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The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Award - Trophy, 2nd INF BDE 1932 Vickers .Dun Won by
2nd INF BDE 1932 Vickers .Dun .Trophy with both handles curving. Both handles are intact2nd INF BDE 1932 Vickers .Dun Won by ....5/6 rvr, 2nd inf bde 1932, 1932 vickers .dun -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Crochet
Crochet, with screw fitting for handle attachment. Handle missing.obstetric delivery, destructive instrument -
Rutherglen Historical Society
Shovel, 1900-1930 (Approximate)
Could be a stoker's shovelShort handled shovel, T-bar handle, oval ended blade with long moulded piece up handletools -
Chiltern Athenaeum Trust
Domestic object - Fork
This fork is believed to belong to the household of Chiltern writer and historian, W.C. Busse. It displays a level of tarnish indicating it may be comprised of silver or silver plate. It has no evident hallmark to determine its maker or date of manufacture, but may pre-date World War Two as mass production methods and the growing popularity of stainless steel in cutlery and other tablewares saw a reduced reliance on silver in such goods after this period. The handle of the fork appears to display the initials 'WB', potentially indicating it was made to order. Wilfred Clarence Busse was born in Chiltern in 1898. He went to school at Wesley College in Melbourne, studied law at the University of Melbourne and became a barrister. Additionally, after spending time on a Victorian station in his early twenties, he wrote two historical novels about bush life. His first novel was 'The Blue Beyond: a Romance of the Early Days in South Eastern Australia', written in 1928 and published in 1930. Busse's second novel was titled 'The Golden Plague: A Romance of the Early Fifties'. The judges of the Henry Lawson Society's T.E. Rofe competition to advance Australian literature unanimously awarded it the Gold Medal in 1931 for the best historical novel of 1930. Newspaper articles about the award mention the writer's meticulous documentary and oral history research regarding life on the Gold Fields in the 1850s. It became a best-seller. Busse also wrote a series of articles about local history for "The Federal Standard" newspaper in Chiltern. He was a member of the Chiltern Athenaeum. He died in 1960.This fork is significant for the detail it conveys of ordinary domestic life in the household of a significant Victorian writer with special reference to Chiltern and the surrounding region.Fork with decorative pattern on handle and tarnished patina, design may include owner's or maker's initials. WB w.c. busse, chiltern, chiltern athenaeum, gold fields, indigo shire, gold mining, gold rush, henry lawson society, fork, silverware, cutlery, tableware, 1930s, 1850s, wilfred clarence busse, historical fiction, t.e. rofe, t.e. rofe gold medal, north-east victoria, federal standard, golden plague, blue beyond -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Smellie's obstetric forceps, c. 1750
William Smellie’s straight forceps are one of the most significant pairs of forceps in the Museum collection. William Smellie (1697– 1763), designed these forceps, which were an improvement on the forceps of that time. These forceps were easier to use being shorter and lighter, particularly in the handles, with pelvic curve shaped blades. He invented a locking device for the two blades. The blades were lined with leather and greased with hog’s lard for the ease of delivery and the greater comfort of the patient, this being in the era prior to an understanding of sepsis and the need for surgical hygiene.Smellie was groundbreaking in his understanding of Childbirth and became an influential teacher of Obstetrics. He diligently studied the birthing process, particularly the descent of the baby’s head down the birth canal. His observations lead to him noting that many deaths occurred because of a lack of understanding of this process and the inappropriate handling of forceps. Smellie is generally given the credit for improving the forceps to make them easier to use and less likely to damage the baby. Smellie’s "Treatise on the Theory and Practice of Midwifery" was published In 1751 and became a widely influential teaching resource. Copies of this birth atlas are held in the Frank Forster Library, RANZCOG. Smellie's obstetric forceps. Iron forceps with traces of leather on the two blades. The blades touch at the tips when the blades are fully closed. The handles have a metal sheet coating and would also have been covered in leather originally. There is a notch at the centre to lock the blades in place. Noneobstetric delivery, william smellie -
Beechworth Honey Archive
Extractor
