoli Peninisula (Gelibolu, Turkey), was grown from a cutting obtained from the War Memorial Canberra and planted in the Mortlake Botanic Gardens in 2002. It replaces the original which grew outside the Mortlake RSL Hall which blew down in a storm c.2000. That tree (Allepo brutius)came from 'the original on Gallipoli' and was planted to commemorate 'fallen comrades' in 'the Jubilee year 1965.' However, two soldiers first brought home pine cones direct from that fateful battlefield. . One was Sgt. Keith McDowell of the 24th Btn. His aunt, Mrs. Emma Gray of Grassmere (Vic.) planted the seeds c. 1928 and four seedlings resulted. One was planted in Wattle Park, Melbourne, one at the Shrine of Remembrance, one at the Soldier's Memorial Hall at The Sisters (c.15 km. south of Mortlake) and one at the Warrnambool Botanic Gardens. The First World War (or 'Great War') and in particular the battle for the Gallipoli Peninsula is of immense national significance. Lone Pine or Plateau 400 was the scene of a major offensive on August 6th 1915. All the trees on the ridge at this point were cut down but one, which was dominated by the 'Lone Pine'. In three days of fighting more than 2,000 Australians lost their lives and seven Victoria Crosses were won. Two Australian soldiers souvenired pine cones - one was brought back to Victoria (see above). Many young men from Mortlake and district volunteered to fight in the Great War and the presence of this tree in our Gardens reminds us all of the local as well as the national sacrifice.l pine tree Small plaque on railing western side. gallipoli, lone pine first world war great war mcdowell, keith -
Mission to Seafarers Victoria
Article, A Woman's Melbourne Letter
A detailed description of the Mission and its activities written by a woman: Western Mail (Perth, WA : 1885 - 1954), Friday 13 December 1918, page 34 A WOMAN'S MELBOURNE LETTER. Melbourne, Dec. 4. There is an idea abroad, which as regards Melbourne, at any rate, is quite erroneous, that our sailors are not as well looked after as our soldiers, and that the noble men of the Mercantile Marine are much neglected ! For once, perhaps, my readers will pardon a letter dealing with only one subject, but the steady, unostentatious work done by the Ladies' Harbour Light Guild, in connection with the mission to seamen in Melbourne could not be adequately explained if dismissed in the usual short paragraph. Some of the most prominent names in Melbourne are associated with this guild and with the Mission Chaplain, and Mrs. Gurney Goldsmith, the members have made the Seamen's Institute a real home for those sailors of the Mercantile Marine, who touch our port. What we as a community owe to those men by their heroism in recent hostilities is certainly more understood by this band of enthusiastic workers than by the community generally. By using their unflagging energies, and influence on the sailor's behalf they endeavour to discharge a debt to which in some way or other we could and should all contribute. Even the most casual person can, if he thinks at all, sum up a few of the things our sailors - other than those belonging to our glorious navy - have done for us. On the spur of the moment we remember that those of the Mercantile Marine, are the men who manned our transports, who carried our wheat and wool, to oversea markets; who kept us in touch with our loved ones abroad; who kept the fires going in the furnaces of the great leviathans, bringing our wounded soldiers home again; who never flinched when self-sacrifice was demanded; who cared, with that tenderness, innate in all sailors, for the women and children, when the passenger ships were struck a dastardly blow by the wicked enemy; who, mocking death, gave up life with a heroism all the more heroic because it was always taken as a matter of course! Is it any wonder, then, that the members of the Ladies' Harbour Light Guild make it their business to provide a bright, homelike, spot in Melbourne, where the sailors are always certain of a cherry welcome ashore? The members of the guild are admirably drafted! The 360 non-workers each pay £1 1s. per annum. The workers, of whom there are between 700 and 800, donate 2s. 6d. and school members - it is confidently hoped that gradually all the schools will take an active interest in the mission - 1s. a year. The knights of the guild - as the men members are designated - are responsible for any sum they wish to name, from 5s. a year upwards. Everything is paid for out of these revenues, with the exception of a small grant from the Home Mission Fund - and such is the organisation, and management, that the entire concern