Dressing tables have been around since the beginning of the seventeenth century. However, it wasn't until the early to mid-20th century that middle-class homes included them in their furniture. They were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery trinket boxes, trays and pin bowls or pin trays. The latter were small shallow containers used for storing hat pins, hair pins, safety pins, and perhaps earrings. They were made of various materials including glass, metal and ceramic.This pin bowl represents an era in the early-to-mid 20th century when matching dressing table accessories were popular and affordable to middle-class women. They were marketed as gifts and sometimes included perfumed soap and powder.Pin dish, round, cut glass, slightly convex sides without a pattern. Thick heavy, concave base with a concertina fold pattern.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table, dressing table tray, glass tray, pin tray, pin bowl, dressing table accessory

Dressing tables have been around since the beginning of the seventeenth century. However, it wasn't until the early to mid-20th century that middle-class homes included them in their furniture. They were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery trinket boxes, trays and pin bowls or pin trays. The latter were small shallow containers used for storing hat pins, hair pins, safety pins, and perhaps earrings. They were made of various materials including glass, metal and ceramic.This pin bowl represents an era in the early-to-mid 20th century when matching dressing table accessories were popular and affordable to middle-class women. They were marketed as gifts and sometimes included perfumed soap and powder.Pin bowl; a light weight, round bowl with straight sides featuring a cut glass pattern, and a flat base with a star design.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table, dressing table tray, glass tray, pin tray, pin bowl, dressing table accessory

Used in the 19th century.A wide bladed forged steel Cooper's Adze head with a curved blade. There is no handle. At the opposite end there is a hammer shaped head. It was used by woodworkers for cutting and trimming rough wooden planks and shaping and smoothing wooden surfaces in the 19th century.woodworking tools, steel, froes, cleaving axes, axes, cutting tools, hand axes, adzes

Used in the late or early 20th Century. Could be used to cut steel.A curved steel shaped wooden handled Bow saw with a curved nail puller near the handle. A metal saw blade is attached by a screw at the end where it is fitted. Used in the late 19th or 20th Century.saws, carpentry tools, woodworking tools, tools, steel, wood, metal

Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.Boosey & Hawkes is a British music publisher. Until 2003, it was also a major manufacturer of brass, string and wind musical instruments. Recording Brass Bass manufactured by Boosey & Hawkes circa 1930s. Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.lou silbereisen, recording brass bass, boosey hawkes, graeme bell and his australian jazz band, brian carter

Part of the Tsolia traditional Costume worn by soldiers in the 16th to 19th century in the mountains of Greece. It has 400 creases depicting the 400 years Greece was under occupation by the Turks.White linen cloth dress worn by soldiers from the 16th to 19th century AD. It has 400 creases depicting the 400 years Greece was under occupation by the Turks.φουστανέλα, tsolia, costume, foustanela, dress, στολή

A collection of interviews showing a picture of life in Camberwell in the first half of the century. Includes index and contributions from Surrey Hills, Lorraine Carrington, Charles Hausen and Jack McLean.A collection of interviews showing a picture of life in Camberwell in the first half of the century. Includes index and contributions from Surrey Hills, Lorraine Carrington, Charles Hausen and Jack McLean.Top rh corner of the title page Sue Barnett Centre of title page - Geraldine McFarlaneinterviews, (mrs) lorraine carrington, camberwell, (mr) charles hausen, surrey hills, history, (mr) jack mclean, wildlife sanctuary, social life and customs, vines timber yard, anecdotes, norfolk road, scouts, canterbury road

119452 R G Bennetts RAAF 1942-45. Re-enlisted again in 1953.Bomber Jacket - polyester, khaki, long sleeved, black buttons, epaulettes. Mid sleeve embroidered propeller, mauve cotton. uniform, raaf

Black and white photograph.Date written on back of photograph: "Mid 1976".