Frames are uncapped with an uncapping knife, and placed into a holding spot or basket. The handle is then turned, spinning the frames inside. Eventually, the centrifugal force drains the honey from the frames. The honey can be poured from the drum via the tap. The empty frames go back into beehives to be filled with honey again.Antique two frame manual extractor. Metal 44 gallon drum with external tap, handle and hole. Inside; rotating two-frame honey extractor. The two frames are attached to a square metal structure. Each frame is only attached by one end. Each frame is a rectangular metal construction with square wire panels on two sides. Internal frame rotates freely. Other two sides and base solid. On top of drum is a hand-driven metal crank for turning internal frames.two, frame, hand, manual, extractor, honey, beechworth honey -
Flagstaff Hill Maritime Museum and Village
Domestic object - Strainer
Take a stroll through the average beverage aisle in your supermarket, and you might get the impression that tea has always come in small boxes with disposable tea bags. But before those easy to come by boxes, there was the rich and intriguing history of the tea strainer, a beautiful little tool that has helped our ancestors enjoy loose leaf tea for hundreds of years. Enjoying loose-leaf tea, and becoming familiar with this tool, can help spark an appreciation for your tea strainer and infuser collection, or simply inspire you to grow one. Documentation of tea tools such as the tea strainer appear in ancient history, the earliest models were likely made of bamboo, and later evolved into stainless steel, sterling silver, china, porcelain, silicon, and linen. During the Tang Dynasty in China, a small book called “Classic of Tea” was written describing tea utensils, and they were made to help Buddhist monks keep living things (such as small bugs) out of the drinking water. However, using a tea tool to keep run away tea leaves out of a cup did not become a cited use of the strainer until the 17th century when Dutch merchants made tea more readily available to those outside of the Chinese dynasty. British royals then increased the popularity of tea as their preferred beverage, and it was not long before a newfound fanaticism for tea in Great Britain spread to the American colonies, as did a growing demand for products that could separate loose tea leaves from liquid with ease and flair. Why did people use a strainer to separate out tea leaves in Great Britain and not in China? While the method of serving tea from a teapot with the tea loose in the pot was a practice used in both countries, the reason China may not have required a tool to remove leaves from their cup likely had to do with the types of tea leaves they were producing. The British owned tea plantations, in countries such as India, produced finer black tea leaves that did not require as much space to expand inside of a tea pot, where as the leaves prepared on the Chinese plantations would expand far more in the pot, and were therefore less likely to land or be bothersome inside a tea cup. This common approach to serving tea with smaller tea leaves required a solution to avoid ending up with a cup, and mouth, full of tea leaves. The obvious solution was a strainer basket. In the Victorian era, tea strainer baskets, similar to those still used in tea parlors today, were made to sit on top of the cup to capture the leaves when pouring the tea from a tea pot into the individual cups. Another solution was a tea-removing device called a mote spoon. Mote spoons act as search and rescue spoons to remove tea leaves from individual teacups. The tea would be brewed loose in the teapot, so any tea that ended up in the cup could be removed with a long handled spoon with holes in the spoon to remove rogue tea leaves and keep the steeped water in the cup. The handle also helped keep the teapot spout free of leaves and could help unclog any leaves trapped when pouring. Stainless steel tea strainers and tea infusers gained popularity in the late 19th century. Big name tea strainer producers, such as Tiffany and Gorham, could use fine silver to create quality, heavy, and sturdy strainers, for those who could afford it. There were many varieties of strainers at that time, but it was more likely that smaller designers who could not afford to mass-produce these quality strainers out of silver made them into unique shapes to attract consumers with lighter wallets. And borne was the tea strainer we are accustomed to today. Things took an unexpected turn for the tea strainer in the early 1900s when Thomas Sullivan, a tea merchant, shipped out tea samples in small silk bags. Customers did not realize that they were supposed to remove the tea from the bags, and instead boiled the tea, bag and all! The convenience of tossing out the leaves is obvious, and the popularity of tea bags