Photographic portrait of a man.albert w. steane, steane, ballarat school of mines

Photographic portrait of Albert Steanea.a.w. steane, ballarat school of mines, ballarat junior technical school

Card sent to Ms Margaret Bennett thanking her for attending their assembly and mentioning the reunion to be held on 17/02/1999.dana street primary school, margaret bennett, wendy baker, principal, ballarat teachers' college

Framed photograph.collingwood technical school, principal, matthew richmond, staff, nmit

Framed portrait.collingwood technical school, principal, alex strang, staff, nmit

Framed photograph.preston technical school, j. aberdeen, principal, staff, nmit

Sydney : Ure Smith, 1966 104 p., [40 leaves] : ill. ; 29 cm. non-fictionSydney in 1848 : illustrated by copper-plate engravings of its principal streets, public buildings, churches, chapels, etc. Originally published in 20 parts in 1848-50. First published in one volume in 1878.--Publishers' note.joseph fowles, sydney - history, sydney. description & travel. early works

Black and white photograph.

Index, bib, ill, p.335.non-fictionA summary of the art treasures of the Vaticanart - italy - history, vatican - art

W. John Billington 17/4/1928–25/11/2006 — grew up near Warrnambool, married Joan in January 1956. Ordained 12/2/1956 Presbyterian minister in Yarram. Placements: Yarram, Warwick (Qld), Box Hill, Presbytery Minister Goulburn-Murray Presbytery, then Westernport Presbytery, Mia Mia-Kyneton. 1991-1993 Moderator of the Synod of Victoria. Retired in 1993.Billington is pictured sitting in his study with a large bookcase behind him."John Billington C&N p. 13, 13/6/1984"billington, john, moderator synod of victoria, presbytery minister, goulburn-murray, westernport

Cr John H. Gervasoni's great grandfather was born in Bergamo, Lombardy, Italy, and settled at Yandoit Creek near Daylesford. He served for the Mt Franklin Road Board in the early 1900s.Colour photograph of Mayor of Kew Cr John Hogan Gervasoni, and his father Gus Gervasoni. The photo is taken at the Kew Civic Centre in Charles Street, Kew. john hogan gervasoni, gus gervasoni, mayor, cit of kew, kew civic centre

Department of Health & Human Services - Dr John A Forbes Fairfield / Gull Force 2/21 Bn AIF / Ziarah & Rumah Sakit Ambon Hospital Indonesia CollectionDepartment of Health & Human Services - Dr John A Forbes Fairfield / Gull Force 2/21 Bn AIF / Ziarah & Rumah Sakit Ambon Hospital Indonesia Collection

Josevats Komikamica, a commerce student from Fiji, and John Daniel, a medical student from India, attended International House in its opening year, 1957. Prime Minister of Australia, Robert Menzies, pictured here with the two students, attended and spoke at the official opening of International House.Black and white photograph of Josevats Komikamica and John Daniel with Prime Minister of Australia Robert Menzies after the official opening of International Houseinternational house, students, official opening

Like Purple Plain, Mernda and Mernda Heat Haze this painting was a further development from aspects of the Basalt Plains series of the 1990's as seen in Mernda Plains Landscape. This picture has a greater minimalist quality about it, having been painted in the studio during a particularly wet spring when some of the surrounding flats were indented by channels of water. Greens are not a colour harmony I work with often, but here help convey the essence of the seasonal landscape. A much more formal structure has been emphasized in this picture in which atmospheric space has been almost negated in favour of a much shallower field of colour and two dimensional surface rhythm, an actual effect one can sometimes see under certain conditions of nature, particularly in a flat country. I have always had some respect for one or two of the better colour field painters of America in the 1950's and 1960's who actually untilzed expressive broad bands of colour harmonies in their work, but didn't classify them as landscape paintings. My own feelings on the subject are to avoid the clinical precision that such an approach can bring, and thus indicate some actual reference to landscape in a work, a horizon, however subtle, or marks indicating actual forms that give some scale to the work. I suppose the idea first occurred to me when I saw J. M. W. Turner's wonderful painting, Evening Star, in the National Gallery in London many years ago. In this work a few bands of mysterious colour and exquisite harmonies with one or two references to figure, sand, sea and sky, transmogrify everything into a magical unity. It serves as a revelatory example of how all art is dependent on abstract qualities and how great artists like Turner are able to conceal those qualities without lapsing into a forced mannerism.Part of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrack '90mernda