Yields information about the people who attended the 30anniversary reunion of the closure of the Ballarat Tramway system. Has a strong association with these people.Colour photograph of the former SEC Ballarat Tramway Employees photographed at the Queens Head Hotel on the occasion of the "Ballarat Tramways Past Employees' Reunion to mark 30 Years Closure of the Ballarat Tramways" on September 15, 2001. Photograph mounted within a white cardboard folder with the names of the attendees and period of service listed underneath. On the front cover has printed image of Ballarat 40 at Sebastopol with the name and date of the event printed on it. Folder prepared by Speilvogel Photographic, P.O. Box 1004, Ballarat Mail Centre, Vic. 3354. Featured in the photograph are: Babe Domaschenz, Austin Domaschenz, Han Van Oorschot, Brian Melville, P Carter, Jim Maher, Kevin Butler, Kevin Brookman, Norm Hamilton, John Everett, Howard Reynolds, Allan Meaney, John Truscott, Ron Knight, Neil Robe, Ian Wallis, Noel Kleine, Max Green, Ray Hall, George Gray, Michael Mahoney, Les Mark. 2nd copy of 1968 - ex Kevin Brookman, added 1/6/2009.trams, tramways, employees, reunions, tram crews

Black & White photograph (reproduction) of Electric Supply Co. (ESCo) tram no. 13 near tram depot, Wendouree Parade, c1905. Photo made from a copy negative of an original held in the Archives. Tram not yet fitted with destination boxes. On front of tram is a driver, possibly an inspector by the ground, at rear is a conductor, two ladies seated on rear end and a gentleman on the front seat. Houses in background. Image is not full size to the photographic print. Tram lettered 'Ballarat Tramways' 2nd copy made for No. 12 display - 3/99. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. For a similar photograph see Reg. Item 5451. Hi Res version from scan of the copy neg added 4-5-2020 as i2.trams, tramways, esco, wendouree parade, tram crews, employees , tram 13

Yields information about the Victoria St terminus, passengers and the tram liveries in 1963.Black and white print on heavy matt photographic paper of No. 20 at the Victoria St terminus, c1963. Tram has the destination of Gardens, a Cook with Electricity and Ilford Film roof advertisements and one for dancing at the Civil Hall on the front dash panel. A number of ladies, including one using a walking stick, walking away from the tram. The Meagher's Hotel is in the background, with the names DA and FC Dowd on the wall and an advertisement for Melbourne Bitter. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "20 Victoria St 1963" 2nd copy has label "Reference 6/113/10 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, victoria st, hotels, tram 20

Yields information about the Sebastopol terminus, the tram liveries in 1963.Black and white print on heavy matt photographic paper of No. 35 at the Sebastopol terminus with the conductor pulling the pole down. The tram has the destination of Sebastopol. In the background are homes. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "35 Sebastopo1963", 2nd copy has label "Reference 6/113/8 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, sebastopol, tram 35

Yields information about the tram line near the Sebastopol terminus, the tram liveries in 1963.Black and white print on heavy matt photographic paper of No. 35 leaving the Sebastopol terminus heading back into the city. In the photograph is the telephone line along the road, passengers waiting at the next stop, trees along Albert St and shows the arrangements of the tram line in association with the street itself. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "35 Sebastopo1963" 2nd copy has label "Reference 6/113/9 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, sebastopol, tram 35

Yields information about the Ballarat tramway / railway level crossing and the street scene with a railcar using the level crossing.Black and white print on heavy matt photographic paper of No. 26, northbound, at the Ballarat Railway Station gates, Lydiard St Nth waiting for a 280HP railcar to clear the level crossing, with a number of other motor vehicles in the photo. In the background is the signal box and Victoria House. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "26 Ballarat Station 1963" 2nd copy has label "Reference 6/113/6 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, railway station, level crossings, lydiard st nth, railways, tram 26

Yields information about the City Loop and Sturt St buildings terminus, passengers and the tram liveries in 1963.Black and white print on heavy matt photographic paper of a view looking from Lydiard St, down Sturt St towards Grenville St with many motor cars in the street and trams parked in City Loop, c1963. Has cars parked on the median strip and given the number, a working day. At least four trams in the loop. In the background is the Neptune sign and the Dickins Food store. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Sturt St 1963", 2nd copy has label "Reference 6/113/11 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, sturt st, city loop, grenville st

