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Port Melbourne Historical & Preservation Society
Photograph - PMHPS's Back to Port, Port Melbourne Community Festival, Ann Smallpage, 24 Mar 2002
One of 3 colour photos taken by Ann Smallpage at the PMH&PS's 2002 Back to Port, PM Community Festival: Portion of 'The Great Coverup' apron exhibition.Dated on back '23/3/02'celebrations fetes and exhibitions, port melbourne historical & preservation society, pmhps -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3/43 Clyde Street, Kew East, 1983-2005
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 3/43 Clyde Street, Kew East by Margaret Picken.3/34 CLYDE ST., EAST KEW / MARG. PICKEN artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 3/34 clyde street - kew east (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3/48 Stawell Street, Kew, 1987
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/48 Stawell Street, Kew by Margaret Picken.3/48 STAWELL ST., KEW / MARG. PICKEN '87 artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/48 stawell street - kew (vic) -
Federation University Historical Collection
Scientific Instument, Capacitor
DEFINITION microfarad Posted by: Margaret Rouse WhatIs.com Contributor(s): Kenda, Jack Clements The microfarad (symbolized µF) is a unit of capacitance, equivalent to 0.000001 (10 to the -6th power) farad. The microfarad is a moderate unit of capacitance. In utility alternating-current (AC) and audio-frequency (AF) circuits, capacitors with values on the order of 1 µF or more are common. At radio frequencies (RF), a smaller unit, the picofarad (pF), is often used. This unit is equal to .000000000001 (10^-12) µF. In RF scenarios, capacitances range from about 1 pF to 1,000 pF in tuned circuits, and from about 0.001 µF to 0.1 µF for blocking and bypassing. At audio frequencies (AF), capacitances range from about 0.1 µF to 100 µF. In power-supply filters, capacitances can be as high as 10,000 µF. Capacitor, 1/3 M.F.D. (microfarad) within wooden insulating box. Two terminal posts set in an insulating box. Maker's name and place 1/3 M.F.D No. 34402scientific instrument, capacitor, electrical engineering, laboratory -
Friends of Ballarat Botanical Gardens History Group
Work on paper - From Swamp to Lake. The Story of Lake Wendouree, Ballarat, Celebration of the Centenary of the Jubilee Methodist Church, 1860-1960, 1960
p2 provides some history of the development of Ballarat and the Ballarat Botanical Gardens. p.3 gives lists of Councillors and Presidents of the Shire of Ballarat.The Ballarat Botanic Gardens and Lake Wendouree, as described, became "the inspiration for the city's cultural development."3 pages. p.1 is the front page of this work with a large black and white picture of a ferry with passengers at the edge of Lake Wendouree, top half of the page and the title and sub-title below.. p.2 3 blurred pictures of the Ballarat Botanical Gardens interspersed in 2 columns of print. p.3 consists of 3 lists of names.A business card is stapled to p.1 with "Gt. Grandson of George Longley" written in blue biro and "13.12.93 Visit" written at the bottom of the card. Underneath the main title is written in blue biro "& Jubilee Methodist Church 100 years 1860-1960" with an arrow "S.Selmon", underlined,"mentioned as a Trustee in 1908." p3. "Shire of Ballarat" is written, lefthand top corner in biro.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, yuille's swamp, lake wendouree, george longley, reg.t.jones, jubilee methodist church, s.selmon, presidents of the shire of ballarat, ballarat councillors, curator, fernery, railway to ballarat, importation of plants, john garner collection, gardens, ballarat -
RMIT GSBL Justice Smith Collection
Report series & microfiche, Australian Law Reform Commission, Privacy, 1938
No. of volumes: 4 Volume range: Summary of report & 1-3 Report no. 22 Inside backcover of Vol. 2 is microfiche of Vol. 3ISBNs: 0644012544 (pbk. : summary) 064401251X (v. 3) 0644012501 (v. 2) 0644012498 (v. 1) 064401248X (set)privacy rights -- australia -
Clunes Museum
Financial record - ACCOUNT LEDGERS, NO.1 1943 - '66 NO.2 1967 - '86 NO.3 1986 - 1989
... NO.1 1943 - '66 NO.2 1967 - '86 NO.3 1986 - 1989. ...ROYAL VICTORIAN INSTITUTE FO THE BLIND. CLUNES AUXILIARY FORMED 1933. DISBANDED 1989. STREET STALLS, CONCERTS, TRADING TABLES, CASH DONATIONS AND ASSISTANCE OF LOCAL BUSINESS HOUSES, ALL THE LOCAL CHURCHES (EACH CHURCH RAN THEIR OWN STALL ON DAY OF ANNUAL FAIR) A BLIND REPRESENTATIVE ATTENDED THE ANNUAL MEETINGS AND ALWAYS PROVED AN INTERESTING SPEAKER.CLUNES AUXILIARY FOR THE BLIND NO.1 SMALL THICK BLACK, SOFT COVERED TREASURERS BOOK WORKS FROM BOTH FRONT AND BACK COVERS 1943 - 1967. NO.2 BLUE SOFT COVERED PENCRAFT CASH BOOK, TREASURERS BOOK 1967 - '86 NO.3 ORANGE SOFT COVER LEDGER, TREASURERS BOOK 1985 - 1989 R.V.I.Plocal history, books, documents, clunes blind auxiliary -
Bendigo Military Museum
Manual - HOME GUARD TRAINING MANUALS, Hodder and Stoughton, 1940-1942
1. 2. 3. This is an English book designed for WW2. 4. This is an Australian book designed for WW2. 5. This is a British Commonwealth Book. GB, NZ, Aust.1. Home Guard Handbook - red buckram cover. Blue and black printing, it has 126 pages of text and weapon drawings. Author John Brophy. 2. Home Guard Fieldcraft Manual. Green buckram cover, black print, small book and map of Australia on front. 171 pages of text and drawings and photos. Author Major John Langdon-Davies. 3. Advance Training for the Home Guard. Author John Brophy. This book has a blue buckram cover. Printing is in black ink. It has 142 pages of text and drawings. 4. The essentials of training for the home guard, Weapons and minor Infantry tactics. Author Capt. A.S. Keighley ex AIF . 36 pages and drawings. 5. The Home Guard in the Field. Light blue cardboard cover. 52 pages of text and drawings.1. Marked on the top is “1/9” 2. First page has “3/3” written in pencil. 3. Front cover has a tattered label from “McGills Agency, Elizabeth St, Vic” 4. Marked on front in pencil “5/8” Also has a round sticky label from “Albury Book Bazaar” 5. Rubber stamp on front cover from McGills Agency.ww2, home guard, manuals -
