[a] Photocopy of class with male teacher captioned SS 1189,1946,Grade 1V. Typed caption included below reads, This photograph of 1940's grade 5 at the Laurel St [Golden Square ] State School will bring back memories to older readers. Several names are not known. Back row, from left__,___,___, George Lee, Neil Horbury, Bruce Goodman, Bob Mumford; second back row: Wiggie Knight, Ron Lee, Keith Townsend, Graeme Townsend, John Brice, Barry Bull, ___ ; centre row; Jean Austin, Lynette Rawiller, Kevin Johnston, Bill Collier, Dennis Pinch, Graeme Hawley, Bill Bateman, Jean McDonald, Iris Hocking ; second front row ; Florrie Tebb, Janice Wrathall, Jeanette McQuillan, Ruth Ipsen, Dorothy Hansford, Una Dumble, Evelyn Doye, Mary Kerr ; front row; Joan Rowe, Gloria Watson, Merrilyn Warne, Gwen Halliday, Joan Boucher, Judy Morris, Thelma Giblett, Joan Chamney. In front; Beverly Hopper. The teacher is Peter Rutherford. [b] Above photograph laminated upon black cardboard.bendigo, institutions, golden square primary school

Photograph Album sent in with the National Estate/Heritage Register by Sandi Pullman. (1) Old car park (Bull Paddock) with Cork Oak. (2) Main Building front steps. (3) Main Building with Magnolia grandiflora. (4)View of Luffmann Ponds and old willow. (5) View of Ginkgo and Emily Gibson bed. (6) Looking between Emily Gibson beds to English Oak. (7) Summer House. (8) Luffmann Ponds. (9) Bergenia Walk with conifers. (10) View of Pencil Pines around entrance to Sunken garden. (11) Luffmann Ponds and Pinus canariensis. (12) View of entrance to Sunken garden. (13-14) Sunken garden. (15) Original terracing at entrance to Shady Walk. (16) Pears in blossom in Field Station. (17) Agathis robusta from the Herb Garden. (18) Ellis Stones Rock garden newly replanted. (19) james Hitchmough Grasslands. (20) Elm tree with Dairy in the background. (21) Original Red Gum in james Hitchmough Grasslands. (22) Kath Deery Native garden. (23-24) Rose Garden. (25) Sequoiadendron giganteum.national estate, heritage register, sandi pullman, sandra pullman, bull paddock, cork oak, magnolia, luffmann ponds, willow, ginkgo, emily gibson bed, english oak, summer house, bergenia walk, conifers, pencil pines, sunken garden, pinus canariensis, shady walk, pears, blossoms, field station, agathis robusta, herb garden, ellis stones rock garden, james hitchmough grasslands, elm tree, dairy, red gum, kath deery native garden, rose garden, sequoiadendron giganteum.

SKI TICKETS Before tows and lifts were introduced at Falls Creek, it could take skiers 20 minutes to climb to the Summit … but only TWO minutes to go back to the bottom. The arrival of tows, then chairlifts and T-bars changed the face of skiing forever. The first rope tow was constructed by Toni St. Elmo for the 1951 winter season. Bob Hymans installed a smaller tow for his guests at Skyline Lodge. Tows were still quite slow, so in 1956 Bob Hymans created his single chairlift. In 1958 the Village rope tow, designed by Albury engineer Jock Wilson, opened. It was financed by shareholders including Bill Griffith (Bowna Ski Club) and the Bridgford family (St. Trinian’s Ski Club). Several other tows followed including the Summit T-bar in 1961, built by Ron McCallum and operated by Alpine Developments Pty. Ltd. which was a company formed by C. H. (Bill) Bridgford. By 1982 Falls Creek was served by 16 different lifts or T-bars, all owned and operated by Alpine Developments (Holdings) Pty. Ltd. During the development of Falls Creek, different methods have been used to pay for the use of tows, lifts and T-bars … including metal tokens, single tickets, strips of tickets and season passes. The Falls Creek Historical Society Collection includes many examples of these items.This ski pass is significant because it was issued to a pioneer of the ski industry in Falls Creek, Victoria.A plastic covered ski pass for Axamer Lizum resort in Austria. It was issued to C. H. Bridgeford. in 1968. Charles (Bill) Bridgeford built a family lodge called St. Trinian's in the early 1950s. Bill had previously worked in the family shipping firm and had been Member for South Eastern in the Victorian Parliament. He became one of the shareholders in the Village rope tow which had been a failure partly because too many people had been involved. In 1960 Bridgeford approached Toni St. Elmo with an offer to buy the Nissen tow and Nissen Lodge which was accepted. With friends Geoff Henke and Ron McCallum, an engineer, he formed Alpine Developments (Holdings) Pty. Ltd. Ron had also been Lift Manager at Mt. Buller and together they acquired the Village rope tow and replaced it with a T-bar. They gained the franchise to operate all ski lifts and T-bars and later the Falls Creek Ski School. Alpine Developments (Holdings) Pty. Ltd continued to expand the lift network until 1983 when the lifts were sold to Transfield.On front: Photograph and text Innsbruck Olympics 1964 logo in top right Tage M Axamer Lizum № 000157 Gültig für alle Sessel-und Schlepplifte (Valid for all chairlifts and drag tows) 15. FEB. 1968 until 21. FEB. 1968 Preis laut Tarif (Price according to tariff) On back: Condition of use in German, English and Frenchcharles bridgeford, alpine development holdings pty ltd, ski pass, axamer lizum resort

