The well known sculpture of English playwright William Shakespeare takes an elaborate bow before the Civic Hall, a performance and community center for Ballarat. The unique abstract and elongated mannerist style used in this cast bronze sculpture hints at the art deco style of the Hall behind. The sculptor, Andor Mészáros, was from Budapest but created much of his work in Melbourne. He also created works for Canterbury Cathedral in the UK and several carved stone sculptures for Sydney Hospital. The artwork was commissioned in 1959 through a widely publicised competition and installed in 1960. In addition to making sculptures, Mészáros was also renown as a creator of medallions. In 1951 he received 'the highest award' at the International Medallion Exhibition, Madrid and in 1964 he won the 'purchase prize' at the International Medallion Competition, Arezzo, Italy. From 1970 Mészáros worked with his younger son Michael, also a sculptor. In 2002, the City of Ballarat granted permission for Michael Mészáros to make a cast of the Ballarat Shakespeare artwork to create replica installed in Budapest. The Budapest installation commemorates Shakespeare's connection to the City and the achievements of Andor Mészáros. The artwork was unveiled by Mayor Arthur W. Nicholson. The statue was presented by L.F. North, general Manager of the Fidelity Trustee Company Limited, representing the late H.P. Stevens as one of the benefactors whose generosity enabled the Statue to be erected.The artwork is of aesthetic significance to the people of BallaratLarge bronze statue of William Shakespeare mounted on a stone plinthWilliam Shakespeare 1564-1616. Erected by benefactions from Harry Pearson Stevens who settled here 1855 and other Citizens unveiled by Arthur W. Nicholson J.P. Mayor.17.11.1960shakespeare, andor mészáros, civic hall, ballarat

Material relating to the first Eltham Arts Festival organised by the Eltham Arts Council. It was held Friday June 14 to Sunday June 24, 1968. Events included an Art Show, Jazz Night, Musical Workshop, Photographic exhibition, String Quartette performance at Montsalvat, A night with the Poets, Evening of Chamber Music, Historical Exhibition (organised by the Shire of Eltham Historical Society), Choral Recital, Gilbert & Sullivan performance at Eltham High School, Film festival, Fesitval luncheon and Open discussion eventing with the theme: Eltham: A Happening or a Way of Life".Bulletin: Eltham Arts Council Special Fesitval Issue, 1 June 1968 Poster: Eltham Festival (calandar of events) Poster: Eltham Festival Jazz Night Program: History of Jazz Program: 1968 Eltham Art Show (includes complete list of paintings, sculpture, craft and pottery and their creators)whiteford, charis pelling, ailsa belbin, win pain, eltham arts council, eltham art show, eltham art awards, jazz festival

Remember Them, A Guide to Victoria's Wartime Heritage. From front flap: Behind each of the thousands of war memorials in Victoria is a story of courage and sacrifice, of devotion to duty, and of a family's terrible loss. Hard cover, red plastic over cardboard, white print on spine. Dust cover silver, gold & black print on front, spine & back. Coloured image of a sculpture of two soldiers on front. End papers are red. 307 pages, cut plain, white. Illustrated colour photos & illustrations.Handwritten in black ink on front fly leaf: "Peter Ball", "RSL Stamp"book, heritage, wartime, victoria

Construction of Eltham Town Park; reclamation of the eastern end of the tip overflow and landscape in progress of being sculptured and lakes formed. Shillinglaw Cottage and the Eltham Trestle Bridge visible. The park was later renamed Alistair Knox Park.35 mm colour positive transparency Mount - Agfacolor Service (Blue)Memorial Park 25 July 1973eltham, alistair knox park, eltham town park, shillinglaw cottage, eltham trestle bridge, eltham tip, trestle bridge

Neville Bunning was a teacher of Sculpture and Ceramics at the School of Mines and Industry, Ballarat, 1945-1964. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, neville bunning, available, mixed media

This display is situated on the RH side of the front entrance to the Bendigo District RSL in Havilah RoadSix metal sculptures representing the. Australian Army, Navy, Airforce, Women in the Forces over time during War & Peace. Consists of 4 figures standing, 1 kneeling with a child standing. Plaque black colour on a stand with white text re the Artist and Donor. The dimension shown is an average of the standing figures.As per the photo of the plaque.brsl, smirsl, bdrslinc, sculpture

Contents: • Next meeting, guest speaker; Bruce Bence: Local fires and floods • September Meeting • Twentieth Anniversary Functions • Eltham Community Festival • Bronze Sculpture Project • Australian Bicentenary 1988 • Recent Activities • Other Brief Items The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society