Yields information about the Lydiard St North terminus, tramcars at the time and a family boarding the tram.Black and white print on heavy matt photographic paper of a view at the Lydiard St Nth terminus of No. 26 with the cemetery buildings in the background and a family (two ladies and pram) boarding the tramcar. The tram has the destination of Grey St Sebastopol, and a Whitehorse Whiskey advertisements on the front dash panel. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "26 Lydiard St Nth 1963" 2nd copy has label "Reference 6/113/7 Photo by Ron Hann" and another label "Ballarat 01.63"tramways, trams, lydiard st nth, cemetery, tram 26

Yields information about the Charing Cross Bendigo tram terminal, and nature of the traffic arrangements.Black and white print on heavy matt photographic paper of a view of Bendigo Charing Cross tram terminal area from western side. Has two single truckers in Pall Mall and a bogie tram. Shows the tram crossover in High St and a number of motor vehicles. Has the Ezywalkin building on the north east corner. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Charing Cross 1963" 2nd copy has label "Reference 6/214/25" Photo by Ron Hann" and another label "Charing Cross Bendigo 01.63"tramways, trams, bendigo, charing cross

Yields information about the interior arrangement of the Bendigo tram depot and the tramcars.Black and white print on heavy matt photographic paper of the interior of the northern section of the Bendigo tram depot with No. 17 on the northern most track. Shows the pit arrangements and cross planks. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Bendigo 1963" 2nd copy has label "Reference 6/212/31" Photo by Ron Hann" and another label "Bendigo Depot 01.63"tramways, trams, bendigo, depot, tram 17

Yields information about the interior arrangement of the Bendigo tram depot and the tramcars.Black and white print on heavy matt photographic paper of the interior of the southern section of Bendigo depot with No. 29 sitting at the front of the road and another Birney behind. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Bendigo 1963" 2nd copy has label "Reference 6/212/33" Photo by Ron Hann" and another label "Bendigo Depot 01.63"tramways, trams, bendigo, depot, tram 29

Yields information about the Golden Square terminus, shops and roof advertisements on the tramcar.Black and white print on heavy matt photographic paper of Bendigo 19 at the Quarry Hill terminus with the conductor attending to the trolley pole. No. 19 has roof advertisements for "You'll cook better Electrically" and "Jeffrey's Bread, a treat to eat" and the destination Nth Bendigo. In the background is Symons Diary, Milk Bar, a Peters Ice cream van and sign. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "19 Golden Square 1963" 2nd copy has label "Reference 6/214/29" Photo by Ron Hann" and another label "Bendigo Golden Square 01.63"tramways, trams, bendigo, golden square, tram 19

Yields information about the North Bendigo terminus, the level crossing and roof advertisements on the tramcar.Black and white print on heavy matt photographic paper of Bendigo 19 at the North Bendigo terminus, with the conductor walking back to the tram, c1963. The tram has an "Electric Cook" roof advertisement and "Cohns Drinks" advertisement on the front dash panel. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "North Bendigo 1963" 2nd copy has label "Reference 6/212/30" Photo by Ron Hann" and another label "Bendigo North 01.63"tramways, trams, bendigo, north bendigo, tram 19

Yields information about the Quarry Hill terminus and roof advertisements on the tramcar.Black and white print on heavy matt photographic paper of Bendigo 18 at Quarry Hill terminus with the driver walking back to the tramcar. The tram has a White Horse Whiskey advertisement on the front dash panel, and two electric cooking roof advertisements. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "18 Quarry Hill 1963" 2nd copy has label "Reference 6/214/28" Photo by Ron Hann" and another label "Bendigo Quarry Hill 01.63"tramways, trams, bendigo, quarry hill, tram 18

Yields information about the Bendigo tram depot office block, the scrubber tram and the way it was placed on blocks to have the truck or bogie repaired..Black and white print on heavy matt photographic paper of the Bendigo scrubber tram on blocks outside the administration section of the depot, while the truck or the wheels undergoing repairs. In the background is "Bundy" clock on the wall of the depot, and a man resting on a bicycle. 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier"On rear in pencil "Scrubber Bendigo 1963" 2nd copy has label "Reference 6/212/34" Photo by Ron Hann" and another label "Bendigo Depot 01.63"tramways, trams, bendigo, depot, scrubber tram, tram scrubber