Taken in Beechworth, this photograph depicts the business of Camp Street looking towards the Ovens and Murray Benevolent Asylum. In the foreground of right hand side; there are row of buildings, on the left hand side; there are a two standing figures. The Ovens Benevolent Asylum (or the Ovens and Murray Hospital for the Aged) was constructed in 1862 on an elevated site overlooking the township of Beechworth. This Asylum was built in response to boom in population due to the discovery of Gold in Beechworth in 1852. This period also saw the development of additional administration buildings such as; the Court house, the Town Hall, and offices. The original Benevolent Asylum building was designed in an unusual Flemish Gothic Revival style. The single storey building is of red brick on a dressed granite base, and the main facade is dominated by four curved, Flemish gable ends, those at the extremities being added to the original central section in 1867. This facade incorporates paired windows of pointed Gothic form and dark brick diaperwork patterning. The adjacent J. A. Wallace Wing of 1899 was designed by Donald Fiddes as a separate building. Also constructed of red brick, Fiddes adopted a conservative approach, designing a simple domestic scale building with central projecting gable porch and flanking bull nosed verandahs. The Benevolent Asylum was renamed the Ovens Benevolent Home in 1935 and The Ovens and Murray Home in 1954. Many buildings have been added to this site, particularly since the 1960s, including a poorly sited addition to the front of the original building. Extensive internal renovations have also been made to the original buildings. [https://vhd.heritagecouncil.vic.gov.au/places/118]The Ovens and Murray Hospital for the Aged is of architectural significance as an unusual example of Flemish influenced design from the 1860s. Although the facade has been partly obscured, it remains intact, and, together with the more simply designed Wallace wing, are important examples of early buildings designed for the specific purpose of aged care. The Flemish gables remain as a dominant form of Beechworth's urban landscape. The Ovens and Murray Hospital for the Aged is of historical significance due to its association with the early development of Beechworth and its dominant siting within the town. It is illustrative of the civic development that took place in the town after the peak of the gold rush, when Beechworth was develpoing as the administrative centre of the north east of Victoria. [https://vhd.heritagecouncil.vic.gov.au/places/118]Black and white rectangular photograph. Image is printed on matte photographic paper. Obverse: BOOT SHOE STORE Reverse: 7770.2 / 1997.3099beechworth, burke museum, diggings, camp street, the benevolent asylum, ovens benevolent hom, gold rush

Taken in Beechworth, this photograph depicts Albert Road looking towards the Ovens and Murray Benevolent Asylum. In the center of the image are figures standing of a bridge. The Ovens Benevolent Asylum (or the Ovens and Murray Hospital for the Aged) was constructed in 1862 on an elevated site overlooking the township of Beechworth. This Asylum was built in response to boom in population due to the discovery of Gold in Beechworth in 1852. This period also saw the development of additional administration buildings such as; the Court house, the Town Hall, and offices. The original Benevolent Asylum building was designed in an unusual Flemish Gothic Revival style. The single storey building is of red brick on a dressed granite base, and the main facade is dominated by four curved, Flemish gable ends, those at the extremities being added to the original central section in 1867. This facade incorporates paired windows of pointed Gothic form and dark brick diaperwork patterning. The adjacent J. A. Wallace Wing of 1899 was designed by Donald Fiddes as a separate building. Also constructed of red brick, Fiddes adopted a conservative approach, designing a simple domestic scale building with central projecting gable porch and flanking bull nosed verandahs. The Benevolent Asylum was renamed the Ovens Benevolent Home in 1935 and The Ovens and Murray Home in 1954. Many buildings have been added to this site, particularly since the 1960s, including a poorly sited addition to the front of the original building. Extensive internal renovations have also been made to the original buildings. [https://vhd.heritagecouncil.vic.gov.au/places/118]Black and white rectangular photograph. The image is printed on matte photographic paper. Obverse: NO INSCRIPTION Reverse: BMM7590 1997.2848 AO2848 beechworth, albert road, benevolent, asylum, burke museum, photograph, black and white

Devils' Bank was situated some two miles from Eltham. It is probably the section along the Yarra River where there are a series of rapids stretching past Petty's Orchard to Griffiths Park and the confluence with the Diamond Creek. Only three properties existed in this area in 1945 aerial maps, Worlingworth and the adjoining property on the bank of the Diamond Creek in Banoon Road and No. 2 Kent Hughes Road. Devils' Bank. The death of Ann Edwards, 77 years, an old resident of the district was reported who lived in an old hut at Devil's Bank who had been found dead in her bed on 13 May 1897 FOUND DEAD IN BED. (1897, May 28). Evelyn Observer, and South and East Bourke Record (Vic. : 1882 - 1902), p. 2 (MORNING.). Retrieved September 3, 2022, from http://nla.gov.au/nla.news-article60696388 A very similar view was published in the Leader paper in January 1908 - Devil's Bank Falls, Eltham VIEWS ON THE UPPER YARRA. (1908, January 11). Leader (Melbourne, Vic. : 1862 - 1918, 1935), p. 28. Retrieved September 3, 2022, from http://nla.gov.au/nla.news-article198106006 On the reverse of the postcard it appears to be postmarked Eltham, Dec 27, 1907 addressed to Mrs Christie Millmoss of Bull Street, Bendigo "Arrived here 10.45 am - ? ? raining cause of ? - ? till evenings it is lovely - but quite fresh after the (rain - crossed out) great ? - I may assume it all go well"Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 2 Sep. 2022michael aitken collection, devils bank, eltham, postcards, rapids, yarra river

Address given by Mrs Lavender on the presentation of the Kyneton Colours on 28 February 1861 “Gentlemen of the Kyneton District Mounted Rifles, I feel proud of the honour done me in being deputed by the ladies of Kyneton to present the colours to your honourable Corps. There has always been a peculiar honour and responsibility connected with the colours of a Regiment. They have been unfurled on a battlefield as rallying points for many a splendid troop of gallant soldiers and courageous hearts. They have been spread to the breeze on the storming of many a city and battles hardly fought and dearly won. To retain their position and maintain their integrity, many a brave soldier has freely offered his life in their defence and, when in the hour of adversity they have been lowered, overpowered by the foe, many a brave heart has bit the dust. We might say that the history of our country is written on the banners of our “Fatherland”. The names emblazoned there speak, it is true of many a battlefield, of many a desperate struggle and of many a glorious victory won by British bravery. Gentlemen, your colours are not decorated by names such as Waterloo, Alma, Inkerman, Delhir Cawnpore, and many others I might mention. They are blank and may the God of Peace grant that in this land of adoption, it may be long before necessity of duty calls upon you to maintain the integrity of your colours and win their names. But if in the providence of God, either from internal commotion or external aggression, you should be called into action, may these colours, the token of your Corps, be upheld with the bravery of British Soldiers, their honour maintained with your lives, and may they never be lowered to a foe. Gentlemen, your motto directs: Onward, onward; may it be so Onward at the shout of victory” This item is significant as The Kyneton Colour is the 2nd oldest Regimental Colour knownin Australia, and the oldest Australian Cavalry Colour. It is unique, in that it is hand made from an original design, there is no other colour of this type known to exist. The Kyneton District Mounted Rifles is the oldest ancestor unit of the 4th/19th Prince of Wales's Light Horse Regiment and therefore is historicaly significant to the Regiment in particular and to Australian Military History in general.Regimental Colour of the Kyneton Distric Mounted Rifles. A double sided blue silk damask standard bounded on three sides by 30mm coiled metal fringing. It is heavily embroidered through a silk and cotton layer and these sections are are put back to back forming a sandwich of four layers. Several kinds of metal threads and sequins have been used for the embroidery as well as coloured silk floss, employing satin and stem stitch. The front shows a central insert in white silk divided into four and with a steam engine, bull, plough, and wheat sheaf in the segments. This crest is flanked on the left by a kangaroo and the right by an Emu. Above the crest is a horizontal baton, and above that a smiling sun sitting on a bed of clouds. The initials KD are in the upper hoist area and MD in the upper fly region.Below the crest is a red ribbon with the Latin words VESTICIA NULLA RETRORSUM in metal thread. Below this applique is a green satin stitch shape. The reverse has a red cross with stars surrounded by a green and gold laurel wreath. This is surmounted by a Queen's crown in embroidered metal thread over a base of red silk velvet. The bottom third of the flag is decorated with the words KYNETON DISTRIC MOUNTED RIFLES in embroidered metal thread.See description.standard, colours, kyneton district mounted rifles, kyneton