is still seen today. Most premium bags of tea we are accustomed to today are frequently packaged loose for consumption, and when they are available in bags, the leaves are often crowded and do not have enough space to expand. While pyramid tea bags have become a more recent solution to this problem, due to the additional space at the top of the bag, enjoying a variety of quality tea is easier with a tea strainer in your arsenal. Besides, with the wide variety of strainers for your cup or pot in versatile materials such as mesh, silver, or a novelty silicone cartoon shape, loose tea can still reign supreme. Tea strainers sometimes do require more cleanup and measuring, but the experience and quality is always worth the effort. Besides, strainers also allow for mixing favorite tea blends together for an extra dose of delicious creativity! https://www.teamuse.com/article_170413.html The strainer provided the convenience of separating the tea leaves for disposal later.Metal strainer, bowl shaped, with mesh and twisted wire handle.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, strainer -
Federation University Art Collection
Ceramic, Marion Popplewell, [Bowl with handles] by Marion Popplewell, 1974
Marion POPPLEWELL (1912-1998) Born Yorkshire Marion Popplewell visited relatives in Ballarat in the early 1940s. She loved Ballarat so much she decided to stay. She worked at a bank in Lydiard Street, opposite the Art Gallery of Ballarat, and lived in rooms above the Lydiard Street Shops. Marion enrolled in some evening classes at the Ballarat Technical Art School (a predecessor institution of Federation University Australia) conducted by Neville Bunning. He was nor overly happy with her small colourful jugs and vases, wanting her to handbuild pots, rather than wheel throw them. Marion Popplewell continued making her small wheel thrown pots with fine handles, and made glazes herself from materials imported from England. Attending classes in Ceramics up until the mid 1970s, she also took some classes in Woodwork and Needlework. Her 'Pink Glazed Jug' 1945 won a prize at the Royal Melbourne Show in the late 1940s. She died in Melbourne on 26 September 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown vessel with 2 handles and turned foot. Bronze like glaze with some feint pearlescence and slight crazing. Inscription on base reads "MP 74," sticker reads "2"art, artwork, marion popplewell, popplewell, ceramics, ballarat technical art school -
Flagstaff Hill Maritime Museum and Village
Tool - Caulking Tool, A Mathieson and Son, Early 20th century
Caulking is the traditional technique used on wooden vessels built with butted or clinker-built planks to fill the gaps between these planks while still allowing the wood to flex and move. This involved driving the irons, hammered in with the mallet, deep into the seams to open them up. After this, spun yarn, oakum (hemp) or cotton was driven deep into the gaps. The hemp or cotton was soaked in creosote or pine tar to make the joins watertight. Caulking also played a structural role in tightening up the hull or deck by reducing the longitudinal movement of the neighbouring planks. The subject item was made by Alexander Mathieson & Sons but the company was established in 1792 when John Manners had set up a workshop making woodworking planes at 14 Saracens Lane Glasgow. He also employed an apprentice Alexander Mathieson (1773-1851). But in the following year at Saracen's Lane, the 1841 census describes Alexander Mathieson as a master plane-maker now at 38 Saracen Lane with his son Thomas Adam working with him as a journeyman plane-maker. Presumably, Alexander must have taken over the premises and business of John Manners. Now that the business had Thomas Adam Mathieson working with his father it gradually grew and became more diversified, and it is recorded at the time by the Post-Office Glasgow Annual Directory that by 1847-1848 Alexander Mathieson was a “plane, brace, bit, auger & edge tool maker”. In 1849 the firm of James & William Stewart at 65 Nicolson Street, Edinburgh was taken over by Mathieson and Thomas was put in charge of the business, trading under the name Thomas A. Mathieson & Co. as plane and edge-tool makers. Thomas's company went on to acquire the Edinburgh edge-tool makers “Charles & Hugh McPherson” and took over their premises in Gilmore Street. In the Edinburgh directory of 1856/7, the business is recorded as being Alexander Mathieson & Son, plane and edge-tool makers at 48 Nicolson Street and Paul's Work, Gilmore Street Edinburgh. In the 1851 census, Alexander is recorded as working as a tool and plane-maker employing eight men. Later that year Alexander died and his son Thomas took over the business. Under the heading of an edge-tool maker in the 1852/3 Post-Office Glasgow