The new Nunawading Community Hub being built on the site of the former Nunawading Primary School at 96 -106 Springvale Road, Nunawading, is due to be completed mid 2020 and will have a variety of community groups including Meals on Wheels.The new Nunawading Community Hub.nunawading community hub, nunawading primary school no. 4190, meals on wheels, springvale road nunawading no 96 - 106

This box has been used to store photographic glass slides. Since the 1850s glass slides or lantern slides have been used in photography and were particularly popular from the 1870s on. They preceded photographic film and were eventually eclipsed by the 35 mm. colour slides produced by Kodachrome in the mid 20th century. Glass slides, however, were still in use up to the 1990s in some scientific areas such as astronomy because of the stability of glass ware. This container has no known local provenance and is retained for display purposes.This is a brown varnished wooden container made in a rectangular shape. It is hinged at one end with two metal hinges and has two metal clips on the sides to keep the container closed. There are also two metal clips at the top perhaps for storage purposes. The inside has a flat black painted surface top and bottom and a loose black paper in one section. ‘3’vintage photography, history of warrnambool

The Bank of New South Wales was the first bank in Australia, being established in Sydney in 1817. During the 19th century, the bank opened branches throughout Australia and New Zealand, expanding into Oceania in the 20th century. It merged with many other financial institutions, finally merging with the Commercial Bank of Australia in 1982 and being renamed to the Westpac Banking Corporation on 4 May that year. (source wikipedia)Round scallop edged silver tray with three legs. Engraved centre.Engraved: Presented to / the Citizens of the City of Bendigo / by / Bank of New South Wales / to commemorate a century of continuous service / in Bendigo / 1855 - 1955 Makers Mark: Silcraft Stg. Silvcity of bendigo commerce

Black and White Copy Photograph of Birney X class 217 at the Malvern Depot. Mid 1920'strams, tramways, x class, birney, malvern depot, tram 217

It was made late 19th Century at the Golden city co. in Bendigo Victoria. It was supplied with Golden City's One Way Disc Cultivator.A steel curved handled double headed plough spanner made by Golden City Co. in Bendigo. It was used to tighten or loosen large nuts on a plough or other machinery in the late 19th Century. spanners, wrenches, tools, farm equipment, steel

Dressing tables (also known as Vanity Tables in the U.S.A.) have been around since the beginning of the seventeenth century, however it wasn't until the early to mid 20th century that they began to be found in the homes of the middle class and they were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery and trinket boxes and trays. The origins of this tray are unknown however its design is reminiscent of trays (and Dressing Table Sets) produced by two English firms in the mid 20th century - "Delina" and "Regent of London". A paper (written by the Warwickshire Industrial Archeology Society) notes that the products items produced by "Regent of London" in the 1940's "satisfied a demand for previously unattainable items, offered to the general public aching for change after wartime privations, post war austerity and years of having to 'make do and mend'." This tray is composed of several decorative elements and materials. The metal border is gilt brass with two filigree bow handles, the main part of the tray is two pieces of circular glass and the encased doily is a mix of embroidered net and petit point. It was suggested in the paper written by the Warwickshire Industrial Archeological Society that the different pieces would have probably been produced elsewhere and brought to the factory to be assembled into the finished product. This vanity or dressing table tray is significant as it is a rare example of an accessory available to and used by women in the mid 20th century. It is also significant as an example of an everyday household item which would have been a valued possession and was made in a style that reflected the importance placed on it to be decorative as well as functional.Round footed dressing table tray with a gilt brass border, filigree bow handles and an embroidered net and petit point doily encased in glass. The gilt border is decorated with a stylized leaf design on the side and a floral design on the top. The petit point embroidery in the center is of five flowers in pink, mauve and yellow surrounded by buds and leaves.vanity tray, dressing table tray, glass tray, gilt brass, petit point, embroidery, net embroidery, doily, filigree, brass tray, flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table