black and white image ( copy ) : image shows Cobb & Co., coach, passengers, men up front, team of horses. Coach is standing in front of weatherboard building, large open doorway, four men standing in it. On bottom : An Austrralian built 'Cobb' coach. / Sign on roof states 'Cobb & Co Ltd Coach & Buggy Builders .- Coachworks were established in Bathurst, Bourke, Goulburn, Hay and Charleville, business boomed and the name of ‘Cobb & Co’ became the byword for cutting edge communications and transport facilities across eastern Australia.''Cobb & Co Factories Shortly after its arrival in Bathurst, Cobb & Co established the first of five coach works, both to supply its own transportation and as a commercial venture. The factory was situated at the Black Bull Inn, on the corner of Howick and Bentinck Streets, and a variety of prize-winning horse-drawn conveyances were built on the site (including an unsuccessful single-wheel vehicle to cater for rough and steep country). The factory was transferred to new premises in William Street in 1876, by which time Cobb & Co factories were also operating in Hay, Goulburn and Bourke in New South Wales and at Charleville in Queensland.///The horses are wearing blinkersbusiness, transport, cobb & co., cobb & co.

Contract of sale dated 14th December, 1959 between Messrs. K. R. & K. S. Johnson (vendor) and Mr. T. E. Turner (purchaser). Solicitor for vendor: Hyett, Willis & Hyett, Bull Street, Bendigo. Solicitor for purchaser: Tatchell, Dunlop, Smalley & Balmer, Williamson Street, Bendigo. Property 189-191 Mitchell Street, Bendigo, being land coloured red on the map in the margin of the title part of Crown allotment 8 section 51C, being land described in certificate f title volume 6511 folio 146, together with right of carriage way over the ponds coloured brown on the said map, and together with a right to use land coloured yellow on the said map for party wall purposes together with the use of the wall which was on the 11thOctober, 1905 standing on the said land coloured yellow. Price undisclosed. Attached: business card Hillier Parker, 6 hand written notes and drawing, 1 statement pursuant to section 34 of the estate agents act 1956, 1 cover note from the united insurance company, 2 copies of engagement or appointment in writing pursuant to section 33 of the estate agents act, 1956.organization, business, h.a. & s.r wilkinson real estate

A coin that was issued by a Melbourne Marine store. Description by the Museums Victoria website. "Copper Halfpenny Token, minted by Heaton & Sons of Birmingham, circa 1861. Issued by Robert Hyde & Co, Marine Store, Melbourne. Hyde's Marine Store was listed in a Melbourne directory for the first time in 1862. Between 1863 and 1865 he was listed as being in a partnership with Richard Hodgson (Hyde, Hodgson & Co.). In 1868 his Marine Store became a Rag Merchant's business, before becoming a Marine Store for 1869 and 1870. The firm's principal business was dealing in second hand and scrap goods. Physical Description A round copper token (28 mm diameter) giving the name address and business of the issuer: Robert Hyde & Co. Melbourne. General Marine Store. On the reverse a coat of arms consisting of a central shield below a Rising Sun supported by an emu at left and kangaroo at right all resting on a ribbon with the motto ADVANCE AUSTRALIA. The shield is quartered and contains: upper left - a golden fleece; upper right - a three-masted sailing ship; lower left - a bull standing facing left; lower right an anchor. Around above, PEACE & PLENTY; below, the date of issue, 1861."bendigo, gold mining, qc binks, qc binks, robert hyde, marine store.

Set of photographs of operations, including special tram, track work by SEC prior to the Bendigo system closing closing.Set of 13 Agfa slides, blue and white plastic base of Bendigo trams. Taken 24.9.1970 by Carolyn Dean. .1 - "5" - No. 7 at Golden Square terminus, with Golden Square Hotel in background. .2 - "6" - No. 7 passing SEC workmen replacing a broken joint, in McCrae St. Piece of rail alongside tram. .3 - "7" - No. 7 crossing No. 29 at start of double track with Hotel in background .4 - "8" - No. 29 running special at depot junction. .5 - "9" - No. 29 turning from Nolan into Bridge St. .6 - "10" - ditto, passing old loop .7 - "12" - ditto, turning from Caledonia into Thunder St .8 - "13" - ditto, southbound in Pall Mall near Bull St. .9 - "16" - ditto, crossing bridge into tram depot, with tram depot in background. .10 - "17" - ditto, entering depot. .11 - "18" - No. 26 entering the Eaglehawk terminus, High St. with Leo A Hughes photographer shop in background. .12 - "19" - No. 26 at terminus, showing "Quarry Hill", with High St in the background. .13 - "21" - No. 26 after leaving terminus, travelling in High St with shops n the background.Each slide has in corner a number in pencil and the first one the date of "24-9-70".tramways, trams, bendigo, tram 7, tram 29, tram 26

Collection of 34 photographs in a photograph album. Most stamped 20 Aug 1985 on reverse, Quad construction 1981.(1) Administration Building front entrance. (2) Administration Building front view. (3) Administration Building front centre. (4) Administration Building, back entrance, Hall end. (5) Administration Building, back centre. (6, 7) Student Amenities Building. (8) Quad 5. (9, 10) Library, front completed 1982. (10A) Library, back. (11) Nursery. (12) Nursery (13,14) Quads 2,3,4. (15) Quad 6 back. (16) Engineering (17) Library front from the Bull Paddock. (18) Dairy. (19) Principal's Garage, now Herb Garden. (20) Soil Bins old Nursery. (21) Old Nursery. (22) Greenhouse old Nursery. (23-25) Landscape Shed. (26) Orchard Shed. (27) Orchard Shed and Kiwi Fruit vine. (28,29) Plant Science Laboratory. (30) Energy Efficient Glasshouse old Nursery. (31) Glasshouse old Nursery and Potting Shed. (32) Energy Efficient Greenhouse old Nursery. (33) Potting Shed old Nursery.quad construction, administration building, student amenities, library, nursery, bull paddock, dairy, principal's garage, herb garden, soil bins, greenhouse, landscape shed, orchard shed, kiwi fruit vine, plant science laboratory, energy efficient glasshouse, potting shed

