Transferred from original performance location in Fitzroy to Melbourne Athenaeum Theatre. The Elizabethan Trust production was performed after a season at the Sydney Biennale. The performance consisted of five, 20-minute variations on a fictional love story. The theatre review by Leonard Radic comments: This kind of performance theatre is an attempt to cross the boundaries between art and theatre. It is genuinely experimental in that it seeks to give new meaning to old situations. ... It dares to be different.Large flyer, 2 small flyers and newspaper articleprediction piece 8: winter/passion, lyndal jones, athenaeum theatre, the australian elizabethan trust, program

Bendigo Performance of ''Moving Harps'' (trio) - A4 and A3 flyers for performance October 1994/1995; promo sheet with information about musicians; ''sheet on 'what the critics said''; Arts Bendigo copy for Advertiser, Gazette ABC and 3CCC; newspaper ad with handwritten notation ''1995?''; newspaper cutting (Advertiser?) re concert with handwritten annotation ''8.10.94''.; fold-out coloured 'glossy' promotion sheet with coloured photo of trio with harps (to accompany CD?); Victorian Arts Council - Touring Unit 1994 AGM Showcase Artist Information Sheet.

Book, centre stapled, 48 pages + card cover, printed on off-white paper full colour, titled "Public Transport Corporation - Annual Report 1996", providing a report to the Victorian Government on the performance of the PTC for the year 1995 - 1996. Includes a table of contents, Executive Review, attracting customers, changes and improvements, performance indicator, statutory information and Financial statements. Signed by Max Moore-Wilton as Chairman. PTC Chief Executive - Ian Dobbs. Alan Brown was the minister at the time. Has the theme "Moving from a system to a service".Has a white sticker on the front cover ""SOL T"trams, tramways, ptc, annual reports, melbourne

Performance on stage - possibly for a Purim production, Carlton, 1953.carlton, purim, visual and performing arts, drama

Photograph taken during stage performance of "Hits of the Blitz"Black and white photograph of Rebecca Smith and Bobbi Wolfenbuttelpeople, performing arts

Performance by students of Trinity Grammar School, Kew in 1969.Program No. 53 for Trinity Tricks, held at Kew City Hall, Friday 11th April, 1969trinity tricks, trinity grammar school, kew, theatre - kew

Performers and crowd shots of Carols by Candlelight performances in 1980Col. photographs of transparencies taken at Carols by Candlelightcarols by candlelight, normie rowe, margaret nisbett, james pegler, keren minshull, jill perryman, neil warren smith, steven tandy

16 page soft cover programme for the Bendigo Theatre Company's performance of 'Oklahoma' in Aug/Sept 2007 at the Capital Theatre. Lists and B&W photos of cast, crew, orchestra and producers etc. Coloured rural picture on front coverBendigo Theatre Company

Newspaper clipping from the Courier, 20/11/2017 of BTM Conductor / Driver Hugh McKelvey holding a trombone following a performance of the Ferdinard David concerto, c2016. Concert review by Bronislaw Sozanski. Clipping dated from The Courier Website.btm, volunteers, personnel, music

Program for 1984 (Victorian Arts Council (Local Branch) ''Program for 1984, as Established by 25th Jan 1984'' - activities and performances from Feb to Nov 1984 (3 copies); Sheet announcing major functions for 1984 with subscription form to AB.

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Pink sequinned taffeta, halter neck, full-length sheath, and a low back with two pink chiffon drops from back to floor. The dress was worn by Robin Vanser (aka Robin Kelly nee Vandersluys) in live performances in the 1960s.performing arts - australia - 1960s, robin vanser, performance costumes, floor show dresses

A collection of music used by the Diamond Valley Choral Society for performances.1 red folder containing 43 music scores of various sizes.diamond valley choral society, scores, scores(music)

Arc theatre lights produced light for performances before electricity.Metal theatre light with hinged opening on side, and hole in the front and bottom. It is thought to be an arc theatre light. Remnants of maroon paint with gold trim remain. There is a fixture on the side, most probably to attach it to a wall or stage. theatre, light, lighting, entertainment, arc theatre light, carbon light