This design of ink bottle or ink well was commonly referred to as a ‘penny ink well’ because it was very inexpensive to produce. It is also known as a dwarf ink bottle. It was recovered from the wreck of the 1895-1902 ship Inverlochy and is part of the John Chance Collection. Pen and ink has been in use for hand writing from about the seventh century up until the mid-20th century. Up until around the mid-19th century a quill pen made from a bird’s feather was used. In the 1850s the steel point pen was invented and could be manufactured on machines in large quantities. In the 1880s a successful portable fountain pen was designed, giving a smooth flowing ink and ease of use. Ink wells, used with steel nib dip pens, were commonly used up until the mid-20th century. The pens only held a small amount of ink so users had to frequently dip the nib of the pen into an ink well for more ink. Hand writing with pen and ink left wet writing on the paper, so blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased, ready to use, or in the powdered form, which needed to be mixed with water. After the invention of fountain pens, which had a reservoir of ink, and then ballpoint pens, which also had ink that flowed freely, the dip pen was slowly replaced. However, artisans continue to use nib pens to create beautiful calligraphy. INVERLOCHY 1895-1902 - The Inverlochy was a steel sailing barque built in Scotland in 1895 for international trade. In 1902 the Inverlochy left Liverpool under the command of Captain E.R. Kendrick. There were 21 officers and crew and the captain’s wife Mrs Kendrick, on board, bound for Australia with cargo that included tools, chemicals, liquor (beer, whisky, stout, rum, and brandy), steel, iron, wire netting, hoop iron, tinplate and pig iron), and steel wire for the Melbourne Tramway Company, tiles, soap, soft goods and earthenware. On December 18 almost at their destination, the Inverlochy ran aground on Ingoldsby Reef at Point Addis, near Anglesea. The crew and passengers left the ship via lifeboat and landed at Thompson’s Creek, then walked about 20 kilometres to Barwon Heads. Salvagers were interested in the 10 miles of cable in the hold. Mrs Kendrick’s ‘high grade’ bicycle was amongst the items salvaged but she lost her jewellery and two pianos. By February 1903 the ship had broken up and objects such as bottles and casks of liquor were washed ashore. Bad weather shook the wreck in June 1903, causing the ship’s spars and figurehead to be washed ashore. This ink bottle is historically significant as it represents methods of hand written communication that were still common up until the mid-20th century, when fountain pens and ballpoint pens took over in popularity and convenience. The Ink bottle also has significant as it was recovered by John Chance, a diver from the wreck of the Inverlochy in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. This Ink bottle is significant because of its historical connection to the barque Inverlochy, which is an example of a commercial international steel sailing barque and is listed on the Victorian Heritage Database VHR S338. The Inverlochy is significant for its cargo, which is a snapshot of the kind of goods imported into Australia at the turn of the 19th century, including cable for the Melbourne Tramway Company. The wreck of the Inverlochy is important as an accessible dive site that shows the remains of a large international trading vessel and its contents. It is valuable for an insight into Victorian era of shipping and maritime history.Ink bottle or ink well; cylindrical shaped, salt-glazed, mid-brown ceramic bottle. It has a small round mouth, rounded lip that extend past the short neck, wide shoulders, straight sides, flat bottom. Handmade. Also called a Penny Ink Well.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, inverlochy, scotland, captain e.r. kendrick, melbourne tramway company, tramway cable, ingoldsby reef, point addis, anglesea, thompson’s creek, barwon heads, ink bottle, writing equipment, writing accessory, office equipment, stationery, domestic, stoneware, clay, ceramic, pottery, ink well, inkwell, penny ink well, nib pen, dip pen, ink, hand writing, record keeping, household, business, vintage, blotting paper, dwarf ink

18th century Chinese Junk model

Eudiometers - 19th century, heavily protected.