A link to the folkloric custom that the poor sold their urine to the wool industry where it was used in wool washing. Current depictions of a stereotypical Kruikezeiker are based on the Tilburg sculpture created by Henk Smulders (1925-1994). Said statue is located on Nieuwlandstraat, Tilburg. Tilburg has embraced this legend and named itself "Kruikezeiker Stad" (Jug City). The legend is brought to the fore during Karneval celebrations. It is a symbol of the city. Bronze (?) male figure depicting him about to fill a jug with his urine. His right hand lifts his garment while he holds the jug in his left. Base edge carries the name: "H.Smulders" on the back; "Tilburg" on the side and "Kruikezeiker" on the front.statue, tilburg, kruikezeiker

NEVILLE BUNNING Neville Bunning was a teacher of Sculpture and Ceramics at the School of Mines and Industry, Ballarat, 1945-1964. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Gift of Pauline DigginsFramed watercolour landscape art, artwork, landscape, neville bunning, bunning, watercolour, drawing, ballarat technical art school

This atlas was collected, along with fifteen other items, from St George's Hospital in Kew, Victoria, on the final day of obstetric services provided by the hospital. After 28/11/1998, all obstetric deliveries from the Birralee Maternity Service (St George's) were via Box Hill Hospital. Black hardcover book, with silver lettering on cover. Text printed on cover reads 'BIRTH ATLAS/SECOND EDITION/MATERNITY CENTRE ASSOCIATION/NEW YORK'. Book contains 17 pages with 24 plates of sculptures depicting the stages of fetal growth from conception to 14 days postpartum. Published by Dickinson & Buskie.st georges hospital kew, obstetrics

Description of the people, stories and signiificance behind the new sculptures in Greensborough War Memorial Park, including chainsaw artists Hikaru Kodama, Leigh Conkie and John Brady and blacksmith Roland Dannenhauer. Director: Michael Wilkins, Producer/Designer: Amanda Gibson.Colour DVD; with Councillors notes at special documentary screening, publicity leaflet and ticket for screening held 15 May 2019greensborough park, war memorials victoria, homefront project

This is a full page article on disparate views on architecture - as a piece of sculpture or buildings which need to fulfill their purpose. Several Australian architects and their differing philosophies are featured, including Robin Boyd, Roy Grounds and Harry Seidler, Ian McKay and Ken Woolley.A full page feature with photographs.robin boyd, roy grounds, harry seidler, ian mckay, ken woolley, walsh st library

“The theme of the panel is education. From man’s primeval roots, and from beginnings symbolised by the two ovoid shapes, which are both basic and universal, man is raised by his natural yearning and by education towards things of the spirit; so that in the second level of the panel we see a church building and a book, a dam and the ploughed field, such diverse inventions as the crucible and the wheel, the aeroplane and the radar screen, and symbols of commerce and culture. The continuing central pillar, or tree, symbolises the life of Christ which binds together and culminates, not only in the Cross but in the full Unity of Father, Son and Holy Spirit.” Large sculpture by artist Hans Knorr (1915-1988) symbolising humanity's growth and progress through effort, experience and education. The door panel was commissioned by the Sisters of Mercy in 1967 on the opening St Martin's in the Pines (Sacred Heart College, Senior School).Door panel sculpted in aluminium hans knorr, sculpture, catholic education, education

Alan Marshall fully protected from the weather and COVID-19 virus with beanie and maskBorn Digitalalan marshall, art in public places, covid-19, eltham library, marcus skipper, pandemic, sculptures, statue

Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteeltham, art in public places, edendale farm, gastons road, public art, sculptures, the fences act 1968, tony trembarth

Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteeltham, art in public places, edendale farm, gastons road, public art, sculptures, the fences act 1968, tony trembarth

University of Ballarat is a predecessor of Federation UniversityDocuments and Photographs Relating too PERA Conference 2008 at University of Ballarat on CDschool of mines, university of ballarat, campus, pera conference, documents, photographs, brewery building, sculptures

"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. In this sculpture "Vietnam", the soldier is based on veteran Bill Cantwell’s experience in the Vietnam War. The young soldier wears an eye patch – Bill’s legacy of his wartime injury. The base of the statue represents being held down – you can see the hands reaching up the soldier’s legs. Carved by Hikaru. The laser-cut steel shield has a pattern of Huey helicopters flying over rubber trees, Bill’s memory of being evacuated after being shot in the eye. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project

