Discusses Kenzo Tange's plans for the national Gymnasium for the 1964 Tokyo Olympic Games and his use of tensile construction.Original manuscript of an article published as ‘Olympic Buildings in Tokyo’ in "The Architectural Review", Vol.139 no.830, April 1966 pp. 262 - 270 Typewritten, carbon copy, quarto, 13 pages. A second copy is a photocopy, 14 pages. (Two copies)tensile movement, olympic buildings, tokyo olympic games, 1964, architecture, kenzo tange, national gymnasium, tensile construction, robin boyd, manuscript

Discusses the influence of background, temperament and creativity on an architect as well as the three phases in the development of architecture in 20th century and the theme of space. A long critique on the issue of the sails of the Sydney Opera House. The question of art versus technology in the future of architecture is argued. (Is this related to D020)This is an untitled speech, annotated with numbers indicating markers for slides, "Lights".Typewritten (carbon copy), with major pencil edits, quarto, 21 pages. Starts on page 2.On page 2, the title 'The Phases of Modern Architecture' is crossed out.creativity, functionalism, ornament, romanticism, fragmentation, space, computer, beauty, sydney opera house, sigfried giedion, jorn utzon, ove arup, super-functionalism, robin boyd, manuscript

Short pithy comments on the role of architecture in the future, modernising old buildings, universities, interiors, open spaces, churches, hospitals, shopping centres, commerce, recreation.Typewritten (c copy) (on right hand side only), quarto, 4 pagesfuture, universities, interior, open spaces, churches, hospitals, shopping centres, commerce, robin boyd, manuscript

Boyd makes the argument that in the first sixty years of the twentieth century there have been three phases of architecture, and these are described.Typewritten and carbon copy, quarto, 6 pages, and pp 3-7 carbon copy. Was originally 7 pages..twentieth century architecture, robin boyd, manuscript

Discusses the renewed interest in space relating to architecture and architectsTypewritten, quarto, p6 onlyarchitecture, architects, space, robin boyd, manuscript

Discusses the artistic and intellectual motivations behind building and the role of the architect. Robert Venturi is mentioned as being important in the movement towards modern architecture. The question asked is "What is architecture?"Typewritten (c copy), quarto, 20 pagesmodern architecture, pop art, art and science, architects, robert venturi, building, robin boyd, manuscript

List of projects with dates and short description of features. Projects date from 1954 to 1969. Seven more detailed descriptions. Potentially exhibition labels.Typewritten (c copy), quarto, 8 pagesarchitecture, building materials, residential architecture, houses, motels, romberg and boyd, robin boyd, manuscript

Description of Baker family, site and house. Choice of slate building material, water tanks and arrangement of spaces.Published as 'Baker House, Bacchus Marsh, Victoria: Architects - Romberg and Boyd' in "World Architecture 3", edited by John Donat (1966).Typewritten, quarto, 2 pagesPencil annotationsbaker family, baker house, bacchus marsh, slate, water tanks, residential architecture, site analysis, robin boyd, manuscript

A detailed critique of Kenzo Tange's St Mary's Cathedral, Tokyo and experience of visiting the site. (later published asPublished as "A Cruciform Window onto Heaven" in "Architectural Forum", vol. 123, no. 2, September 1965, pp. 50-55.Typewritten (c copy), foolscap, 4 pages. (Three copies)st mary's cathedral, tokyo, kenzo tange, hiroshima, tokyo olympic games, hyperbolic paraboloid, japan, robin boyd, manuscript

Discusses impact of technology in society. Four stages recognised from the Industrial Revolution to technology being controlled, to the use of technology in everyday life and finally to the effects, good and bad, on society and the environment, and how to adjust technology to benefit all. Discussion of reflections in architecture and how technology has advanced creativity and serves to benefit all societies.Paper for HRH The Duke of Edinburgh’s Third Study ConferenceTypewritten, pencil edits, quarto, 13 pagestechnology, society, metabolism, archigram, architectural movements, robin boyd, manuscript