Footprint Tools is a hand tool manufacturer based in Sheffield, England. In 2014 most of their hand tools were still made in Sheffield at the Footprint factory. Footprint Tools can trace its manufacturing history as far back as the 1760s when Alfrid Ridge & Sons was established as a manufacturer of woodworking tools. Ridge was bought by the current owning family in 1932. The Footprint brand originates from 1875 when Thomas R Ellin, a member of a cutlery manufacturing family, started a tool manufacturing business under the brand "Footprint". This subsequently became known as Thomas R Ellin (Footprint Works). This company was bought by the current owning family in 1948 and began to manufacture a range of tools under the Footprint, Domino, Climax, John Bull, and Clinker brands. During World War 2 the divisions of the business were engaged in manufacturing hand tools for British and Commonwealth forces. After the war Footprint continued to grow, manufacture, and expand its range of hand tools for the professional tradesman. In 2008 Footprint moved to a larger factory and invested in new forging equipment, but this process was interrupted by a global recession, and Footprint was unable to generate enough business to cover the cost of the upgrades. In early 2009 the company was forced to liquidate and lay off its staff to pay creditors. The Jewitt family retained the brand and intellectual property, and later that year revived the company under the name Footprint Sheffield and began producing a smaller range of products at first. With the same family of owner-managers, now run by the fourth generation, in 2015 Footprint continues to manufacture most of their products in Sheffield, England, and exports worldwide.This item gives us a look into the history of the beginnings of an early company that made tools in Sheffield England and is still producing tools today.Ring Auger, Double Twist with Lead Screw, bit 1" with round shaft Imprinted 'footprint' trademarkflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Footprint Tools is a hand tool manufacturer based in Sheffield, England. In 2014 most of their hand tools are still made in Sheffield at the Footprint factory. Footprint Tools can trace its manufacturing history as far back as the 1760s when Alfrid Ridge & Sons was established as a manufacturer of wood working tools. Ridge was bought by the current owning family in 1932. The Footprint brand originates from 1875 when Thomas R Ellin, a member of a cutlery manufacturing family, started a tool manufacturing business under the brand “Footprint”. This subsequently became known as Thomas R Ellin (Footprint Works). This company was bought by the current owning family in 1948 and began to manufacture a range of tools under the Footprint, Domino, Climax, John Bull and Clinker brands. During World War 2 the divisions of the business were engaged in manufacturing hand tools for British and Commonwealth forces. After the war Footprint continued to grow, manufacture and expand its range hand tools for the professional tradesman. In 2004, Footprint cooperated with the University of Sheffield in a study of modern manufacturing techniques. In 2008 Footprint moved to a larger factory and invested in new forging equipment, but this process was interrupted by a global recession, and Footprint was unable to generate enough business to cover the cost of the upgrades. In early 2009 the company was forced to liquidate and lay off its staff in order to pay creditors. The Jewitt family retained the brand and intellectual property, and later that year revived the company under the name Footprint Sheffield, and began producing a smaller range of products at first. With the same family of owner managers, now run by the fourth generation, in 2015 Footprint continues to manufacture most products in Sheffield, England and exports worldwide.A tool that was made by a UK company in the 1950s that has a long history of tool manufacture and after many changes in company ownership is still producing tools today in Sheffield England.Screw driver wooden handle turned and steel blade. Made in Sheffield by Alfrid Ridge and Son. London patternNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, screw driver, alfrid ridge & son, footprint tools, tools

Blue duplicate Purchase Requisition Book dated 21/1/92 to 29/7/92.Cover has crocodile pattern and blue cloth tape on the spine. Tape on inside front cover. Items in the book include electrical work/repairs, stationary and office supplies and equipment, branding fluid, hardware, welding, dog food, screenings and spreading and checking scale. Blue duplicate pages and white originals. Last pages have This book is cancelled S? written across it. Back cover is missing. Two loose pages in the book. One is a duplicate For All Bull Cattle Colour, dated 3/2/92 for silver and yellow branding fluid. The other is a V/Line Freight Consignment Note dated 5/2/92. Purchase Requisition book with a red and cream patterned book with a red tape spine and blue pages. Saleyards is written in balck texta on the front of the red spine. Book is dated from 24/8/90 to 8/1/92. Requisitions signed by J M Crimmins and J Richmond. Requisitions were for electrical work, plumbing supplies, office materials, branding fluid, dog food, sheep dip, weed killer, repairs to yards, tools, printing, hay, and repairs to truck wash.bendigo, council, cattle markets, bendigo saleyards collection - city of bendigo purchase requisition, hume & iser, brb electrical, boltons bros, d walker pty otd, all bull albury, bearing & industrial supplies, midland irrigation, watson & crane, ray t thompson, golden triangle communications, blue line office supplies, allweld construction, toledo scales, david bolton, dalgety farmers, j m crimmins, rodger wrigley, dookie college, b p bury, ron dixon, beaurepaires tyers, steven hyde, bendigo scale co, d g walker pty ltd, reece, midland ir, bendigo engineering

Sepia photograph of 1900 Bendigo Bowling Club. Group of well dressed men outside a building. Men wearing waistcoats, suits, ties, hats. Four bowls (for playing law bowls) right front of photo. Inscriptions: Card, front - R Dermer Smith, Photo Bull St., Bendigo. Card back - GP88. Stamped 'Royal Historical Society of Victoria, Bendigo Branch, 1959, 145)' Paper posted to rear of card. Stamped - 'Royal Historical Society of Victoria, Bendigo Branch' Hand written in stamp '1959', '145'. Hand written in blue ink '1900 Bowling Club'. 'M Yates (Bendigo Station Master), F Brown, Roeder (Hotel Athenaeum), Howel (Band Manager), Town Clerk W Honeybone, Jackson Parker, AJ Pearce (Grammar School), Fred Barder, Pascoe, JA Deravin (Dolfe), WHB Neill, Charley Satchell (Solicitor_, Charlie Fly (Grocer), Andrews (Commercial Traveller), MA Bosselman, Mr WJ Jackson Sen, Mr WJ Jackson Jun. (tailors), John Fly (brother of Charles), Dr. Garnet, Dr. Theodore Deravin. (old Grammar School at back of St Andrews about to be demolished). Not Bendigo. Rear Admiral Dr St---dee, 1893.person, group, sports team

