Clothing, white cotton christening gown. Low rounded neckline with casing and cotton tape ties. Bodice at back and sides. Casing and cotton ties on sides and back to centre back opening (25 cm). Full length centre front panel of embroidered lace fabric with two panels of horizontal pintucks. Lower edge of centre panel ends with two layers of broiderie lace ( 9cm and 17 cm). vertical edges of centre panel trimmed with 5 cm strip of lace. Centre lace panel widens from 8 cm at waist to 54 cm at hem. Hem of back and sides is trimmed with one layer of 9 cm broiderie lace below a 2.5 cm tuck. Double layer lace to form short cap sleeves. Old box 524.costume, children's, christening long gown

By grand final day, Geelong was in the midst of a 26 game unbeaten run, and Collingwood posed few problems on the big day. The Cats triumphed by 46 points after a dominant second half. Geelong posted a 16-2-1 record in the home and away campaign and defeated Collingwood by 54 points in the second semi final. Grand final day was a prosession with back-to-back flags wrapped up by three quarter time. Geelong: 4.2, 5.3, 11.6, 13.8 (86) Collingwood: 1.2, 3.3, 5.4, 5.10 (40) Goals: Goninon 5, Trezise 4, Davis, McMaster, Flanagan, Worner 1. Best: Williams, Trezise, Sharp, Goninon, B. Smith, Morrison. Line up: B: Bernie Smith - Bruce Morrison - Norm Sharp HB: Geoff Williams - John Hyde - Russell Middlemiss C: Bert Worner - Doug Palmer - Terry Fulton HF: Leo Turner - Fred Flanagan (cap) - Bob Davis F: Jim Norman - George Goninon - Peter Pianto Foll: Bill McMaster - Russell Renfrey - Neil Trezise Res: Syd Smith - Ron Hovey Coach: Reg Hickey Also played in 1952 Harry Herbert, Tom Morrow, Leo O'Halloran, Noel Rayson, Les Reed, Merv Richardson, Don Scott, Norm Scott, Jack Stevens, Loy Stewart, George Swarbrick, Jim Tuckwell, Tony Walsh, Peter West Information provided by Col Hutchinson GFC HistorianFootball mounted on a timber base. Base is circular with sloped sides with a depressed circle in the top centre. There is a thin rounded stand which supports the top of the timber base which is a flat oval shape. A brown leather football is attached to the top of the timber base. Football is comprised of four individual panels which have been stitched together. One panel is attached to the timber base. A second panel has the SHERRIN logo although this is heavily faded. A third panel has a drawing of a pennant which reads -PREMIERSHIP 1952- above an oval shape with -WON BY/ GEELONG- written inside and the team scores on either side. A fourth panel has the Geelong Footbal Club logo in the centre, the team list on the left and the club officials on the right.1952 Premiership. Bill McMaster. Doug Palmer. Peter Pianto. Russ Renfrey. Neil Trezise. Geoff Williams. Fred Flanagan. Ron Hovey. John Hyde. Russell Middlemiss. Bruce Morrison. George Goninon. Leo Turner. Bert Worner. Bob Davis. Syd Smith. Norm Sharp. Bernie Smith. Terry Fulton. Jim Norman. Reg Hickey1952 premiership. bill mcmaster. doug palmer. peter pianto. russ renfrey. neil trezise. geoff williams. fred flanagan. ron hovey. john hyde. russell middlemiss. bruce morrison. george goninon. leo turner. bert worner. bob davis. syd smith. norm sharp. bernie smith. terry fulton. jim norman. reg hickey, geelong cats, premiership, geelong grand finalists, football

Folding blue card. Membership card RSSILA -Geelong Sub Branch. Inside left panel has details of 1944 Geelong sub branch committee. The member's number 1269. Date stamp 1944. Inside right panel has meeting dates for 1944. Front has "Geelong Rssila" and the RSL baded motif.membership, rsl, geelong

Tall clear aqua tinted glass bottle, square in section, lozenge shaped panels impressed on three sides with embossed text on two, fourth side a rectangular panel impressed. For stopper seal. Embossed numeral on base. Neck fused to moulded glass body.On base '4'. Side 1. 'POTTER DRUG & CHEMICAL CORPORATION BOSTON U.S.A.' Side 2 'CUTICURA SYSTEM OF BLOOD & SKIN PURIFICATION'.cuticura, potter drug & chemical corporation, weeks & potter

Cream silk princess line wedding dress with scalloped neck edge, ruched front bodice panel and ruched and gathered panels on skirt. Three-quarter length sleeves with slashed sleeve details. Centre back opening fastened with silk thread covered buttons.wedding dress, 1870s

Postcard - 3 panel full colour - by Nu-color-vue of the Bourke St Mall with Z2 113 in two of the panels, running a route 86, Bundoora. Has the caption "Melbourne Australia" Divided back, published by Nu-color-vue - 12ML080 and NCV 8826trams, tramways, bourke st, mall, z class, tram 113

The first Emerging Writers’ Festival was held at the Victoria Hotel in Little Collins Street in January, 2004. The inaugural festival developed out of Express Media's Make It Up zine fair. It brought together the offerings of 68 writers from across Australia in a two-day series of panels, readings, performances and workshops. Express Media ‘s Artistic Director Richard Watts was the driving force behind the ground breaking initiative that was to become the Emerging Writers’ Festival. It was clear to him through the success and the demand of the Make It Up zine fair, which had its origins in 2000, that writing and writers were in the process of radical change and needed a new environment to grow. In response, Express Media formed a partnership with the Victorian Writers’ Centre and held the first Emerging Writers’ Festival with the tagline, the best Australian writers you haven’t heard of yet. The beginnings were humble but the foundations strong. In those early years the festival found its feet, its independence and a loyal and passionate audience.An eight page, stapled program for the 2004 Emerging Writers' Festival printed in black, white and three shades of orange."Featuring the best Australian writers / you haven't heard of (yet) including new, young and / emerging poets, zinesters, short story / writers, spoken word performers, novelists, / screenplay writers / and playwrights, and a range of panels, / readings, workshops as well as an / independent publishers' trade fair."2004 emerging writers' festival, richard watts, express media, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

