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Bendigo Historical Society Inc.
Document - BARBARA MAMOUNEY COLLECTION: MARRIAGE CERTIFICATE
Copy of Certificate of marriage dated 5th April 1902 at Wesleyan Methodist Church Golden Square (reg No37 ) and by licence between Benjamin White, bachelor age 22 years residing on Maple St Golden Square, born at Golden Square and Emily Davies Moyle, Spinster 18 years of Hayes St Ironbark, born at Ironbark. Benjamin's parents named as Richard and Nancie White, Emily's as Peter and Catherine Vivian Moyle. Witnessed by John Medlin and Elizabeth Annie Moyle. Profession of both Messrs White are Miners. Minister named as William Shaw, Wesleyan Methodist Minister.fra marperson, bendigo, certificate of marriage, white, benjamin & emily (nee moyle), marriage, certificate -
Bendigo Historical Society Inc.
Photograph - GLASS SLIDE NEGATIVE: BRIGHAM YOUNG
Glass Slide Negative, Brigham Young and his wives showing Brigham Young in the centre surrounded by 21 wives - Young was a polygamist /// Brigham Young was perhaps the most famous polygamist of the early Latter Day Saint movement, marrying a total of 55 wives, 54 of them after becoming a Latter Day Saint. [1] He stated that upon being taught about plural marriage, "It was the first time in my life that I desired the grave."[2] By the time of his death, Young had 57 children by 16 of his wives; 46 of his children reached adulthood. [3].Johnsons Portrait Collectionphotography, processing equipment, negative -
Bendigo Historical Society Inc.
Clothing - BARBARA JOHNSON COLLECTION: WEDDING HEAD DRESS, 1958
Wire-framed circlet. Frame covered in cotton netting. Frame has a scalloped design 3cms high. The over lapping scallops are covered in small pearl beads. Around the base of the head dress are attached net covered “lilies” each with a tear-drop shaped pearl bead at the centre. An elastic band is attached to hold the head dress firmly to the head. The head dress originally also held a veil. Cream in colour. Part of wedding dress collection 11400.528, 11400.53029, 11400.530, 11400.531 Wedding dress worn at marriage of Barbara Johnson to her first husband Ian Bulte.costume, female ceremonial, wedding head dress -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: PEARL BEADED CLUTCH BAG, 1949
Clothing. All-over beading means that this is quite a heavy little bag. Rectangular in shape with rounded corners on the bottom, and diagonally cut at the top corners, the bag has a zipper closure, a small 5 cm long beaded loop attaches to the zipper for ease of opening and closing. Lined with cream satin, there is an 11 cm long pocket in one side, containing a small mirror (7.5 x 5 cms). A small piece of confetti may indicate that this bag was used at Aileen and John's marriage. Beads cover the entire bag - on the front they are sewn in a swirling looped and floral design.costume accessories, female, pearl beaded clutch bag -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: PEARL BEADED CLUTCH BAG, 1949
Clothing. All-over beading, means that this is quite a heavy little bag.Rectangular in shape, with rounded corners on the bottom, and diagonally cut at the top corners. The bag has a zipper closure, a small 5 cm long beaded loop, attaches to the zipper for ease of opening and closing. Lined with cream satin, there is an 11 cm long pocket in one side, containing a small mirror (7.5 cm x 5 cms). A small piece of confetti inside may, indicate that this bag was used at Aileen and John's marriage. Beads cover the entire bag - on the front, they are sewn in a swirling looped and floral design.costume, female, pearl beaded clutch bag -
Warrnambool and District Historical Society Inc.
Document, Marriage Licence: James Bostock and Alice Aitken 30/06/1875, 1875
Marriage licence issued to James Bostock and Alicen Aitkin to be executed within a period of 3 months. It has been issued by the Bishop of Melbourne of the United Church of England and Ireland. It is signed by P Teulon Beamish who was arch Deacon in Warrnambool for many years. Three Bostock brothers married three the Aitkin sisters. James was the youngest of the Bostock family as his mother died in childbirth at his delivery. He had a keen interest in horses and worked for both Augustus and John .He died in 1919. Alice died in 1896 at the age of 53.This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. This particular personal document shows a link between two influential families in the district at the time.Heavy cream paper with black printing and handwritten black ink inserts. Oval stamped seal in bottom right hand corner. No 2782 stamped in top right hand corner.warrnambool, bostock, aitkin, james bostock, alice aitkin, 1875, -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1914 c
Also a black and white photograph taken after marriage of Eva Howlett to William Bell on 29 February 1916 indentified are Charles, Ethel and Keith Batten, Leah, Lena Brideson, Jane Brodribb, Chaplain Carroll, Janet Duncan, Mr and Mrs Enright, Carrie Froud, Ada Grant, Mrs Healy, Herb, Marion, May, Maud Howlett, Fred, Marion and George Legg, Mr and Mrs Payne, Belle Thexton, Jim, Mabel and Edna Thompson, Mr Wilson dark copy 04411.2 , 10 x 13 cmBlack and white photograph of twenty three adults and children members and friends of the Howlett family, Ema and Carrie Appleby, Will and Eva Bell, Jessie Bligh, Lena Brideson, George Bell, Carrie Froud, Phyllis Bert, Addie, Marion, May, Arthur Howlett, Fred, Marion, Alf and Gladys Legg, Jim and Mabel Thompson at a picnic on banks of Tambo River Bumberrah Victoriacelebrations, genealogy -
Surrey Hills Historical Society Collection
Photograph, 7 Sunbury Crescent