Early draft of an article exploring the relationship between art, science and architecture.Typewritten, handwritten major pencil edits, quarto, 5 pages. Page 1 is missing.Page 1 missing, pages 4 and 6 handwrittenprefabrication, art, science, third culture, third culturalists; statler-hilton vision, robin boyd, manuscript

Discusses how the architect has broadened the visual perception of environment - from loud and gimmicky (as copied from America) to acceptance and recognition of how to incorporate environmental design into architectural plans.Original manuscript a lecture given at a seminar on the environment conducted in July 1970 by the Institute of Business Administration and the Victorian Employers Federation. The lecture was condensed into two articles published in "The Age" as 'Spoilers of our environment'. The manuscript appears to be Part 1 titled 'Legal vandalism', published in "The Age" on 09.07,1970. Part 2 was titled ' The more optimistic view of the future', published in "The Age" on 10.07.1970 as 'Digger-cult curse'. Typewritten, quarto, 15 pagesenvironment, visual environment, architect, australia, visual pollution, urban ugliness, robin boyd, manuscript

A look at Melbourne within a two month span: before and after and opposing views. Discusses Melbourne's good and poor buildings, planning, arts, aesthetics etc. Melbourne does however maintain an image and individuality when compared with other cities.Original manuscript of an article published as ‘Melbourne: The symbol of Australia’s split personality’in "The Australian", 01.09.1964. Typewritten (c copy), pencil edits, quarto, 4 pagesmelbourne, urban character, city, architecture, buildings, australian image, australian culture, robin boyd, manuscript

An incomplete article which discusses what is total design and how there is no agreement; how technology leads architecture and significance of appearances; the monumental tradition of older architects' approach, and, in opposition, Pop architecture, which puts visual fun into cities. Boyd suggests that what is required is require order, variety and deliberate taste, not sterility.Preview of 1972 RAIA ConventionTypewritten (one with pencil edits) & c copy. Incomplete one has pencil and pen edits, quarto, Two 2p, one pp 4-7 pages.total design, royal australian institute of architects, raia national convention 1972, cities, monumental tradition, pop architecture, taste, robin boyd, manuscript

Discusses Australia Square in Sydney; its plan, structure, materials and artworks (tapestries and sculptures by Le Corbusier, Vasarely and Calder).Original manuscript of an article published as 'Australia Square: Circle in the Square' in "Architectural Forum", Vol. 130, No.3, April 1969, pp.26 - 35.Typewritten (c copy), quarto, 4 pagesaustralia square, sydney, harry seidler, plaza, pier luigi nervi, tapestry, sculpture, le corbusier, vasarely, calder, robin boyd, manuscript

Discusses 'Domus' (an Italian architecture and design magazine) as visually exciting and trend starter; compares recent international opinions on Australian architecture and culture (Charles Eames on Sydney Opera House, J. M. Richards on Australian architecture as primitive and vulgar). Boyd indicates international opinions of Australian architecture as important because many Australian buildings are being designed by overseas architects; argues for greater promotion of Australian architecture and architects.Typewritten (c copy), quarto, 5 pagesLast page: no image attached but this inscription "caption to illustration"; appears that Boyd wanted image of St James Building, AMP Tower and Shell House by Skidmore, Owings & Merrill attached.domus, sydney opera house, charles eames, jm richards, australian culture, globalisation, robin boyd, manuscript

Discusses pragmatic buildings in contrast to the architecture of dreamers, experimenters and idealists through a review of Peter Cook's book "Experimental Architecture".Original manuscript of an article published as 'Utopians versus the squares' in "The Sunday Australian", 1971.Typewritten (c copy), quarto, 9 pagespeter cook, archigram, experimental architecture, robin boyd, manuscript

