The Meter book was used by the Shire of Bulla to record by hand writing the consumers name and location of property, the amount of water used, any excess water and all costs relating to the property.Large cloth covered hard cover book with tan corners and spine. Multi colour pattern inside front and back covers."Meter Book for year ending..."1920s, 1940s, shire of bulla, sunbury, george evans collection

Large pamphlet adare, church, limerick, wyse jackson, ireland, irish, religion

Demonstrates aspects of the Ballarat Tramways ticketing system for use with the daily return from Sebastopol (See Reg Item 3494). Printed by ESCo for a specific route.ESCo 4d Check Ticket - on orange colour card. Used as check ticket in exchange for 4d daily return ticket on the return journey - (See Reg Item 3494) between Grenville St and Sebastopol. Printed by J. J. Miller Melb. Printing in black ink. Has been nipped or cancelled. trams, tramways, tickets, check ticket, esco

Photograph of 17 representatives of the Australian Tramway Employees Association Conference in Hobart Tasmania 1929. Many have watch chains with their union badges. Back row - W B Randall SA, M J Stapleton Vic, J M Bergin Vic, A W Banks NSW, Middle row - J H Brown Hobart, E Christie, Vic, G H Bayliss Vic, R Lynch NSW, D Cameron WA, H J Holder Launceston Front row - W A Clementson NSW, A C Warton Vice President, C J Bray Treasurer, J I Abflater Gen President, T Jewell General Secretary, M A McDonald SA, T E Beckman NSW. Photo by J J N Barnett of Hobart.Has a close association with the men list and their union activities.Mounted photograph black and white onto cardboard with names and title printed. Title sheet has been glued and is partially loose.tramways, unions, atea, conferences, hobart

Photograph of 17 representatives of the Australian Tramway Employees Association Conference in Hobart Tasmania 1929. Many have watch chains with their union badges. Back row - W B Randall SA, M J Stapleton Vic, J M Bergin Vic, A W Banks NSW, Middle row - J H Brown Hobart, E Christie, Vic, G H Bayliss Vic, R Lynch NSW, D Cameron WA, H J Holder Launceston Front row - W A Clementson NSW, A C Warton Vice President, C J Bray Treasurer, J I Abflater Gen President, T Jewell General Secretary, M A McDonald SA, T E Beckman NSW. Photo by J J N Barnett of Hobart. Has a close association with the men list and their union activities.Mounted photograph black and white onto cardboard with names and title printed. Has a coloured image of Madonna on the rear.union, conferences, hobart, atea, tramways

Chevalier Jackson was a surgeon who designed this laryngoscope. Jackson contributed a number of important innovations to direct laryngoscopy, while developing a unique mastery of the technique. Ultimately, he combined this endoscopic proficiency with open surgical techniques.The U-shaped laryngoscope comprises a moulded handle and a long endotracheal insert which has a small connector to allow for a light to illuminate the patient's throat. The item is chrome-plated.Engraved on connecting shaft: Jackson's Laryngoscope, 1901.laryngoscope, chevalier jackson, endoscope, anesthesia, distal illumination, chrome, 1901, jackson's

A soldier, with a moustache, is wearing a uniform. J. Duggan is written on the back. Unable to identify if this is the name of the subject.An unmounted black and white photograph of a soldier dressed in uniform. He is wearing a moustache. Identified as J. Dugganon back in pencil: J. Dugganworld war 1, soldiers, postcards, armed forces, duggan, j., uniforms, clothing and dress, george evans collection

Looking south towards Echuca, Victoria Image dated as November 1963 based on same image in Port of Echuca collection (print 19.5 x 24.5cm) On reverse in blue pen:" Photo by: George L. Coop Nov 1963". In red pen top left hand corner"Ch 11, (circled number )1. In pencil circled: "35". In pencil : " J Class. Intro Scotland 1948 early 50s." https://victoriancollections.net.au/items/59deb0d421ea6e12dc488c2fDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca-moama road rail bridge, george coop collection, goods train, j-500, j-class steam locomotive (vulcan foundry)

The owner of this toolbox was J Burden.The toolbox is an example of the equipment used by people in the woodworking trade to store and transport the equipment in an orderly and secure manner. Similar toolboxes are used today but are often made of metal.Box; wooden toolbox marked J Burden. The box has removeable shelves inside with drawers and lid. The box has two rope handles on the ends and has a key lock in front."J Burden"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, j burden, wooden tool box

Black and white photograph. (Photo by Peter Paynes, Ringwood Studios.)Written on back of photograph, "J. Kirby, President, H. & A. Society showing Charles Howitt the Your Garden Shield to be competed for by the shopkeepers for the best window during the Floral Festival in March. 'Mail' 20 February 1958."

