White ensign was stolen from Aussie Ship in Aukland harbour in the 1960's. Returned to RR by a Kiwi friend who "liberated" it from another Kiwiflag/banner, 1960, ran

Postcard written by Slavica Risek at 11 years of age to her grandmother on arrival to Australia from Croatia. She was travelling on the Angelina Lauro passenger ship with her brother, mother and father c.1969. She describes her cabin is located at the first windows at the bow of the ship. The postcard was never posted. This was during a time that Australia was recruiting labourers from Europe. The family left Croatia along with many other immigrants looking for a better life in Australia.This item is of historical significance as a representative example of a young girl immigrating to Australia during the time when Australia was recruiting labourers from overseas.Image of Postcard with photo on front of ship named Angelina Lauro sailing under the Sydney Harbour Bridge. On reverse side is a written message and address in Croatianimmigration, sydney harbour bridge, croatia, labourers, angelino lauro ship, postcard

Framed photograph showing four RAAF Caribou planes on their return to Australia. Image shows the four planes mid flight over Sydney Harbour Bridge. 'FIRST IN - LAST OUT- ARRIVE HOME' Their wartime camouflage merging neatly into the city landscape. These four RAAF Caribou from No. 35 Sqn. made a run over Sydney Recently to mark their return from Vietnam. vietnam, sydney, caribou, raaf, plane, vietnam war, 35 squadron

Clipper trader shipsFour masted barque entering Port Phillip in 1935B&W photo of the MACQUARIE (see notes) under sail. Newspaper clipping of the RMS MALOJA aground off Adelaide at Outer Harbour, March 1933. .Reverse " NIL " cargo clipper

Cards collected by R. H. Baron whilst on leave in Belgium c. march 1919. see Catalogue No's 7888.1P and 7888.2P. Part of the "Robert H Baron" No. 3596 and Cooper Collections See Catalogue No. 1981P for details of Baron's service..1- 16 Coloured postcard scenes of Antwerp, Belgium. Perforations on left hand side. 17. 20. Black and White postcard scenes featuring Antwerp harbour.robert h. baron, cooper collection, postcards, ww1, antwerp belgium

"Robert H. Baron" returned to Australia on the HMAS Ulysses. He left England on 23 July 1919 and arrived at Port Melbourne 2 September 1919. Part of the Robert H Baron (3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. Photograph of a ship berthed in a harbour. Tug boat next to ship on starboard side. Handwritten inscription on back. 2. Duplicate of 1, without inscription on back.1. Handwritten in indelible pencil on back; Taken at Cape Town 11/8/19, H.M.A.S. Ulysses left England 23 July 1919, at Port Melbourne, 2 Sept 1919.robert h. baron, cooper collection, hmas ulysses

Black and White photograph of the M.V Templar, passing under the Harbour Bridge Sydney 295 mm x 187 mm SH 276 Ships T-Zflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, m.v templar

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of Portland Bay. Wide angle view of the Bay, with water tower / lighthouse on the right, the harbour with a docked ship in the centre, and the end of the peninsular and ocean on the left.Front: "Portland Bay" (lower left) Proof (lower right centre) A Gee '83 (lower right) (pencil) Back: 12

Black and white photograph of a cliff face with a beach at the base. At the top of the cliff is a lighthouse. In the foreground is a grassy area and a wooden paling fence. A jetty extends into the harbour in the background.Front: THE ROSE SERIES. P. 1117/ COPYRIGHT (typed, lower left) LIGHTHOUSE BLUFF, PORTLAND, VICTORIA (typed, lower centre)postcard, portland view, lighthouse, tourism, communication, correspondence

Displayed at History House.View taken from an elevated position of the harbour and piers. Black and white with a sepia tinge. Framed under glass in dark wood frame, with thin wooden mount.Front: (no inscriptions) Back: (no inscriptions)