Yields information about Ballarat No. 30, in the 1950's - SEC Official photograph.1708 - Black and white photograph of a Ballarat Sebastopol type tramcar when built new in 1913. Photo used in Keith Kings book, "The Ballarat Tramways" on page 28. Understood to be an ESCo photograph. Tram has "Suttons for Gramophones" roof advertisement, words "Ballarat Tramways" on the top rail above windows and "Coliseum Photoplays"in central window. Two of the four side blinds are in the down position, probably done to show their presence. Tram has a "bulls-eye" type destination indicator. Photographed outside the depot with Lake Wendouree in the background. Photograph is a photo of another print, with the words? "Original Rolling Stock" underneath the original print and the black ink "12" in the bottom left hand corner on the newer print. 1708.1 - as above, but without the "12" written on the photograph. The words "Ballarat Rolling Stock 2 Man Brush Type Car 1918". - added 18/11/2001. 1708.2 - as above, but with more of the label cut off. 1708.3 - Electronic copy of same photograph donated by Ron Hann on a CD of photographs given to him at the time of his visit in January 1963 by the Manager. Refer to email held with item 3841. Added 28/2/2010. See Reg Item 4568 for the CD. See page 28 of Keith Kings, The Ballarat Tramways. 1708.1 - "12" in pencil in top right hand corner.trams, tramways, sebastopol type, suttons, coliseum, destination indicators, esco

Bendigo Operatic Society ''Annie Get Your Gun'' At the Capital Theatre View Street Bendigo for a Six Night Season Commencing Thursday 18th November,1971. Producer: Max Collis. Assistant Producer, Bellet and Wardrobe Mistress: Madge Welch. Society Pianist: Ruth Gorman. Musical Director: Gwen Grose. Cast: Kerry Lorenz as a Small Girl - Ferd Lorenz as Charlie Davenport - Shane Brennan as Mac (Property Manager) - Douglas Sayle as Foster Wilson - Ann Ball as Dolly Tate - Annette Beckwith as Winnie Tate - Terry Carr as Tommy Keeler - Len Carr as Frank Butler - Heather Lindhe as Annie Oakley - Mark Edebone, Peter Miller as Little Jake - Debbie Moyle, Rosemarie Favaloro as Nellie - Jennifer Carr, Cathy Johnson as Jessie - Judith Hall, Suzanne Hartley as Minnie - Brian Thomas as Col.Wm F. Cody - Valerie Griffith as Mrs. Little Horse - Wilma Baldwin as Mrs. Black Tooth - Kerry Hogan as Trainman - Bridgette Agnew as Waitress - John Tonkin as Conductor - Bernard Keogh as Major Gordon Lillie (Pawnee Bill) - Fred trewarn as Chief Sitting Bull - Ann Rundall as Wild Horse Ceremonial Dancer - Jan Lovett as Sylvia Potter Porter - Jill James as Mrs. Adamsprogram, theatre, bendigo operatic society

(1) Herbaceous Border 1984-5 (pre-Rainforest) #277. (2) View Admin Building from between Emily Gibson Beds. (3) Admin Building. (4) View of Bull Paddock, Dairy and beyond from roof of Admin Building. (5) Rear of Burnley. Tennis Court replaced by PSL 4-6 (DA) (6) Shady Walk Mondograss (Ophiopogon japonicus) Umbrella Grass (Cyperus alternifolius) (David Aldous). (7) Admin Building and Student Amenities Building. (8-10) Luffmann Ponds. (11) Frank's/Rock Point. (12-13) Oak Lawn. (14) Oak Tree lawn on reverse "Please return to Stuart Miller, Burnley College." (15) E. cladocalyx. (16) The Victorian College of Agriculture & Horticulture-Burnley Campus. U. procera to the left E. cladocalyx to the right DA. (17) Sugar Gum E. cladocalyx Burnley Gardens 1989 DA. (18) Burnley College in background DA Crack Willow in winter. (19) Tree unidentified. DA (20) DA View of trees behind Luffmann Ponds. (21) View of Burnley Gardens Pinus canariensis to the left Agathis robusta centre and sequoia sempervirens to the right DA. (22) Students in Citriodora Courtyard. (23) View of Emily Gibson Beds from roof of Admin Building. (24) Admin Building from Oak lawn. Annotated by David Aldous and Stuart Miller. herbaceous border, administration building, emily gibson beds, bull paddock, dairy, tennis court, shady walk, luffmann ponds, oak lawn, david aldous, stuart miller, student amenities building, sugar gum, citriodora courtyard

The number of cattle in this photo suggests that it was a small holding, at the beginning of the dairy industry in Bacchus Marsh. This industry became a major source of employment in Bacchus Marsh. By the early twentieth century, the Bacchus Marsh region was a significant contributor to the dairy industry in Australia. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. This is a photo of a dairy farm in an unknown location in the Bacchus Marsh district. It has been taken from an elevation looking down at the farm. On the left, the roadside can be seen running alongside a stream or river which is fenced off by a line of trees and a post and rail fence. Parked on the road outside the farmhouse is a wagon which is unhitched. The wagon has a white rooftop and on the side can be seen a professional logo, details unclear. This wagon is most likely the wagon used by the photographers to access outlying properties with their photographic equipment. The farmhouse itself faces the road with side doors giving onto the yard. The roof is partially covered by new slates, possibly slate covering bark. Six milking sheds of post-and-rail construction adjoin the farm yard. In the first and fourth stalls (l to r) the farmer and his wife can be seen seated, miking cows. The rest of the herd are awaiting milking in the yard which also has a post-and-rail fence. A bull of milking shorthorn breed stands outside the fence. The milking herd itself is of various breeds; Herefords, roan shorthorn and roan and white shorthorns can be identified. On the right is a shed of rough-hewn boards and a shingle roof. In the yard at the back of the house stands a cart or dray. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. dairy farms, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchen ware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the ‘Bull in a China Shop’ and ‘Creative Tableware’ names. ‘Sol’ (c.1912-1963), ‘Studio’ (1953 on) and ‘Royal Staffordshire’ (post 1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Earthenware white glazed ironstoneJ & G Meakin Hanley England stamped to base, with white flora designwarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pottery, earthenware, iron stone, alfred meakin, james meakin, george meakin, earthenware manufactures, chamber pot

