Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair

Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts, while their young are typically olive-brown. The mix of these two types of colouring on this animal suggests that it is a younger bird. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcherbird (likely male, based on size) has a bill that is dark grey at the front with a sharp hook but becomes lighter towards the face. The majority of the feathers on its back are light brown with some grey feathers around the lower half. It's crown area is a dark black colour and its tail is a dark grey. The feathers of its underparts and a small patch on either side of the neck are a yellow-white colour. There are also grey feathers coming through on its underparts. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its left leg.19a / Collared Crow. Shrike / See Catalogue, Page 10 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcherbird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair

Quartz is an extremely common mineral to find across the world. Quartz can have two forms; Microcrystalline quartz or Crystalline quartz. Microcrystalline quartz is a fine grain quartz where crystalline quartz is often a large crystal. This specimen is a crystalline quartz. Made of silicon oxide, this specimen is called smokey quartz crystals because of its brownish colour. However, the colour of quartz can vary. In addition, quartz are formed in deep-seated igneous rocks and crystallized through hot aqueous solutions. This type of crystal can be found all over Australia, including Beechworth in Victoria. Other places quartz can be found is the Ashburton River area in Western Australia, Marlborough in Queensland, the Lune River area in Tasmania and Kingsgate in New South Wales. This specimen is significant because it is common to find this kind of mineral. While the location of where this specimen was originally from is unknown, it highlights the many places in Australia where quartz is found. It demonstrates that quartz makes up a large portion of Australia's geology. In addition, quartz itself can vary in its colour and shape. This specimen represents one of these variations. That being smoky quartz crystals. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A large hand-sized quartz mineral with shades of brown and gray throughout.Smoky quartz / crystals /locality/ unknown / (needs a wash) /BBgeological specimen, geology, geology collection, burke museum, beechworth, microcrystalline, quartz, quartz mining, quartz reefs beechworth, smokey quartz crystals, crystals, crystalline, silicon oxide, brown, colour, igneous rocks, magma, ashburton river, western australia, marlborough, queensland, lune river, tasmania, kingsgate, new south wales, nsw

The donor purchased this suit from a small town in the Adelaide Hill, to wear at a classic Car Rally and to go with his 1935 Buick. It was worn at the Adelaide, Noosa, Bribie Island, Tasmania and Victoria Classic Car Rallies.This outfit won The Best Dressed Male at the RACV Great Australian Rally 1999. The owner has since moved into a retirement village and sold his Buick.Navy blue pin stripe double breasted three piece suit. Trousers lined. Waistband has six buttons for braces. Four buttonhole fly front. Leg is 30cm wide with a turn up cuff 4cm. Matching waistcoat is lined and has 6 buttons. Coat fully lined, also has six buttons and a flower button hole. There are two inside pockets and two outside pockets. One white shirt. One white tie and one navy blue striped tie. One black velour trilby hat with white hat band.costume accessories, male

This childhood sketchbook of the 1918 era details the emphasis placed upon a skill of brushwork that portrayed part of the students natural environment both in Tasmanian schools and Victorian schools, especially rural schools. The close bondage between students and their environment was a reflection on the early "hands on" approach in child education. Abstract art or teaching aids which could not be identified with physical properties available to students at this period in time were of lesser value. The ability of the student to identify the artistic value of local nature eg. local plants and flowers was especial important to rural based school children who had limited excursion opportunities available to visit town/city based botanical gardens and museums. This brushwork book is very significant to the Kiewa Valley as it demonstrates that childhood relocations from one State to another were not detrimental to the students overall scholastic development. The rural environment in Tasmania was not that far removed from the rural environment of the Kiewa Valley. The skills taught in both regions were still the same and the socio-economic factors and mores were also similar. This item demonstrates the relocation of one family from Tasmania to the Kiewa Valley. The expansion in population into the Kiewa valley was quite erratic and significant population growth only came after the increase in population brought into the area by the SEC Vic Hydro Scheme introduced to quench the demand for Victoria's electricity.This book has a brown cover with black print and designs on a 150 gsm cardboard. Each page is of the same thickness as the cover but is of paper.On the outside cover and contained within a thick boarder. "EDUCATION DEPARTMENT" and below this in smaller print "TASMANIA" below this "THE TASMANIAN BRUSHWORK BOOK". Below this "FOR CLASSES IV., V., AND VI" Below this "NAME" SCHOOL" At the bottom 2 1/2d1918's educational sketchbook, 1918 children's sketchbook