7 Sunbury Crescent was the home of Mr and Mrs Albert Tacey, associated with the Tacey family butchers at 629 Canterbury Road from 1888 – 1950s. Lucy Myra (MS Sparkes) was the wife of Albert Arthur Tacey (1902-1959) who worked in the family butchers business from the time he left school at 14 until 1952. They bought their Sunbury Crescent home at the time of their marriage in 1923 and had 3 surviving children – Elaine Merle, Frank Newman and Donald Arthur. Courtesy: Mrs Elaine McKenzie, nee Tacey, their daughter.A black and white photograph of a weatherboard Californian Bungalow style home. A wire fence is across the front. The photo is very out of focus.(mr) albert tacey, sunbury crescent, surrey hills, butchers, 1923, californian bungalow, weatherboard, (mrs) lucy tacey, (miss) lucy sparkes, (mr) frank newman tacey, (miss) elaine merle tacey, (mr) donald arthur tacey -
Surrey Hills Historical Society Collection
Photograph, Exterior of Henry Jamieson Radio Business, 145 Union Road, Surrey Hills
Henry was born in View Street and then Newton Street. He went to Box Hill Grammar School. Before his marriage he lived in Mont Albert Road. Adrian Knowles had started a radio shop at 145 Union Road in the 1940s and Henry joined him later continuing the business in his own name. Henry always had an interest in music and became involved in getting the radio station 3MBS established in Kew. For some years Henry and a co-producer presented a prime time Saturday evening programme and also an early morning one.A black and white photograph of a man with dark hair, wearing dark rimmed glasses and a suit coat, is standing beside a white board someone has decorated for Henry Jamieson's 60th birthday.(mr) henry jamieson, view street, newton street, box hill grammar school, mont albert road, union road, surrey hills, 3mbs, adrian knowles -
City of Greater Bendigo - Civic Collection
Souvenir - Dance Card, 1931
Annie Mary (Mollie) Sibson was the youngest daughter of Mr and Mrs J Sibson of Milwa Gippsland. Mollie held the position of paid nursing sister at Bendigo Hospital until her marriage in 1933 to Eugene Sandner, although Mollie did continue to hold an unpaid position on the Board of Management of the Hospital for many years afterwards. The annual ball would have been a popular event at which men and women could socialise. Mollie Sandner served as Mayoress of Bendigo from 1978 - 1979 at which time her husband served as Mayor.Printed, bi fold green card with attached green cotton used by Molly Sander to record dance partners at the Hospital Auxiliary Ball. Card is printed in green ink with scalloped edges. Inside lists twenty dances including the Fox Trot, Waltz and Schottische, against which perspective dance partners have placed there initials in pencil. Front: Hospital / Auxiliary / Ball / Town Hall, / June 30th, 1931 / Bendigomollie sibson, eugene and mollie sandner collection, bendigo town hall, city of greater bendigo town hall, bendigo hospital, city of bendigo mayoress -
Kew Historical Society Inc
Ceramic - Lamp base, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade lamp base, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade lamp base, irregularly ridged and with and with the use of green and yellow glazes. The lamp base has a hole for a cord above the foot.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), lamp bases, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade deep dish, glazed in green and maroon. The maroon ground includes a splash of green in the centre of the dish.Signature to base: "V. Ayling" and datedceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Moulded dish, with a floral design on the base. The upper part of the dish has a mottled green and black glaze. The petals on the base are highlighted with a deep pink glazeSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade dish, with a floral design etched into the glaze. The container has been glazed in brown.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, lidded container, constructed through coil work, and using the different forms of coiling as a decorative element. The container has been glazed in yellow and green.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola ayling -
Kew Historical Society Inc
Ceramic - Footed dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, footed oval ceramic dish, covered with a blue glaze. The feet, one of which has been repaired, are created from coils that were then luted to the base.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade globular ceramic vase, fully covered in red with a green overglaze that has been wiped to reveal the floral pattern.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, narrow-necked ceramic vase, with a pink glaze overlaid with painted and dripped cream and green glazes within the ridges.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded ewer, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ewer, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic lidded ewer fully covered in an olive green glaze. The lower section of the body, the spout and the lid reveal the coil work construction technique used, whereas the upper body is smoothed.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), ewers, viola ayling -
Kew Historical Society Inc
Ceramic - Bookends, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Pair of handmade ceramic bookends fully covered in a white, black and predominantly blue glaze. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), bookends, viola ayling -
Kew Historical Society Inc
Ceramic - Reticulated vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, reticulated ceramic vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase with the body reticulated between the moulded floral exterior. The vase is fully glazed in a brown.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), vases, viola ayling -