This deck cannon is believed to be a replica Carronade as it has no foundry mark, year of manufacture, proof marks or weight of carronade on it. However, its design matches the design of Carronades used in the early to mid 19th century. History: The carronade was designed as a short-range naval weapon with a low muzzle velocity for merchant ships, but it also found a niche role on warships. It was produced by the Carron iron works and was at first sold as a complete system with the gun, mounting, and shot altogether. Carronades initially became popular on British merchant ships during the American Revolutionary War. A lightweight gun that needed only a small gun crew and was devastating at short range was well suited to defending merchant ships against French and American privateers.   Its invention is variously attributed to Lieutenant General Robert Melville in 1759, or to Charles Gascoigne, manager of the Carron Company from 1769 to 1779. In its early years, the weapon was sometimes called a "mellvinade" or a "gasconade". The carronade can be seen as the culmination of a development of naval guns reducing the barrel length and thereby the gunpowder charge. The Carron Company was already selling a "new light-constructed" gun, two-thirds of the weight of the standard naval gun and charged with one-sixth of the weight of the ball in powder before it introduced the carronade, which further halved the gunpowder charge. The theory of its design was to use less powder and had other advantages that were advertised in the company's sales pamphlet of the time, state. The smaller gunpowder charge reduced the barrel heating in action, also reduced the recoil. The mounting, attached to the side of the ship on a pivot, took the recoil on a slider, without altering the alignment of the gun. The pamphlet advocated the use of woolen cartridges, which eliminated the need for wadding and worming, although they were more expensive. Carronades also simplified gunnery for comparatively untrained merchant seamen in both aiming and reloading that was part of the rationale for adopting the gun. Other advantages promoted by the company were. The replacement of trunnions by a bolt underneath, to connect the gun to the mounting, reduced the width of the carriage that enhanced the wide angle of fire. A merchant ship would almost always be running away from an enemy, so a wide-angle of fire was much more important than on a warship. A carronade weighed a quarter as much as a standard cannon and used a quarter to a third of the gunpowder charge. This reduced charge allowed Carronades to have a shorter length and much lighter weight than long guns. Increasing the size of the bore and ball reduces the required length of the barrel. The force acting on the ball is proportional to the square of the diameter, while the mass of the ball rises by the cube, so acceleration is slower; thus, the barrel can be shorter and therefore lighter. Long guns were also much heavier than Carronades because they were over-specified to be capable of being double-shotted,(to load cannons with twice the shot, for increased damage at the expense of range). Whereas it was dangerous to do this in a carronade. A ship could carry more carronades, or carronades of a larger caliber, than long guns, and carronades could be mounted on the upper decks, where heavy long guns could cause the ship to be top-heavy and unstable. Carronades also required a smaller gun crew, which was very important for merchant ships, and they were faster to reload. Additional notes: Cannon cast in England, Wales and Scotland had their imperial weight chiselled or engraved in the format of 4-2-0 on the bottom of the cascabel, indicating the weight of the cannon as 4 hundredweight, 2 quarters and 0 pounds. Since a hundredweight equals 112 pounds and a quarter weight is 28 pounds the total weight is 504 pounds or about 228 kilograms. The small bore replica carronade and carriage is part of a collection of nineteenth Century Flagstaff Hill Guns and cannons, and is a representation of carronades used from the early 18th up to the 1850s on merchant and military ships particularly the British Royal Navy until 1850. This example is not significant in the historic sense but demonstrates the type of artillery used aboard vessels of the time for protection & offensive military actions. Cannon, cast iron, small smooth bore cannon on the stepped wooden carriage with wooden wheels. It appears to fire a 12-pound cannonball. The Cannon barrel can have its elevation adjusted via a sliding sloped block at the rear of the cannon. Gun carriage has loops for locating and holding the carriage in position with the use of ropes. It is believed this carronade is a replica of a mid-to-late 19th-century Carronade cannon.Cast into metal; [Royal emblem of Queen Victoria (VR "Victoria Regina")]warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cannon, naval cannon, cannon on carriage, 19th century cannon, fortifications, smooth bore cannon, 12 pounder, carronade, artillery, replica, deck cannon, cannon in carriage, ship cannon

The fireplace was the main heating source for small houses before 1900, so a bellows to coax a flame from a dying fire was important. They would also be used to keep the fire going in a woodfire oven for cooking. In later cooking ranges, domestic water supply was also heated through the cooking range so bellows helped to maintaing a supply of hot water.An item of local and social signifance throughout Australia, bellows were usedin homes to coax a domestic fire into flame for heating and cooking purposes. It was probably used in late 19th to early 20th century homes.A small set of wooden and canvas bellows with metal tip commonly used in households in the 19th and early 20th centuries.bellows, domestic tools

These gloves were donated by Miss E. Kerr of Warrnambool and were probably worn by her. The Ponting family has been prominent in the timber and building business in Warrnambool since the 1920s and still operate today. Miss Kerr was a member of the Warrnambool and District Historical Society in the 1970s and donated many items, especially household goods. Many women in the early to mid 20th century owned leather gloves which they wore mostly with suits and coats in the winter time. They can still be purchased today. These gloves are of interest as an example of the type of gloves worn by women in the 20th century. They will be useful for display.These gloves are made of a light brown leather. They have a leather string lace inserted as a decorative pattern on the wrist openings and the same lacing on the upper sides of the gloves but in this area the leather string is missing. The gloves have been much worn and are stained. women’s accessories, history of warrnambool