Yields information about the California Gully or Thorpe St Loop from the front of an in-bound tramcar and the tramcar it is crossing at the loop.Black and white print on heavy matt photographic paper of the Bendigo 2, crossing another bogie tram at the California Gully or Thorpe St Loop, c1963. Taken from the window of the inbound tramcar. No. 2 has the destination of Eaglehawk, a front dash panel advertisements for Whitehorse Whiskey and another for ice-cream? 2nd copy - laser print - with date etc on rear - added 22/2/2010, copy from Ron Hann. Printed on Fujifilm, Fujicolour Crystal Archive for Frontier".On rear in pencil "Eaglehawk line 1963" 2nd copy has label "Reference 6/214/27" Photo by Ron Hann" and another label "Eaglehawk Route Bendigo 01.63" tramways, trams, bendigo, eaglehawk, california gully, tram 2

Postcard of Ballarat Horse tram arriving at the Grenville St. terminus, at the bottom end of Sturt St terminus with a person stepping off the tramcar. Has buildings on both sides of Sturt St. in photograph, and one other horse-drawn vehicle. Also Suttons and Richards & Co. buildings in photo. Titled "Sturt Street, Ballarat" in the bottom left-hand corner". On the rear of the postcard, printed are the words "Post Card", areas for "This space may be used for correspondence" and "The Address to be written here" and in the stamp area in a square "Penny Stamp here". See Reg. Item 1539 for a photographic image of the postcard, 2762 and 4274 for other versions. On rear of second copy - publisher details - Cole's Sunny Australia Series, 96 Views, E W Cole Book Arcade, Melbourne, Sydney, and Adelaide.Demonstrates aspects of working of Ballarat tramways, with a passenger stepping off a moving horse tram at Grenville St. Has a strong association with the sender and receiver - possibly exchanging postcards themselves. Hand painted card.Printed black and white postcard with hand painted light blue sky background. Two copies held.On front of card in blue ink "Many thanks for pretty card, shall be pleased to Exchange, with best wishes, B. Bourke 3/7/1906" On rear stamped "Jas. B. Bourke Hare Street Echuca Victoria" and written address "Mr. Geo C. Dalhart, Parkersburg W. Va. U.S. America". Has stamp - Victoria "three halfpence" and cancellation stamp of Echuca, July 3 06" and "Chicago Aug 3, 1906".trams, tramways, sturt st, postcards, horse tram, grenville st

Demonstrates the use of horse trams as trailers after the start of the electric trams in Ballarat and the street scape and tramway loading at the same time.B&W print of an ESCo tram just past the intersection of Doveton St. and Sturt St. travelling east along the north side of Sturt. Steet towing a heavily laden horse tram as a trailer. Photo appears to be taken soon after opening of the electric trams, as the tram does not have any destination box above the driver. Possibly summer 1905/1906. Numerous people in the street, some horse drawn vehicles in the photograph. Shows buildings along the south side of Sturt St. and part of the verandah of the building at the NE corner of Doveton St. On textured photographic paper. For a list and description of the same base image see Archives file - "Notes on ESCo Tram towing a heavily loaded trailer" 2nd copy added 6-8-2016 from a donation of Mike Ryan via Hawthorn Tram Depot.On reverse side - black ink stamp "E.G.Butland" Copy 2 has "TMSV 332 Flinders St, Melbourne 3000" stamped on the rear.tramways, trams, sturt st, trailers, horse tram, town hall, esco

Yields information about the form and style of the early Geelong trams.Black and white photograph, printed onto card (inkjet printer?) of Geelong Cross bench tram No. 11 in Corio Tce, now Brougham St outside Marks Hotel. Tram has the destination of Newtown. Two copies held. 4316.2 - same photograph printed on photographic paper - supplied by Peter Duckett - two copies held. Photograph used in Destination City, page 46.4316.1 Copy 1 - " Corio Tce, now Brougham St, outside Mark's Hotel, car travelling toward the Depot nearby - Geelong Hist Soc / W F S Collection." Copy 2 on rear "William F. Scott Collection / Geelong Hist Soc / W F S Collection" 4316.2 Copy 1 - On rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161." Copy 2 - On rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161." In the bottom right hand corner, a "William F Scott" address label in the bottom left hand corner.trams, tramways, geelong, depot, brougham st, tram 11