Nothing is known about the origin. IN 1895 Emma Blanche Annie Dear married Alfred Ernest Wellard, a young Methodist Minister in Tasmania and this was her churn. The Wellards used it in both Tasmania and Victoria. Later, it was handed on to their daughter Winsome Faith when she married Archibald Dufty, a farmer from the Wimmera. By then it was kept as an interesting relic of earlier days, as farming families in the 1920s and 1930s usually made their butter in Cherry butter churns. In the 1980s it was passed on to their daughter, Patricia Gibbons having only been used at several Farm Day Demonstrations in the previous sixty years.Large glass container, iron mechanism with tin lid for container and a wooden paddle. Wooden handle to turn cog mechanism.glass technology, glassware

Minyip 1926; Mildura 1930; Home Missions 1932; Warrnambool 1936; Ballarat Lydiard St 1941; Organiser Conference Peace Memorial 1946; Geelong Yarra St 1948; Separated Chairman Tasmania District 1960.B & W head & shoulders printed image of the Rev. Norman Kemp. "Rev. A. Norman Kemp, President of the Conference 1954"kemp, norman, geelong city parish

"The Australian Ski Year Book" was first published in 1928 by the Kosciusko Alpine Club and the Ski Club of Australia, which with the Kiandra Ski Club, were the oldest organisations for skiing in Australia. In later years organisations from Victoria, Tasmania and New Zealand were included. It was published on behalf of N.S.W. Ski Council, Ski Club of Victoria, Ski Council of Tasmania, Ski Council of the Federated N.Z. Mountain Clubs. It aimed to provide an annual record of the sport of ski running in Australia, and of events elsewhere which would be of interest to Australian ski enthusiasts. This publication was a guide to all major resorts operation at the time in New South Wales, Victoria and Tasmania. Information about Falls Creek included a description of its location describing geographical features, its 12 ski tows and available services. The accommodation advertised included Winterhaven Lodge, Falls Creek Motel, Spargo's Lodge, Attunga Alpine Lodge, Nelse Alpine Lodge, Les Chalets, Julian Lodge and Koki and Karelia Alpine Lodges.This item is significant because it is an issue of a long-running Australian ski publication which includes items about Falls Creek, Victoria..The Australian Ski Year Book Resort Guide of 1981 includes information and advertising about resorts throughout Australia. Falls Creek information and Accommodation Guide featured on pages 10 & 11 of this issue.australian skiing, accommodation falls creek, falls creek resort

Domestic object demonstrating Australian State Floral symbolsA cross stitched wall hanging on a brass hanger. The white cotton background has the Australian native flower emblems in a line down the centre. Firstly the Australian emblem - golden Wattle, then New South Wales - Waratah, Victoria - Common Heath, Northern Territory -Sturt's Desert Rose, West Australia - Kangaroo paw, Queensland - Cooktown Orchid, Tasmania - Blue Gum, West Australia - Sturt Desert pea.embroidery, australian floral emblems

Girl Peace Scouts were formed in Tasmania in 1909 -10. The first meeting of the Girl Guides Association of Australia was held in Melbourne in 1926 by which time all states in Australia had Brownie packs, and Guide and Ranger Companies.Mid blue soft cover book. A Collection of stories celebrating the Centenary of Guiding in Australia 1910 - 2010. Edited by Jill Johnstone and Margaret Taylor. 1st Edition 2009. Printed by Minuteman Press Springvale Victoria. Includes black and white photos.116 pp.girl guides, guiding, history of guiding

The house was purchased by the Presbyterian Church in 1966 and was used for church activities. In the 1970s it became a Neighbourhood House It reverted to church use in the 1990s. It was used by "Connections", now part of "Uniting" - the community services organisation of the Uniting Church in Victoria and Tasmania.B & W exterior view of the Blackburn Neighbourhood House in The Avenue, Blackburn.blackburn neighbourhood house, the avenue, presbyterian, connections, uniting, community services