is quite free from debt. The Seamen's Church and Institute, where the "Harbour Lights" gleam so brightly, is situated right in the midst of all the bustle and turmoil of the wharves, at the end of Flinders-street. The building, comprising chapel, and institute under the one red tiled roof, is grey stuccoed, with a small tower, from which flaunts the flag of 'The Flying Angel" - the badge of the guild. A visit to the institute makes one fully appreciate the boon the place must be to the voyage worn, weary, sailor. The atmosphere is eminently social in its best sense. While the architecture imparts an elegance, and quiet dignity which soothes by the very subtlety of its charm. With its comfortable furniture, its wealth of flowers, and the happy, wholesome, feminine influence which prevails everywhere, the quality which stands for the magic word "home" abounds. The Chaplain in the course of conversation said: -"We try to make this really a free club for sailors." But the habitues would probably tell you it was far more than that to them. The Institute is excellently appointed, and every little corner seems to have its particular history. It was built after the model of one of the old mission churches in California, and retains something of the old world attraction, while yet it combines all the advantages of modern, practical, conveniences. On entering the door the first thing, one notices is a huge compass, inlaid upon the floor, evidently to indicate one's proper bearings for it points due north - to the chapel! Only one other seamen's mission in the world boasts such a compass. As the sailor swings through the entrance he finds the office on his right, and there is, here, always a smiling face to welcome the shy, or timid, new comer. Quite a real post office is staffed by members of the guild, and all the letters received are listed alphabetically. Therefore, the expectant sailor has just to run his eye down the list, and he can immediately see whether there is a letter for him or not. If he is fortunate, he comes up to the member in charge, who unlocks the box, and produces the longed for missive. The boys are always encouraged to answer letters - and to write them. Often a few words about their mother, and their own home, will provoke a sleeping memory into activity. The writing room is well stocked with paper, envelopes, pens, and ink. The tables are so divided to ensure the utmost privacy, and through a calculated chain of circumstances, many an anxious mother receives a letter from her sailor lad, who, perhaps, might not have written but for these kindly inducements. The central hall - where social evenings are held every other night besides two special concerts a week - is inviting in the extreme. A handsome piano affords opportunity for those musically inclined. The tables are strewn with papers. The walls are bright with pictures, and here, and there, is a carved model, of a ship. One, of especial interest, is a model of "The Roon" carved, and presented by a French sailor. This German vessel will always be remembered in Australia. For it was across her bows that the first hostile shot was ever fired in Australian waters. In the corner is the canteen. It was fitted up entirely from the proceeds of a quotation calendar compiled by one of the members. The sailors may at any time, get a teapot of tea, or a tray of eatables, at a nominal cost. Before the canteen was in existence they had to go out for refreshments! - and sometimes they did not come back! Groups of sailors sit chatting at the tables. Half a dozen Swedes laugh and talk among themselves, for the simple reason they know no other language than their own. Several British sailors cluster about a dark-eyed Welsh lad - a perfect Celtic type - who, although only about twenty years of age, has been the victim of the Hun five times. Mines and torpedoes sank the ships he was in, either in the Channel or off the English coast, four times; and it is to his fifth experience, when the Inverness was wrecked, that everyone is eagerly listening. "We were in the boats eight days," he was saying, "I was pretty well mangled when they picked me up. The sufferings we endured were awful. At last we managed to reach Rapa, a Hawaiian island. The natives thought we were Germans, and came at us with spears. When they found we were British, they were awfully good to us. They even cried when we left, and the day before the rescue boat arrived they begged us to go into the hills and hide." At another table a Canadian lad - once a sailor - then a soldier, who trained at the Broadmeadows camp - was telling his experiences : - "The voyage which