In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchen ware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the ‘Bull in a China Shop’ and ‘Creative Tableware’ names. ‘Sol’ (c.1912-1963), ‘Studio’ (1953 on) and ‘Royal Staffordshire’ (post 1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Earthenware white glazed ironstoneJ & G Meakin Hanley England stamped to base, with white flora designwarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pottery, earthenware, iron stone, alfred meakin, james meakin, george meakin, earthenware manufactures, chamber pot

Painting of 'Oaklands Homestead' built 1900.Oil on board in a gold painted frame.Front: "Oaklands Homestead/Built 1900" Back: 'Old Homestead'/Reservoir Art Framing Centre/C J Malone, proprietor/18 Livingstone Street, Reservoir 3073/ Phone 954 1142painting, houses of broadmeadows, jean jackson

Shire of Whittlesea / Notice is hereby given that as / is likely to be seriously injured by traffic - to wit / soil, clay, sand or stone carting / The Council of the Municipality of the Shire of Whittlesea has decided to / stop all carting on such roadway as from the - day of / - 195 - , to the - day of - 195 - , / both dates inclusive / Any person who contravenes or fails to observe the provisions of this / notice shall be liable to a penalty of not more than twenty pounds (20) / By order / R G C Cook, Shire Secretary / Arnall & Jackson, Printpublic notices

Twenty page book including card covers titled "Australia's First Electric Tram" written by John Kinmont Moir and published by Traction Publications, Historical Series No. 151 in 1961. The story of the Doncaster and Box Hill Electric Road (tramway). Note on page 6, advises that this book was the 4th edition. Price at the time 2/3d. Has a sketch on the front cover of the opening ceremony at Box Hill, poster advertising the tramway, a map, foreword written by J.K. Moir about Mr. H. J. Hilton who operated the tramway, the birth of the tramway, the company that was formed to operate it, , a sample ticket, opening, operation, timetable, reminiscences of H. J. Hilton. Includes notes on the subsequent work of Mr. Hilton, the AETA, Traction publications and a short biography on the back cover of the author, J. K. Moir. Includes a number of photographs. 2458.2 - ditto - Red card cover (see images i2 and i3) - Second edition - 1950. 2458.3 - ditto - cover same as 4th Edition, - Third Edition 1957 - see image .4 2458.4 - Thirty two page book, centre stapled, including light green card covers titled "Australia's First Electric Tram" written by John Kinmont Moir and the story of the Doncaster and Box Hill Electric Road (tramway). Republished by Rotary Club of Box Hill, May 1977, see back cover for publication details. Has a photo on the front cover of the opening ceremony at Box Hill, poster advertising the tramway, a copy of a share certificate, foreword written by J.K. Moir about Mr. H. J. Hilton who operated the tramway, the birth of the tramway, the company that was formed to operate it, a sample ticket, opening, operation, timetable, reminiscences of H. J. Hilton. See images 5 and 6.On the front cover in black ink "Ex ARHS Archives" 2458.2 and 3 and .4 - has "I. J. Stanley" written in ink on page 3.trams, tramways, box hill, doncaster, tramways

James Howard Hicks No 51964 enlisted in the RAAF on 16.3.1942 age 32 years. At discharge on 30.11.1945 he was an LAC in No 2 Operational Training Unit.Illustrated civic certificate commemorating voluntary service with gilt wooden frame.“The Shire of Huntly To James Howard Hicks. Signed by the President, 8 Councillors, & Shire Secretary. Hand written in red felt tip pen on back: From Mrs J Hicks Bannister St Bendigo”documents - certificates,, frame accessories, civic momentoes, presentations, huntly shire, hicks

William Henry Jackson married Elissa Leila Hannah Gerlach in 1925. Note: Gerlach, not 'Girlac' as in the inscription.Black and white photograph of a man in a hat and coat standing outside in an area with signs in the background and people walking along. Handwritten inscription on reverse by John Lundy-ClarkeBill Jackson. Husband of Elissa Girlac.elissa gerlach, elissa jackson, william jackson, bill jackson