Discusses the exploitation of architecture in commercial signage; the use of architecture as signage can prove disturbing and a threat to curating an architectural style; argument reads like a reflection on Scott Brown and Venturi's Duck and the Decorated Shed.This is the original manuscript of a presentation to Victorian Employers Federation Franchising Seminar. Discussion of Fishbowl, 11.3.1971. It includes notes for slides.Typewritten. Major pencil and pen edits and additions (in one copy), quarto, 7 pages. (Two copies)One copy with annotations in pen and pencilfranchises, franchise buildings, advertising architecture, signage, fishbowl, colonel sanders, robin boyd, manuscript

Boyd discusses Graeme Gunn's Plumbers & Gasfitters Employees Union Building; indicates it is unusual for Australian trade unions to be a patron of the arts; discusses the angular design and its raw concrete, which Boyd praises as internationally fashionable; suggests that the last great piece of union-commissioned architecture was the Wharf Labourers' Union building, a 1916 Art Nouveau building by Robert Haddon.Original manuscript of an article published in "The Sunday Australian", 06.06.1971 (Review of Graeme Gunn’s Plumbers and Gas Fitters Building, Victoria Parade, Carlton).Typewritten (c copy), quarto, 7 pagestrade unions, plumbers and gasfitters employees union of australia, graeme gunn, brutalism, concrete, robert haddon, wharf labourers' union building, flinders st, robin boyd, manuscript

Comparison of Canberra and Surfers Paradise as potential cultural capitals of Australia. Canberra represents one end of the spectrum of traditional architectural morals of sophistication and orderliness; Surfers Paradise represents the opposite end of the spectrum, that is extreme Pop, fun and flashiness.Original manuscript of an article published as ‘Trad modern, pop modern’ in "The Sunday Australian", 25.4.1971. Typewritten (p/copy), quarto, 9 pagesTop of page 1 handwritten where and when published, page numbers, minor correctionscanberra, surfers paradise, australian culture, morris lapidus, australian cities, robin boyd, manuscript

Boyd outlines the focus of the Modern Movement: function determining form and the rejection of ornamentation; outlines three phases of Modernism: the plain informal functionalist box style; 1950s monolithic sculptural forms (eg TWA terminal); and fragmented systematic expandable forms. Boyd proposes a new phase: a New Revolution Against Architecture, wherein the barriers between art and science are broken down and combined with technology; suggests looking to Japanese Metabolism.Typewritten, pencil edits, quarto, 21 pagesPage 1 refers to a chart (not attached). Sporadic annotations throughout. Appears to be a talk. Pages 6-8 refer to a chart, page 11 refers to an image of apartments by James Stirling, p14 refers to Robert Venturi's Guild House.page 1 refers to a chart (not attached). sporadic annotations throughout. appears to be a talk. pages 6-8 refer to a chart, page 11 refers to an image of apartments by james stirling, p14 refers to robert venturi's guild house

Boyd praises Reyner Banham's book titled "Los Angeles: The Architecture Of Four Ecologies" published in 1971. Boyd describes Banham's unconventional, positive attitude toward Los Angeles as an architectural love story. Boyd notes that Banham is somewhat idealistic about Los Angeles but declares the book a successful and interesting balance between history and architecture.Original manuscript of an book review published as 'Los Angeles: architectural love story' in "The Sunday Australian" on 04.07.1971.Typewritten (c copy), pencil edits, quarto, 7 pagesreyner banham, los angeles, historian, modern architecture, age of technology, robin boyd, manuscript

Discusses twentieth century architecture and the evolution of modern architecture. Describes present architecture in three categories, namely vernacular, professional and creative. Examples of house designs within the new architecture are given.This manuscript was published as a book titled "The New Architecture" (The Arts in Australia Series), Longmans, Melbourne, 1963.Typewritten (c copy), pencil edits, quarto, 18 pagesmodern architecture, australia, young architects, creative architecture, new architecture, robin boyd, manuscript