Black and White reproduction (copy by scanning and reprinting) of a image of two Bendigo Tramways Co. Ltd steam trams and trailers at Charing Cross. Appears to be trailers 3 and 4. Understood to be 1898. Shown as a William Ninnis photographer, held by the Bendigo Historical Society (crossed out) and Creative Image Photographic Collection, Both trailers have roof advertisements "Confidence-Curls Tobacco" and in the background is Henderson & Goodisson? Beehive building, advertising Furniture and Drapery. Also J. T. Mill Tailor. .1 - Black and White copy print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Added 1/7/2013In pencil "The Fountain 1898 / Bendigo Historic Society Inc Collection (crossed out) / Photographer William Ninnis" and in ink "Creative Image Photographic Collection". .1 - in ink on rear "Steam Trams at the Fountain" and in the bottom right hand corner "P.W. Duckett"trams, tramways, bendigo, steam trams, trailers, charing cross, tram 3, tram 4

Shows an accident between a Pengelly tram and an AEC solid tyre truck, possibly carrying sacks of coal. Reg Item 8321 shows an accident damaged tram of the same type - tram 22Provides information on the consequences of an accident between a larger heavy truck and a Pengelly tram on 9-2-1927.Mounted Black and White photograph mounted on a grey cardboard, embossed with lines and a decorative pattern of a Geelong Pengelly type tram in collision with an AEC solid tyre truck carrying bagged materials, possibly coal. Has a photographic studio stamp in the bottom right hand corner "C. V. El??". 2nd copy held - on a black plastic copy format.In pencil written under the print "9-2-27 Wed 4.10pm c/o Yarra & Ryrie Sts car going east".geelong, accidents, tram 22, ryrie st, aec trucks, tramways, trams

Demonstrates an important part of Ballarat's tramway operations during the Second World War when Conductresses and many women were employed by the SEC. See also item 8825 for the cover and parts of the magazine.Photographic reproduction of page 10 of Oct. 1944 SEC news - from a State Library supplied negative, on photographic paper, laminated with 4 Velcro dots on rear. Item concerns 'SEC Conductresses win in the Most Popular Conductress competition amongst Victorian tramway depots. Has photo of the winning conductresses. See item 9134 for a complete copy of the magazine. Item re-imaged 12/2/2020 i1 - full sheet - small version i1a - 1200dpi version i2 - Miss J McCurdy i3 - Sylvia Mitchell i4 - D. Rosewarnetrams, tramways, secv, ballarat, world war ii, conductresses

Yields information about the seven window horse tram - copy photographic print of Reg Item 257.Black and white photograph of a 7 window horse tram in Gardens Reserve, reproduced from stereo pair, Reg. No. 257, from a copy negative. Copy made Oct. 2001 for the "gold, Gold GOLD" temporary exhibition - colour laser print onto card, with Velcro dots on rear. Stored in box D1 (Display Box) 02/2003. 2nd copy of print added 29/7/2007 from Alan Bradley collection of photographs to depot 5/2007. High Res Images added 5/3/2011.trams, tramways, ballaarat tramway company, 7 window horse tram, gardens, horse trams

The North Kew Centre was the third established at North Kew. It followed a lease of a house at 50 Willsmere Road. The Peel Street building was designed by Mr Chipperfield. Messrs McIntosh and Taylor were the successful tenderers, the price being 1,240 pounds. The North Kew Baby Health Centre was finally opened on 18 June 1930 in the presence of the mayor, councillors and citizens of Kew, and representatives of the Infant Welfare Council. A report in The Age of 19 June described the opening in detail as well as the features of the new Centre. These included: "The rooms ... filled with flowers, pink and mauve hydrangeas and native heath, and the walls are adorned, with a charming frieze, representing windmills, flocks and a fairy tale goose girl. On the walls are hygiene editions of the funniest of Belloc's "Cautionary Tales" revised as posters, Outside there is promise of a gay garden, and a lovely view of green fields sloping to a shining bend of the river." Early photographic record of the opening of an early baby health centre in Kew.[Badly damaged] black and white photograph of the opening of the North Kew Baby Health Centre in Peel Street. The photo is mounted on card, and shows mothers and their children on the veranda, and officials at right. The latter includes the Mayoress and probably Vera Scantlebury. All mothers wear hats as do most of the children. [When the photograph was presented to the Society in 1979, it was described in the first Acquisitions Register as framed. Some time after that it was removed from its frame and badly broken. A separate photocopy of the original photograph is also held in the collection.]Earliest inscription: "Peel Street Health Centre / Official Opening 1930 / donated by Sr Costello and Sr Bewish [sic] 1979 / Copy purchased by ..... for Centre". Old Accession number in Texta: "KH-133 Kew Historical Society". Separate later label: "Opening North Kew Baby Health centre 1930". north kew baby health centre, peel street (kew), baby health centres - kew (vic)

