Councillor William Boyd was the son of Alexander Boyd who emigrated from Scotland and purchased the property known as Tarrone station in 1884. William managed the station grazing cattle and sheep. The area was later to become part of the Soldier Settlement land after the Second World War.Black and white portraitbelfast, president, government, portrait, shire, council, municipal, local-government, tarrone

Councillor AF Molan owned land in Crossley close to where the Shamrock Hotel was built. The Council held it’s meetings at this hotel for some time.Black and white portraitgovernment, belfast, president, portrait, shire, municipal, local-government, cr af molan

Councillor Geoff Ritchie was the son of John Ritchie who had been one of the early Presidents. He lived on a station called “Boodcarra” and was engaged in pastoral pursuits.Black and white portraitbelfast, president, portrait, government, shire, council, municipal, local-government, cr geoff ritchie

Councillor M Scott was a butcher in Koroit and his fame spread as a trainer of several good race horses. At the time racing was prospering in the district and it was a very rare occasion that Councillor Scott’s horses did not win a race at the local meetings.Black and white portrait president, belfast, portrait, government, shire, municipal, local-government, m.scott

John McInerney was a native of Yambuk and represented the Yambuk Riding. He engaged in dairying and pastoral pursuits.Black and white portraitCr J McInerney 1905-06,1913-14belfast, president, portrait, government, shire, municipal, local-government, j mcinerney

Councillor D Carroll was President of Belfast Shire Council in the Years 1907,1908,1909 and 1918-1919Black and white portraitbelfast, president, portrait, government, shire, municipal, local-government

Councillor Lane carried on agricultural farming activities at Killarney on part of the Special Survey. His last term as president was during the Great Depression of the late 1920’s when there was a considerable amount of unemployment in the district Black and white portraitCr D Lane 1911-12,17-18, 29-30government, belfast, president, portrait, shire, council, municipal, local-government, d.lane

Councillor Riddell’s property on Riddells Lane, Kirkstall was mainly used for grazing. He was actively associated with all types of sport and was a judge at Kirkstall and Koroit race meetings.Black and white portraitportrait, belfast, president, shire, government, municipal, local-government, kirkstall, riddells lane

Cr T Carmody 1916-17 25-26 34-35 40-41Black and white portrait Cr T Carmody 1916-17 25-26 34-35 40-41belfast, president, portrait, government, shire, council, municipal, local-government

Councillor Conheady occupied a farm at Rosebrook. Cr P Conheady Shire of Belfast President 1919-20 1928-29Black and white portraitpresident, government, belfast, portrait, shire, municipal, local-government, conheady

Western Highway – north side Burnbank 1 – Cottage of Henri and Ann nee Dowling Myers side of road east of Myers Gully the junction of Reserve Rd. now known as Ryans Creek. Built c 1870. it remained in the family until a demolition order was placed on it in 1969 when vacated by Martha wife of Frederick 4th son of Ann and Henry. Her new house was built in McKenzie St on the south side near the corner of Smith St. Portrait photo of Annlocal identities, pioneer families

Ellen was born in 1865 and attended school the same time as Lizzie Daley. Passed away in 1921Portrait photo of Ellenlocal identities

Portrait photo of a womanlocal identities

My practice questions the definition of masculinity, from the position that there is more to the story than the mainstream narrative. My subjects consist of aesthetic beings seen through the lens of the classical principles of shape and form such as danseurs, youths, other ages and shapes. Sometiimes I have exculded faces to emphasize the interesting dynamic line unique to the male shape. Any symbols of sexual politics have been omitted, to concentrate on how the concept of maculinity pays alongside modern notions of beauty. Garth HORSFEILD (19 June 1970 - ) Born Ballarat, Victoria Returning to study after a partially completed degree and pursuing art and music, Garth Horsfield returned to the Federation University Arts Academy where he completed a Bachelor of Visual Arts in 2021. Portrait of a young man.dvc art award, alumni, garth horsfield, portrait, masculinity, male, men, available

Portrait of Graham Berrygraham berry, portrait

Catherine Cochrane was the wife of Hugh Taylor Cochrane. The Cochrane family lived at Linton from the early 1860s. At least two of Catherine's six children became teachers at Linton. Part of Old Lintonian collection ; No. 26.Sepia portrait of a lady.mrs cochrane, old lintonian collection

This exhibition includes 'Mrs Penleigh Boyd' by E. Phillips Fox on loan from Mr and Mrs Robin Boyd.A catalogue for a Loan Collection of Portraits August 8th-26th 1967, Georges Gallery Melbourne, with 85 portraits.art. portraiture, prominent australians, walsh st library