A set of 12 photographs of the 'Enterprize Project' showing the different stages of the rebuilding of the historic schooner 'Enterprize' which brought early setters to Victoria from Tasmania in 1834. George Evans who settled in Sunbury was one of the schooner passengers.A coloured photograph of the early stages in the reconstruction of the schooner 'Enterprize'. The ribs of the hull are exposed and some of the boards around the sides of the hull have been fitted. The structure is on a raised scaffold under an open shed. A painted sign 'Enterprize Project' shows details of the project is under a wooden stairway.schnooner 'enterprize', evans, irene, south wharf - melbourne, enterprize project, shire of bulla, george evans collection

Professional reference for Marjorie Jean Burke, written by the Government Medical Officer (Flinders Island, Tasmania). Miss Burke had been Matron of Flinders Island Hospital from early 1949 to June 1950. She is returning to the mainland.Miss Burke was a nurse, midwife and infant welfare sister. This collection covers her many qualifications throughout Australia and Great Britain, including references both professional and personal. When Miss Burke returned to Australia, she was employed at Diamond Valley Community Hospital as a nurse in 1953 and as Deputy Matron 1954-1971.Certificate typed on cream letterhead.Signed by Government Medical Officer.marjorie jean burke, nurses, diamond valley community hospital, flinders island hospital

Colour photograph, mountedThe special things about Ripponlea is that it is really different to Tasmania because there are a lot more people here because it's very popular. Also there are older buildings in Ripponlea. The best thing about Ripponlea is that it is a new experience for me. By George Vaskoripponlea, glen eira road, ripponlea shops, 2009, ripponlea state school

Black and white photograph and PostcardTyped below photograph: "Mr A.T. Miles taking photograph of His Residence Quambee 1915." Image shows a man taking a photograph of a rural scene with house in background. Rear of Postcard addressed to Hobart, Tasmania with stamp and Ringwood postmark.

Rev Frank Morris ordained in the Methodist church 1966, Minister at Casterton 1966-1968, Yarram 1969-1971, Tasmania LA 1972-1989, Glamorgan 1990-1993, Hobart City Centre 1994-1995, permanent retirement 1995. B & W gloss head and shoulders photograph of Rev. Frank Morris.rev. frank morris; methodist church; casterton; yarram; tasmania la; glamorgan; hobart city centre

Publication for the centenary of the Mt Lyell Company.White newspaper with blue, gold and black printing.mt lyell, centenary, mining, copper, mt lyell company, queenstown, tasmania

Book - 56 pages + card coves, printed on gloss paper, centre stapled, with two colour covers (blue and black) titled "Destination GPO", providing details of the Hobart and Launceston tramcars or rolling stock. Published by Traction Publications, in 1971, edited by Jack Richardson and Ian Cooper. Provides details on the trams that operated in the two cities. Has a list of tramway and railway books on the rear cover. See image i1 for Hobart and i2 for Launceston.trams, tramways, launceston, hobart, tasmania, depot, tramcars

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Patmore & Dinham, Scottsdale, ca. 1910 - ca. 1920. A large corrugated iron store owned by ‘Patmore & Dinham: Produce, Manure and General Merchants’. The store was located in Scottsdale, northeast Tasmania. For more than forty years, George Melville Dinham had occupied a prominent position in the Scottsdale community. He and his partner, Mr. Patmore were to ultimately own four businesses in this farming town, of which this is one.patmore & dinham, scottsdale, glass negatives

New edition revised and adapted for the use of schools in Australia, Tasmania, and New Zealand, by one of Her Majesty's Inspector of Schools, Victoria. Articles of interest to the Colonies, written expressly by gentlemen of Colonial experience. Sold at George Robertson, Melbourne, Sydney, and Adelaide, and all booksellers.Brown/beige cloth-bound hardcover book, worn extremities, small damage to upper spine. Embossed decoration to back & front covers. Cover stained with ?mildew to upper right front and upper left back covers. Binding a little loose but intact. Previous hinge repair back & front. Foxing to some front and back pages, otherwise clean. 408 pp. Fair condition.Front flyleaf, 'Leslie [indecipherable] Kilmore', inked cursive. Title page, 'Education Department' stamp.school reading text