In the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware) that met a ready market in the United States, South America, Australia, and other traditional British markets. By the 1890s the company was one of the world’s largest earthenware manufacturers. Although export teaware and tableware was the factory’s staple commodity, Meakin also manufactured toilet ware, kitchenware and a wide range of fancy earthenware. The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period. The Moderne' range was introduced in 1929 consisting of an angular shape decorated design with geometric patterns and often highlighted with silver or gold. This range remained in production through the 1930s. Post 1945 the company introduced the streamlined Studio shape (1953) and Horizon shape (1955) both heavily influenced by the Russell Wright ‘American Modern’ tableware. In 1964 a new Studio shape was released with tall streamlined coffee pots used as the background for many contemporary patterns now associated with the 1950s and 1960s. Designs by Jessie Tate and Eve Midwinter, some originally found on Midwinter shapes, also appear on 1970s Studio ware. The Studio range was one of Meakin’s most successful and continued in production until the late-1970s. The enormous range of floral, geometric, and abstract designs make Studio Ware collectible in its own right. In the 1970s and 1980s as part of the Wedgwood Group Meakin produced contemporary products under the 'Bull in a China Shop' and 'Creative Tableware' names. 'Sol' (c.1912-1963), 'Studio' (1953 on) and 'Royal Staffordshire' (post-1968) were important J. & G. Meakin Ltd trade names. Meakin marks are numerous, but all include the J. & G. Meakin name. The significance of this item and pottery generally is that often earthenware is portrayed as being a landmark in the evolution of humanity. This is because these items are the few things from the past that have survived in a tangible form. Pottery is an important functional part of society and it has a critical role to play as it helps archaeologists to date other artefacts of the same time period. Also, the decorations on pottery have told much about the beliefs, lifestyles and lives of the people who bought them and used them. In other words it gives us today a snapshot of society from the past and how people used these items in their daily lives, their likes as well as societal and design trends. Chamber pot ceramic white with handle at side and decoration around top. Unclearwarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, champer pot, personal hygiene, personal item, ceramic pot, domestic object

White fought at the Battle of Charasiab and at the Battle of Kandahar in the Second Anglo-Afghan War. For his actions he was awarded the Victoria Cross in 1879. White became commander of the forces in Natal in 1899 at the opening of the Second Boer War and fought at the Battle of Elandslaagte. He withdrew to Ladysmith where he took command of the garrison during the Siege of Ladysmith. When his position there became untenable he was instructed by General Sir Redvers Buller to destroy the guns and surrender the garrison on the best terms he could. White insisted on staying and held out for another four months before being relieved in February 1900. For this he was appointed a Knight Grand Cross of the Order of St Michael and St George. Earlier he had been made Knight Grand Cross of the Royal Victorian Order. In 1903 he was promoted to Field Marshall. White received many awards for his service to his country. They include the Victoria Cross (1879); Knight Grand Commander of the Order of the Indian Empire (1893); Knight Grand Cross of the Order of the Bath (1897); Knight Grand Commander of the Order of the Star of India (1898); Knight Grand Cross of the Order of St Michael and St George (1900); Knight Grand Cross of the Royal Victorian Order (1900); Order of Merit (1905). He also received the Indian Mutiny Medal; Afghanistan Medal; Kabul to Kandahar Star; Egypt Medal (1885); India General Service Medal (1885-87); Queen's South Africa Medal - Defence of Ladysmith; Queen Victoria Diamond Jubilee Medal; King Edward VII Coronation Medal; King George V Coronation Medal; Khedive's Star. Sir George Stuart White's medal and honours are displayed at the Gordon Highlanders Museum. Individual image from photographed poster of tobacco and cigarette cards.george stuart white, battle of charasiab, battle of kandahar, second anglo-afghan war, victoria cross, natal, second boer war, battle of elandslaagte, kadysmith, siege of ladysmith, general sir redvers buller, knight grand cross of the order of st michael and st george, knight grand cross of the royal victorian order, field marshall, knight grand commander of the order of the indian empire, order of merit, indian mutiny medal, afghanistan medal, kabul to kandahar star, egypt medal, indian general service medal, queen's south africa medal, queen victoria diamond jubilee medal, king edward vii coronation medal, king george v coronation medal, khedive star, gordon highlanders museum

Martin Romuld was born near Trondheim in Norway on September 26, 1905. He started jumping on skis at age 6 or 7 and became very good at it. He completed his degree in Civil Engineering at the University of Trondheim and decided to come to Australia. He arrived on 7 March 1928 and found a job with the SEC. The SEC wanted to investigate the possibility of a hydrological surveys necessary to determine the flow of water over a period of years. These surveys started in 1934 and continued until 1941. He lived at Wilkinson’s hut for most of the time during those years both in summer and winter. In his role with the SEC, Martin visited all the various creeks to measure water flow rates as often as was necessary. These skis were used on his winter rounds during the time he spent in the area. Martin also competed in skiing during the 1930s. He won the combined Australian title 3 or 4 times. He was unbeatable in cross country, probably due to the continual practice in his job. Before migrating to Australia, Martin had been runner up in the 1926 European Jump Championships held in France. Jumping was his favourite thrill and he would often construct a jump for practice near the Scout Hut (or Rover Chalet) quite near to Wilkinson’s. In 1941 Martin joined the Royal Australian Air Force and after the War skied mainly at Mt Buller. He maintained his involvement in competitive skiing as an official. In 1958 Martin was the main judge of the National jump which was held to the left of the Nissen tow. He also designed the jumping course at the Donna Buang snow fields. Martin Romuld was Co Vice-President of the Federation of Victorian Ski Clubs in 1949, along with Tom Mitchell M.L.A. Martin Romuld died on 14 July 1998 in Prahran, Victoria,These skis are significant because they belonged to a pioneer of Falls Creek and the sport of skiing in Australia.A set of skis made for Martin Romuld. They are made from American hickory which arrived in Australia via Norway in October 1933. Andy Broad made the skis and they were furnished with steel edges. There was enough hickory for 18 pairs of skis and a pair of competition cross country skis were also made for Martin Romuld. martin romuld', falls creek pioneers, australian skiing history