This text summarises the differences in architecture and proposes, unlike in other art forms, that architecture has a mainstream which has consistency in it, yet is also ever changing. The term 'modern architecture' is becoming suspect and obsolete. Visual art is inevitably involved with social evolution. It discusses utilitarian and creative architecture. Boyd proposes architecture is between science and art, and that architecture by itself means the architecture of this age.Typewritten, quarto, 11 pages (Note: Mentions the 1960s, possibly implying it was written late 1960s-1970/1971)modern architecture, social evolution, utilitarian architecture, creative architecture, mcluhan era, glutternberg era, henry russell hitchcock, paul rudolph, philip johnson, kenzo tange, archigram, sydney opera house, reston, robin boyd, manuscript

Book review of "Kenzo Tange, 1946-1969. Architecture and Urban Design", edited by Udo Kultermann, Praeger Publishers, 304 pp $29.50. Boyd praises Tange's unapologetic adherence to modernism and his adaptation of le Corbusier's ideas to tradition. He appraises the book's merits and problems (explanatory and not analytical writing, building omissions).Architectural Forum, Vol. 135, No.3, October 1971, p8. Book review by Robin Boyd of 'Kenzo Tange, 1946 - 1969, Architecture and Urban Design', edited by Udo Kultermann, Praeger Publishers,Typewritten (c copy), quarto, 3 pageskenzo tange, japanese architecture, modern movement, le corbusier, creative realism, expo, skoplje, yugoslavia, hiroshima, children's library at hiroshima, shizuoka olympic arena, tokyo, nichinan, robin boyd, manuscript

Discusses the new skyscrapers changing our skyline and classifies them into two types - development buildings and name buildings.Original manuscript of the article ‘Big boxes with holes – for high profits or for prestige’ published in The Sunday Australian on 01.08.1971.Typewritten (c copy), quarto, 8 pagesmodern architecture, skyscrapers, development buildings, name buildings, sculptural competitions, clean and uncomplicated, marland house, robin boyd, manuscript

Describes Canberra as a city that has minimal architectural character, as it is mainly characterised by its natural landscape and roadways. The new phase in Canberra refers to several civic projects that will serve to define Canberra as a national capital.Original manuscript of the article 'A New Phase for Canberra' published in Sunday Australian, 05.09.1971.Typewritten (c copy), quarto, 9 pagescanberra, urban planning, walter burley griffin, capital circle, capital hill, campbell park, australian architecture, harry seidler, robin boyd, manuscript, national capital

Since 1954, Australian architecture has been reflecting American architecture, ignoring Japan, Sweden, Italy etc. Discusses second force architecture and Giancarlo De Carlo. Mention of J M Richards and Peter Blake, who give an account of modern architecture -- its trials in its youth and its traumas in middle age.Original manuscript of the 'A Second Force at Work’ published in The Sunday Australian, 12.9.1971.Typewritten (c copy), pencil edits, quarto, 13 pagesaustralian architecture, american architecture, second force architecture, j m richards, peter blake, giancarlo de carlo, robin boyd, manuscript

A speech describing the modern architecture movement, its different styles.Typewritten (c copy), quarto, 9 pagesmodern architecture, modernism, anti-classicism, walter gropius, harold desbrowe-annear, robin boyd, manuscript

Boyd argues that there is little that is truly avant-garde or revolutionary in architecture. Boyd defintes 'antiarchitecture' as architecture which rejects aestheticism, an approach explored by constructivists, Archigram and Venturi. Boyd indicates that he suspects that architecture can never fully escape aestheticism.Original manuscript of the article published in The Architectural Forum, Vol. 129, No. 4, November 1968, pp. 84-86.Typewritten (c copy), quarto, 6 pagesAnnotation on p2radicalism, venturi, archigram, reyner banham, buckminster fuller, new brutalists, constructivism, john m johansen, paul rudolph, charles moore, japanese metabolism, george nelson, aestheticism, robin boyd, manuscript