The Jot a Dot Pocket Brailler is a portable, manual Braille writer designed for use by individuals who are blind or have low vision. This small, lightweight brailler has six keys for Braille entry. The keys have high contrast colors for identification by users with low vision. Braille is written from the left hand side of the page to the right, with 20 cells of braille per line. The user can read Braille as it is written by turning the unit over. A built-in reading stand keeps the unit stable when resting on hard surfaces. Tactile line and cell indicators show the current location on the page. The line indicator shows which line is being Brailled, and the cell indicator shows the position of the embossing head on the line. By turning the device over, the user can read the Braille as they write it. This Brailler uses standard photocopy paper in A5 and A6 paper sizes. The unit is constructed in one piece, so there are no parts that can be lost. 1 rectangular blue Braille unit with 6 bright green keys Yellow sticker LN017a on front. On back Jot a Dot F07077 sponsored by Guide Dogs. braille equipment, assistive devices

Images taken of staff during the late 1990's. These include: Pat Finnimore (Board Director 10/98), Geoff Melvin (Board Lawyer), Peta Nagle (Director, 1998), Sue Camps (Manager Employment Placement Service, July 1998), Margaret Ford (Finance Manager, various) and Branka Codasic (Accounts Officer, various), general staff offices, Tracey Millwood (1997), Peter Lynam (CEO Vision QLD, various dates) and Kevin O'Mahoney (Manager - Aid for the Blind Incorporated, March 1998), Glen (Cleaner/Gardener, 1997), David McKenzie (Development Manager, 1998), John Johnson (Sales Manager, 1996), Dene Vilkins (Project Co-ordinator and Assistant Manager, March 1996), Nigel Irwin (Client Services Manager, various), Carolyn Kalymnios (Canteen manager), Bray Waterman (Production Manager), Michael Thorn (Production Worker) and MIchael Box (Vision QLD client, 1997).42 col. photographs of staff membersvision qld, qbic industries, geoff melvin, pat finnimore, peta nagle, sue camps, margaret ford, branka codasic, tracey millwood, peter lynam, kevin o'mahoney, david mckenzie, john johnson, dene vilkins, nigel irwin, michael box, carolyn kalymnios, bray waterman, michael thorn

On June 15, 2007 Vision Australia Radio (formerly 3RPH) celebrated its 25th anniversary of broadcasting. Despite earlier broadcasts on community radio stations, a dedicated radio service for people who wanted to listen to in depth information on news and current events as well as serialisation of books had not eventuated. With the support of Commonwealth funding in 1982, stations were permitted to transmit on marine band frequencies in Melbourne, Sydney and Hobart. With the eventual movement of major stations to FM in the 1980s, provision was finally granted for RPH stations to allow them to move to the AM band in metropolitan areas. In the 1990's regional stations were established, later linking to provide the Vision Australia Radio network. Throughout all of these changes, volunteers have supported the radio station in a range of ways, including collating and reading the newspaper articles for broadcast, helping source interviews and program ideas, operating studio equipment as well as presenting programs themselves.38 digital images of the 25th anniversary of VARvision australia, 3rph radio station, vision australia radio, gerard menses, stephen jolley, pam adams, lynne kells, tim evans, roberta ashby, marj west, norm richards, vince september, norm rees, graeme dawson

Article questioning the assessment of the success of the Sydney Opera House by three main categories: will it work; artistically, is the vision exciting; what does the project do for Australian culture? Article concludes that the true worth of the Sydney Opera House is in its audacity, presence on the global stage, and its patronage to the arts. A copy of the published article was in the Sydney Opera House scrapbook in the desk cupboard (item P1378.21).Original manuscript of an article published in The Australian on 21.09.1965. This is the third part of a three part series called 'This Opera House' published 18th, 19th and 21st September 1965 (see D174 and D175).Typewritten, quarto, 8 pagesinternational architecture competition, utzon, sydney opera house, sydney opera house project, cost of building, robin boyd, manuscript

The Kew Asylum Entrance Gateway and an adjacent gate lodge were built at the Princess Street entrance in 1873.1 The imposing sandstone pillars and cast-iron gates impressed upon visitors the therapeutic and civilising vision of the asylum. The entrance opened onto a tree-lined drive (now known as Main Drive) which culminated in an elliptical carriageway in front of the main building. (Heritage Council of Victoria)Colour photographic positive of the former Kew Asylum Gates which were relocated in 1942 to Victoria Park in High Street, Kew. The gates were listed by Heritage Victoria in 2020. The citation reads: "The Former Kew Asylum Entrance Gateway consists of two 4.5 metre sandstone gate piers on bluestone bases on either side of a 5.5 metre vehicle entrance set back from the High Street pavement. The 1870s gate piers are of Barrabool sandstone and repairs during 2015-16 were undertaken with sandstone from English Town, Tasmania. The gate piers are highly decorative and feature oculi, triglyphs, dentils, corbeling and other ornamental work. Each gate pier incorporates a pedestrian archway with a cast-iron pedestrian swing gate. Two curved sections of cast-iron palisade fencing on rusticated bluestone blocks extend from the outer edges of the piers to a set of shorter sandstone pillars on the High Street pavement. Straight sections of cast-iron fence extend 4.5 metres ending at two bluestone pillars. Garden beds have been created within the curved sections of fencing, bordered by concreted bluestone and planted with shrubs." (Heritage Council of Victoria)gates -- kew asylum, gates -- victoria park -- kew (vic.)

Produced by General Electric (GE) for American Printing House for the Blind in Kentucky, this player has dials to control tone, volume, speed, side and buttons to record, rewind, forward, play, pause and stop tape. Handling both 2 and 4 track tapes, these players were targeted towards the vision impaired, as it allowed greater freedom to adjust recording styles to suit individual listeners. Plastic rectangular brown audio player with buttons for navigational controls, a handle and black vinyl carry pouch.audio equipment, assistive devices

Letter paper used by staff at the Royal Blind Society of New South Wales. A cream A4 sheet with the words 'ROYAL BLIND SOCIETY' at the top of the page, and 'ROYAL BLIND SOCIETY A VISION TO SHARE' around the RBS logo as a background in the middle of the page. Around the edge are four lines (3 thin, 1 thick) which form a border with two rectangle boxes in the corners of the page.1 x A4 letterhead with RBS logoroyal blind society of new south wales, office equipment

A brown wooden award with a banner engraved 'Association for the Blind' at the top of the shield, a large metal plate with a laurel wreaths and relief of a man starting to run in the middle. At the base is another banner inscribed 'Perpetual Shield Vision Victoria River Run'. 12 smaller shields frame the central plate, with names on two of them: 1990 Mike Hillardt 31.39 and 1991 Amon O'Callaghan 31.49. Wooden shield with 12 mini shields, banner and image of runner in centreassociation for the blind, mike hillardt, amon o'callaghan

On June 13, 2008 former Premier of Victoria John Cain and his wife Nancye visited the Kooyong office of Vision Australia. After viewing demonstrations of a magnifier, screen reader and Daisy book, Mr Cain spoke to a group of VA staff and clients as well as fellow members from the PLVN (Public Libraries of Victoria Network). He later recorded an interview for VA Radio.40 digital images of John and Nancye Cain's visit to Kooyongvision australia, john cain, nancye cain, julie rae, tim evans, tony iezzi, debra rosenfeldt, jim pipczak, kevin murfitt, david blyth, stephen belbin, anne-marie schwirtlich, lorraine seeger, claude ullin, carolyn macvean, maryanne diamond