Annual Directory the firm is now listed as Alexander Mathieson & Son, with further entries as "turning-lathe and vice manufacturers". By the early 1850s, the business had moved to 24 Saracen Lane. The directory for 1857/8 records that the firm had moved again only a few years later to East Campbell Street, off the Gallowgate area, and that through further diversification was also manufacturing coopers' and tinmen's tools. The ten-yearly censuses report the firm's growth in 1861 stating that Thomas was a tool manufacturer employing 95 men and 30 boys; in 1871 he had 200 men working for him and in 1881 300 men. By 1899 the firm had been incorporated as Alexander Mathieson & Sons Ltd, even though only Alexander's son Thomas appears ever to have joined the firm so the company was still in his father's name. In September 1868 Thomas Mathieson put a notice in the newspapers of the Sheffield & Rotherham Independent and the Sheffield Daily Telegraph stating that his firm had used the trade-mark of a crescent and star "for some time" and that "using or imitating the Mark would be proceeded against for infringement". The firm had acquired its interest in the crescent-and-star mark from the heirs of Charles Pickslay, the Sheffield cutler who had registered it with the Cutlers' Company in 1833 and had died in 1852. The year 1868 seems also to be the one in which the name Saracen Tool Works was first adopted; not only does it figure at the foot of the notice in the Sheffield press, but it also makes its first appearance in the firm's entry in the Post-Office Glasgow Annual Directory in the 1868/9 edition. As Thomas Mathieson's business grew, so too did his involvement in local public life and philanthropy. One of the representatives of the third ward on the town council of Glasgow, he became a river bailie in 1868, a magistrate in 1870 and a preceptor of Hutcheson's Hospital in 1878. He had a passion for books and was an "ardent Ruskinian". He served on the committee handling the bequest for the setting up of the Mitchell Library in Glasgow. When he died at Coulter Maynes near Biggar in 1899, he left an estate worth £142,764. In the Company's later years both Thomas's sons, James Harper and Thomas Ogilvie were involved in the continuing life of the firm. James followed in his father's footsteps in becoming a local public figure. He was appointed Deputy Lieutenant of the County of the City of Glasgow and was made a deacon of the Incorporation of the Hammermen of Glasgow in 1919. His brother Thomas Ogilvie was recorded as a tool manufacturer and employer in the 1911 census. Thomas Ogilvie's son Thomas Alastair Sutherland Ogilvie Mathieson was born in 1908 and took a rather different approach to engineer, however, by becoming a racing driver. In 1947 he wed the French film actress Mila Parély. The firm had won many awards at world fairs for their goods. At the Great Exhibition, London, 1851. Prize medal for joiners' tools in the class of Cutlery & Edge Tools, Great London Exposition, 1862. Prize medal honoris causa. International Exhibition, Melbourne, 1880. Gold medal International Exhibition of Industry, Science and Art, Edinburgh, 1886. Prize medalThe firm Alexander Mathieson & Sons were one of the leading makers of hand tools in Scotland. Its success went hand in hand with the growth of the shipbuilding industries on the Firth of Clyde in the nineteenth century and the emergence of Glasgow as the "second city of the Empire". It also reflected the firm's skill in responding to an unprecedented demand for quality tools by shipyards, cooperages and other industries, both locally and far and wide. The subject item is of further significance as it gives a snapshot of the technological development of sailing ships and their operation before steam-powered vessels took over around the world. Tools such as the subject item demonstrate the traditional craftsmanship and skill of the shipwright and the aesthetic quality of the timber ships designs of the time. Caulking tool Off-set. Stamped on blade "Mathieson & Son Glasgow" also stamped in handle, James S Steele tool box.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, james s steele, caulking iron, caulking tool, offset caulking tool, alexander mathieson & sons, shipwrights tools, ship building, clinker hull caulking, sailing ships -
Kiewa Valley Historical Society
Spoons - Souvenir, Mt Beauty x6
Souvenirs are sold to tourists as a moment of their visit to Mt BeautyMt Beauty is a tourist town6 spoons - 2 of each with a different picture. Silver spoon in a plastic case. The case has a black side with a ring at the top and 2 small pieces that jut out from inside to hold the spoon. The clear front cover fits on and has gold embossing. The stem of the spoon is embossed with lines on the front. At the end there is a circular coloured picture with 'Mt Beauty' below surrounded by embossed decoration.Cover: Map of Auistralia with ASM along the W.A. side / Made in / Australia Spoon: top of handle - Mt Beauty. back of handle - embossed kangaroo. back of stem - 'Swann and Hudson Made in Australiamt beauty. souvenir. silver spoon. tourism. swann and hudson -