Kew Historical Society Inc
Ceramic - Madonna and Child, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade, abstract figurative sculpture, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic sculpture of an abstracted Madonna and Child. The figures are fully covered in an olive green glaze.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), sculptures, abstract art, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade ceramic container, expertly potted and glazed which is representative of Australian ceramic design of the period.Handmade ceramic container, constructed through coil work with the lid and upper body fully glazed and the lower half part glazed in orange.Signature to base: "V. Ayling"ceramics, containers, pakington street -- kew (vic.), viola ayling -
Mission to Seafarers Victoria
legal record (item) - Register, Marriages, The Victoria Missions to Seamen, Marriage Register, 1950
... marriages ...The register documents the weddings that took place in St. Peter's Mariners Church between October 1950 to January 1954. Each page is the legal documentation of the necessary information for the wedding to be registered in the Commonwealth of Australia. Two of the weddings registers also have Forms of Consent, as the brides were under age. Most of the weddings have been officiated by Reverend Frank Oliver.The register is a record of the weddings conducted in Peter the Marina Church between the 14th of October 1950 to the 16th of January 1954.On unattached front cover: REGISTER NO 7 (underlined) / 106 - 130 / 14-10-50 - 16-1-54 / NOTE NOS 107 PORT MELBOURNE / 114 WILLIAMSTOWN / 122 WILLIAMSTOWN / 120 PRIVATE ADDRESS GLENHUNTLY, handwritten in ink. There is an ink smudge just below the last line.wedding, marriage, 1950-1954, register, mission-to-seafarers, mission to seafarers, mission to seamen, seamen's mission, marriages, weddings, chapel, st peter chapel, padre oliver, dio-marriages, dio-archives -
Mission to Seafarers Victoria
Photograph, 14 February 1928
... marriages ...The photograph depicts how the Mission entry looked at the time the photograph was taken circa 1920s. It shows that the Mission was used for formal occasions as well as showing a car model and clothing styles typical of the era. Wedding of Dora Walker , a member of the Ladies Harbour Lights Guild and Harry Simpson, 14 February 1928Dora Simpson nee Walker was a long time Lady from the Guild becoming the Honorary Secretary and being awarded an Order of the British EmpireBlack and white photograph taken outside the Mission to Seafarer's entrance. The photograph depicts a group of people surrounding a car. The photograph may have been taken at a wedding or similar function due to the formal wear of the mean and women.Reserve: manufacturer's inscription: FUJICOLOR CRYSTAL ARCHIVE / PAPERcar, entrance, wedding, lhlg, dora walker, harry simpson, dora simpson, 717 flinders street, mission to seafarers, seamen's mission, david simpson, 1928, marriages, st peter chapel, dora simpson nee walker -
Bendigo Historical Society Inc.
Photograph - EDITH LUNN COLLECTION: PHOTOS OF THE REAR OF DR. O. PENFOLD'S SURGERY ON VIEW STREET, BENDIGO, 6/04/1996
Photographs of the rear of Doctor O. Penfiold's suregy /building on View Street Photographs taken 6/04/1996 11A Balcony of Dr. O. Penfold's home at the rear of his surgery in View Street 11B gaate post at entrance off View Street, of Births, deaths aned Marriages Registery at the rear of Temperance Hall, Niew Street 11C rear of residenceof Dr. O. Penfold's home behind his surgery on View Street. Photo notes the residence (possibly) originally built for Robert Strickland, barrister in 1871 11D rear of Dr. O. Penfold's home behind his surgery in View StreetEdith Lunn -
Melbourne Legacy
Memorabilia, Legatee Grattan, c.1989
Framed commemoration piece about Legatee Oriel John Grattan, born 19 September 1894 in West Melbourne. Served in 103rd Battery AIS in the Great War. Served as a Legatee from 10 March 1939. Awarded fifty-year certificate as a Legatee on 10 March 1989. Possibly made to commemorate Legatee Grattan's 50 years of service to Melbourne Legacy. Legatee Grattan was usually referred to as Grat. He was instrumental in the acquisition of the first property owned by Legacy after the bequest of a sizeable donation, see item at 00964.Significant historical record of the life and service of a LegateeFramed collage of documents, photographs, medals, letters and medallions commemorating the life and service of Legatee Oriel John Grattan to Melbourne Legacy. Contains: Birth notice Birth certificate Certificate of marriage Discharge certificate from the Great War dated 12 October 1919 Letter from Buckingham Palace signed by King George V thanking troops for their service to the 'Mother Country' 4 military medals with ribbons 2 commemorative $5 coins in plastic cases Medallion commemoration the 75th anniversary of the Anzac landing at Gallipoli Ville D'Amiens medallion Various photographs Melbourne Legacy 50-year service certificatemedallion, grattan -
Ringwood and District Historical Society
Painting, "Wantirna" - Water colour on paper by Winifred Miles (1884-1944), Undated, later than 1910
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame. One of two undated paintings by Winifred Miles' viewed from the same vantage point in Wantirna. (See Registration Number 4851) -
Ringwood and District Historical Society
Pencil sketch, Winifred Miles, "Family dog - Mick" - Graphite on paper by Winifred Miles, 1922
"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Pencil drawing with cardboard border in glass-fronted frame.