Print of a hand coloured photograph taken of Queen Elizabeth II presumably at her coronation in 1952. Hand written panel states 'In Loyalty and Affection, East Melbourne Sub Branch RSS & ALIA' underneath print. queen elizabeth ii, tramways east melbourne rsl

OIL PAINTING OF A BANK BUILDING IN A BROWN WOODEN FRAME WRITING ON TOP OF THE BUILDING "GOLD OFFICE BANK AUSTRALIA"ON BACK PRINTED: "VANGUARD i CANVAS PANEL SIZE 8X10 ARTIST (IN INK) AUDREY CRAWFORD - DATE ILLEGIBLE"audrey crawford, oil painting, joyce patterson

This window was removed from the Marcus Saltau House building in the Warrnambool and District Base Hospital when the building was demolished in 2009. Marcus Saltau House was erected in 1938 to provide for intermediate, private and midwifery patients. The builder was Ernie Harris of Warrnambool. The building commemorated the work of Marcus Saltau who was on the Warrnambool Hospital committee for over forty years and the President of that committee for thirty years. Marcus Saltau (1869-1945) was a Warrnambool produce merchant and politician involved in many Warrnambool ventures, including the establishment and development of the Warrnambool Woollen Mill and the Nestles Milk Factory at Dennington. The Jean Buick Saltau Maternity Ward at the Warrnambool Hospital was established by Marcus Saltau in 1928 in memory of his first wife. This window is retained as a memento of a significant building in Warrnambool that no longer exists.This is a circular window with four triangular panels of glass contained within a white painted ridged wood frame.marcus saltau house warrnambool, marcus saltau, ernie harris warrnambool, jean buick saltau maternity ward, warrnambool woollen mill

Inside of a 1967 Holden Divisional Van with blue steering wheel, instrument panels and radio. Circa 1991.police vehicles; motor transport branch; motor transport section; wireless patrol; holden van

The compact TC-510-2 model of the Sony Tape Recorders is especially designed for on-the-go recording. It is powered by 8 Size D batteries.Solid base with clear perspex lid. Control panel on front and on top of base. Removable cartridge for batteries "SONY TAPECORDER TC-510-2 NO 10972 MADE IN JAPAN" Yellow SMB sticker with equipment number "131135"sony, tape recorder, portable, batteries, outdoor recording

Rectangular clear glass bottle with angled corners. Text embossed on two corner panels near base.'M' on one side and 'I' on the other.

Born: Fitzroy, Victoria, Australia 1865; Lived and worked: France and England 1887-1892, France 1901-1913; Died: Melbourne, Victoria, Australia 1915ImpressionismMajor Basil MacNay Bequest, Gift of Arts Victoria, 1998Oil on wood panel depicting pink spring blossoms in a field. Carved gold brushed timber frameRecto: Signed "E. Phillips Fox" in purple oil in l.l.c of composition; Not dated; Not titledpaiting, landscape, garden, trees, cherry blossom, fence, impressionist

White Nurses Apron. 3 Panel Skirt & Pockets. Used at Stawell Hospital by Nurse Jean Woodstawell clothing material

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. One hundred mill labels sewn onto a single sized cream blanket with blue end panels(On original blanket label) "Marco" Blanket/Wool 70%/Cotton 30%/Guaranteed Free From Fillingwool, blanket, blanket fever, labels, sampler

Bought for collection from Op ShopAfternoon Tea apron trimmed with 7cm lace border. Also with four insertions of lace panels in frontcostume, female working

Coloured photo of First Panel of Bicentenary Leadlight Mural in Foyer of Nunawading Arts & Entertainment Centre in place.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Coloured photo of Crafts People admiring a Panel of Bicentenary Leadlight Mural for Nunawading Arts & Entertainment Centre.nunawading arts centre, bicentenary leadlight mural, arrowsmith, ted

Cypriot White Painted Ware from Middle/Late Cypriot Bronze AgeWith round mouth, long neck with lines, the body with two panels of striped diamonds between vertical lines. cypriot

Silver metal cup trophy with brown plastic base with four metal panels. Engraved in the cup of the trophy is:Presented By The N.E. CO-OPE' SOCIETY LTD FOR Inter house Football 1938

Instruction re use of "T" Popham signalling panel for coms. Between Infantry and aircraft. Part of COL046)documents, ww1, army

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vida May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vida and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district. Vida May Wing was born in Richmond in 1882. A noted teacher of plain, fancy and step dancing, during the first two decades of the twentieth century she held annual fancy dancing and floral balls, where her pupils were the performers. In 1916, she married Hubert Charles McDonald. She died in 1959.Rose Study on board, by Vida May McDonald (nee Wing). Pink and red roses on wooden panel.Reverse: "Vida Wing / 1908-19?"still lifes, vida may wing, roses

Chip-carved by the Late Miss E.M. Lord in 1899.Wooden 'Mothering' chair, with a low seat, and a high panel back, with has a heart shape cut-out.chairs

used for the preservation of leather harness gearImported and sold by Holden and Frost Circa 1900Silver drum with screw lid and soldered handle on top. Paper front panel with product information printed onequine, harness preservative, dressing