Tatura Irrigation & Wartime Camps Museum
Suitcase, 1940's
Used by internees at Camp 3Rectangular cloth covered and painted, wooden suitcase. Metal handle, metal strips on corner.No "3" stamped in metal next to Locks (2). A Sawatzky (X3)suitcase, wood, haefer r, sawatzky a, camp 3, tatura, ww2 camp 3, personal, effects, travel, goods -
Tatura Irrigation & Wartime Camps Museum
Carpenters Marker, 140's
Used by internees at Camp 3Handmade wooden carpentry tool/marker. Rectangular head with 3 wooden insertscamp 3, tatura, ww2 camp 3, trades, tools -
Tatura Irrigation & Wartime Camps Museum
Mugs - Tin, 1940's
Army supply at Camp 33 tin mugs with two pieces of thin wire to form a folding handlemug, panikin, hoefer family, camp 3, tatura, ww2 camp 3, domestic, food, drink, consumption -
Tatura Irrigation & Wartime Camps Museum
Cutout - Wooden, 1940's
Made and used in Camp 33 fawns, painted in shadesof brown gloss paint, standing in a green field3 fawns, yenken e, camp 3, tatura, ww2, handcrafts, woodwork -
Melbourne Tram Museum
Photograph - Set of 3 Colour Print/s, Postcard, Visit Gallery, 11/03/2010 12:00:00 AM
.1 and .2 - Set of two colour photographs of W7 1032, loaded on a truck for the Perth Tramway Museum leaving Preston Workshops - 11/3/2010 printed on Kodak Endura paper. Photographer unknown. On the rear is a note written by the photographer. The person was not aware that the tram was leaving for Perth. .3 - Postcard - "Melbourne Trams", with a hand written note from Kevin Tierney, the donor to Warren Doubleday dated 3/4/2010. Postcard by "Visit Gallery" - features 7 different types of Melbourne trams.See back of .1 and .3 for a hand written note.trams, tramways, w7 class, perth, preston workshops, postcards, museums, melbourne, tram 1032 -
Tatura Irrigation & Wartime Camps Museum
Diaries, 1938, 1943, 1947
used by internee in Camp 33 diaries. 1 - green soft cover diary inside a soft leather cover; 2 - blue soft leather like cover diary. 1943 German text; 3 - black soft cover diary 1947.as abovepeter and barbara drescher, internment camp diaries -
Hawthorn Historical Society
Drawing - Property Illustration, 3 Coppin Grove, Hawthorn, 1990
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Coppin Grove, Hawthorn by Margaret Picken.3 Coppin Grove, Haw, Margaret Picken '90. Woodards - Hawthorn.artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 3 Elm Street, Hawthorn, 1996
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Elm Street, Hawthorn by Margaret Picken.3 Elm Street, Hawthorn, Margaret Picken '96. Woodards - Haw. artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 3 Fordholm Road, Hawthorn, 1996
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Fordholm Road, Hawthorn by Margaret Picken.3 Fordholm Road, Haw, Margaret Picken '96. Woodards - Hawthorn. artist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 3 Ardene Court, Hawthorn, 1987
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Ardene Court, Hawthorn by Margaret Picken.3 Ardene Court, Haw, Margaret Picken '87. Woodards - Malvernartist - margaret picken 1950- -
Hawthorn Historical Society
Drawing - Property Illustration, 3 Brook Street, Hawthorn, 1994
'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3 Brook Street, Hawthorn by Margaret Picken.3 Brook Street, Hawthorn, Margaret Picken '94. Woodards - Hawthorn.artist - margaret picken 1950- -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3 Allambee Avenue, Camberwell, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3 Straughan Street, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3 Callanish Road, Burwood, 2002
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3 Christowel Street, Camberwell, 2000
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3 Elaroo Avenue, Camberwell, 1990
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Camberwell Historical Society
Drawing (series) - Architectural drawing, 3 Fordham Avenue, Camberwell, 1992
artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Walton Street, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Walton Street, Kew by Margaret Picken.3 WALTON ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 walton street - kew (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Redmond Street, Kew, 1998
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Redmond Street, Kew by Margaret Picken.3 REDMOND ST., KEW / MARGARET PICKEN '98 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 redmond street -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Ridgeway Avenue, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Ridgeway Avenue, Kew by Margaret Picken.3 RIDGEWAY AVE., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 ridgeway avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Segtoune Street, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Segtoune Street, Kew by Margaret Picken.3 SEGTOUNE ST., KEW / MARGARET PICKEN ~2000 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 segtoune street - kew (vic) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Sylvan Court, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3 Sylvan Court, Kew by Margaret Picken.3 SYLVAN CRT., KEW / MARGARET PICKEN '92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 sylvan court - kew (vic)