Greensborough Historical Society
Bottle opener, Metal bottle opener or can opener, 1952c
Multi-purpose opener in common use in the mid 20th century. Functions include corkscrew, can-opener and bottle opener.Metal with corkscrew, bottle opener and can opener."Buckle proof blue blade" and "Made by Henry Squire and Sons" etched into handle.bottle opener, can opener, corkscrew, henry squire and sons -
Anglesea and District Historical Society
Souvenir Mug - Australian Visit 1949, BCM/Nelsonware, Estimated 1949
Coronation mug souvenir of George 6th and Queen Elizabeth issued to celebrate the royal visit to Australia in 1949. White china mug with pictures of George 6th and Queen Elizabeth under crown and dated May 1937 with flags flanking them. On back marked "Issued to celebrate the royal visit to Australia 1949".Marked: BCM/Nelsonware. Made in England. Gold edging around rim and on handle.coronation mug 1937 issued 1949 australian visit -
The Ed Muirhead Physics Museum
Vertex V170 Hard Drive, 20th Century
Computer hard drive with exposed power board, circuits and interfaces. Model V.170.Label on back: 'VERTEX PERIPHERALS / MILPITAS, CA. USA / WARNING / HANDLING PROCEDURE'vertex, hard drive, v 170, computer peripherals, computer equipment, hardware, california -
Bendigo Military Museum
Accessory - FIELD DRESSING, Vernon & Coy LTD Preston, 1939
Item issued to Reginald Charles Allardice No 418557 RAAF, refer Cat No 3627.5 for his service details.First Field Dressing in a fine Kahki coloured water proof package. The item is still in its original plastic cover over the dressing.“First Field Dressing - To open - Contents - Directions, Do not handle gauze or dressing”wounds, dressings, military. -
Glenelg Shire Council Cultural Collection
Functional object - Kettle, 1800s
Found on wreck site of Admella by an Abalone Diver 1960s.Metal kettle possibly copper. Very large. Spout and base missing.Front: On top side of handle some lettering but can't make it out. Back: -admella, shipwreck, 1859, wreck site, diving, diver -
Glenelg Shire Council Cultural Collection
Equipment - Metal Taps and keys for Liquor Barrels, n.d
Found at the wreck of the Nene Valley by an abalone diver c 1990.Variety of metal taps and two keys for use on liquor barrels. 7 complete taps, 1 broken tap, 2 keys for the taps. Measures 15cm long.Front: 'FIDDIAN' on top of tap handle on both sides. Visible on one only -
Churchill Island Heritage Farm
Tool - Sickle
A Sickle is an agricultural hand tool used for harvesting or reaping grain crops using the sharp blade in a swinging or hacking motion. It was also used for cutting back forage and other plant growth. They have been used since early Iron Age times and many examples have been found in the Middle East dating back 18,000 to 8,000 BC. This is a bagging hook – a type of larger and heavier sickle used mainly for harvesting of grain. It continued to be used after industrialisation and the implementation of the mechanical reaper. Designed by British manufacturing firm, Brades & Co, and made to be used by the left hand, its age is unknown. Left handed sickle. Blade painted black; handle varnished. Metal ferrule on handle. Hook on blade at handle endB?RADE? BRADER OZ?sickle, harvesting, churchill island heritage farm -
Coal Creek Community Park & Museum
Filing cabinet
8675.1 - Wooden cabinet with four draws that have metal handles. 8675.2 - Wooden draw with metal handle. 8675.3 - Wooden draw with metal handle. 8675.4 - Wooden draw with metal handle missing/broken. 8675.5 - Wooden draw with metal handle. -
Numurkah & District Historical Society
Domestic object - Preserving Pot
This pot was especially made for Bitcon's Stores (one of these stores was based in Numurkah) The pot has come from Janet James (Rex James Stockfeeds)Aluminium pot with two side handles and a hinged larger handle Underneath: "made expressly for Bitcon's Pty Ltd Numurkah" / picture of a unicorn and numbers: "18142 12 )T"cooking, kitchen, preserving, bitcons, pot -
Coal Creek Community Park & Museum
Brush, clothes
Two toned wooden handled and bristle brush, with inscription on handle.C145 F. Buckhurst, Made in England, Pharmaceutical Chemist. G D Kent..... London. -
Coal Creek Community Park & Museum
Bottle Cap Press
able to turn handle that rotates other handle seems to not workN/A -
Coal Creek Community Park & Museum
Bottle press
Long bottle press with long handle Handle hard to useN/A -
Whitehorse Historical Society Inc.