Mavis Grace Lindsay born in 1917 and married Toni St. Elmo in Ballarat on 18 December 1944. She was known as “Skippy” from childhood. They moved from Melbourne in 1945 and spent the year living in Wallace’s Hut. Toni was employed by the State Electricity Commission to record weather-related data. They were to become responsible for early developments at the Falls Creek resort and for promoting a love of skiing. Toni taught Skippy to ski and she practised on the High Plains where she and her husband lived. Toni entering her in the first club championships held by the Bogong Ski Club at Rocky Valley, which he had established. Skippy St Elmo won many ski races during the 1950s and represented Australia in New Zealand. In 1947, the first ski lodge was built by six SEC employees including Toni St Elmo. The lodge was named “Skyline”. In 1957, Toni was involved in building the first rope tow at Falls Creek, called Nissen. He also established the Nissen Ski School. In 1949, Skippy won the Downhill and Combined State Championship held at Mt Buller. In 1950, Skippy was selected to compete in New Zealand with the Victorian team. Skippy trained with the men at the Bogong Ski Club which became a talking point in 1953 when the Albury Ski Club held an Open Championship and Skippy won in the Giant Slalom and Downhill. She went on to win many more races. In 1960, Skippy and Toni said farewell to Falls Creek. Skippy passed away in Queensland in July 2005 and Toni passed away in September of the same year. In November 2006 they were honoured at the Alpine Village at Falls Creek by the spreading of their ashes over Eagle Rock.A black and white photograph of Skippy and Toni St. Elmo standing in the doorway of their hut on the Bogong High Plains. A line of washing stretches behind the hut connected to the outside toilet.skippy st. elmo, toni st. elmo, sec hut skippy and toni st. elmo

Mavis Grace Lindsay born in 1917 and married Tony St. Elmo in Ballarat on 18 December 1944. She was known as “Skippy” from childhood. They moved from Melbourne in 1945 and spent the year living in Wallace’s Hut. Toni was employed by the State Electricity Commission to record weather-related data. They were to become responsible for early developments at the Falls Creek resort and for promoting a love of skiing. Toni taught Skippy to ski and she practised on the High Plains where she and her husband lived. entering her in the first club championships held by the Bogong Ski Club at Rocky Valley, which he had established. Skippy St Elmo won many ski races during the 1950’s and represented Australia in New Zealand. In 1947, the first ski lodge was built by six SEC employees including Toni St Elmo. The lodge was named “Skyline”. In 1957, Toni was involved in building the first rope tow at Falls Creek, called Nissen. He also established the Nissen Ski School. In 1949, Skippy won the Downhill and Combined State Championship held at Mt Buller. In 1950, Skippy was selected to compete in New Zealand with the Victorian team to compete in New Zealand Skippy trained with the men at the Bogong Ski Club and that fact became a talking point in 1953 when the Albury Ski Club held an Open Championship and Skippy won in giant slalom and downhill. She went on to win many more races. In 1960, Skippy and Toni said farewell to Falls Creek. Skippy passed away in Queensland in July 2005 and Toni passed away in the September of the same year. In November 2006 the pair was honoured at the Alpine Village at Falls Creek by the spreading of their ashes over Eagle Rock.Photograph of Ms Skippy Elmo and man at Bogong High Plains on August 25 1945 as well as a framed receipt for the Ski Club of Victoria Junior Test for Ski Instructorsskippy st elmo, skyline lodge, bogong high plains, ski instructor test

This black and white photograph shows the front view of the Ovens Benevolent Home with one person sitting on a bench seat against the nearest part of the building and another person walking on the grass. This photo is estimated to have been taken in the early 1900’s when the Ovens Benevolent home would have still been fairly contemporary. According to Woods (p. 121) in the 1860’s the government spent considerable sums to establish several public buildings such as the Benevolent Asylum, the Hospital and Insane Asylum to support those in need of care in the area directly after the Indigo gold rush which had left Beechworth, a fairly remote regional and newly formed township (Gold was first discovered in Beechworth in 1852) with a number of infirm and destitute people in its wake and which due to the support and establishment of these facilities ‘made Beechworth a significant social welfare centre in Victoria’ (Woods, p. 121). Originally named the Benevolent Asylum, the building was renamed as The Ovens Benevolent Asylum in 1935 and again to The Ovens and Murray Home in 1954. The building construction began in 1862 and was unique in its features of Flemish Gothic Revival style which utilised red brick and granite, ‘the main facade is dominated by four curved, Flemish gable ends, […] incorporates paired windows of pointed Gothic form and dark brick diaperwork patterning. The adjacent J. A. Wallace Wing of 1899 was designed by Donald Fiddes as a separate building. Also constructed of red brick, Fiddes adopted a conservative approach, designing a simple domestic scale building with central projecting gable porch and flanking bull nosed verandahs.’ (https://vhd.heritagecouncil.vic.gov.au/places/118). Initially established to provide housing and care for aged, orphaned or widowed members of the population, over time the Ovens Benevolent Home focused more on the age care responsibility which functioned as such up until 2005.The Ovens Benevolent Home is significance due to its association with the early development of Beechworth. It shows the civic, social welfare development that took place in the town after the peak of the gold rush which helps to establish the character of the community being built at the time and their cultural values at play. This photograph also clearly shows the early functioning landscape of that building and its purpose as well as the significant elements of its aesthetic significance and unique and striking architectural forms of the building.Black and white rectangular photograph [copy from slide]Reverse: / 7588 /housing and care, aged care, donald fiddes, ovens benevolent home, flemish gable, brick diaperwork, photograph, black and white photograph, public building, benevolent asylum, indigo gold rush, beechworth, the ovens and murray home