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A panoramic photograph of the junction of High Street and Cotham Road. The photographer centres the point-of-view on the Kew Post Office and adjacent Court House. These were designed in the Queen Anne style by the Public Works Department's architect J Harvey and completed in 1888. The complex is important because it demonstrates a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. The earlier Jubilee Fountain in front of the Post Office was erected by the Kew Borough Council to commemorate the Golden Jubilee of Queen Victoria in 1887. It was created to a design of the architects Reed, Henderson and Smart. The fountain was later relocated to the Alexandra Gardens to make way for the Kew War Memorial. The tram tracks in High Street were used by the horse tram, which ran from the Victoria Street Bridge to the Boroondara General Cemetery. The tram was replaced by an electrified service in 1915.The Post Officekew post office, kew illustrated, kew where we live, photographic books, henry kellett

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In 1891, High Street was the centre of commercial activity in the Borough of Kew. It was unpaved and edged with deep bluestone gutters, which were designed to channel the significant flow of storm water down the hill to and beyond the Junction. On either side of the entrance to the shopping strip are two cast iron gas lamps that provided the only public street lighting before the Post Office was reached. Most shops, including the Nicholas Brothers’ Junction Store featured cast iron verandas. Further up the hill, Dougherty’s Greyhound Hotel was by this stage a local institution. Apart from the horse-drawn tram, the main form of personal and commercial transport in this period remained the horse, horse and cart, or buggy.The panoramic view predates the widening of High Street in the 20th century, and thus includes the original alignment of buildings on the south side. These included Henry Kellett’s shop.High Street, Kewkew illustrated, kew where we live, photographic books, henry kellett, high street - kew (vic)

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Before true aerial photography became possible, photographers such as J.F.C. Farquhar were compelled to shoot their images from the highest vantage point. Here, it is presumed to be the roof of Xavier College, from which the panoramic view extends west towards the rise of Studley Park. The houses in the foreground face the southern end of Gellibrand Street. Wellington Street is at an angle to the camera with the Queen Street intersection on the near right. The wooden building behind the large horse paddock on the other side of Gellibrand Street is the Kew Recreation Hall, built 1888, demolished 1960. It was reputed to have one of the finest dancing floors in or around Melbourne. The Bowling Green at the rear of the Hall belonged to the Kew Bowling Club. Further west is the Kew Railway Station on Denmark Street, opened to the public in 1887. At this period, much of Studley Park was locked up in large landholdings, dominated by large mansions such as ‘Byram’. Bird's Eye View Looking Westkew illustrated, kew where we live, photographic books, henry kellett, denmark street, kew recreation hall, kew bowling club, wellington street

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This panoramic view was probably taken from the roof of Xavier College. It invites the viewer to look down on the buildings and streets of Kew, and across to the distant horizon. Mansions and solid bourgeois villas dominate the view of Charles and Wellington Streets. The imposing spires of the Presbyterian and Methodist Churches, built in one of the highest areas of Kew, can be seen in the distance. In the foreground, the photographer includes three significant mansions: Molina, Roxeth and Elsinore. Molina, in the foreground, and the group of weatherboard buildings in its yard was used at this stage for the privately operated ‘Kew High School’ (founded 1872). Roxeth, the home of Herbert Henty can be identified by its distinctive four-sided tower. All three buildings are now part of Trinity Grammar. Other built structures observable in the photograph include Wilton (now the Kew RSL), designed by Guyon Purchas for Dr William Walsh in 1886, and the only known image of the Prospect Hill Hotel prior to the renovation of 1935. Bird's Eye View Looking Northkew illustrated, kew where we live, photographic books, henry kellett

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Very few of the natural or built features in this panoramic photograph of Wellington Street remain. The open land between High Street South and Denmark Street, then known as O’Shannessy’s Paddock, was to become a residential subdivision at the beginning of the 20th Century. On the far side of Denmark Street, bordered by a picket fence, is the Kew Railway Station (demolished 1957). Further east, the large building with the flagpole is the Kew Recreation Hall (demolished 1960), which was the centre of civic life for almost a century. The building was used for dances, civic functions and exhibitions. A bowling green, tennis courts, and a cricket ground surrounded the Hall. The dominant building in the photograph is Xavier College, founded in 1872 by the Society of Jesus. The first classes for pupils were held in 1878. It is presumed that Farquhar used its roof for two of his bird’s eye views.Wellington Street from High Streetkew illustrated, kew where we live, photographic books, henry kellett