74th performance at the Royal Opera House. 17 May 1985walsh st library

The Australian Childrens Choir rehearses, ahead of their Carols by Candlelight performance.B/W photograph of the Australian Childrens Choir.85/240 26carols by candlelight, australian children's choir

Newspaper photo, mounted on black laminated card, of Bendigo Swimming Club members Therese Potter, Elizabeth Moore, Damien Kennedy, Martine Perry and Katie Scoble in the water and leaning on the edge of the pool. Article mentions the swimmers most recent performances.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, bendigo swimming club, therese potter, elizabeth moore, damien kennedy, martine perry, katie scoble, kate monotti, joanne smith, tamara scott, paul edebone, nicole pathe, alecia boschetti, solana payne, richard jones

The "Q" Theatre Guild grew out of and amalgamated the Kew Light Opera Company in 1957. Productions were initially held in the Kew Recreation Hall and subsequently in the Kew Civic Hall. The Company would appear to have run until the mid-1960s. Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s.The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Theatre programme. "Q" Theatre Guild presents "Love's A Luxury": Farcical Comedy by Guy Paxtion and Ed. V. Haile. Four page bi-fold programme listing title, dates of performance, cast list, production details, and advertisements. 4pp.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, 'q' theatre guild

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme for a performance of The Miser by Moliere by The Everyman Theatres Company in association with the Council of Adult Education. The text was adapted by Miles Malleson. The 12-page programme includes a cast list, individual performer profiles and notes regarding the history of Everyman Theatres Company. arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, the everyman theatres company

Evening performance of a band on the Portico of Soldiers Memorial Institute post 2000.Bendigo RSL and Soldiers Memorial Institute Hall Pall Mall. Colour night time photograph of Bendigo Soldiers Memorial Institute Hall. White cardboard border surrounds photograph, light wooden frame, glass protection.brsl, smirsl, photograph

A recording of a concert performance by the Diamond Valley Choral Society at Watsonia in 1975.1 audio cassette in clear plastic caseHandwritten on cassette: "DVCS Concert. Watsonia 30-10-75."diamond valley choral society, concerts

Details of performances by Eltham Little Theatre each year 1958 to 1998unnumbered, 30 cmeltham little theatre

Rehearsal night at Ormond Hall for the 1981 RVIB Carols by Candlelight performanceCol. negatives of Carols by Candlelight rehearsalcarols by candlelight, royal victorian institute for the blind

Salvation Army conductor Colin Woods during a Carols by Candlelight performance. Col. photograph of Salvation Army band leader.carols by candlelight, colin woods

Part of a collection of books, manuals, photographs, letters and clothing relating to the working life of Stuart Ascough. Stuart's career in the wool industry spanned over 43 years from 1960 to 2003 in various roles including Topmaking Plant Manager at Courtaulds Ltd. in Spennymore, U.K., Operations Manager at Port Phillip Mills in Williamstown Victoria, Marketing Executive, Early Stage Wool Processing at the International Wool Secretariat Melbourne, Australia and General Manager of Victoria Wool Processors Pty. Ltd. in Laverton North, Victoria. Throughout his career Stuart travelled extensively, and in the 1990s worked at many topmaking mills in China on quality improvement projects. He also provided technical advice and training at mills in India, Ukraine, Lithuania, Kyrgyzstan, Russia, Latvia, Byelorussia and other parts of Europe and Asia.Printed booklet bound with plastic black ring binder consisting of approximately 80 pages. Front cover shows graphic of Australian flag in top right corner and blue map of Australia, showing states and territories, in the centre.front: IWS / INTERNATIONAL / WOOL / SECRETARIAT / Practical Hints to improve the / quality and performance of / Australian wool during early / stage processing / Stuart Ascough / Australian Wool Technical Development / International Wool Secretariat / Melbourne / Australia / January 1997stuart ascough, international wool secretariat, victoria wool processors, port phillip mills pty ltd, topmaking, career, wool industry, training, technical advice, mills