will always stick in my memory," he said, "was to a place which must be nameless. We left the United States not knowing whether we were bound, or what we were going to do. After some weeks we sighted a group of wonderfully beautiful islands, and we headed for the most remote and most lovely of them all. Then, and only then, we learned our mission from the skipper. We were taking their year's supply to a leprosy station! Oh no! I don't blame the skipper for not telling us ! Someone has to do these things, you know. A naval guard saw they didn't come near - and we all got sixty dollars extra. When the job was over we were quarantined on another island for two months, and one little chap - the baby of the crew, not eighteen - developed leprosy, and died before we left. Yes! I'll never forget that voyage, mates! Sometimes, I seem to see Leper's Island yet, with its lavish tropical vegetation and the gorgeous sunsets which stained all the water with blood. Then, too" - here the voice deepened - "there was an English girl - a leper - there. We heard she used to be an actress, and she contracted the disease somehow or other. She was always alone, and always watching us. In the distance we could see her come to the water's edge, and from there she would watch. Just watch . .. . watch . . .watch. ..." "Here come a couple of North Sea chaps," broke in an elderly man after pause. "One of them wounded, too, poor lad." It is not strange that all the sailors flock to the Institute. It is so comfortable, and essentially inviting, besides being full of human interest. The men's quarters comprise reading, writing and dressing rooms - hot and cold baths are always available - billiard room, and a special baggage room, where any sailor may leave his kit for as long as he likes. The payment of 3d. covers its complete insurance. Upstairs are the officers' quarters. These also have their own billiard room, writing and reading rooms, bath and dressing rooms. Just close are the apprentices' quarters - "The Half Deck," as popular parlance has it! The lads also have a billiard room of their own, and indulge in an easy armchair - amongst others - which was a donation from the Milverton School branch of the Guild. It is hoped by the committee to some day utilise the huge empty rooms, which run the length of the whole building. Their ultimate intention is to fit them up as cubicles, or "cabins," as they are to be called. They trust these "cabins" will be donated, either in memory, or in honour, of someone dear to the donor. Another forward movement soon to be put in hand, now that materials are available, is the establishment of "Norla Gymnasium." In a sailors' club such facility for exercise is absolutely essential. The men both need, and miss, exertion. As one boy, who had been backsliding, once said pathetically : -"If only there was something to do to get me into a good sweat, I would be all right." Soon such an one will be helped to swing from the trapese of the Norla Gymnasium into the right track! Sunday is always a fete day at the Institute, for 40 or 50 sailors generally come into tea. The up-to-date kitchen, which is fitted with every labour-saving appliance - all paid for out of working members' half crowns - is then a hive of animation, and methodical order. A formidable row of teapots await filling. Mrs. Goldsmith -, the chaplain's wife - rightly thinks it is far more homely to pour out the tea from a pot, than to serve it straight from the urns. So tea is poured out by a member, who sits at the head of a table gay with flowers, and chats to the guests. These latter are of all nationalities. But the French, the Spanish, Scandinavian, Norwegian - or any other sailor is equally welcome with the British. Two enthusiasts belonging to the Guild actually learnt Norwegian, so that men of this nation would have someone to talk to, and so be less lonely when they reached this, to them, foreign port ! The members of the Guild have their own private suite where they arrange the flow-err and do other necessary odds and ends undisturbed. No one appreciates flowers like a sailor, and the earliest and most beautiful may always be seen adorning the tables and rooms. Teas are served and lectures are held in the "Celia Little Hall," one of the most beautiful portions of the institute. It was erected by the chaplain in memory of his aunt from whom the hall takes its name. The Gothic windows open upon the cloisters, where, in the hot weather, the sailors enjoy their meals out of doors. The cloisters, indeed, form an exquisite spot. They are between a series of sweeping arches which lead to the chapel, and are sheltered