Eaglehawk Dahlia & Arts Festival 1991, Souvenir Programme, March 14th - 24th. Programme. Debutante Ball x2 Debs presented to Mayor of Eaglehawk Cr. W Carney. Music 'Gaytones'. Gala Fair, Canterbury Park. Organised by Y's Men and Menettes of Eaglehawk. Porcelain Art and Craft Show, Art Show, Stafford Ellison & McKern Awards. Display of Memorabilia, Cornish Association. Children's multi-Dimensional Art Exhibition. Flower Show, sponsored by North West Country Credit. Children's Photographic Display. Photographic Print Competition. Historic California Hill Church, open. Victorian Police Display Unit caravan open to public. Official Opening His Excellency, Dr. Davis McCaughey. A.C. Governor of Victoria. Dahlia and Arts Street Procession. Presentation of Art, Craft Photographic and Literary Awards. 9th Annual Dahlia and Arts Half-Marathon, conducted by Eaglehawk Athletic Club. Ecumenical Church Service, Combined Clergy. Speaker: Rev. Lindsay Faulkner, Eaglehawk Citizens Brass Band. Their Excellencies, the Governor of Victoria, Dr. McGaughey and Mrs McGaughey. Picnic Lunch. Free Concert. Cycling Criterium, Featuring the Tony McCaig Memorial Wheelrace. Barry Kenny Country Roundup. Family Mini Fair. Borough Bingo. Indoor Garden Party. Celebrity Concert. Rotary Club Dinner. Children's Fancy Dress Parade, sponsored by Bendigo Advertiser. Gala Charity Old Time Ball, 'Premiers Orchestra'. Traditional Cornish Concert, Eaglehawk Citizens Brass Band, Val Broad, Annette Beckwith, Steven Higgs. Traditional Cornish Service. Genealogy Society, Cornish Association Display, Walk Tours of Eaglehawk, Ray Wallace. Picnic in the Park followed by family reunions and entertainment. Aussie Clean-up Day. Croquet and Bowls Tournaments. Official Guests: His Excellency, Dr. Davis McCaughey A.C. Governor of Victoria, and Mrs McCaughey. Mayor of Eaglehawk: Cr. W Carney J.P. Festival President: Cr Lola Miller B.E.M. Vice Presidents: Alan Bull & Kevin Herdman. Executive Officer: Ruth Claridge. Treasurer: Mary Mills. Committee Members: Alan Pearce, Harold Trahair, Wendy Holland, Trevie Dineen, Wayne Evans, Rebecca Evans, Jean Tebb, Lois Locket, Pam Wright Ron Dineen, Sandie Morris, Wayne Morris, Joyce Shelton, Dot White, Ric Norris, Ron Watts, Noel Thomas, Lorna Thomas, Ted Brown, Heather Bull, Dennis Cock, Edith Mudford, Ron Mudford, Anne Scott. Acknowledgements: Councillors, Officers and Staff of the Eaglehawk Borough Council, and by members of the Rotary Club of Eaglehawk. Lions Club of Eaglehawk. Judges of various awards. Sponsors, donors of procession prizes, voluntary workers, dedicated community of Eaglehawk. Sponsors: Stafford Ellison, Borough of Eaglehawk, Bendigo Bank, KcKern Manufacturing Pty Ltd, Bendigo Advertiser, State Bank of Victoria.event, entertainment, eaglehawk dalia and arts festival, eaglehawk dahlia & arts festival 1991, programme, march 14th - 24th. programme. debutante ball x2 debs. music 'gaytones'. gala fair, canterbury park. organised by y's men and menettes of eaglehawk. porcelain art and craft show, art show, stafford ellison & mckern awards. memorabilia, cornish association. children's multi-dimensional art exhibition. flower show, sponsored by north west country credit. children's photographic display. photographic print competition. historic california hill church, . victorian police display unit caravan open to public. street procession. presentation of art, craft photographic literary awards. 9th annual dahlia and arts half-marathon, conducted by eaglehawk athletic club. ecumenical church service, combined clergy. rev. lindsay faulkner, eaglehawk excellencies, the governor of victoria, dr. mcgaughey and mrs mcgaughey. picnic lunch. free concert. cycling criterium, featuring the tony mccaig memorial wheelrace. barry kenny country roundup. family mini fair. borough bingo. indoor garden party. celebrity concert. rotary club dinner. children's fancy dress parade, sponsored by bendigo advertiser. gala charity old time ball, 'premiers orchestra'. traditional cornish concert, eaglehawk citizens brass band, val broad, annette beckwith, steven higgs. traditional cornish service. genealogy society, cornish association display, walk tours of eaglehawk, ray wallace. picnic in the park family reunions and entertainment. aussie clean-up day. croquet bowls tournaments. official guests: his excellency, dr. davis mccaughey a.c. governor of victoria, and mrs mccaughey. mayor of eaglehawk: cr. w carney j.p. festival president: cr lola miller b.e.m. vice presidents: alan bull & kevin herdman. executive officer: ruth claridge. treasurer: mary mills. committee members: alan pearce, harold trahair, wendy holland, trevie dineen, wayne evans, rebecca evans, jean tebb, lois locket, pam wright ron dineen, sandie morris, wayne morris, joyce shelton, dot white, ric norris, ron watts, noel thomas, lorna thomas, ted brown, heather bull, dennis cock, edith mudford, ron mudford, anne scott. acknowledgements: councillors, officers and staff of the eaglehawk borough council, and by members of the rotary club of eaglehawk. lions club of eaglehawk. judges of various awards. sponsors, donors of procession prizes, voluntary workers, dedicated community of eaglehawk. sponsors: stafford ellison, borough of eaglehawk, bendigo bank, kckern manufacturing pty ltd, bendigo advertiser, state bank of victoria.

When war broke out in 1899, and early target for the Boers was the diamond-mining centre of Kimberley. This was located near the point where the Transvaal, Orange Free State and Cape Colony met. General Sir Redvers Buller detached the 1st Division under Lieutenant General Lord Methuen to relieve the Siege of Kimberley. This decision was made partly for reasons of prestige. To capture Kimberley (which contained the famous imperialist and former Prime Minister of Cape Colony, Cecil Rhodes) would be a major propaganda victory for the British. Methuen's force advanced north and won two engagements against the Boers of the Orange Free State. Reinforcements from Transvaal under General Koos de la Rey arrived and he convinced the Boers to follow his plans for attacking the British. Instead of relying on the hills for protection and missing their targets, de la Rey proposed they make use of the flat veld and introduced them to the Mauser rifle with its flat trajectory. Trenches were built in the banks of the Modder River from which they could sweep the veld for a great distance. The trenches were built on the south side of the river and on the smaller Riet River where they meet at Modder River Station. Methuen's force began advancing towards the Modder planning to cross the river. The Boers opened fire and the British troops were unable to find cover on the veld. They had to lay flat so as not to be seen or hit. The British guns pounded the buildings near Modder River Station and the north bank of the river, missing the trenches on the south bank. The battle became a stalemate. The British found an opening on the Boer's right flank at Rosmead ford downstream and drove the Boers out of Rosmead. De la Rey drove them back into a small insecure bridgehead. The Boers feared they were vulnerable and withdrew during the night. Methuen reported that the battle had been "one of the hardest and most trying fights in the annals of the British army". Individual image from photographed poster of tobacco and cigarette cards.boers, diamind-mining, kimberley, transvaal, orange free state, cape colony, sir rdvers buller, lieutenant general lord methuen, siege of kimberley, cecil rhodes, general koos dde la rey, mauser rifle, veld, modder river, modder river station, trenches, riet river, rosmead