Tool - Screwdriver
Made by Stanley Works Pty Ltd a Nunawading company and used by Harley HallA screwdriver with a red handle with Stanley Australia 65.581 written on the handleStanley Australia 65.581stanley, screwdriver, tool, harley hall -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Blunt hook
Blunt hook, with fitting at end for handle attachment. Handle missing.obstetric delivery, destructive instrument -
Wodonga & District Historical Society Inc
Domestic object - Haeusler Collection Teapot
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This teapot is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. The ingenious repair to the teapot's handle reflects the resourcefulness and thriftiness of the Haeusler family during the economic hardships of the 1930s Great Depression. The teapot was manufactured in England, likely dating from the early twentieth-century. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A glazed ceramic teapot with a printed design depicting two deer and a hunter in a woodland on one side, and two deer by a stream in a woodland on the other. The broken handle of the teapot has been replaced with wire. The teapot handle was repaired by Alfred Haeusler (b.1922, d.1997) and holds remarkable balance, perfectly retaining its function. Faded, circular makers mark on the base of teapot, illegible/"ENGLAND"teapot, teaware, tableware, ceramic, domestic, social history -
Harcourt Valley Heritage & Tourist Centre
Egg box, Circa 1960
Used by Ron Robins for delivery of eggs (30 dozen per box) to the agents for the Victorian Egg Marketing Board, in this case Soding Bros , succeeded by Sympag and Crystal Ice Works, initially to premises at 64 Mostyn St, Castlemaine (now Saffs Cafe) later to premises at south-west corner of Calder Hwy and Lockwood Road, Kangaroo Flat (now Aldi supermarket).Made obsolete by use of trolleys holding 360 dozen eggs, handled into refrigerated transport by a hydraulic tailgate loader. Original label specifies that the eggs are ; infertile; unwashed; not damp cleaned; of specified yolk colour; held at 55 to 60 degrees Fahrenheit and delivered within 96 hours of lay.Significance During the 1950s and 1960s many folk in Harcourt conducted poultry farms of varying sizes, utilising boxes of this type. Harcourt thus became a major producer in the Victorian egg industry. Smaller-scale operations were wiped out when the producers were expected to hold eggs in a coolroom.Illustrates one aspect of the multi-faceted streams of income open to local landowners who conducted an orchard, bred pigs, raised fowls for egg production and kept a few cows for cream production. Wooden box with detachable wooden lid, two internal compartments and a galvanised holder for a card on which the producer has signed a declaration as the condition and handling of the contents.Property of Soding Bros, Melbourne -
Bright & District Historical Society operating the Bright Museum
Fire irons
00062.1 : Brass fire tongs - ornate handle. 00062.2 : Brass poker - ornate handle. 00062.3 : Brass shovel - ornate handle.brass, fire tongs, fire poker, fire shovel -
Flagstaff Hill Maritime Museum and Village
Nail Remover
Nail remover with rounded handle and brass ferrule. Arm and metal claw corroded. Wooden handle has grooved turns in handle.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Mont De Lancey
Curling Irons, Circa 1890 - wooden handle curling irons
These were heated and used for curing and waving hair.Assortment of 5 Curling Irons:- 3 with wooden handles (Circa 1890), and 1 with a black plastic handle and another with a metal handle.curling irons -
Kiewa Valley Historical Society
Bag Canvas Water, Circa 1950
This extract from an advertisement in the Sydney Morning Herald newspaper of 1/12/1959 places the era in which this water bag was prolific throughout rural Australia. " ABERDEEN CANVAS GOODS for the man on the land here is Australia's most useful, convenient and hygienic water bag. Its special unbreakable plastic nozzle is fitted with a perforated filter strainer. Made from long flax canvas, its universal handle enables it to be hung on bumper bar, wire fence or on hook or nail" The availability of clean cool drinking water in remote rural locations was essential for survival under the blistering Australian summer sun. This was in a pioneer era when transport, roads and convenience stores were ,in a lot of "outback" Australia, in short supply and survival was dependent upon what could be carried by vehicle or pack horse.When the Kiewa Hydro Electricity Scheme became a reality, the use of the water bag was one of the essential personal items of survival given to each person working in the forests and on and in the high plains environment. Even in an outside stationary work place the availability of cool clean water was a prerequisite. The canvas water bag allowed any wind or airflow to cool down the water, even on very hot days, to provide a refreshing and throat quenching supply of water. These bags could be fastened onto the front of vehicles or hanging from shady tree branches thereby permitting air flow around the bag. During the "wearing in" period the residual taste from the canvas was fairly strong, this became considerably less as time and a half moved on. This "Aberdeen" long flax canvas water bag is held together on two sides and the top by strong heavy cotton stitching. The iron fashioned carrying handle has, protruding from its top elevation ,a very strong hook (well in excess of the bags' weight requirement). At the top, of the bag, and on one side only, is a brown coloured bakelite spout (with an inbuilt filter) protruding upwards. This spout has its matching , screw on, lid complete with attachment chain (not fixed at the handle end)On the front of the bad and stenciled in bold lettering, "ABERDEEN" and directly below "Travellers" and below this "FILTER BAG". Below this are two parallel black lines enclosing an ochre coloured band(12mm wide) running around the bottom section of the bag. Below this band is stenciled the number 14 in black (25mm high) figures. The spout lid has stamped on the top surface and within the outline of Australia, "ABERDEEN FILTER WATER BAG". Above this and close to the edge of the lid is pressed "PAT. No 9149/32 and down at the bottom rim is stamped "RD. No. 9870". canvas, water bag, water container, camping equipment, survival pack