Sepia toned head and shoulders studio portrait of A.J. Wade. Oval portrait on carte de visite. A.J. Wade. First Home Missionary appointed from Cobden for Heytesbury Forrest 1889.a.j. wade, home missionary, cobden, heytesbury forrest

JAMES WORLAND MILLS No 3441 enlisted in the AIF on 7.9.1916 aged 18 years 5 months in the 9th reinforcements 59th Batt. Enlistment papers signed by his parents stated that he was not to embark for overseas until he turned 19 years. Embarked 16.7.1917. While in France he passed Lewis Gunnery School. Reached the rank of T/Sgt on 6.3.1919. Discharged from the AIF on 10.10.1919. A much larger photo in an ornate wooden frame is in the collection. Refer 403P, other refer 166.3, 167.6.Photo, black & white of JAMES WORLAND MILLS in great coat and peak hat.photography-photographs, portraits

At this point the soldier is unknown.Sepia photo of unnamed Australian soldier, placed on cardboard backing.Handwritten bottom R: “Vincent Kelly Bendigo”photograhy, portraits

World War 1 Military AwardSignificantRound medal. Silver colour. Multi coloured ribbon attachedFront:- Portrait of King George Rear:- Man on a Horse with 1914. 1918 on rimmedal awarded to australian personnel, 1st world war

BHS Collectionblack and white photo of man ( unknown ) head turned slightly to right, mutton chops and moustache. High buttoned jacket, unable to see collar and tie.Tuttle & Co, San Francisco Portrait Parlors, 84 Elizabeth St. Melbourne.person, individual, male

This six-postcard group is the third in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Physical description Collection of six photo postcards B+W 1. Portrait of Richards, John 3593 57th Btn 2. Portrait of Moore, Charles 4593 57th Btn 3. Portrait of Mitchell, Leslie Fenen 4854 57th Btn 4. Portrait of Hutson, Herbert Spence 3540 57th Btn 5. Portrait of Steele, Leslie William 2737 57th Btn 6. Portrait of Spinks, William Edward 2239 57 Btn1. On verso "L.Cpl J Richards, St Killians Road, White Hills Bendigo Victoria 6-10-17" 2. On verso, "Chas Moore, 9-9-17" 3. On verso "Pt L.F. Mitchell, No 4854, 13th reinforcements, 29th Battalion, AIF Abroad" 4. On verso "This is one of our gallant runners France 1917" "Herbert S. Hutson, Lemon Grove, Heathcote Victoria" 5. On verso "With best wishes L Steele 10-2-18", "L. Steele, Balmoral Street, Essendon, Melbourne Australia" 6. On verso "W.E.Spinks, Templeton Street, Euroa, Victoria, Australia"postcards, 57th battalion, edgar dawson dcm

Bendigo Advertiser ''The way we were'' from 1999. Portrait: Chevalier's Portrait Rooms, High Street, Eaglehawk.newspaper, bendigo advertiser, the way we were

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a child's head and torso, attached to a card. The boy is wearing a suit and the cheeks have been hand coloured.little gem

This six-postcard group is the fourth in a series of records of items in the collection of Edgar Dawson DCM. Dawson was the Regimental Sergeant Major of 57th Battalion, AIF. The 57th had a company of men largely from Bendigo and Eaglehawk. These postcards are from his personal album. Many are annotated in Dawson's hand with explanatory notes on the subject. Refer to Cat No 893 for his service details. Items originally in album cat. no. 207P Service details available through the NAA. Collection of six black and white postcards: 1. Photographic portrait Harper, Thomas Francis 783, 36th Btn 2. Studio portrait of Young, Bertram John 304, 57th Btn on left 3. Portrait of Dawson, Willie Stanley 2163 57th Battalion 4. Studio portrait of Fleming, James Holmes 3107 57th Btn on left 5. Photographic portrait of Walsh, Alick 3494 57th Btn 6. Photographic portrait of Hughes, Francis Vane 4521 57th Btn .3 On verso "This is Will Dawson" in Edgar Dawson's hand .6 On verso "This is CQMS Hughes, he was in my company at Broadmeadows"57th battalion, postcards, album dawson dcm, edgar dawson dcm

The telephone number beginning with '9' against the artist's name on the back of the painting dates it as 1995 or later, that being the year this landline telephone numbering format was introduced.Unframed portrait of a lady with glasses.Handwritten notation on back of painting - "Jan Sebinski 97295172".

VX37836 Andrew Keith GUY - Refer Cat No. 131P.Photograph - sepia coloured portrait.portrait, soldier, ww2