These three flour bags belonged to Helena Warren (nee McKeown) who was a self-taught photographer who became the local press correspondent and producer of postcard images. She was married to William John warren and lived in Newmerella. Flour bags were used for bulk purchases of flour in early to mid 20th century. They would have been laundered and re-used for storage. In earlier times empty flour bags were washed and boiled and then made into tea towels or children’s bloomers, or underwear. The flour bags are good examples of packaging and design for Australian produce which sold across Australia and overseas in the mid 20th century. Three rectangular, open calico flour bags. 2491.1 is faded and has red and green print sketch of a fir tree with mountains in the background- "McAlpin's, Containing "Aerophos", Self-Raising Flour; "There's No Other". 2491.2 has similar print with a red stalk of wheat and "7lbs Net" and a C inside a triangle. 2491.3 has yellow background inside a rectangular frame with black print - "Tested ; Self-Raising Flour"; a drawing of a wheat field; "Medallion Brand ; Groves McVitty & Co Pty Ltd' 8 Market Street Melbourne.flour-bags warren-helena mcalpin mcvitty food-storage

This is a set of two photographs of a visit to the Army Headquarters Survey Regiment, Fortuna. Bendigo circa 1965 by an unidentified Australian General. He was escorted by the CO - LTCOL Frank Buckland OBE, MID. It’s evident in these photos were taken at an open day. In November 1965 an open day was held to celebrate the 50th anniversary of the Royal Australian Survey Corps’ formation. LTCOL Frank Buckland OBE, MID was the CO of the Army Headquarters Survey Regiment from 1962 to 1965. After promotion to Colonel, he was appointed as Director of the Royal Australian Survey Corps from March 1967 to August 1972. COL Buckland OBE, MID was promoted to Brigadier (retired) to the honorary position as Colonel Commandant from January 1973 to January 1976. He served in the Australian Army from 01 June 1938 to 31 October 1972.This is a set of two photographs of an unidentified Australian General’s visit to the Army Headquarters Survey Regiment, Fortuna, Bendigo circa 1965. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. They were scanned at 300 dpi. .1) - Photo, black and white, c1965. L to R: unidentified Australian General, CO LTCOL Frank Buckland OBE, MID. .2) - Photo, black and white, c1965. L to R: MAJ LTCOL Bob Skitch, unidentified Australian General, CO LTCOL Frank Buckland OBE MID; unidentified (x2). .1P to .2P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Used in the 19th century.A handmade steel wide toothed hay rake head with 14 teeth attached to a wooden top made by Wandin Sebire. There are two large holes where a handle would be attached. It was used to rake hay into heaps after scything in the 19th century. rakes, tools, hay rakes, agricultural tools, agricultural equipment

Black & white photo of McLean's Garage on the corner of Burwood Highway and Middleborough Roads East Burwood in mid 1930smclean's garage, east burwood

Yields information about the appearance of some of the tram fleet of the Museum during 2015.Laminated A3 size colour photo of No.26 with No. 14 behind at the depot. mid 2015. Photo by Roger Gosney.trams, tramways, btm, depot, tram 26, tram 14

"Tarrengower Times" model truck registration plate TLJ 10. Flat tray, spoked wheels with pneumatic tyres, leaf springs front and rear, leather upholstery. "Century" battery behind cabin with" Century" in black on gold. Painted maroon with gold trim, gold painted headlights and radiator frame.On driver's door in gold lettering "The / Tarrengower / Times /High St. / Maldon / Est. 1858" Logo on oval plate at top of radiator.transport commercial model

Records the Flintoff family's ownership of parcels of land in the Greensborough area. Includes a survey plan for acquisition of land for the aqueduct 1897.Various photocopies of title documents relating to land owned by the Flintoff family in Greensborough.Mainly handwritten documents dating from early 20th century.flintoff family, land titles, greensborough, aqueduct

Vietnamese rickshaw. Predominantly blue in colour material covering the soft-top hood & padded passenger seat is timber with a slatted foot rest. It is powered by a bicycle at the rear of the rickshaw. All metal frames.C Century Saigon Hotel, Ho Chi Minh City.rickshaw

Mid Blue Lodge Collarstawell