by the open balcony of the chaplain's quarters. Grace of contour marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English, Spanish, Scandinavian, Norwegian, and German may be found on the shelves. Each week about 36 convenient parcels of reading stuff are made up. These contain illustrated papers, books in various languages, and magazines. These parcels are eagerly accepted by the sailor with a long monotonous voyage before him. But complete as is every corner of the institute, no part is so well equipped as the memorial chapel erected by the Ladies' Harbour Light Guild, in memory of the officers and men, who have lost their lives during the war. St Peter's - for it is called after the sailor's patron saint - with its hallowed gentle dignity is a veritable sanctuary of peace, perhaps all the more so because it sprang out of war. The fittings are entirely of Australian wood. The pews, given in memory of some loved one by one of the members, are of Tasmanian hardwood. The reredos and altar chairs of carved blackwood. The rich carpet was provided by the members' magical half-crowns. Already this chapel holds memorials of peculiar historical interest. The altar lectern was given in memory of Commander Elwell, who, it will be remembered, was killed at Rabaul, in the early part of the war. The font commemorates two heroes - Nigel Hockley and Fred Hyde, who lost their lives at the hands of the Germans, although they survived the actual torpedoing of their ships, the Galgorn Castle off the coast of Ireland. The mother of one of them wrote out that her son had died as an Englishman should - fighting for the right. This noble sentiment is suitably paraphrased upon the inscription engraved upon the font. Practically every-hing enshrined in the chapel has its own sentimental value. The alms salver of beaten copper, studded with agate, is fragrant with the memory of a saintly woman.The eye of the sailor is caught and held by the pulpit, which is fashioned like a ship's hull and only a twist of rope guides the chaplain up the steps. For the last 13 years the Rev. A. Gurney Goldsmith, M.A., has acted as chaplain to the Seamen's Mission in Melbourne. Before that he and his wife worked in China. Mr Goldsmith visits all the boats and gets in touch personally with the sailor, over whom he has great influence. He is not only their chaplain and friend, but, amongst a wide range of other things, their banker besides. An exchange system exists between the various Missions, and the sailor who has "banked" his money with the chaplain, upon going away, receives a cheque which is cashed - minus exchange - by the chaplain of the next port. Mr. Goldsmith will tell you he has a soft spot in his heart for on old sailor he calls "Paddy." This ancient mariner has been wrecked ten times. It was a long time before the chaplain prevailed upon "Paddy" to partake of the spiritual and secular advantages afforded by the institute. He would not come, he said, until he could do so "with a good heart." Finally he frankly admitted that he had no "friends like those of 'the Flying Angel,' " and that he eventually proved his own "good heart" will be shown in this story. One day he came in to the chaplain and said bluffly, "Well, sir, I've been payin' off some old scores up Carlton way, an' I tells yer, plain, sir, not one of 'em would have seen a penny of their money but for the Mission." The Ladies' Harbour Light Guild has over thirty working suburban branches, and the excellent results achieved at the Institute now will no doubt be considerably augmented in the future. The practical actions of the members do more than anything else to convey the subtle meaning of the name of the Guild. To the visiting sailors the word "ladies" signifies the bread givers; "harbour" safety ; "lights" welcome; "guild" the welding of fraternity, and they one and all tell you the ideals thus embodied are unselfishly carried out by all the ladies who have banded together to care for the sailors' welfare.The article describes the Mission and the use of several spaces a year after its opening and gives details about the daily activities.Digital copy of an article published in the Western Mail on the 13th of December 1918. 717 flinders street, seamen's mission, norla dome, lhlg, reverend alfred gurney goldsmith, celia little room, garden, frederica godfrey -
Greensborough Historical Society
Book, These Eagles; story of the RAAF at war, 1942_
... ; story of the RAAF at war Book Book Australian War Memorial ...The story of the Royal Australian Air Force during World War II200p., hard cover, col plates.world war ii, raaf, royal australian air force