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Souvenir Letter Card of Clovelly containing eight hand-coloured postcards, joined concertina-like, published and produced by J. Salmon, Art Publisher, Sevenoaks especially for G. S. Reilly, The Art Store, Clovelly. The letter card was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928.SOUVENIR LETTER CARD OF CLOVELLY / PRODUCED AND PUBLISHED BY J SALMON, ART PUBLISHER, SEVENOAKS / SPECIALLY FOR G S REILLY, THE ART STORE, CLOVELLYpostcards, george and edith weir, postcards -- clovelly (uk), weir collection

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about J Budd is that he was a tool maker and retailer that operated a business in London between 1832 to 1864. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool made by a known maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the early to mid 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane J Budd London & No 4 opposite end flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, j budd

Silver tray or plate - presentation for 25 years service to Jack Pollard, pressed silver plated metal with green rubber base, etched centre scroll work with details of the presentation in the centre. "PUBLIC TRANSPORT CORPORATION PRESENTED TO J. Pollard. IN RECOGNITION OF 25 YEARS OF CONTINUOUS SERVICE TO PUBLIC TRANSPORT". Made by Strachan Australia. See Reg Item 182 for the Photo of the Presentation. Copy print of original by David Pollard. See correspondence (pdf files) for further details of Jack. See also Reg Item 204 for another example.See above.trams, tramways, personnel, presentations, malvern depot, 25th anniversary, ptc, silverware

Used as flour or sugar scoop, tis scoop, when full, measures 1/2 cup.Metal scoop with wooden handle"Level full 1/2 cup A & J Made in USA"scoops

William Turner, a Scottish born free-lance designer, who was contracted to GP&J Baker, painted the image on which the design was based in 1918. Turner had trained as a furniture designer before leaving for London in the 1890s, where he rose to prominence as an Arts & Crafts designer. The bird that gives this design its name is adapted from Robert Havell’s ‘A Collection of Birds of Paradise’, published in 1835, and was a favourite of Victorian chintz designers.“Paradise Bird” has been in continuous production since its creation. The hand-block print, of which these curtains are an early example, was supplemented by a version engraved on copper rollers in 1962, and was updated onto screens in 1982. The curtains have significance to the collection because of their intrinsic value and for the link to one of the historic mansions in the City of Boroondara. The curtains by G.P & J Baker of London use one of the exemplary designs in this manufacturer’s output. The first use of the design was in 1918, following the Great War, and the design is said to reflect the hope for peace which was a feature of the postwar years. The curtains are an early example of the Paradise Bird design, and were block printed. A pair of curtains originally situated in one of the front reception rooms of 'Tourmont' in Balwyn Road, Balwyn (now Fintona Girls’ School). The fabric in the curtains was manufactured by the English firm of GP&J Baker. The textile design is variably named as ‘Paradise Bird’ or more recently, ‘Hydrangea Bird’. Turner’s bird perches in a blossoming branch directly above a woodpecker, which is an attribute of Mars, god of war. Thus the design reads as a symbolic statement where War is reversed and Paradise returns (a hopeful message at the end of WWI). “Paradise Bird” has been in continuous production since its creation. . curtains, fabric design, historic buildings

Skin press made by J. Dyson and Sons, Geelong and used at Foster Valley Mill to manually press sheep skins.Skin press made by J. Dyson and Sons Pty Ltd, Geelong and used at Foster Valley Mill. Maker's mark of skin press made by J. Dyson and Sons Pty Ltd, Geelong and used at Foster Valley Mill.J. DYSON & SONS PTY LTD / GEELONGwool pelts, valley worsted mill j. dyson and sons pty ltd, wool - pelts

Receipt issued to Mrs. W. Grigg 20/10/1941.Text: " Phones - Linton Nos. 3 and 8. / LINTON / J. & F. O'BEIRNE / WOOL AND SKIN MERCHANTS. / Wool-scouring and Fellmongery Works at Breakwater, Geelong. / Distributing Agents for Thomas' Sheep Dip, Gold SeEal Motor Lubricating Oils. / Manufacturers of Neatsfoot Oil. "mrs. w. grigg, j. & f. o'beirne, linton