Murrup Laarr translates as 'Ancestral Stones' in Wadawurrung. This artwork by Dr Deanne Gilson is located in the North Gardens Indigenous Sculpture Park. The park is a significant project for the City of Ballarat and features works by Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming, memory, ceremony.The artwork is of aesthetic and cultural, social and spiritual significance to the people of Ballarat and to Wadawurrung peopleA traditional hut made from river stone and stacked rocks, with the hut surrounded by large basalt rocks with plaques featuring unique designs on stoneware plates imbedded into them. Murrup Laarr (Ancestral Stones), 2019 / By Deanne Gilson / Wadawurrung people have always used stones to mark places of ceremony and important business. The stones are the holders of memory and knowledge, Country and Spirit. They mark the cosmos and seasons. They follow the sun, marking the summer and winter solstice, important dates for planting and harvesting and telling stories of past, present and future. / The stones are alive and still present. Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. I am very honoured to have had this opportunity. An Aboriginal stone circle existed in Ballarat pre-colonisation; by putting back what was lost throughout colonisation I pay homage to my ancestors, past, present and emerging”/ – Deanne Gilson, March 2019 murrup laarr, wadawurrung

This work was painted following Rob McHaffie’s Australia Council Residency at Cité Internationale des Arts in Paris in 2007. Despite Paris being a beautiful city, McHaffie also found the experience challenging and felt that on a bad day, the city was no more than an ornately decorated concrete jungle. In this painting a monkey looks out from a green building onto an imagined scene abound with art historical references. A classical European figurative sculpture is surrounded by flowers from Monet’s gardens, while a contemporary sculpture by Franz West dominates the foreground of the work. McHaffie questions the so-called evolution of cultured humanity in comparison to the imagined contentedness of our pre-evolved species.oil on linenmonkey, sculpture, painting, rob mchaffie, paris, flowers, franz west

non-fictionAnnemieke Mein creates sculptured textiles of insects and flowers and her work is displayed in Sale.mein annemieke, textle art

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

One page printed ''Introduction to Collection'' - Bendigo Art Gallery (1972). Covers Buildings and Site; Paintings (''over 600''); Prints (''relatively small collection''); Sculpture; Porcelain; The Dresden Vase (Baron Von Mueller); Contemporary Ceramics. This appears to be a hand-out to visitors to the Gallery as it states that ''It is hoped that you enjoyed your visit''government, local, bendigo art gallery

A steel curved bladed woodworking tool with two wooden handles used to remove thin slices and big chunks of wood from timber. It can be used to fashion wooden sculptures, debarking trees and trimming beams. The final finishing on such work was done by a Spoke Shave tool which we also have in our collection.ROBT SORBY AUS STEELwoodcarving tools, drawing knives, shaves, handtools, steel, wood, woodworking tools

Sculpture by Peter Schipperheyn. Erected by the RSL in 1984 and dedicated on 21 April 1985. The sculpture is 3m high. The memorial commemorates four Victoria Cross recipients from St Kilda: Captain A. Jacka V.C. M.C. & Bar; Major W. Ruthven V.C.; Lt. L. D. McCarthy V.C., Croix de Guerre; Ft. Lt. W. E. Newton V.C. It is dedicated in 'memory of all Australians who died in war so that we may have peace'. The conflicts it lists are: World War 1 1914-18; World War 2 1939-45; Malaya 1948-60; Korea 1950-53; Borneo-Sarawak 1962-65; Vietnam 1962-72.colour photograph, unmounted, good conditionst kilda, vc memorial, alfred square, peter schipperheyn, jacka, ruthven, mccarthy, newton, vc recipients, victoria cross

The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. This plaster hand is inscribed “Waschatz, Modeller, Melbourne.” Otto Waschatz was a German plasterer who opened a plaster business in the Melbourne suburb of Richmond, and was responsible for the invention of the first true fibrous plaster - using a layer of hemp laid between plaster to create light and strong panels. By 1912 Waschatz's Lottoid Pty Ltd was a thriving and creative business, and possessed over 5,000 moulds for all kinds of plasterwork. The business closed in 1915, as the result of anti-German sentiment during World War One. Plaster cast of a hand used as a teaching aid at the Ballarat Technical Art School. The Victorian Education Department courses required art students to create studies based on ancient sculptures so copies of famous works were purchased as teaching aids. Among these courses were 'Drawing the Human Figure from Cast' and ‘Drawing from the Antique’. Waschatz, Modeller, Melbourneballarat school of mines, art, arts academy, ballarat technical art school, vikki nash, plaster cast, otto waschatz, lattoid pty ltd, school of mines, plaster copy, drawing from the antique, drawing the human figure from cast

Colour photograph of four children standing on a low wall, two boys and two girls. In the background is a an athletics sculpture. All the children are wearing polo shirts and shorts with medals around their necks. Written on the back of the photo: Arandt All Junior Medalist 03/04 Jacob Lowry, Ben Murphy, Lauren Morgan, Olivia Arandt.recreations, sports, swimming